Looking for a modern and experimental font to make your designs stand out? Look no further than Pemusiran font family! Comes with 3 styles including regular, oblique and handwritten. Pemusiran also include some alternate to make great for your design. Pemusiran is perfect for creating designs that are modern and confident. With consistent letter width and a high contrast between thick and thin strokes, Pemusiran is sure to grab your audience's attention. Don't settle for an ordinary font, upgrade to Pemusiran today!

A geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise shapes are optically adjusted to create a clear, natural typeface with excellent legibility. Corbert is a regular, self-evident design that works well across a wide range of applications. Details include nine weights with matching italics and over 540 characters per style. Opentype features consist of five variations of numerals, including inferiors, superiors, fractions, alternative lowercase a, e and g, and language support covering Western, South, and Central Europe.

Scratchman is a serif type font that has been scribbled by hand to present a neat text while still producing a natural and familiar look. thus this font can be an alternative for any designer who wants a different and unique look. This font is very suitable for use in the work of posters, t-shirts, comics, cartoons, doodle art, grafitty, flyers, etc. This font has two styles, regular and italic which are equipped with the open type feature. enjoy your font ...!

Hello, I'm back with my best product. This product is a serif font family because there are four style options, namely regular, italic, bold and bold italic. This font is also equipped with several alternates and ligatures so that you have the best choices for your work. This font can be used for wedding invitations, advertisements, web designs, quotes, banners, presentations and more. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

Getone is an exotic font, based on the Sereno font made by the same designer. It has a modern touch which makes it to stand out, all the glyphs are designed "out of the box" to combine each other in harmonious way. Getone is coming in ten styles : thin, ultra light, light, regular, bold and italics. Is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design.

Jonquin was inspired by some hand lettering seen on a World -War One recruiting poster. It's a family of three faces for display work and headings designed to be used readily as an 'All-Capitals' face as well as in upper and lower case format. Regular and bold weights are offered, as well as an even more decorative incised form. The whole family is ideally suited for poster and advertising work, as well as book and record covers and period themed signage.

School Days is a handwritten font collection created for teachers by a teacher (me!) These fonts were made to be easy to read for young readers and writers. There are various styles available - Thin, Regular, Bold, Outline, Dash, Lines The School Days Collection is perfect for creating worksheets, practice pages, school designs, cricut projects, handwriting practice, reading practice, letter formation, personalized items for students and more! School Days includes a ton of variations that will make your designs and worksheets seamless and cohesive!

Hughes is a stylish and original multi-functional font, made in 6 styles (regular, rough, pressed, bold, bold rough, bold pressed), he fits perfectly for both modern and vintage design. With it, you can create beautiful logos, labels, templates, signs, highlight text, use it for outdoor advertising, branding, and much more. Also in this font there are stylistic alternates and swashes that will make your design even more attractive and interesting. It is easy to use and has OpenType features.

This font is inspired by a horror film title or opening, taking inspiration from underground bands, made from watercolor brushes and so you get sharp textured results, with its defiant shape, rough edges and unadulterated imperfections. and give a spooky, firm, horror impression. There are several unique ligatures that can make sentences more unique. Regular Stylistic alternates SS01-SS03 Ligatures os, St, fl, ff, ffi, ffl, ae, si, ss, ha Multilanguge Support Latin Pro Uppercase & Lowercase Numerals & Punctuation 443 glyphs

Growing Boy Display Font Family is designed with a rather high x-height and consists of cute and creative glyphs. Nine weights include regular and rounded styles, the rounded styles are designed for soft edge. The really uniquely drawn glyphs can work well with any composition to create the layout you want. In addition, rounded styles increase readability and simplicity, so they can be applied in a variety of ways, including editorial publishing, logo design, brand identity, and on-screen channels.

Open Case JNL is the distant cousin to the 2009 release by Jeff Levine Fonts called Cold Case JNL, as both were based on sets of lettering stencils designed and manufactured by the Huntington Oil Cured Stencil Company (originally of Huntington, New York and later of Delray Beach, Florida). While sharing similar design traits, there are enough differences to have both type designs work well together in a complimentary setting. Open Case JNL is available in regular and oblique styles.

