Introducing Mountain Signature - Stylish Signature Script is a quality script that is written casually and quickly with 28 ligature. Letters are made with Sign on paper. Then scanned and carefully drawn into vector format. Mountain Signature is perfect for homeware designs, branding projects, logos, designs, quotes, product packaging, photography, and watermarks.

Syondola is Greater Albion's venture into the Wild-West. Need something to evoke saloon bars, or the OK Corral, or river Paddleboats? Syondola is it! Two styles are offered, Regular with clean and precise outlines, and Rustic, which has a deliberately slightly eroded look, for that old and timeworn feel.

Introducing Charlie Brocklin - Stylish Ligature Script is a Quality script that is written casually and quickly with 15 ligature. Letters are made with Sign on paper. Then scanned and carefully drawn into vector format. Charlie Brocklin is perfect for homeware designs,branding projects, Logo, design, Quotes, Product packaging, Photography, Watermark.

Marbach is a strong text face, solidly built with a commanding structure. Although firmly situated in the lineage of classic book faces, it features many contemporary graphical elements. It is stable in small text sizes and will show appealing formal qualities in display applications. The Marbach family consists of 14 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows and some alternate characters.

Pesaro is a new text typeface with a strikingly robust but charming appearance. Inspired by early prints from Venice like Jensen and Manutius, it follows its own formal concept of a contemporary design – a stable typeface with strong text qualities and graphic appeal. The Pesaro family comprised 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and elegant swash captitals for all italic styles.

Urania is a new approach to early sans serif typefaces, in particular Ferdinand Theinhardt’s types which came out at the beginning of the 20th century. Urania is not an adaption, but a new interpretation of familiar and successful formal features, transformed into a contemporary look. The Urania family consists of 18 styles and it comes in OpenType format with extended language support for more than 40 languages. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternative characters.

Polyphonic is a highly versatile slab serif typeface comprising 60 fonts across 6 weights and 5 widths. It is a no-nonsense, clear and legible type family whose multiple voices will suit numerous typographic applications. Its overall personality is polite, understated and formal – there are no frills with this typeface, it conveys messages simply and efficiently without hyperbole. Polyphonic’s lighter weights are great for body text and its heavier weights the perfect complement for branding, titles, headings and logotype options. Small Caps are included with each font and available with one click, as are Old Style Figures, there is extensive language support too – European/Latin only. Key features: • 6 Weights in Roman and Italic • 5 Widths – Condensed, Narrow, Regular, Wide, Extended • Small Caps • Old Style Figures • European Language Support (Latin) • 600 glyphs per font. See more detailed examples at the Polyphonic microsite.

Airborne is the font pack. The Normal font combines with the alternate character font to make each word unique. Then add the Splatters font as your tagline and — the ideal logo!

อธิษฐาน เป็นอักษรแบบคอนทราสต์แซนส์เซอริฟ มาพร้อมกับอักษรแบบมีหัวสำหรับภาษาไทย ดูทางการ เรียบหรู มีเสน่ห์ เหมาะสำหรับการใช้ผาดหัว หรือรองผาดหัว มีทั้งหมด 9 น้ำหนักและตัวเอียงของแต่ละน้ำหนักรวมทั้งหมดมี 18 สไตล์ และมีฟีเจอร์อื่น ๆ อาทิเช่น Small Caps และฟีเจอร์อื่น ๆ พร้อมให้คุณได้เลือกใช้งาน รองรับหลากหลายภาษา Athisthan is a contrast sans serif typeface with loop head style for Thai character. Formal, elegant, charming look. Suitable for headline and sub-headline. Comes with 9 weights and italics of each weight total 18 styles, and there are features such as Small Caps and many features available for you. Support multi-languages.

Zapf International font is the work of German designer Hermann Zapf, formal enough for widespread use yet tempered with calligraphic warmth. Vigor in the italics is achieved more from design than from slant. One of the distinguishing characteristics of Zapf International is its graduation of weights. Light and medium are relatively close and equally eloquent for text. Demi is a full two steps heavier than medium and heavy several steps beyond demi.

