Roisty – A Black Display Sans Serif Typeface Roisty, a sleek and contemporary black display sans-serif typeface, exudes sophistication and modernity in its design. With clean lines and a bold, assertive presence, Roisty commands attention while maintaining readability. The sharp contrast between its thick strokes and thin lines creates a visually striking appearance, making it an ideal choice for headlines, logos, and other display purposes. The typeface’s timeless elegance, combined with its versatile nature, ensures that Roisty stands out in both digital and print mediums, embodying a perfect blend of classic refinement and cutting-edge aesthetics. Roisty is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Galena Pro is an extended version of Galena, a typeface published for Bayer Corporation in 1996. Galena Pro is based on the open and organic forms imagined by the writers of humanist Italy, who designed the first so-called Roman characters. Humanist style fonts have moderate stroke contrast, uneven widths, and a classic, but soft and easy-to-read appearance. Galena Pro gives a new birth to the 15th century incunabula, a typographic drawing where the gestures of this standardized handwriting are not mechanical, but more fluid. The Galena Pro series can provide professional typography with OpenType features such as alternative sets of numbers, fractions and an extended character set to support Central and Eastern European as well as Western European Languages. The different styles of the Galena Pro are enriched with a condensed variant to meet the need for space savings in titles and texts.

The Keiss type family is our interpretation of the popular nineteen century Scotch Roman typefaces. We intended to keep a very classic approach while introducing a couple of new elements that differentiate this type family from it’s ancestors. This design, with short descenders and ascenders, along with three very distinct optical sizes makes this type family well suited for contemporary newspapers. The Title and Big versions range from Thin to Heavy, with matching italics, in order to be used in big sizes and stand out in the design. The Text ranges from Thin to ExtraBold and is a standalone type family for text usage, with narrow proportions and wider and open italics for improved text setting. The Condensed versions, ranging from Thin to Bold, don’t have italics, although they can be matched with the italics of the Title and Big versions, due to the fact they are very condensed.

Square Sans Pro is one of Parachute’s most popular typefaces. It has been used by the likes of companies such as Samsung and organizations like the European Commission. Now a new version has been released. Square Sans Condensed Pro is a square-shouldered, modern and self-assured text typeface which lends style to a variety of projects. With its generous x-height, full-bodied counters and uniform stroke weight, it provides high legibility and uniform typographic color at all sizes. This is an exceptionally warm and comprehensive type family -with slightly rounded edges and softened curves- which possesses a robust and friendly appearance. The family consists of 12 fonts -from extrablack to thin- including true italics. It supports opentype features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Latin, Greek and Cyrillic. Download its complehensive PDF Specimen Manual for further details.

And now Arabic Scratch font is here! Based on the old Naskh based typeface, this font along with the other Si47ash dirty font Persian Grunge, is introducing new possibilities to use Arabic letters for some of your exciting graphic projects, including book covers, posters, banners, brochures, catalogs, logotypes, and more! Every glyph is unique and all the patterns and textures are distinctively designed and make the font an artwork itself! It's so convenient, you do even have to do anything! Just type the words and the magic happens spontaneously! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Introducing the Inflate PTx font family, a delightful and playful typeface collection that embodies the buoyant spirit of celebration and festivity. This font can be use in old and new apps that use/read fonts, because it's format (old school format :)), not OpenType SVG format. To install fast on the PC: right click in the OpenType file, then "Install". But if you want to open the file, please be pacient. It takes time to open and read the OpenType file depending of the capacity of your PC. The Inflate PTx font family is tailor-made for creative projects, from birthday party invitations and children's book illustrations to social media graphics for Instagram or themed event posters. Its rounded edges and bubbly forms infuse any design with an infectious sense of joy and lightheartedness, making it an ideal choice for those seeking a playful and festive typographic solution.

An intoxicating blend of rare flavours is what makes the new transitional typeface Wermut (German for vermouth) resemble its alcoholic namesake. Bitter and thorny at first glance, it proceeds to surprise the palate with a complicated taste that leaves a pleasant aftertaste. Wermut may not be taken in hastily, but needs to be thoughtfully enjoyed at a measured pace. Its dark colour, compressed, spring-like, shapes, well-built proportions, and agreeable letterforms all look safe enough until one is jolted to encounter the clipped serifs that lend the page an unexpectedly edgy appearance. The font comes in two weights with an extended character set in Latin and Cyrillic scripts supporting 66 languages. A product of slow, careful distillation, this infusion of multiple ingredients comes together to form a unique mature taste which will be appreciated by true connoisseurs of typographic cocktails. Desined by Gayaneh Bagdasaryan and Vyacheslav Kirilenko.

Jolie personifies romance. With its dramatic swashes, generously curved lines, and full, richly fashioned upper case characters, it evokes floral perfumes, roses, violin music and romantic evenings. The richly complex uppercase characters provide a backdrop and a contrast for the simple elegant and readable lowercase characters. The font is perfect for wedding stationery, clothing branding, packaging, music posters and all other romantic possibilities Jolie introduces a simple method for applying the elegantly beautiful end-of-word or end-of-sentence swashes. Simply type in a three-character code and [hey presto] the swash suddenly appears. Clear and readable, Jolie has all the features usually included in a fully professional font. Language support includes all European character sets, Greek symbols and all punctuation. Jolie makes use of OpenType features to avoid the mechanical look caused by two identical characters that are placed side by side.