Kingfisher is a bold brush family with Script, casual Caps and Extras. Kingfisher is divided into three styles -regular, distressed and one with stylised cuts that emphasize the brush stroke. Kingfisher is packed with several OpenType features: Contextual Alternates and Standard Ligatures are automatically on to keep the flow. For flashier characters, try Swash or Titling Alternates. Font is PUA encoded so you can access extras from character map in most design software. For the best price, purchase the complete pack!

Welcome to Sacremende, a chunky, slightly messy display font. As the name implies, this font was inspired by the retro California aesthetic and, in particular, old surf rock posters. To highlight the vintage feel, the font package comes with a distressed option for a well-worn effect. This font is all caps but includes unique styles for upper and lowercase letters. Both versions are available as webfonts but for better performance, I would recommend using the regular option for the web.

Cafgone is a modern display sans serif with modern and elegant style. This fonts is designed to pair harmoniously, and lend themselves to high end branding, logo designs, product packaging & invitation designs. With two fonts style (Regular and Oblique), Cafgone clean lines and subtle contrast give any project a touch of luxury and class. There are also decorative alternates and ligature available for uppercase letters and lowercase, so you can mix and match to add extra character and interest to logos and wordmarks.

Ruber - Sans serif font family - Multilingual - 12 Styles You can easily use the sans serif font feature in many areas. You can compose your text with regular characters, highlight heavy characters and titles. Functional in many sizes and environments. If you are looking for a modern - geometric and sans serif style that can be effective in branding, you can easily use this font. It is also assertive about being a highly readable font with different weights. Have a good time.

Legere is a slim, light and decorative font, based on the idea to work as close as possible on the geometric forms of the circle, the triangle and the square. As a natural conclusion the number of angles is limited. Legere comes in these weights: THIN, LIGHT, REGULAR and a very special DECO version. Legere might be used as a headline font, for posters or cover layout, it might also be transformed into that fashion label logotype you are working on. Have fun!

MAKATA is highly modern and trendy. Use it in decorative headlines, logos, posters, covers and wherever you want use a stylish yet geometric letters. As a regular text font we strongly recommend to you our TOTEM. Thanks to alternate characters (each letter has 3 various versions) typing MAKATA is like painting. Words are very decorative and look like fashionable pattern. Of course there is a nice set of ornaments too to meet the needs of even the most demanding design.

Halley is a modern, funny and casual script with an irregular base line that gives it a unique and modern look. All the glyphs have been carefully painted giving the texts a wonderful flow. A fat and thin blow in this font impresses the harmony. Halley family pack comes in three styles: regular, italic and Shadow. Each font contains 746 “regular or irregular" glyphs, including up to seven alternatives in upper case and six in lower case, standard and discretionary ligatures for a genuine handwriting effect. It also includes a Central European language support with its corresponding alternative characters to have more options in those languages. We have added some useful ornaments that will serve for the most demanding design project! Halley looks good in children's books, fashion, magazines, restaurant menus, book covers, wedding invitations, greeting cards, logos, business cards and is perfect for use in designs based on ink or watercolor, and more

Thima is a display font inspired by the liberty style revisited to the present day, hence it is free from the canonical compositional standards that make up the majority of fonts. Its elegant shapes are available in two versions: solid and outline. Thima’s unique features are enhanced by the perfect fusion between irregular and fluid shapes that coexist with right angles. Despite being a display font, the lowercase version is suitable for short and long paragraphs of text, while for large titles the uppercase shows off all its potential.

Lemoo is a family of fat fonts made with irregular shapes to make it more dynamic and unusual. This font will give the impression of solid, strong and prominent. Suitable for headlines, posters and messages that want to stand out. There are two styles in each variant: clean and press. You can mix and match the Lemoo font family to get different results. The ligature feature makes some pairs of letters more interesting on your headline and posters. Lemoo fonts are available in OTF and TTF format, also multilingual support.