The Bunken Tech Sans superfamily: A reminiscence of constructed fonts of the modern age designed with considerably cleaner forms. •See other members of the Superfamily: Bunken Tech Sans •For further details, view the Specimen PDF. Bunken Tech Sans Wide follows in the best tradition of the straight-lined and somewhat angular structures of its predecessors while offering a much more open and mild design. The shapes of the letters are therefore reduced to the most essential elements: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleasing to the eye than certain historic role models and make for a harmonic, flowing style. Use In particular Bunken Tech Sans Wide stands out as an easy, distinctive headline font with its straight-lined, technical design. Open counters and large x-height make it equally suited for use in shorter texts. It is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon). Features Available in 16 styles with widths ranging from Light to Heavy with associated Italics. All of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters! Each style is available in a professional (Pro) standard (Std) and Small Caps (SC) edition with a different range of functions. (Language support, OpenType features and number of glyphs). Details can be found on the respective pages. Bunken Tech Sans Wide is part of the Bunken Tech superfamily and is available in Condensed, Normal and Wide. Also of interest: The slab serif variation Bunken Tech Slab Features in Detail: 16 Weights: -Light -Book -Medium -SemiBold -Bold -ExtraBold -UltraBold -Heavy and corresponding Italics 3 Widths: -Condensed -Normal -Wide Alternate Characters: A, E, F, L, S, e, f, t, s, y, etc. Small Capitals 5 Sets of Figures: -Lining Figures -Old Style Figures -Tabfigures -Old Style Tabfigures -Small Cap Figures Automatic Ordinals Automatic Fractions Extended Language Support and more...

Hiatus bridges the gap between formal scripts used for invitations and more classic settings and casual scripts that exude a warmer tone. Like many formal scripts, Hiatus is fully connecting. Its low body height combined with generous letterspacing adds an elegant profile to lines of text. Like casual scripts, Hiatus has a warm, hand-lettered appearance with great rhythm. Solid in structure; Hiatus also sets well at smaller sizes. Type enthusiasts will enjoy the variety of options. For optimal text flow, both letters and ligatures have alternate versions programmed to come in at the appropriate place for both beginnings and endings as well as in various contextual settings. In addition, there are variations and flourished versions of almost every letter and ligature. Some ligatures have as many as 12 variations. Also included are fractions, a set of old-style numbers, and a set of ornamental flourishes. Hiatus is a unique contemporary script with the strength of a time-tested classic. Please note that this version supports a wider range of languages compared with the lower-priced version available through other channels.

Introducing Paneur – Expressive Serif Typeface Serif Playfulness Paneur – Serif Typeface is far from your typical, formal serif font; it introduces a delightful touch of playfulness to traditional design. Informal Strokes Notably, Paneur’s strokes take on an informal quality, adding an expressive flair to your projects while steering clear of the formality usually associated with conventional serifs. Endless Expressivity What sets Paneur apart is its ability to offer endless expressivity. It’s the perfect choice for those who wish to break the monotony in design, infusing each project with an invigorating energy and dynamic spirit. Never Boring Design Indeed, Paneur is the antidote to boring and conventional design. Its informal serifs guarantee that your creations are never dull, but rather lively, captivating, and bursting with personality. In Conclusion In summary, Paneur – Serif Typeface is the font of choice for non-traditional expressiveness. It introduces a playful and informal touch to your projects, breaking free from the constraints of traditional serif fonts. By choosing Paneur, you ensure that your designs are engaging, full of life, and far from mundane.