Rivera is a professional sans-serif typeface. Its tall, narrow style gives it an appearance of modernity and pride, while being humble and clean. Use it for a sleek headline, a crisp logo or simply as a unique body text. In any case, it will lift your branding to the next level. The Rivera family consists of 10 font styles: Thin, Light, Regular, Bold, Black as well as each style as Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. With more than 700 glyphs, it has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Beardman is a condensed sans-serif font designed specifically for bold and powerful headlines and titles. With four variants available: regular, italic, regular outline, and italic outline, this font allows you to express yourself with a style that suits your design project. The name "Beardman" is inspired by the meaning of a man who is masculine but has a soft heart, and it is reflected in the font's design. With strong and sturdy letterforms, the font also has a gentle and smooth touch that gives an elegant and modern impression. With its strong and expressive appearance, "Beardman" is suitable for use in graphic design projects such as posters, brochures, magazines, websites, and much more. Add a touch of masculine yet gentle to your design with the "Beardman" font. What did you get? Regular, Italic, Regular Outline & Italic Outline Alternates & Ligatures Numbers & Punctuation Multilingual Support Works on PC & Mac Simple Installations

Appetite Pro is a total upgrade of the world wide popular display font Appetite (2011). It is based on original lettering and belongs to the upright script like. Appetite Pro consists of 10 weights of the refreshed curves — 5 regular and 5 italic — from Light to Heavy. It’s a multilingual and international font, with a full Western Latin, Cyrillic (Russian, Belarusian, Ukrainian) and basic Greek support. The Appetite Pro font family is specially designed for food identity and packaging design projects. In addition to standard letter cases, Appetite Pro also includes dingbats set. Due to the 10 weights font palette, you can solve a wide variety of professional problems without spending money on extra fonts for titles, subtitles, and main text. Try and buy!

City Streetwear is a sophisticated signature collection that includes four script weights and plenty of ligatures. City Streetwear scripts includes 102 ligatures and 6 alternates. Ligature programming has been added to the fonts to give the scripts a more handwritten and luxurious appeal. Try the City Streetwear free font for fashion marketing and social media. It is a great starting point for finding appealing modern catchwords. Use City Streetwear for sophisticated designing. Fonts and posters designed by Cindy Kinash. See font details below. SCRIPT FEATURES: Signature style OpenType Common ff fi fl ffi ffl ligatures  Available in Extended Latin Pro (Standard) or American (US) version. 102 ligatures and 6 alternates. Programmed ligature feature for optimization. Every time you type specific pairs, ligatures are programmed to pop up to avoid letter pair collisions. Programming ligatures gives the script a more sophisticated flow. Make sure to turn on the feature in your preferred program that supports ligatures. FREE WORDS FEATURES: 68 free words useful for fashion, marketing and social media promoting. Keyword examples include fashion, exclusive, and style. Intended use for fashion, apparel, beauty, marketing, social media, websites, magazines, sales, film and packaging.  VERSIONS: American (US) and Extended Latin Pro (Standard) AMERICAN (US) Shorter version  102 ligatures and 6 alternates  Common ff fi fl ffi ffl ligatures  OpenType Includes the common alphabet, numbers, American symbols and punctuation. EXTENDED LATIN PRO (Standard) Extended version of the American (US) version.  102 ligatures and 6 alternate Common ff fi fl ffi ffl ligatures  OpenType Includes characters for Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Feroese, Finnish Scots, French, Gaelic, Galician, German, Greek Transliterated, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Maltese, Nynorsk Bokmal Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh. TIPS: Try the OpenType ligatures by turning on the feature in your preferred program that supports ligatures. DISPLAY- The City Streetwear fonts work best as large headline text for optimization. FONT USE- Use City Streetwear for fashion, apparel, beauty, marketing, social media, websites, magazines, sales, film and packaging.

Carouge Pro is a contemporary typeface with a classical twist. This duality gives Carouge an energetic and vivid sensibility. Its subtle shapes are highly suitable for all types of documents, including corporate collateral and publicity literature. The fineness of the types provides a pure and elegant style that is highly valued in the fashion and design industry. While extremely legible in small body sizes, its personality comes into full bloom when used in large type sizes. Carouge comprises a wide range of bold fonts, from Ultra Thin to Ultra. The italic companion of the roman type has a split-line allure with a rounded personality. Carouge Pro is available in eight weights from the UltraThin to an Ultra Black. Each weight is also supported by a strong personality cursive italic. “When I designed Carouge, I wanted to create a typeface with a sober appearance and a dash of audacity. Carouge provides a fine balance between two different worlds.” — André Simard Carouge Pro is a contemporary typeface with a classical twist. This duality gives Carouge an energetic and vivid sensibility. Its subtle shapes are highly suitable for all types of documents, including corporate collateral and publicity literature. The fineness of the types provides a pure and elegant style that is highly valued in the fashion and design industry. While extremely legible in small body sizes, its personality comes into full bloom when used in large type sizes. Carouge comprises a wide range of bold fonts, from Ultra Thin to Ultra. The italic companion of the roman type has a split-line allure with a rounded personality. Carouge Pro is available in eight weights from the UltraThin to an Ultra Black. Each weight is also supported by a strong personality cursive italic. “When I designed Carouge, I wanted to create a typeface with a sober appearance and a dash of audacity. Carouge provides a fine balance between two different worlds.” — André Simard