Erich Fehrle designed this robust alphabet for headlines and titles in 1976. The constructed figures of Linotype Fehrle Display were built on the geometric form of the rectangle. Lines of text look closed and compact. The letter forms are the result of fine open spaces. Design-specific characteristics of Linotype Fehrle Display are its serif-like additions to the strokes of the figures a, c, G or M, and the alternating rounded and angular outlines of the figures a, e, s and others. Typefaces similar to Linotype Fehrle Display: Bigband, Frutiger 95.

ITC Tremor is the work of British designer Alan Dempsey. You might think that it looks like the letters are in a seismically lively geological zone, but Dempsey had other kinds of motion in mind. Most of the faces I design come from trace 'work-outs' for advertising products. In the case of Tremor, it was to reflect a lively teenager," says Dempsey. The result is ITC Tremor, a cartoony slab serif typeface with irregular angles, straight-edged curves, and lines surrounding each character, making them look like they are jittery.

William Caslon (1692-1766) laid the foundation for English typefounding, when he cut his first roman face in London in 1722. He modeled his designs on late seventeenth-century Dutch types; thus his typefaces are classified as Old Styles. The original Caslon punches have been preserved, enabling a perfect recutting of his faces. Notice the hollow in the apex of A and the two full serifs or beaks in the C. The italic capitals are irregular in their inclination. The Caslon font family is distinctive for use in subheadings or continuous text.

Give your voice an eye-catching hand-drawn look thanks to this playful font family. You'll get three styles, along with OpenType features including alternates, ligatures and stylistic sets. Galiba Regular works very well with his small brothers Light and Thin. In addition Galiba Light can be used at smaller size along with the other styles to keep the same line thickness. To achieve a random-like effect, the regular style is packed with 4 different variants of each glyph, that automatically cycle if stylistic alternates are turned on. Also you can choose from 5 stylistic sets to easily change the look of a given string, or pick alternates by hand. Not to mention that we've attentively fine-tuned the kerning that’s crucial for this kind of typeface.

Nalom is a modern sans serif typeface font family . The family consist of 8 weights; light, regular, bold, rounded, italic, light italic, bold italic and rounded italic. It comes in uppercase and lowercase with special alternate and ligatures. This modern family font are great for user interfaces, logotypes, short text, long text, magazines etc. Features; 8 Weights; Nalom Light, Nalom Light Italic, Nalom Regular, Nalom Italic, Nalom Bold, Nalom Bold Italic, Nalom Rounded, Nalom Rounded Italic. Uppercase, Lowercase, Number and Punctuation Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word Fully accessible without additional design software. Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy with our font and this font usefull font your projets!

Gearing is a typeface that is widely associated with the extreme music genre of death metal. It is characterized by its dark and aggressive appearance, evoking a sense of brutality and chaos. The font is typically designed with sharp edges, bold and angular letterforms, and intricate or distorted shapes. The death metal font typically features strong upper and lowercase letter variations, often with sharp, exaggerated serifs or thorn-like spikes. These embellishments contribute to its menacing and threatening aesthetic. The letters may also have broken or damaged elements, giving them a weathered or decayed look. Though death metal fonts come in various styles and variations, they often prioritize legibility and impact over ease of reading. This means that certain parts of the letters may be missing or disconnected, making them appear jagged or incomplete. Ligatures, which are unique letter combinations, are sometimes included in the font to add a sense of continuity or artwork to the overall design. In terms of color, death metal fonts are commonly depicted in monochromatic shades such as black, grey, or dark red to maintain their sinister appearance. The color contrast often enhances the sharpness and intensity of the font, making it more visually striking. Due to its association with the underground music scene, the death metal font has become an essential element in album covers, band logos, posters, and merchandise. It effectively conveys the aggressive and rebellious spirit of the genre, becoming instantly recognizable to fans and enthusiasts.

