Introducing - Meroche Sweet and Classsy Sans Display Family Meroche Sans Family consists of 4 weight : Thin, regular, medium and bold equipped with 20+ ligatures and alternative letters that look sweet and classy and are very good for your work such as logos, branding, packaging, posters, invitations, insta stories and your advertising needs. If there is anything you need to ask, you can contact me at mlkwsn999@gmail.com

To blend a handwritten style with a graphical aesthetic, Monotype designers paid attention to the balance between the two, hence harmoniously combine their qualities like a mix of tradition and modern. M Felt Pen references the unified stroke thickness and rounded terminals of rounded Heiti typefaces, imitating the fluidity of marker writing. The linked strokes are vivid and suggest the presence of the human hand.

Our most up-to-date Futura adapted to the new times. Its peculiarity lies in the curved endings of three of its letters (“j”, “l” and “t”), which gives the typeface a more dynamic and modern look, making it easier to visualize on small and low-resolution screens. The original designs of these characters are also included. Futura is a Trademark of BauerTypes SL

Komunidad is the Hebrew version of ”Quintana Light”. Suitable for logos and packaging statements. Invoking the OpenType / CONTEXTUAL variant produces the word terminals for all lower-case letterforms as well as diacritic letters. Final Hebrew Glyphs are also added. This can be done individually for each letter as well. Komunidad also contain alternative Swashes and TabOldstyle numerals. (OpenType-Variants may only be accessible via OpenType-aware applications.)

Anarckhie is a decorative slab-serifed typeface with a calligraphic origin. The horizontal elements of the upper-case letters are below their midpoint, and the x-height of the lower-case letters is unusually small. There is some variation in the weights of the horizontal, vertical, and diagonal elements. The small x-height makes this typeface appear smaller than its point size would indicate.

Cabarga Cursiva is the work of the father and son team of Demetrio E. Cabarga and Leslie Cabarga, both New York designers. The details of the sharp strokes almost give the impression of a knife blade, whether straight or curved like a scimitar. The capitals should be used only as initials and are complemented by a robust lower case alphabet as well as alternate forms and ligatures.

British Empire is an attempt to re-create some of the typographic characterisics of countries within the former British Empire. It is a sans-serif with unusual up-facing serifs on some of the caps and the lower case round characters have flick round terminals Though designed as a headline face it still works well in limited text. There are four weights with four corresponding italics.

In 1994, John Benson designed Alexa, Caliban and Balzano, three typefaces with a similar style. Characteristic of all of them is their calligraphic touch and the likeness to handwriting. Alexa shows a hint of a broad tipped pen style and its legible figures are reserved yet lively. Alexa is best for short and midsized texts as well as headlines and gives texts a personal, classic look.

The Afeesh typeface is an attempt to create a solid and robust type family, that is based on the Ruq'a calligraphy style. Following the Egyptian style of drawing Ruq'a, which was very popular on movie posters during the 50s-70s. The typeface comes with an extensive set of ligatures, and opentype features such as swash and stylistic alternates. Arabic, Farsi, Urdu, in addition to Kurdish are supported.

Rails is an experimental, retro, outline display typeface designed by Superfried. Rails is available in four styles: display, broken, solid and solid broken. As the name suggests they are constructed from parallel tracks with the broken versions featuring distinct breaks for added impact. Combination of the two results in clean, flowing type with sudden and unexpected moments of disruption. Rails has been featured in Computer Arts magazine.

Sánchez, designed by Daniel Hernández, is a serif typeface belonging to the classification slab serif, or Egyptian, that bears a strong resemblance to the iconic Rockwell, but with rounded edges— offering contrast and balance to the square structure. Sánchez & Sánchez Condensed comprises 12 variants, ranging from extra light to black, each of the same x-height. Regular and Italic variants are available for free.

Punch Tape JNL emulates the old-style pin-punched paper tapes that were used in everything from ticker tapes to moving electronic signage to early digital typesetting equipment. Pin punch characters were also used in the early days of banking as a secure way of canceling a check so that it was rendered useless if re-submitted. In this version, the "dots" are square rather than round.

With only a suggestion of the serifs remaining, Intrinseca is modelled on traditional serif letterforms but with low-contrast stroke widths and a generous x-height. The family has a clean appearance and excellent readability. Six weights plus italics, small caps and extended language support make Intrinseca ideal for magazines, books and web – wherever distinctive headings and a variety of text options are required.

Hand forged with strength & precision – Forged is a bold, powerful typeface that stands strong. Handcrafted as if by a blacksmith, this typeface has its quirks and imperfections like any metalwork which gives it a unique character. The family consists of regular, outline, bevel and fill versions. All weights are versatile and can be used for packaging, logotype, copy and headings. Strike while the iron's hot!

