National Forest is a font duo inspired by the National Park Service signs that are all made using a router bit. It was designed to put the timeless nostalgia of national park signs into a digital typeface. National Forest has a quirky, retro style and its’ natural imperfections add to its’ charm. The script and print compliment each other well for branding, display or marketing.

Americana is a transitional typeface with very rounded, open characters. It was designed in 1967 by Richard Isbell for American Type Founders. Americana is a wide and open face with short, wedge serifs and a rather large x-height. Typical uses for this typeface are advertisements, short pieces of text, such as greeting cards and leaflets. The Americana font family is also ideal for headlines.

HS Decomage was created by a desire for a more modern approach and as an homage to the Art Deco period. HS Decomage has a large set of ligatures to make optimum spacing easier to accomplish and stylistic alternatives give design choices. HS Decomage works great for headlines but also handles descriptive text quite well. Multi-lingual characters, numbers and punctuation are included in HS Decomage.

Named after the German Renaissance astronomer, Kepler is a contemporary type family designed by Robert Slimbach in the tradition of classic modern 18th century typefaces. Modern typefaces are known for their cool intellectual quality, but Slimbach's Kepler multiple master captures the modern style in a humanistic manner. It is elegant and refined with a hint of Oldstyle proportion and calligraphic detailing that lends it warmth and energy.

Yukas is a funky and sexy typeface where the proportions are based on the optical balance between black strokes and white shapes. Ideal to enjoy on a large scale. It takes its references from the psychedelic movement, old-school western movie posters, and mid-19th century American wood type with those big, heavy capital letters. Includes several Open Type alternatives to customize your design however you want.

Heroism Theory - Cute Handwritten Font with sharp and beautiful letters that create fonts that are modern, trendy and elegant. Came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate There it is! I really hope you enjoy it

meritorious is a script font with a bold vintage style. come with two versions (regular and extruded). This font is inspired by the manual lettering style that is suitable for your design needs such as book cover, logotype, branding, letterhead, poster, product packaging, label, invitation, and more. meritorious comes with uppercase, lowercase, numbers, punctuation and there are variations on each character including OpenType alternatives, common ligatures. Thanks

Introducing the Wahoobomex Dynamic Blackletter Font - A Modern and Strong Typeface with 785 Characters, Ligatures, and Alternates! Are you looking for a font that combines the timeless charm of blackletter typefaces with a modern twist? Look no further than the Wahoobomex Dynamic Blackletter Font. This remarkable typeface strikes the perfect balance between tradition and contemporary design, making it ideal for a wide range of creative projects.

Meet "Clari" — where simplicity meets style. This user-friendly font effortlessly blends clarity and creativity. Perfect for sleek presentations, user-friendly websites, or captivating social media posts. Its modern design ensures your message is clear and impactful. Elevate your brand with "Clari" — simplicity at its best. Can be used for the design of poster, Big sale sign, greeting card , packaging designs, New Year design and so on with the winter season concept. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA). Features: - A-Z Character Set - Numerals & Punctuations (OpenType Standard) - Stylish and Fashionable - Multilingual Thank you

Introducing Belma, designed with a stylish serif that exudes elegance, modernity, and minimalism. Belma are crafted to elevate your design and bring a touch of sophistication to your creations. Belma is perfect for display, poster, logo, and any design that requires a bold, larger text. With its clean lines and minimalist aesthetic, the font is both timeless and contemporary, making it suitable for a wide range of applications. The elegant serifs and modern design combine seamlessly to create a truly breathtaking font collection that will enhance any design project. Whether you're designing a poster for a music festival or creating a logo for a luxury brand, these fonts will add a touch of class and refinement to your work.

New Gerbil Sans Serif Modern has distinctive characteristics, such as bold thin lines and strong bold lines, as well as highly geometric letterforms with sharp corners. The color of this font tends to be monochromatic with white as the base color, making it suitable for use in designs that are modern and stylish. This makes this font easy to apply to various media, be it for poster designs, logos, business cards, banners, and various other design purposes. New Gerbil Sans Serif Modern is a very flexible font that is suitable for a variety of design purposes. With a modern and stylish design, this font can give your design a very luxurious and elegant impression.

Etymonster and Mistnake are Halloween fonts. The first is a letterbat with wide character support and the second a more limited dingbat.

DB Frilly Frames is a collection of cute frames that are just great for highlighting fun photographs or your digital scrapbooking projects.

Let it Snow! DoodleBat Snowflakes are all unique and different to capture that snowy feel that only comes from this winter season.