Bauhaus Geometric, economical, functional... The good, wholesome, modernist values that once fired up the tutors and students of the Bauhaus became the inspiration for FS Dillon after an exploration of the work of the pre-war art and design powerhouse in the Fontsmith studio. The font combines simplicity and directness with a characteristic Fontsmith warmth. Letterforms are compact, with a generous x-height, and built for maximum clarity and impact. The Bauhaus sought beauty through function. FS Dillon achieves it. Made for TV The weights of fonts for TV sometimes have to be adjusted so as not to “blow” on-screen. FS Dillon was originally drawn for the on-screen presentation branding of Film Four, whose primary colour was red. Black type on a red background looks heavier than white, so Dillon needed two weights that would allow white and black type to be used together, looking balanced and equal. Type design is an organic process. Years after developing FS Dillon, we revisited it, redrawing elements and adding italics to maintain consistency. Olympic You don’t get a much higher confirmation of the functional fitness of a typeface than to have it selected to guide visitors around an Olympic complex. FS Dillon was selected as the font for signage at some of the key venues at the London 2012 Olympic Park, helping to get spectators, athletes and officials from all over the world to their seats and starting blocks on time.

PTx Flowers Font Family 2 fonts: regular and silhouette each font - 6 glyphs TTF format Bear in mind that each glyph of the font PTx Flowers Regular is close to the maximum limit of points possible in ttf, which means that despite being tested in several programs, illustrator, photoshop, among others including word, some bugs may occur, depending on the rendering capability of the program you are working on. I found however that most of the time, that by the way the bugs, when tested, were only verified in word, that changing the size of the letter/glyph or even the zoom of the document, the letter/glyph was rendered correctly. These fonts have a very limited number of glyphs because, due to the glyphs having too many points, it can take some time to render. This will depend on the capacity of the machine's graphics card (computer, tablet, mobile phone). Hence a low number to take as little time as possible. See at work in word: https://youtu.be/PIMBlja2I5k See ar work in illustrator: https://youtu.be/RJp9X9TQ4so See at work in photoshop: https://youtu.be/yvrBmCJ80pc

Arthur Ornaments offers a range of about 70 unique ornaments and pictographs in the sophisticated style of the Art Deco era: lavish floral compositions and leaves, borderpieces and geometric elements – and a stunning set of period lifestyle, sports and travel pics. Arthur Ornaments lend a breath of elegance and exclusivity to your designs. Arthur Ornaments is the perfect compagnon to all fonts of the Arthur Sans, Arthur Cabinet, Ardagh and Artemis font series. Use Arthur Ornaments to create posters, banners, menus, invitations and title pages of distinctive noblesse and beauty. Combine them with other Arthur fonts for a perfect match. The Arthur Ornaments set of characters is the very same as the respective part of Arthur Sans Regular (if you already have Arthur Sans Regular you don’t need this one!). Technical remark: Many of the characters in this font are encoded in the 26xx, 27xx and 1Fxxx ranges. However, for the ease of use most of the glyphs are doubled to the a–z, A–Z and 1–9 positions. _________________________________________________________________________________ If you like fine ornaments you should also have a look at Behrens Ornaments, Andron Ornaments and Leipziger Ornamente.

Whiteblack is a slab serif with a soft touch, designed for contemporary typography and comes up with 6 weights for positive and negative settings plus handslanted obliques. In dark backgrounds, especially for signage and on screen, negative settings glow and appear heavier than positive settings. To avoid the „glow-effect“ the typeface contains special weights for an optimal balance between white and black. A large x-height and open apertures not only creates space for smaller sizes, but also lends Whiteblack a solid balanced and generous character for print and screen. Many OpenType features including 324 ligatures, contextuel alternates, and stylistic set built into all cuts. The font contains 1.076 glyphs with a wide range of flexibility for Latin language support for every typographical needs. Whiteblack brings elegance and a certain warmth wherever a contemporary slab serif typeface is needed, special for signage, brands, magazines and corporate design.

These initials set I collected from “Tristan of the Round Table”, published approximately in 1513, by Antoine Verard. Antoine drop caps font family has Regular, Light and Colored styles. It's all you need to precisely imitate medieval style text. Use this font as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in regular black letter font. You’ll get Drop Caps & Numbers set. --- *You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ * *Please note that the Canva & Corel & Affinity doesn't support color fonts!* *Please download this test file with only A letter ( https://www.dropbox.com/s/lpzmdikw0ewxozx/AntoineDropCaps-Test.otf?dl=0 ) to check your app & system.* --- Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.