The Olaus Magnus and Olaus Bandus alphabets are inspired by the letterforms cut in the pictures and wood-cuts of Olaus Magnus great book Historia de Gentibus Septentrionalibus. This great history of the Nordic Peoples was printed in Rome in 1555 in his own printing shop there. Olaus Magnus, Catholic priest and appointed archbishop by the Pope, never returned to the now Lutheran Sweden.

Quida is a display family with three styles; Regular, Italic and script. The personality of the design comes from concave vertical shapes, which are consistent through all styles. This makes them work together seamlessly. Quida Script is packed with opentype goodness such as swash caps, stylistic alternates, ligatures and ending forms for lowercase letters. All styles have an extended language support for most European languages.

Flex Rounded display typeface was designed in 2000 by Vladimir Pavlikov as alternative 'soft' variant to the original Flox face. In contrast to Flox there are rounded stroke ends and curved shapes in most of Flex characters. The project was aimed to create a decorative vivid alphabet of geometric shapes. Cyrillic was developed in 2005. For use in advertising and display typography. Licensed by ParaType in 2005.

Lisboa Hebrew is humanist sans-serif typeface base on the same design as the original Lisboa (2005). The main structure is more close to the Sephardic proportions, where the letterforms contains reverse contrast and the terminals following the same calligraphic approach (Humanist). There are some characters and figures designed as small caps which have the same proportions from Hebrew. Latin transliteration characters were also included.

Old Town No. 536 is a homage to the old woodtypes. These became especially popular through their use on wanted posters in Wild West films. Adrian Frutiger also designed his typeface Westside in this style. Due to its robust figures, Old Town No. 536 is particularly effective when used in headlines. It belongs stylistically to the Italienne typefaces, whose serifs are thicker than the strokes.

Havelock Titling builds upon the essential geometry of Havelock , adding new weights for spacious, authoritative text. Made to combine with Havelock’s display capabilities for more traditional reading scenarios. Built on the same weight range as Rocinante Titling , which broadens your design options. Light matches Light, Bold matches Bold, and so on. Both Havelock and Havelock Titling collections are included in Havelock Complete for a lower price.

Ayumi is one of those precocious sans. At first glance, I wanted it to look simple...basic characters, moderate modulation, common structure...but at closer inspection, it is filled with all kinds of fun and expressive details. The italics are...well, fun. They're curvy and expressive and truly compliments the face. The new Pro version includes a tightened character set, Central European glyphs, and remastered kerning.

Qoronfull is an exuberant industrial display typeface, full of curves that create neat alignments. and it's our second collaboration with Hey Porter! Qoronfull means clove, (a dried flower buds spice tree native to Indonesia), Qoronfull's esthetics, curves, and lines are representing the flowers, leaves, and stems of clove, applied on a strong base of Arabic Kufi calligraphy style, with a big group of type compositions and ligatures.

HGB Info is a display typeface for my Linotype Nautilus Monoline. This came about while working on the corporate design for the municipality of Weissach im Tal. Shorter ascenders and descenders and a broader letter shape result in more compact word images. The ups and downs are cut vertically. This works particularly well in large degrees. This is the area of ​​application on signage and information systems.

Although many pieces of sheet music used standardized backgrounds and metal type for their titles and information, there are hundreds of songs with innovative illustrations and clever typography beckoning potential buyers with their cover art. Whether the era was Post-Victorian, Art Nouveau or Art Deco, the sheer variety of eye-catching images offered visual enticement to the potential customer whilst browsing the local music shop.

HS Decomage was created by a desire for a more modern approach and as an homage to the Art Deco period. HS Decomage has a large set of ligatures to make optimum spacing easier to accomplish and stylistic alternatives give design choices. HS Decomage works great for headlines but also handles descriptive text quite well. Multi-lingual characters, numbers and punctuation are included in HS Decomage.

Named after the German Renaissance astronomer, Kepler is a contemporary type family designed by Robert Slimbach in the tradition of classic modern 18th century typefaces. Modern typefaces are known for their cool intellectual quality, but Slimbach's Kepler multiple master captures the modern style in a humanistic manner. It is elegant and refined with a hint of Oldstyle proportion and calligraphic detailing that lends it warmth and energy.

Knitting & Sewing Doodles are just that. If you type all caps you get 15 knitting icons and lower case is 15 sewing doodles. Knitting items include yarn, knitting, needles, ball winder, spinning supplies, stitch counter, etc. Sewing machine, buttons, thread, pin cushion, bobbin, thimble and needles, scissors, label, tape measure, darning egg, zipper, seam ripper, and pins, all in the Outside the Line style.