Clinto Sans Serif Clinto Sans is a simple geometric sans serif font Clinto Sans are constructed using basic geometric shapes such as circles, squares, and triangles. The letterforms are based on simple geometric proportions, resulting in a consistent and harmonious visual rhythm. Clinto sans serif fonts embrace simplicity and have a minimalistic approach. They aim to reduce letterforms to their essential elements, eliminating any unnecessary embellishments or flourishes Clinto Sans also has Straight Lines and Clean Edges. Clinto Sans also have open apertures, which refer to the space enclosed by the curved or diagonal strokes of certain letters like "a," "e," "g," and "s." The open apertures contribute to legibility and readability, especially at smaller sizes. Special features: - Ink trap Ink traps are small recessed areas or notches incorporated into the corners or junctions of letterforms. They were originally designed for letterpress printing to prevent ink from filling in and distorting the shapes, especially at small sizes. However, in modern digital fonts, ink traps are often used as a design element to add visual interest and maintain legibility at small sizes or in low-resolution environments. - Alternates Stylistic alternates offer alternative shapes or forms for certain letters in the font, a, e, g, and r, etc. Stylistic alternates can be accessed through OpenType features in design software. OpenType is a font format that allows for advanced typographic features and character substitutions, you can access the alternate letterforms through the glyphs palette or the OpenType panel in their design software and apply them selectively to specific letters. Thank You _

Every day we are faced with designing on small screens and new formats; This is where condensed fonts have great potential, as they make the most of tight spaces in big headlines. Manchester Condensed is a typeface family designed by Vástago to be applied in large headlines in different formats, such as web, editorial or packaging. Just to mention a few. Different Manchester weights enhance performance at large type sizes, providing hierarchy and imposing style with its elongated shapes. Its use in capital letters is remarkable and fits perfectly into very precise diagramming spaces.

Introducing BLAZES Typeface is a solid brush font written with a brush and slightly thick ink. written slowly so that it produces a solid brush. Then they are scanned and drawn one by one until they become vector format. BLAZES are perfect for branding project designs, Logo designs, product packaging, Quotes - or simply as a stylish text overlay on any background image BLAZES Features: -Uppercase -Lowercase -Numeral -Multilingual Support -Punctuation Thanks a lot regards, Anugerah Negara

Elegant font family with a technical twist, formal yet elegant.

Cristal is a modern typeface inspired in the cuts of a bevel effect. Its lines build each letter as a cutted gem giving an unique elegant aspect. It comes in two weights to be used at different sizes and has positive and negative versions. Also has a solid version that allows compose more legible texts. Cristal Dingbats and Cristal Frames are two essential complements to obtain a great typographic system of 15 fonts.

Cosima is a sans serif workhorse with a touch of pointy elegance, designed by Anita Jürgeleit. Launching your new brand or creating a new user interface for your mobile devices – selecting characteristic typefaces is important, whether you’re creating app design, magazine or editorial – typography is always the essential part. www.typethis.studio Thank you for checking Cosima. If you have any questions, please send an email to hello@typethis.studio - We are looking forward to hearing from you.

MTC Quinnie a condensed serif typeface with many alternates and ligature features good choice for designers and editorials. The use of many alternates and ligatures in these fonts adds visual interest and variety, allowing designers to create unique and customized typography. One notable aspect of these fonts is the smoothness of their serifs. The serifs, or small decorative flourishes at the ends of letter strokes, are an essential part of serif typefaces.

Carpenter® is a beautiful script perfectly suited for invitations and announcements. Created by James West, the design was a facsimile of the penmanship of Mr. Carpenter of R. Hoe & Co. and released by the Cleveland Type Foundry as one weight in 1882. It is now also available in SemiBold and Bold. The style of this script is very reminiscent of formal handwriting popular in the late 19 and early 20th centuries. It is graceful with formal structure. Its x-height is very small, with unusually long ascenders and descenders. Although there are many script fonts available, Carpenter is a historical design with a truly unique personality that will add a truly unique look and feel to your design. From GroupType™, Carpenter is available in TrueType and OpenType.