Gryffensee is designed to be the Futura of blackletter, combining the time-honored gravity and relentlessness of the Gothic script with the clean, contemporary freshness of the geometric sans. Built from a tightly controlled inventory of lines, arcs, sharp cuts, and OpenType features, Gryffensee was born and raised in the digital age, yet retains the powerful charisma and human warmth of its mediaeval blackletter ancestors. As a result, it excels in a wide range of display settings, logotypes, and short text. Unlike most conventional blackletters, it even handles all-caps usage with grace, and includes an extensive Cyrillic character set (in the Pro version). Apart from a generous range of automatic ligatures and contextual alternates, Gryffensee offers stylistic alternates that allow users to customize its appearance to their tastes. The capital letters |AGHIKZ| come in alternate cuts that trade traditional shapes for increased legibility, while the letter |s| appears in three cuts, each with a unique, distinct flavor. All these options are accessible through OpenType stylistic sets in the main Latin font, Gryffensee Eins. For easy use in applications without OpenType support, we provide two additional Latin fonts (Gryffensee Zwei and Drei) in which these options replace the default cuts. Finally, Gryffensee Pro offers all the functionality of Gryffensee Eins, plus Cyrillic support. My intention to devise a contemporary geometric blackletter was inspired by four hand-painted letters, |ABCD|, in Sasha Prood�s online portfolio. I later found out that he had, in turn, taken those letters from an existing font, Bastard, by Jonathan Barnbrook. Luckily, by that time my project had taken on a life of its own. Gryffensee is an original design that bears only the most superficial resemblance to Bastard. Gryffensee is a mediaeval spelling of the lake Greifensee near which I grew up. It is pronounced [?gri?f?n?se?], or "GRIEF-un-say" in English approximation. This font is dedicated to Simone.

The Adelle family continues its stylistic expansion with the release of Adelle Mono and Adelle Mono Flex by Veronika Burian and José Scaglione. Monospaced typefaces are the default choice for developers and programmers and are also an aesthetic choice for many designers and communicators. The Adelle Mono font family has two widths to serve both breeds and a variable font for the flexible spectrum in between. Monospaced typefaces are born of necessity rather than purely aesthetic values. Each glyph is constrained to a strict box, making the naturally smaller ones the same width as the naturally wider ones. While this serves the functional purpose of keeping text aligned in vertical and horizontal rows, it is completely unnatural in terms of readability. A monospaced ‘l, i’ are overblown compromises while ‘m, w’ become compressed mutations. The Adelle Mono family was therefore designed with both the developer and the aesthete in mind. Adelle Mono respects its necessary constraints while still being visually appealing and easily read. Activate it for use in Sublime, Swift, Terminal, or your IDE of choice and see how well it performs. Clarity will lead to less developer mistakes, and its aesthetic appeal will make your work enjoyable. Adelle Mono Flex is the proportional width version that works for any kind of normal text reading or a design intended to invoke “system or information aesthetics”. Opposite the demands of the monospace family, Flex is reader friendly and intended for branding, annual reports, paragraphs, UI, logos, posters, screens, tables, captions, and more. Employ the Mono version where monospace is needed and the Flex version where reading or coherence is priority. Adelle Mono’s experimental 20-style design explores the space between proportional and monospaced types. It boosts creativity and coherence by providing flexible options in the same family, including italics and the variable font format with an axis of weight and a spectrum axis between multi-width and monospaced characters. Combining Adelle Mono with either Adelle or Adelle Sans adds more layers and adaptability to your work.

Introducing "Korge", a captivating and versatile retro bold slab serif font that seamlessly marries vintage aesthetics with modern functionality. With its bold design, serif form, and a trio of regular, rounded, and extruded versions, Korge offers a wealth of creative possibilities for your design ventures. Korge is a font that transports your projects back to the golden eras of design. Its bold and distinct serifs evoke a sense of nostalgia, lending your creations a classic and enduring appeal. Korge provides not one, but three distinct styles to choose from. The regular version exudes a commanding presence, while the rounded variant softens the edges for a more approachable feel. The extruded version adds depth and dimension, giving your text a 3D, eye-catching quality. Korge is a font that speaks the language of design across borders. With its multi-language support and PUA encoding, it ensures your message resonates with audiences from diverse linguistic backgrounds. From logo design to branding, packaging, posters, and beyond, Korge adapts seamlessly to a wide array of design projects. Its bold slab serifs demand attention, making sure your message is delivered with both authority and style. Korge invites you to embark on a journey of creative exploration. Craft memorable headlines, iconic logos, or striking signage – this font is your canvas for pushing the boundaries of design. With Korge, the possibilities are limitless. Its vintage-inspired bold slab serif design, multi-language support, and versatile styles make it the ideal choice for designers seeking to infuse their projects with timeless charm and contemporary appeal. Get ready to bring your visions to life with Korge, where classic meets cutting-edge. ——— Korge features: A full set of Uppercase & Lowercase letters Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +237 Total Glyphs Rounded Style + Regular Style Extruded Style Korge Includes: Korge Regular Korge Regular Extruded Left Korge Regular Extruded Right Korge Regular Extruded Left Italic Korge Regular Extruded Right Italic Korge Rounded Korge Rounded Extruded Left Korge Rounded Extruded Right Italic Korge Rounded Extruded Left Korge Rounded Extruded Right Italic