Yukas is a funky and sexy typeface where the proportions are based on the optical balance between black strokes and white shapes. Ideal to enjoy on a large scale. It takes its references from the psychedelic movement, old-school western movie posters, and mid-19th century American wood type with those big, heavy capital letters. Includes several Open Type alternatives to customize your design however you want.

Titling Gothic FB is an immense series of nearly fifty styles inspired by that century-old favorite ATF Railroad Gothic. Led by the Los Angeles Times and Gentleman’s Quarterly, U.S. publications are using David Berlow’s series to unify the structure of headlines from its wide spectrum of options. Titling Gothic FB started as a relative of Berlow’s Rhode family, but took its own direction; FB 2005

Etelka Slab is a slab-serif variation of Stormtype's Etelka. In the process of adding serifs are applied some arched elements to emphasize its unique character. The usual range of OpenType functions is present as well as multi-lingual capability. You can use Etelka Slab wherever you intended to put Etelka, but with even sharper, louder expression. It shines in corporate identity and branding.

Aglio was developed from letterforms originally painted by muralist/artist Tanya Zabinski. Aglio maintains the character of bold brushstrokes with random gaps and marks, and there are flourishes of articulated endstrokes. This typeface merges the looseness and freedom of hand painting with a decorative artistic sensitivity. Aglio (the Italian word for garlic) has an organic construction that evokes the spirit of this most assertive culinary favorite.

One of my dreams as a type-designer was making a good looking chancery cursive. Full of life, like some of the best calligraphers around the world do on their artworks. With Julian Waters, John Stevens and Denis Brown (just to name a few of them) (1) chancery, or italic script, was transformed into a new, exciting and very fresh style of calligraphy mainly at the end of 20th Century. Dream Script may be that dream named above made true. I have been practicing chancery in the way I learnt from those calligraphers for many years now. Making a font out of my ink-sketches was a tough work, since they were closer of -being art- than of -being type-. However, this font rescues many aspects of handmade calligraphy: You have to look at it really close to notice it is actually a font, and that was one of my goals. The secret of a good looking chancery is on its subtle details: pen angle is constantly changing, even on the strokes which seem straight. Capitals and swashes have to be done a little faster than lowercase letters. The rhythm has to be even, in spite of its playful look. The fact that makes Dream look alive is that it has many alternates per glyph. This makes each word look unique like it happens in calligraphy: you will find alternates for the beginning/ending of a word/phrase, some for the middle of it, some interchangeable. Also, to accompany the script, you will find Dream Caps, which was inspired in the eternally beautiful trajan capitals. Place them like I did on the posters and you will have great results for sure. The font works great in small, middle and big sizes and can be a great selection for magazines, wedding invitations, perfumes, and posters. Close your eyes, and Dream with me... TECHNICAL Dream Script Pro is the most complete style, it contains all the alternates and ligatures (OT programmed, better if you use Adobe applications) If you plan to use the font for text, be sure to activate the less decorative capitals, which are placed in the “salt” group of alternates. Dream Script Standard has less glyphs than the Pro one, it contains just some ligatures for a better legibility. (OT programmed, better if you use Adobe applications) NOTES (1) Not only are they great artists, but also good people, who are always willing to share with their students all what they know. I would also like to thank Ricardo Rousselot, whose work inspired me this time to make “The Dream Script” exlibris; and to Alisara Tareekes, a very talented friend which international calligraphy conferences gave me: She kindly helped me with some tips to make this font better.

Forget everything you know about TT Smalls because we have re-released the font! TT Smalls useful links: Specimen | Graphic presentation | Customization options TT Smalls is now a decorative font that makes it easy to attract attention. Use it to design expressive headings, in the packaging design or to highlight text on a site. Be sure that the text set in TT Smalls will arouse the interest of the audience. Once TT Smalls was a neutral geometric sans serif, and the inline version was an alternative stylistic set. However, the TypeType collection of universal fonts is extensive, so we focused on creating a unique and expressive font and released an updated TT Smalls. The font contains only uppercase characters in the inline version, and glyph designs are based on a geometric sans serif. With an increase or decrease in weight, the number of strokes in the font goes up or down, respectively. Stylish and easy to use, the TT Smalls font can complete a collection of eye-catching decorative typefaces. Font TT Smalls contains 12 styles: 6 upright and 6 inclined. The character set of the font is 172 glyphs. It has basic Latin and Cyrillic and the main punctuation marks. The standard OpenType feature calt has been added to the font.