This beautiful font explores 3 very individual styles of one typeface. Each style pays homage to classic sans serif typefaces while adding contemporary flair to its characteristics. With both formal and informal styles, Aestetico explores how the shapes and curves of letters change their perception and focus. The informal letters are rounder and more quirky while the formal style utilizes more traditional sans serif letterforms. The whole set (54 styles) consists of 3 sister families, each in 9 weights with matching italics. The 3 variants ensure every design project is covered by Aestetico; its versatile nature is perfect for a huge variety of applications from editorial design to branding, advertising, publications and digital. As you would expect from Latinotype, this font comes with a standard character set (395 glyphs) and supports over 200 languages.

Wouldn't it be nice to have an assortment of little hand-lettered words? Words like “The” or “A”; “With” or “At”; “To” or “From”? Headline Helpers Four includes word accents that can go just about anywhere. Set off the title of your next design project with one of these little gems. Or use a Helper with your new product introduction headline. Convenient instructions and character map come as standard equipment with this highly desirable addition to your type library. Headline Helpers Four is available in the OpenType Std format. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. A Windows TrueType version of this font has also been provided if you prefer normal keyboard access.

If you're getting tired of using Broadway, here’s an exciting alternative in regular and bold weights. Douglas C. McMurtrie, Aaron Borad, and Leslie Sprunger began designing this high-contrast novelty face for the Ludlow Foundry in 1928. It retains the classic style of the Jazz Age with a bit more individuality and spirit than Broadway. This extreme thick and thin design also sports normal descenders instead of the clipped ones found on Broadway. Ultramodern Classic is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Wouldn't it be nice to have an assortment of little hand-lettered words? Words like “The” or “A”; “With” or “At”; “To” or “From”? Headline Helpers Five includes word accents that can go just about anywhere. Set off the title of your next design project with one of these little gems. Or use a Helper with your new product introduction headline. Convenient instructions and character map come as standard equipment with this highly desirable addition to your type library. Headline Helpers Five is available in the OpenType Std format. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. A Windows TrueType version of this font has also been provided if you prefer normal keyboard access.

Welcome to the new font! A fun and playful handwritten font with universal letters that looks great in ALL CAPITAL letters or is regularly used in sentence cases. Perfect for book covers, children's books, birthday invitations, stationery, calendars, magazines, Instagram posts and more! Each letter is a tall, all caps typeface with lots of bouncy glyphs Please note that the Nannaula-colorvector font is COLOR and COLOR CANNOT be changed! BUT Nannaula-normal font is normal font and you can change the color:) Feel free to email me shabanovasprt@gmail.com if you have any questions. :)

The Ruttmey is an elegant and unique sans serif font. With its neat and beautiful arrangement of letters, this typeface will look outstanding in both formal and non-formal designs. What's Included? Uppercase & Lowercase Numbers & Punctuation Ligatures & Alternates Multilingual Support PUA Encoded Regular & Italic

Nazanin, originally named Haghighi, is a modern Arabic text face first produced by Linotype in 1978. Its popular design was converted into OpenType format in 2005, taking full advantage of digital technology to allow accurate positioning of diacriticals and kerning refinements. The counters and inter-character proportions of Nazanin are characteristic of Persian display lettering and typography. This is particularly true of Nazanin bold, which gives a strong image when used for display purposes. Nazanin possesses fuller, deeper characters than is normally exhibited in Arabic typography: its angled counters contributing to fluid, well-balanced, yet vibrant, letterforms. Originally designed for Farsi typesetting, Nazanin has now become popular for Arabic typesetting as well. Nazanin is available in two OpenType weights: Nazanin Light and Nazanin Bold. Both of the fonts include Latin glyphs (from Palatino Roman and Palatino Bold, respectively) inside the font files, allowing a single font to set text in both most Western European and Arabic languages. Nazanin incorporate the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Taro Why do designers make more and more geometric fonts? There are already many geometric sans in the world. Because It is a natural flow of design. It is true that we like geometric type instinctively. Taro was designed to archive a good balance between the following three things geometrically. 1. To be Natural, Flowing, Organic. 2. To be Neutral, Unbiased, Universal. 3. To be legible, distinguishable, readable. Consists of eight weights and their matching italics. Supporting almost all latin languages. All-caps text for one line or a few is as wonderful as normal mixed-case typesetting.