In July 2014, using my light pen, I completed the work in designing the font - Nizar, which was named in honor of the great poet Nizar Qabbani who inspired millions through poetry and prose. The font depends mainly on the characteristics of the traditional Ruq'ah handwriting, but the spirit of the letters tend to embrace the distinguished style that we knew of the poet in his hand-written poetry books. Due to the fact that I could not find all the alphabets in the great poet's handwriting, I adopted the method of measurement and prediction for structure of the missing letters, Which resulted in a new style of the Ruq'ah Typeface; a closer look at the font highlights the common characteristics of all the usual Ruq'ah writings, which are the height of the character "Alef" and spaces and formation on the line, the contextual replacement and convergence of when a letter meets another, closed and open letters, letters coming down from the baseline, and the forms of dots. That been said, hidden touches in the details of Nizar Typeface can be observed, the characters are all dependent on one pen stroke thickness, and are attracted to the baseline as much as possible when vertically and horizontally formed, and the distance between words and lines grows leading to creating both an aesthetic and typographical touch distinguishing this font from the conventional Ruq'ah – which can be found in some of my previous Ruq'ah projects. It is important to mention that after the completion of the Arabic characters and punctuation, I began drawing the Latin alphabets, punctuation and necessary symbols. I cannot fail to also note that the Arabic characters include the Persian, and the Urdu characters. This Typeface is fit to be used in lengthy texts, especially in literary works, artistic print, and diverse visual display, giving the design striking features, modernity and distinction. Sultan Mohammed Saeed

Youth Heritage Font is a vintage bold script font that pays homage to the rich visual heritage associated with youthful exuberance and retro aesthetics , This typeface combines bold, expressive strokes with a script style reminiscent of classic hand-lettering from bygone eras, capturing the spirit of vintage design. Here's a detailed explanation of the key features and characteristics of the Youth Heritage Font: Features: Vintage Aesthetics: The Youth Heritage Font is designed to evoke a sense of nostalgia, drawing inspiration from vintage typography prevalent during the mid-20th century, Its design elements reflect the bold and charismatic lettering styles associated with retro signage and advertising. Bold and Expressive Strokes: One of the defining features of this font is its bold and expressive strokes. Each letter is crafted with confidence, making a strong visual impact. This characteristic contributes to the font's ability to command attention and stand out in various design applications. Script Style: The script style of the font imparts a handwritten and personalized feel. The cursive letterforms flow seamlessly, creating a sense of dynamism and adding a touch of informality to the overall design. Distinctive Lettering: Each letter in the font is crafted with attention to detail, featuring unique and distinctive characteristics. This ensures that the font maintains its individuality and offers a distinct typographic personality. Applications: Vintage Branding: The Youth Heritage Font is well-suited for vintage branding projects. Apparel Design: Designers in the fashion industry can leverage this font for apparel branding and graphic designs. Its bold script style adds a retro flair to T-shirts, hoodies, and other clothing items, giving them a timeless and stylish appeal. Retro Signage: The bold and expressive nature of the font makes it a perfect choice for retro signage and display purposes. Event Posters and Flyers: When designing promotional materials for events, concerts, or parties with a vintage theme, the Youth Heritage Font can contribute to a cohesive and visually appealing poster or flyer design. Social Media Graphics: Its bold and expressive script style can make posts and announcements more engaging and shareable.

Petrarka may be described as a Condensed, Sans-Serif, Semi-Fatface Roman. Huh? Bear with me on this. The Fatface is a name given to the popular nineteenth-century romans that where characterized by an extremity of contrast between the thick and thin stroke. The earliest example that is generally familiar is Thorowgood, believed to have been designed by Robert Thorne and released by Thorowgood Foundry in 1820 as "Five-line Pica No. 5." Copied by many foundries, it became one of the more popular advertising types of the day. Later, in the period from about 1890 to 1950, you find a number of typeface designs with the thin stroke beefed up a bit, not quite so extreme. What you might call Semi-Fatfaced Romans begin to replace the extreme Fatfaces. Serifed designs like Bauer’s Bernard Roman Extra Bold and ATF’s Bold Antique appear. In addition, we see the development of semi-fatface lineals or Sans-Serif Semi-Fatfaces. Examples include Britannic (Stephenson Blake), Chambord Bold (Olive), Koloss (Ludwig & Mayer), Matthews (ATF) and Radiant Heavy (Ludlow). Petrarka has much in common with this latter group, but is distinguished by two salient features: it is condensed and it shows a strong blackletter influence, as seen in the ‘H’ particularly. Petrark was released about 1900 by the German foundry of Schelter & Giesecke of Leipzig and is one of the designs of the period that attempts to reconcile roman and blackletter traditions. Making a cameo appearance in this Multi-Lingual font is the Anglo-Saxon letter yogh (#729), which, along with the thorn and the eth, is always useful for preparing flyers in Old English. There are still pockets of resistance to the Norman French influence that washed up on England’s shores in 1066. This font stands with King Canute, seeking to hold back the tide (ignoring the fact that Canute was a Dane). Support the fight to preserve Anglo-Saxon culture. Buy Petrarka ML today. Petrarka Initials brings together the Petrarka upper case letters with a very sympatico Art Nouveau rendering of a female face.

Antique monumental incriptional majuscule, originally carved in stone, and sometimes called “Roman Capital”, is the origin of the upper-case part of our latin alphabet. Its narrowed form, derived from handwritten originals used between the first to third century A. D., served as the inspiration for the Mramor typeface, which I drew with ink on paper in 1988 under Jan Solpera’s leadership. After composing negative letters on a strip of film it was possible to use Mramor with the early phototypesetting devices. In 1994 with the help of Macintosh IIvi I added the lowercase letters and bolds, and issued this typeface as 14-font family. After some years of using Mramor for various purposes, I realized a need of modernization and humanizing its very fragile appearance, as well as removing numerous decorative and useless parts. Besides that, type design made a huge technical progress in past few years, so I was able to finish the remaining approximately 9600 glyphs contained in the present font system named Amor. It is already usual to combine sans and serif fonts within one family in order to distinguish (e. g. in a book) historical part from contemporary, a plain chapter from a special one, or, in quotations, to divide speaking persons. Sans-serif typefaces don't arise by simple removal of serifs; they have to be drawn completely separately, when occasionally many declined forms may be made, considered to the serifed original. Nevertheless, both parts of this type system appear consistent as for proportional, aesthetic and emotional atmosphere. Usage of type is often closely linked to its original inspiration, in this particular case with architecture and figurative sculpture. An inner “order” was also text setting in smaller sizes. A smooth scale of weights enriches the possibilities in designing of magazines, brochures, exposition catalogues and corporate identity. Economizing, but opened shape of characters is well legible and antique hint comes into play after longer reading.