Spiderwort is a lovely script font designed in a natural handwriting look. Like the other cursive fonts, the letters are interconnected to each other. This font type is perfectly applicable for texts that combine uppercases and lower cases in order for the writing to look flawlessly connected. Furthermore, it expresses soft and relaxing nuances to use in informal texts. The character of this font is the low contrasts in thin, unfirm lines. Nevertheless, it shows you unique, artistic displays on your designs particularly when you use it well and based on the desired theme. You can apply this font for any text sizes because it is greatly legible and also enjoy the available features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Spiderwort fits best for various design projects, such as brandings, invitations, greeting cards, name cards, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The Signers of the Declaration of Independence font is a collection of all 56 signatures that appeared on America's Declaration of Independence. A must-have for autograph collectors, desktop publishers, lovers of history, or anyone who has ever dreamed of sending a letter, card, or e-mail to a friend or family member "signed" as if by one of the signers of America's Declaration of Independence. This unique font puts every signature on that history-altering document at your fingertips in the form of a high-quality Open Type font. Our fonts behave exactly like any other font on your system and are installed and selected the same way. No special software is needed. Each signature contained in our fonts is mapped to a regular character on your keyboard. Just as with any True Type or Open Type font, you can resize the signature, change its color, etc. Open any Windows application, select the installed font, and type a letter, and you will see the President's signature appear right there on your page where you placed your cursor. Painstaking craftsmanship and an incredible collection of hard-to-find signatures go into this one-of-a-kind font. We're confident you will enjoy it. Please note that this font is intended for entertainment purposes only.

The American Presidents font is a collection of the signatures of all 44 U.S. Presidents. A must-have for autograph collectors, desktop publishers, lovers of history, or anyone who has ever dreamed of sending a letter, card, or e-mail to a friend or family member “signed” as if by one of America’s Presidents. This unique font puts the signatures of America’s Presidents at your fingertips in the form of a high-quality Open Type font. Our fonts behave exactly like any other font on your system and are installed and selected the same way. No special software is needed. Just as with any True Type or Open Type font, you can resize the signature, change its color, etc. Each signature contained in our fonts is mapped to a regular character on your keyboard. Open any Windows application, select the installed font, and type a letter, and you will see the President’s signature appear right there on your page where you placed your cursor. Painstaking craftsmanship and an incredible collection of hard-to-find signatures go into this one-of-a-kind font. We're confident you will enjoy it. Please note that this font is intended for entertainment purposes only.

It could be such frustrating work to find an attractive display font in accordance with your design project. Moreover, a wrong display font will only result in the failure of your design leaving your customers uninterested. However, you should feel no worry as we have the best answer to your problems. Blessed Dreams is a visually attractive display font with soft, gentle nuances caused by the swinging end of the wipes and curves. Each of the letters is interconnected as in the cursive font and the proportions are relatively similar for a legibility reason. Furthermore, you can apply this font, which also provides you with a clipart as a bonus, for big text sizes to be legible. In addition, you may make use of the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Blessed Dreams fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

FormPattern Color Two is a dingbat font for creating borders, frames, lines, and patterns. It is made up of a versatile set of interconnectable shapes that can flow together to make lines, borders, and patterns. Try different letter spacing to connect the forms into a continuous pattern or to space them apart. Explore leading (line spacing) to create large areas of pattern. Work with layering and opacity to discover the color-mixing potential of this font. Web designers can use FormPattern to make unique horizontal rules. How does FormPattern work? Install is as a regular font and as you type you will get forms instead of letters. Most design software, such as Illustrator, InDesign, and Photoshop provide a glyphs palette where you can choose the precise form you want. Color fonts are supported by Photoshop 2017, Illustrator 2018, and QuarkXPress 2018 (and later versions). A solid uncolored font comes with every purchase and can be used in applications that do not support color fonts. It will appear black and can be colored in the usual ways. FormPattern Color Two is compatible with all other FormPattern fonts from Tarallo Design.

Introducing Ryleigh - A Modern Calligraphy Font. A fabulous and elegant modern calligraphy font that’ll engage your audience and make your branding stand out from the competition. Handcrafted to create the perfect contrast between your headings and body copy. Perfect for social media branding projects, fashion designs, printed quotes, packaging, or even as a stylish text overlay to any background image. Ryleigh includes Ligature & Stylistic Sets as well as Multilingual Support to make your branding reach a global audience. Let the world see your gorgeous projects with this modern calligraphy font! What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

The HWT American Chromatic set is a multilayered font set that will allow for thousands of possible color and pattern combinations. The original 19th Century Chromatic upon which this font set is based included two fonts. The HWT digital version includes eight. The alignment is configured to allow any combination of the eight fonts to all align when identical text is set and arranged, one on top of the other. Due to the highly decorative nature of this font set, the character set is limited to upper case only with basic punctuation. Five of the eight fonts in the set can be used individually as variations of the classic Tuscan style of wood type, which is defined by its concave stems and serifs. There are no accented characters due to the ornate nature of the design and because there were no accents originally intended for this design. This font is best used at sizes of 72 pt or larger and is ideal for a wide array of design uses. For webfont use, CSS with z-index and position will allow for easy online layering.