This is the Cased version of my NorB Pen fonts are being inspired from Arial Round font, I use this font regularly in my jazz lead-sheets. It's a handwritten text font emulating marker permanent pen. You can use this font with any word processing program for text and display use, print and web projects, apps and comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! Pen cased font8 weights, each with their matching italics and in a Light, Normal, Bold and Heavy version.

The Fou typeface family was designed as an alternative to Trade Gothic condensed bold. During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. Fou can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics, expert sets and numerous special characters.

Triplepass is a narrow grotesque with 3 styles: normal, with cut corners and a stencil shape. The font has a retro character, contains both humanistic rounded designs and modern smooth alternatives. The font is suitable for logos, large headlines, posters, signs, prints, font compositions, as well as for sports-related layouts where clear numbers and space savings are needed. Triplepass contains extended Latin, Cyrillic, fractions, ligatures and two icons of a basketball. It contains OpenType features: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs including the rouble sign.

In the beginning, this font had been designed for an affiche work as wood pattern which includes one font and medium weight. The stylish design of this font had been inclined us to create more weights and more styles. Daphne Font Family comes in three weights; normal and italic. Plus two additional styles which are wood pattern and shadow. You can get great wood pattern results with Daphne Font Family; also with colored shadows, you can get gorgeous results in poster works and t-shirt prints. Even in very small type sizes, it can be legible.

The "Fou" typeface family was designed as an alternative to "Trade Gothic condensed bold". During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. "Fou" can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics and condensed styles, expert sets and numerous special characters.

Irrational - Strong Brush Font is an Authentic brush Font that is written casually and quickly. Letters are made with Procreate. Then trace down into vector format, and carefully crafted into a typeface. That is why Irrational has a rough, authentic, and strong characteristic more natural look. You can activate Ligature OpenType panel.

for all your royal invitations: The Fontazia Chateaux series features a unique assortment of characters inspired by some of the great castles and chateaus of Europe and beyond. These simple yet elegant symbols are delivered to you in both silhouette and outline format. For more in the Chateaux series, see also Fontazia Chateaux.

Folkwang is an unusual roman type with a lowercase that resembles an upright italic. Unusual top serifs are contrasted by almost no foot serifs. Originally released by the Klingspor foundry in 1955, this face originated from Hermann Schardt while he was the director of the Folkwang Werkkunstschule in Essen Germany circa 1949. According to British book designer and printing historian John Dreyfus in the 1955 Penrose Annual: Folkwang “…is a lovingly made piece of work which could have easily have been little more than an act of awe-struck reverence for the calligraphic techniques rediscovered by Edward Johnston and spread abroad in Germany by Anna Simons. Of special interest is the serif treatment of the lower-case letters: at the feet the terminals are mostly left bare, but the ascenders and the cross-strokes of the f and t are given elaborate curving serifs which in the mass create an effect unusual in a page of letters made as movable types, resembling rather more a piece of intaglio engraving. The ligatures ch and ck are original and successful.”

Toony Sans stands as a modern interpretation of classic typography. A nod to beloved animations, its crisp, sans-serif form captures an essence of professionalism with just a touch of nostalgic charm. Toony Sans presents a clean, streamlined look, perfect for projects requiring clarity and elegance. Its sharp edges and precise design give it a contemporary feel, yet there's an undeniable warmth that resonates with every character.

Introducing our cutting-edge techno font, designed to add a futuristic and sleek aesthetic to your designs. Inspired by the sleek designs of technology and the digital age, this font captures the essence of innovation and progress. Its clean and precise letterforms, along with its distinct futuristic style, make it an excellent choice for technology-based branding, gaming graphics, sci-fi posters, and digital interfaces.