Sparkster - Futuristic Font Introducing Sparkster, a bold and sleek futuristic font inspired by modern digital technology. This typeface is designed to create a cutting-edge and futuristic vibe for your design projects. The Sparkster font family includes both uppercase and lowercase characters, with Opentype features such as alternates and ligatures for a more customized look. The idea behind Sparkster was to create a typeface that captures the essence of digital technology and future-oriented design. With its bold and sleek appearance, it is perfect for a wide range of design projects, including logos, covers, posters, branding, UI, titles, and more. Whether you're designing for a tech company or a forward-thinking brand, Sparkster is sure to make a statement. For a futuristic and modern look, try using Sparkster for your branding and packaging projects. Its bold and sleek appearance is perfect for creating a cutting-edge and futuristic feel that will make your brand stand out. You can also use Sparkster for album covers, posters, and social media graphics to give your designs a high-tech and futuristic vibe. Sparkster comes with a range of features, including uppercase and lowercase characters, Opentype alternates and ligatures, and multilanguage support. It also includes numbers, punctuation, and symbols to make it versatile for a range of design projects. In the font package, you will receive three different file types: Sparkster OTF, Sparkster TTF, and Sparkster WOFF. This ensures that you can use the font on a range of devices and software programs. In summary, Sparkster is a bold and sleek futuristic font that is perfect for creating a cutting-edge and modern look for your design projects. With its unique and customizable features, you can make your designs stand out and make a statement. Try using Sparkster for your branding, packaging, logos, album covers, posters, and social media graphics to create a high-tech and futuristic feel.

Introducing Chrome Slab, our brand new aesthetic semi-condensed serif font that embodies a perfect balance of elegance and versatility. With its captivating uppercase characters and exquisite design, this font is set to elevate your design projects to new heights. Chrome Slab boasts up to 45 beautiful ligatures, meticulously crafted to add a touch of sophistication and uniqueness to your typography. These ligatures seamlessly blend letterforms together, creating fluid and visually pleasing connections that enhance the overall aesthetic appeal of your text. *Make user to use capital letters to activate ligature features. In addition to its stunning ligatures, this font supports multilingual language, making it an ideal choice for projects with diverse linguistic requirements. Whether you're working with English, Spanish, French, German, or any other language, Chrome Slab ensures seamless integration and legibility across different typographic needs. The semi-condensed structure of Chrome Slab optimizes space utilization, allowing for efficient and impactful designs without sacrificing readability. Its compact yet elegant proportions make it perfect for a wide range of applications, including editorial designs, branding materials, packaging, and digital displays. With Chrome Slab, you'll have a powerful tool at your disposal, enabling you to create visually striking and professionally polished designs. Its aesthetic appeal, versatile ligatures, and multilingual support make it a must-have font for designers seeking to make a lasting impression. ——— Chrome Slab features: A full set of uppercase Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +279 Total Glyphs Up to 45 Aesthetic Ligatures ——— ⚠️To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe InDesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as Pop Char (for Windows and Mac). ⚠️For more information about accessing alternative, you can see this link: http://adobe.ly/1m1fn4Y

A classic “American” sans serif with a kink Desphalia belongs to the kind of sans serif fonts that were created in the 19th century. You could also name it “American Gothic”, a sans serif in the style of fonts like Franklin Gothic, News Gothic and similar. Above all, the high x-height characterizes this typeface style, as do the identical heights of uppercase and ascenders. However, I allowed myself a few peculiarities ;-) On the one hand, there is the gently sloping horizontal middle line on letters such as H, E, F, A and e. The M also got gently slanted sides. Some of the lower-case letters have an up- or down-stroke: a d m n p u. This "kink" on the shaft also serves to better distinguish the small l from the capital I — as can be seen clearly with the term »Illinois«. In keeping with the tradition of American typefaces, Desphalia does not have a true italic. Rather, the letters of the “Italic” have the same character forms as the normal upright variant, but in oblique — and so it is not called “Italic” but “Oblique”. Style Set 01: Another American peculiarity is the capital I with dashes above and below. It is included in the Desphalia as an alternate character form. An alternative small l with the “kink” in the ascender is also included — as is a y with the “kink” in the descender. Style Set 02: The corresponding “straight” forms a d l m n p u without the break are included as alternatives in a separate style set. Small caps are uppercase letters that are optically the same size as lowercase letters. They offer a very classy way of emphasis. Desphalia is available in the widths Condensed, Normal and Expanded, the weights include Thin, Light, Book, Bold, Black. Using the variable font, all intermediate levels can be freely selected. The figures are optionally available as tabular figures, proportional lining figures or old style figures.