Feathery is a collection of 45 cute and fantastical bird illustrations. All illustrations are drawn by hand and of the highest quality.

Lineatura is a simplistic sans serif caps only typeface with dynamic character width. All its styles are based around the same skeleton.

Find style and flair in this downloadable font. Its thin lines and handwritten look are perfect for scrapbook journaling, cards, and more.

Industrial Gothic recalls the Industrial Revolution of the 19th century. There are four styles: Single-Line, Double-Line, Banner, and Small Caps.

A hefty, powerful geometric sans with weight and presence. The unusual counters are defined by lines which cut into the letter shapes.

A collection of Pi fonts containing Greek characters, mathematical signs and symbols, the Universal fonts are useful in newspapers and commercial typesetting.

M Razor is so called ""neo Sung-style"" typefaces. Crossbars (橫) and stems (豎) are orthogonal and upright. Their entry and finial points are squarish, parallel without flare. Contrast of strokes is extremely high. This creates sharpness, stiffness in the midst of elegance of Sungti. Even distribution of space, careful positioning, size and proportion of radicals create a slightly expanded, opened and balanced construction. Zhonggong are slightly expanded, its relatively less inter-character spacing makes the line of text better coupled and aligned. Its features and construction create a feel of wholesome, elegance with contrasting sharpness and stiffness. It is best suited for casual, creative display eye-catching text, set upright (non-slanted), non-condensed.

Applbitz is a set of three pixel style fonts which include a matching set of food related pix fonts. The regular style is a text font, which is optimal at 14 points when used in flash. Applbitz Pix Base and Pix Top are corresponding food related glyphs, with the top providing a bit of detail. These "friendly" pix characters can also be used in flash using some TLC (and snap to pixel grid). They are fun to add your own color combinations, and are great for a variety of food icons. View the PDF file in the gallery for color suggestions. Special note: to dress the hamburger use "{" and "½" (left brace and one-half) from Pix Top.

BluHead Studio LLC is pleased to announce the complete Prenton typeface family! Born of an award winning pedigree, Prenton is an elegant and meticulously drawn sans serif typeface by Roy Preston of Great Britain. Perfect for intricate text settings, it is an extensive family of typefaces containing twenty-one weights in all. The ten OpenType Pro fonts are typographically rich collections of small caps, inferiors/superiors, numerous figure sets and fraction styles, and ligatures. There are Condensed and Ultra Condensed versions of the roman weights and a single Thin Display weight. This wide-ranging variety provides a solid foundation for lengthy and complex typographic layouts. All fonts are OpenType CFF and support an extended Central Europe character set.

Falstaff first appeared with Monotype in 1931, an alphabet in the style of a wide, bold antiqua that was especially popular in the first third of the 19th century. Such typefaces distinguished themselves through their consistent basis in the transitional antiqua style. They are characterized by their extremely fine unflexed serifs with no curve connecting them to the thick strokes. The numerals with their generous curves and ball-like stroke endings and beginnings are particularly decorative. The vertical strokes are dominant and give lines of this typeface a column-like and therefore static look. Falstaff is today often used for book titling, especially for mystery novels. It is best used sparingly in middle and larger point sizes.

Core Circus Rough is a textured version of Core Circus which is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Circus provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Also available Core Magic Rough (Slab-Serif version of Core Circus Rough) The shape of Core Circus is simple but the combinations of effect fonts are impressive. Core Circus makes your works charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks.

Lalo Grotesk is made up of five weights, their slant versions and a two axis (weight and slant) Variable font. Lalo Grotesk is a grotesque typeface with characterful lowercase letters that are highly legible in large body texts, while the uppercase letters are wider to give a sense of speed in big size headlines. Its shapes are super readable, making the font ideal for use in web and editorial projects. It also have a big range of standard ligatures and icons. Lalo Grotesk font family will keep expanding and improving. Users will continue to receive free updates with technical and aesthetic improvements. Any suggestion will be welcome, don’t hesitate to contact us!

The three fonts in the Prescott series are re-creations of 19th century favorites with an Old West flavor. The town of Prescott was the capital of Arizona Territory from 1864 until 1912, when Arizona was admitted to the Union, and the capital moved to Phoenix. In 1986 Page Studio Graphics started its digital foundry in Arizona. The fonts are thoroughly pair-kerned, including all accented characters. Auto-kerning should be turned on in your application program. The font packages include both TrueType and PostScript versions, and are available in either PC/Win or Macintosh format. In order to avoid serious problems, be sure not to install the same fonts in both TrueType and PostScript on the same computer.