Geometric typefaces are a staple in every typographer’s toolbox since the 1920s. It was a time when iconic faces such as Futura, Erbar, and Kabel appeared on the scene and turned the world of type upside-down. Inspired by those early giants as well as later epigones with a legacy of their own (such as 1970’s Avant Garde Gothic), Flink Neue is the Identity Letters take on this genre, characterized by a clean and focused appearance. With neat shapes and the look of pure geometry, Flink Neue adapts to a vast range of applications and topics, from the fine print in contract to website body copy to logo design to billboard-size slogans. Its x-height is considerably larger than in classic geometric sans-serif fonts; its proportions are harmonized as opposed to strictly constructed. This makes for a more contemporary look, setting it apart from the classics. With three different widths, Flink is a true all-rounder. Geometric fonts are usually quite wide, which often leads to text-settings problems with headlines or small print. The Condensed and Compressed variants of Flink Neue solve this problem easily. This font family comes along in 18 weights from Thin to Black with matching Italics. There are almost 1400 characters per style, including nine stylistic sets that offer variations to the look and feel of Flink Neue, making it even more versatile. Besides the default mood of Flink Neue, there is also a Text and Bauhaus variant, where different letters have been changed to create a new mood. In theory, you just need one single font file to change between all three moods, but to make it easier for you, we also exported each mood within a separate file. Plenty of additional Open Type Features like ligatures, small caps, case sensitive forms, old-style figures, tabular figures and symbols make Flink Neue a valuable tool for the discerning typographer. Flink Neue is the reimagination of a classic genre, designed to suit the needs of our time.

Lievin is an exceptional slab serif font that stands out for its simplicity, clean lines, and captivating elegance. What sets it apart is its unique ability to effortlessly adapt to diverse design needs, making it a versatile choice for any project. With an impressive range of 50 variable styles, ranging from delicate thin to bold and massive black, Lievin caters to a wide array of typographic demands. Its versatility makes it perfect for various applications such as posters, marketing materials, logotypes, headlines, books, magazines, and more. One of the defining features of Lievin is its impeccable balance of classic charm and contemporary appeal. Its sleek and refined aesthetic adds a touch of sophistication to any design. The font's exceptional legibility ensures that the message is conveyed with clarity and impact. Lievin pairs harmoniously with a range of typefaces, making it an ideal choice for combination and layering. It complements sans-serif fonts, such as Helvetica or Futura, creating a visually dynamic and engaging typographic composition. Beyond its visual appeal, Lievin boasts an extensive character set, providing support for multiple languages and typographic features. This allows designers to express their creativity and accommodate different linguistic requirements. The design concept of Lievin is rooted in the desire to create a timeless and versatile slab serif font that would seamlessly integrate into modern design practices. Its clean lines and balanced proportions ensure legibility across various media and sizes, while its elegant charm adds a touch of sophistication. Lievin is the result of a meticulous creative process aimed at delivering a font that captures attention and makes a lasting impression. It combines the best of traditional and contemporary design elements, offering a fresh take on slab serif typography. As a modern typeface, Lievin is an original creation, not based on any historical design or revival. It embodies a contemporary interpretation of slab serif fonts while incorporating functional aspects that cater to the needs of today's designers.

Poeta Color is an ornamental font for making patterns and decorating text. It contains floral and nature motifs. The symbols are versatile enough for simple decoration or thematic seasonal and holiday moods. Designers can use Poeta to make unique lines, fields, borders, or ornamentation within or around text. Try replacing a basic straight line with repeated symbols. Make a background to add visual interest to a design. Use the forms to decorate a chapter title or to mark the end of a magazine article. Replace a letter in a word with a symbol to create a memorable statement. This font began with sketches of patterns seen in ceramic tiles around Sicily. It is named Poeta because Sicily is an island rich in poetry traditions. Below is some helpful technical information. Using this font is simple. Install it and type. Symbols will appear instead of letters. Choose the precise symbols through a software’s glyph palette. Use the type/character menu controls to vary the spacing and density of patterns. All fonts are vector-based, OpenType, and fully scalable. Six of the fonts have different color or grey combinations. One of the fonts (solid) is a standard font. The font previews on this website will only display the font in black. See the slides to get an idea of the colors. Be assured that the colors are present in the files and will appear when loaded on the computer. The colors that are in each font: Primary: red, yellow, blue Secondary: orange, green, purple Tertiary: red-orange, yellow-orange, yellow-green, blue-green, blue-violet, red-violet Diverse: many different warm and cool colors Grey: three different greys from light to dark Gradient: a greyscale gradient Solid: standard font and can be colored normally Software that supports color SVG fonts: Photoshop, since 2017 llustrator, since 2018 InDesign, since 2019 QuarkXPress, since 2018 Pixelmator Sketch

Varidox, a variable typeface design, allows users to connect with specific design combinations with slightly varied differences in style. These variations in design enable the user to reach a wider scope of audiences. As the name suggests, Varidox is a paradox of sorts--that is, a combination of two disparate forms with two major driving influences. In the case of type design, the conflict lies in the age-old conundrum of artistic expression versus marketplace demand. Should the focus center primarily on functionality for the customer or err on the side of advancing creativity? If both are required, where does the proper balance lie? Viewed as an art, type design selections are often guided by the pulse of the industry, usually emphasizing unique and contemporary shapes. Critics are often leading indicators of where the marketplace will move. Currently, many design mavens have an eye favoring reverse stress. However, these forms have largely failed to penetrate the marketplace, another major driving factor influencing the font world. Clients now (as well as presumably for the foreseeable future) demand the more conservative forms of monoline sans serifs. Typeface designers are left with a predicament. Variable typefaces hand a great deal of creative control to the consumers of type. The demands of type design critics, personal influences of the typeface designer and the demands of the marketplace can all now be inserted into a single font and adjusted to best suit the end user. Varidox tries to blend the extremes of critical feature demands and the bleeding edge of fashionable type with perceptive usability on a scalable spectrum. The consumer of the typeface can choose a number between one and one-thousand. Using a more conservative style would mean staying between zero and five hundred, while gradually moving higher toward one thousand at the high end of the spectrum would produce increasingly contemporary results. Essentially, variable fonts offer the ability to satisfy the needs of the many versus the needs of the few along an axis with a thousand articulations, stabilizing this delicate balance with a single number that represents a specific form between the two masters, a form specifically targeted towards the end user. Practically, a user in some cases may wish to use more conservative slab form of Varidox for a more conservative clientele. Alternatively, the same user may then choose an intermediate instance much closer to the other extreme in order to make a more emphatic statement with a non-traditional form. Parametric type offers a new options for both designers and the end users of type. In the future, type will be able to morph to target the reader, based on factors including demographics, mood or cultural influences. In the future, the ability to adjust parameters will be common. With Varidox, the level of experimentality can be gauged and then entered into the typeface. In the future, machine learning, for example, could determine the mood of an individual, their level of experimentality or their interest and then adjust the typeface to meet these calculated parameters. This ability to customize and tailor the experience exists for both for the designer and the reader. With the advent of new marketing technologies, typefaces could adjust themselves on web pages to target consumers and their desires. A large conglomerate brand could shift and adapt to appeal to a specific target customer. A typeface facing a consumer would be more friendly and approachable, whereas a typeface facing a business to business (B2B) customer would be more businesslike in its appearance. Through both experience, however, the type would still be recognizable as belonging to the conglomerate brand. The font industry has only begun to realize such potential of variable fonts beyond simple visual appearance. As variable font continues to target the user, the technology will continue to reveal new capabilities, which allow identities and layouts to adjust to the ultimate user of type: the reader.

Kindred is an organic and hand-lettered sans typeface. It has a friendly and organic feel that works great for branding, social media, and marketing! Kindred is inspired by hand lettering art - incorporating many letters that fit into each other and swashes that add a hand-drawn feel. The corners are slightly rounded to give it an organic and friendly feel. With so many alternatives and ligatures, each word can be customized to fit the needs of your project. The Details: 34 Standard Ligatures: Enabled by default to create a hand-drawn feel! (Make sure your open-type features are enabled!) These can also be switched out depending on the look you're going for. Over 90 Alternatives: These are the perfect way to make the type look custom-made for your project. Add small details, change double letters, or add swatches that fit around surrounding letters. Language Support: Danish, English, French, German, Irish, Italian, Portuguese, Spanish, Swedish, & Swiss German.

Bristers is a font duo package contain a hand drawn monoline script and sans serif which looks great to be paired especially for vintage and adventure theme! It also comes with extra illustration and premade logo! This font duo is purposely made for headline, display or logotype, and signature which need a standout appearing. This font is also suitable to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : - Bristers Sans & Script - uppercase & lowercase - numbers and punctuation - multilingual - alternates & ligatures - PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Stop trekking through the thick, wintery font forest, and step lightly into the fresh life of the Haboro hyperfamily. Though simple in nature, the Haboro hyperfamily provides you with a variety of options. Take, for instance, Haboro Soft, the latest member. Soft features a clean, geometric shape based off Haboro Sans. Unlike Sans, however, Soft’s blunted terminals give your work a more contemporary appearance. It’s a gentle touch for those times you prefer subtilty over pounding your message home. Take Haboro Soft even farther with its OpenType features. The typeface contains specially shaped small caps and old-fashioned figures--just enough to give your work a unique touch. Of course, for more options, use the entire Haboro hyperfamily to expand your abilities. Enjoy the comfort in knowing you’re choosing a font family equipped with tools for most anything: packaging, branding, web pages, iPhone apps and more. Its simplicity lends itself to achieve perfect results. And yes, your work will even thank you.

Straight from the beauty product ads of the 1960's comes Montez Pro, full of sweeping strokes which lend to a feeling of joy and elegance throughout its letterforms. It is the ideal font for display uses that require a little drama, "joie de vivre" or Joy of Life. The stylings of the standard typeset Montez Pro lend itself to holiday and celebration designs most effectively. And while it is usually a typographic no-no to set a script in all capitals, Montez Pro contains a small caps feature that has specially redesigned capitals that allow an appealing all capitals setting. Montez Pro is loaded with features to give you plenty of customisation options: - Stylistic Alternates offer variations of the L, t, and w-smallcap characters - Small Caps offer tailored back and normalized short capitals - 44 Ligatures to make typesetting more interesting - A Full set of Inferiors and Superiors for Limitless Fractions - Proportional and Oldstyle numeral sets

Oh no, not another typewriter font! But Klaklak is different. Not only has Klaklak four weights from worn out ink (light) to typing twice (bold), an Italic (which is Regular with authentic underlines as there is no Italic on typewriters) and an x-through font called Klaxxx (no need to erase your typos – just x them out (just kidding 😊)). It also does a lot to avoid repeating letterforms by first replacing about 320 common letter combinations by ligatures and then mixing them up with 4 style sets which results in about 1300 ligatures and more than 2600 glyphs in total per font. The result is a very realistic appearance of a mechanical typewriter. All you have to do is turn on Ligatures and Contextual Alternates in your favourite layout app. Of course Klaklak is multilingual, supports a lot of Latin based languages and has all glyphs for even demanding layout tasks. Enjoy!