The Birthstone Family is a set of fonts that are not only diverse but perfectly compatible to interchange styles in a single block of text. There are 3 precious gems: Script, Casual, and Formal. Plus for added luster, there's Bounce (both Medium and Light weights) plus a Titling font— A truncated version that includes caps and ending swashed forms. You won't believe your eyes. All 4 styles are uniquely compatible to one another, but distinctly different. See how easily the fonts may change according to the needs of the look. The Pro version contains the three main styles: Script, Casual and Formal plus the lighter weight version of Bounce. You will also have lots of Opentype feature options.

The idea of Transport originates from text found on the large wooden boxes used for transport. Such text is still stencilled on them in the same way as the companies have done for decades, at least. That explains the typeface's name, too. If you find some similarities with Devin, you are right. Transport is nothing other than a special variant of Devin. But since the two are aimed for totally different uses, I decided to use two different names for them. Transport is a mecane and its use is primarily as a headline typeface. But in small quantities it can be used even for body setting, if special effects are desired. Transport was released in 1994.

M Razor is so called ""neo Sung-style"" typefaces. Crossbars (橫) and stems (豎) are orthogonal and upright. Their entry and finial points are squarish, parallel without flare. Contrast of strokes is extremely high. This creates sharpness, stiffness in the midst of elegance of Sungti. Even distribution of space, careful positioning, size and proportion of radicals create a slightly expanded, opened and balanced construction. Zhonggong are slightly expanded, its relatively less inter-character spacing makes the line of text better coupled and aligned. Its features and construction create a feel of wholesome, elegance with contrasting sharpness and stiffness. It is best suited for casual, creative display eye-catching text, set upright (non-slanted), non-condensed.

Statistics Prove. Near and Far. That Folks Who Drive Like Crazy. Are! Burma-Shave. In the days before the Interstate Highway system, you were likely to encounter a series of signs like this, somewhere in the backwoods between the large and small towns connected by the U.S. Highway system. The fonts in this series are based on the typefaces used on U.S. Highway signs from the 1930s to the 1950s. Included in each font are a sign shield in the backslash position, and a Burma-Shave logo in the section mark position. The Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus Central European (Unicode 1250) languages as well.

Zomsenso is an angular, semi-modular typeface that supports OpenType alternates. The angular part means that the entire* font uses only angular segments and shapes. The alternate glyph shapes are under Stylistic Set 01. This font includes Seven Segment display (U+E000 to U+E07F) and arbitrary fractions (U+E1nd, n=numerator; d=denominator) that are mapped to the Private Use Area, so users can easily insert them via Unicode input. You can combine these fractions with the superscript and subscript numerals to create more fractions. This font can be used for essays, signs, logos, posters, commercial projects, videos, and many more. *except the circles in the Geometric Shapes block, which are still round

This font family is display stencil sans-serif with different stylistic layers available as open type font. The main characters are geometric and neutral but when we change the contextual alternates open type feature the letterforms activate the cursive stylish set. The word composition is divided by initial, medial and final forms, available for all uppercase and lowercase, the diacritics for Latin encodings (Western and central Europe and Baltic countries) are available. However the contextual alternate features (cursive mode) can only work on Adobe CS Indesign and Illustrator softwares. This typeface also has uppercase swash and stylish alternates. A large group of discretionary ligatures are also available to improve better legibility and readability on specific characters combinations.

This African font is modern and fluid. Its name means "water" in the Zulu language, and like the deep rivers that flow through the African jungles, it contains few straight lines. Use it when you want to convey a feeling of strength combined with flexibility. Use it for headings, posters and adverts when you want to create an impact. This African font includes a full character set: - all the upper and lower case letters, as well as all numerals, punctuation and special characters. The numerals are mono-spaced so that they will line up correctly in columns of figures. The letters of the alphabet are spaced according to their width and are carefully kerned to create an attractive appearance.

The idea of Transport originates from text found on the large wooden boxes used for transport. Such text is still stencilled on them in the same way as the companies have done for decades, at least. That explains the typeface's name, too. If you find some similarities with Devin, you are right. Transport is nothing other than a special variant of Devin. But since the two are aimed for totally different uses, I decided to use two different names for them. Transport is a mecane and its use is primarily as a headline typeface. But in small quantities it can be used even for body setting, if special effects are desired. Transport was released in 1994.