We always wanted to design a gothic typeface. Our most similar typefaces are Rude and Firme, but Rude has some very delicate curves especially visible in the vertical strokes and Firme introduces a type family with reasonably big ascenders and descenders. On the other hand, Isento has a much more straightforward approach to the particular genre. Loosely inspired by Times Gothic, introduced in the American Type Founders Specimen Book and Catalogue from 1923, soon followed its very own path. Is our first typeface that clearly shows a distinct weight difference between the uppercase and the lowercase and the spacing is very open to provide a much more mechanical feeling. Isento and Isento Slab ranges from Thin to ExtraBold with perfectly matching italics. Immediately seemed very clear that a slab serif companion would follow the sans, therefore Isento Slab is the perfect companion to Isento, with very strong rectangular serifs, ideal to set short passages of text or to become the key actor in a big headline.

Proudly present Mildstones - Modern Bold Sans, created by ikiiko. A contemporary bold condensed sans serif typeface created to breathe life into headlines with its eye-catching presence. Mildstones attracts attention and takes any design project to a new level with its striking and fashionable look. Each letter in Mildstones has undergone meticulous design in order to convey a sense of power, assurance, and beauty. The font has a sense of verticality and compactness due to the condensed proportions, which also make it easy to fit into small places while keeping outstanding readability. The Mildstones experience is more than simply a font. It has been meticulously designed to be a dependable and powerful typographic in terms of both aesthetic and readability. This type is very suitable for making a headline news, sport advetorial, logotype, branding, poster, magazine layout, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Number & Punctuation Multilingual Support Works on PC & Mac

Crypton is a modern geometric design by Alex Kaczun. It’s an alternate style variation based on his popular Contax Pro family of fonts. The look is clean, smart and sophisticated—the chiseled end strokes reflect the rage of the 1980s; lettering that represented something to do with electronics, computers and outer space. It’s a futuristic sans-serif exploration of shape and form. This display font is not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong and dynamic—it can be widely used in publications and advertising. Crypton is a futuristic, techno-looking and expressive typeface with the appearance of machined-like parts—round geometric shapes and sharp edges. This attractive display comes in roman with lower case and lining figures. The large Pro font character set supports most Central European and many Eastern European languages.

Wish to infuse some tradition and nostalgia into your project? Whether you’re working on a logo, promo materials, packaging, or invitations, we’ve got just the thing to elevate your design. Introducing Halberg - a Vintage Serif Font. From luxury brands to artisan businesses, Halberg has a timeless appeal to customers. Give it a shot and see how a great font improves the way people see you. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office Keynote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom-created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Stevens Titling refers to the classic Roman alphabet as it appears on the Trajan column and numerous other monuments. With its realistic brush strokes, it shows the letterforms as they might have been sketched on the marble before the stonecutter reached for his hammer and chisel. The four fonts that constitute the Stevens Titling suite are named after animals — badger, boar, sable and wolf –, each known for the specific character of its hairs when used to make painting brushes. Sable Brush is the most formal and elegant, with solid forms which show no obvious trace of the handdrawn brush stroke; it comes with a set of small capitals for those classical titles preferred by Hollywood. In fact, each of these fonts would do a great job as a film title and poster font. The Badger Brush variant is compact and firm; Boar Brush is dramatic, and in Wolf Brush each part of the letter is made up of realistic, dry strokes.

Say it softer with Solitas Serif. Perfect for the designer needing a serif without the stiffness, Solitas Serif will turn your reader’s eye with its slight serifs and rounded corners. This softer version of the curves found in Solitas and Solitas Slab gives your work a subtle yet noticeable charm. Solitas Serif’s 42 rich fonts live comfortably in print and on packaging as well as online. With its soft, pleasant appeal, your reader can move over the typeface with ease. Intermediate weights are available for long amounts of text, and the bold version makes a strong but gentle stance in headlines and subheadings. Altogether, Solitas Serif remains an unimposing and graceful font, despite its large selection of seven weights, three widths, and italic sets. Solitas Serif’s OpenType options include capitals, ligatures, ordinal numbers, fractions, denominators, superscripts and subscripts. Serif also supports Western European, Central European and Eastern European languages. For a sweet approach, charm your reader with simple and soft. Charm them with the subtle Solitas Serif.

Kush is what happens when you let your fonts sit around watching cartoons and eating cake and ice-cream all day�When their vectors are freed from all constraints and allowed to follow their bliss. Kush has filled its insides to just the other side of contentment and comes to you on a sugar high and with a head full of Looney Tunes. And... It�s two ply! A two-layered display face from Our House Graphics with a plush, organic feel, Kush has 370 glyphs, over two dozen standard and discretionary ligatures, stylistic alternates and a few surprises. Kush Fat and Kush Shade work well independently but together they become a two colour, two layer font. Simply type some text in Kush Shade, copy it and paste it back on top of your original text. Then change the top layer to Kush Fat and adjust the colours to your liking. For best results, use default settings for kerning and tracking (letter spacing).

Proudly present Chemicalife - Hand Drawn Letterpress Type, created by ikiiko Take advantage of "Chemicalife," a stunning hand-drawn letterpress typeface created to take your poster designs to new heights, and embrace its retro appeal and aesthetic attraction. The distinctive "Regular" and "Rough" forms of this typeface, each with its own compelling personality, provide your projects an unsurpassed degree of versatility. Discover the world of purposeful imperfection with Chemicalife's "Rough" aesthetic. This variation celebrates the natural flaws of handcrafted artwork and is inspired by the genuine charm of vintage letterpress prints. Every word and character exudes an artistic rawness that gives your posters a sense of true craftsmanship. These imperfections and uneven edges are the telltale signs of an artist's touch. This typeface is perfect for an vintage poster, movie title, packaging, food & beverages, magazine design, fashion brand, classic stuff, quotes, or simply as a stylish text overlay to any background image. What's Included? 2 Weight : Regular & Rough Uppercase & Lowercase Numbers & Punctuation Multilingual Support Works on PC & Mac