Horst More is a retro soft serif typeface comprising 18 fonts. It can handle most typographic applications from branding to body copy with its range of weights and inherent legibility. Whatever you type will have a friendly message, but it really comes into its own when you start applying some of the additional ligatures and alternates that are built into this type family. You’ll soon be creating distinctive typographic compositions that are pleasing to the eye. There are 18 fonts, 9 weights altogether. It has an extensive character set that covers all Latin European languages. Key features: 9 weights in Roman and Italic Alternates Ligatures Thanks for visiting and purchasing my font! Ekayasa Mix.Jpg

S E V A S T I A N - Seven Layered Fonts Sevastian Typefaces are coming for help the artist who want to create 3D lettering without special effects. Also you can use with different color, different style, and different combinations using 7 layer I've made. Font Naming are important for you to generate where at the top and where at bottom. Sevastian made it so easy because there is a number before the name like Sevastian - 01 inner until Sevastian - 07 3D Shadow. It means, the lowest number are must on top of them. As you can see on the display image I've been made, I use random combinations. So you can experiment what do you like most.

Mundo Sans, by Carl Crossgrove for the Monotype Studio, is distinctive, approachable – and ready to tackle jobs both big and small. Its open counters and large x-height, which give the design a straight-forward no-nonsense mien, are softened by inviting calligraphic undertones. With 10 weights and a complementary suite of cursive italics, there is little outside the range of the Mundo Sans family. The light weights are elegant in packaging and brochure design, the medium are easy readers in digital blogs and print periodicals and the bold command attention in banners and headlines. Mundo Sans is at home in a wide range of sizes, and comfortable in everything from wayfinding to mobile apps. Mundo Sans takes on complicated branding projects with efficient grace. The family enables companies and products to express their brand seamlessly in websites, advertising, corporate messaging, packaging – virtually everywhere visible engagement is possible. A large international character set, that includes support for most Central European and many Eastern European languages, ensures ease of localization. Mundo Sans was originally released with seven weights. The family was updated with three new roman weights and their italics in 2019 that extend and diversify its range of use: a fine hairline weight, a book weight, slightly lighter than regular, and a demi that is subtly lighter than the medium. The design is also is a good mixer. It easily pairs with everything from refined Didones to stalwart slab serif designs. And if you need a more harmonious palette, look no further than Mundo Sans’ relative, Mundo Serif. The two designs harmonize with each other perfectly in weight, typographic color and proportion. Mundo Sans’ italics are true cursive designs, with fluid strokes and obvious calligraphic overtones. The flick of the down-stroke in the ‘a,’ the descending stroke of the ‘f’ and baseline curve of the ‘z’ add grace to the design and distinguish it from more mechanistic styles. Mundo Sans is a design with deep roots. It was originally drawn to pair with classic Renaissance book typefaces like Bembo® and ITC Galliard®. With a hint of diagonal stroke contrast and gentle flaring of strokes, Mundo Sans complements these designs with warmth and grace. Crossgrove says that Mundo isn’t meant to be showy or distinctive. It is intended to follow the tradition of sans serif designs that have a wide range of uses, enabling comfortable reading and clear expression. Crossgrove has designed a variety of typefaces ranging from the futuristic and organic Biome™ to the text designs of Monotype’s elegant Walbaum™ revival. His work for Monotype also often takes Crossgrove into the realm of custom fronts for branding and non-Latin scripts.

Get ready to unwrap a typographic delight with Frosty Xmas, the holiday-themed serif font designed to infuse your projects with festive charm and timeless elegance. With its soft round corners, delicate serifs, and all-uppercase characters, Frosty Xmas exudes a timeless charm that complements a wide range of holiday designs. Its classic serif letters, adorned with swirls, swashes, and star elements, add a touch of whimsy and magic to your creations. Whether you're crafting holiday cards, designing festive branding, or creating typographic posters that echo the joy of the season, Frosty Xmas is your go-to companion. Its versatility knows no bounds, making it equally suited for standard branding, logo design, and a wide array of creative ventures. But that's not all – Frosty Xmas comes bundled with 40 hand-drawn holiday doodles, adding an extra layer of whimsy to your projects. From snowflakes to stockings, candy canes to Christmas trees, these doodles are the perfect embellishments for all your holiday-themed endeavors. Crafted with over 450 carefully designed glyphs, Frosty Xmas supports over 90 languages, making it a versatile tool for designers and crafters worldwide. Whether you're creating holiday greeting cards, packaging labels, or typography posters, Frosty Xmas will infuse your designs with festive cheer. Elevate your designs, captivate your audience, and make this holiday season truly memorable with Frosty Xmas. The magic begins with each letter – are you ready to unwrap the joy? Happy designing and Merry Frosty Xmas! 🎄✨