Best Choice is a family of next-generation monospaced fonts for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Best Choice has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have a very large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Very clean and natural letterform is good for reading. Common curvature for tails and hooks makes harmony and a sense of unity. Best Choice supports almost all Latin including Vietnamese and Cyrillic. Try this all-new experiment.

Oddsorts’ Ciao Bella family pairs the funky elegance of a hand-drawn copperplate script with a bouquet of ornament fonts. Ciao Bella’s expansive range of alternate opening and closing forms, word-connecting ribbons, and swash characters use the power of OpenType to create a genuinely hand-lettered look. Bursting with over 2,000 characters, the Ciao script mates broad linguistic support with expressive possibilities galore in an easy-to-use software experience. But then there are the ornaments! What’s truly innovative about Ciao Bella’s ornaments is that most of the characters come in pairs that can be set in multiple colors without any stacking, layering, or aligning. They work in any application that supports kerning — even most word processors. See the slideshow and Gallery link above to see how they work. Ciao Bella marries the best of the old world — the warm, classic feel of ink on paper — and the new — the amazing capabilities of “smart” OpenType fonts — in a union that’s sure to delight.

Rolexa is a new carefully crafted serif fonts. The Ideas of this fonts are from wide range of reference, from classic, until the modern era. So the looks of this fonts must be in the wide range of the reference above. It’s Versatile and Luxury feel that you get in Rolexa Typefaces. Immerse your design in the world of elegance and refinement with our premium serif luxury typeface, designed to bring a sense of grandeur to your creative endeavors. Experience the epitome of luxury in typography with our meticulously crafted serif typeface, exuding timeless beauty and grace for your high-end designs. As you can see our creation on the display such as Branding, Header, Logotype, Poster, Magazine, Packaging, Wedding Invitation with art deco style, and etc. It shows that Rolexa can accommodate various design style. Features : - Character Set A-Z - Numerals & Punctuations (OpenType Standard) - Disrectionary Ligatures - Accents (Multilingual characters) Thank You

New from the Monotype Studio, Cotford is a contemporary serif from Creative Type Director, Tom Foley. Dynamic, adaptable, and surprising—Cotford is a languid serif that ranges from delicate thins, bending and reaching like flower stems, to bold heavy weights that command the page and screen with confidence and vintage charm. And as a variable font, Cotford allows designers to explore and refine the design almost endlessly, unearthing its many visual tones and hidden secrets. Foley set out to design a soulful, contemporary serif typeface that delivers all the versatility and robustness today's designers expect. The variable font unlocks an expandsive spectrum of visual expression that allows designers to explore, tweak, and adjust the typeface until they find the perfect weight, contrast, and optical size for their project. At the same time, Cotford’s static weights follow a traditional model of 3 text and 5 display weights, making it a strong choice for brands looking for simple implementation. A pop serif for the digital age, Cotford takes you places.

Caribantu Agora is an update of the Caribantu Grotesque typeface, with a new, more consistent and refined design. Being a 100% Latin Plus typeface, it features a wide range of characters for all Latin languages, making it a versatile option for designers worldwide. The kerning has been adjusted to ensure readability and text cohesion, providing a pleasant and professional reading experience. Additionally, Caribantu Agora includes all braille characters, making it accessible, inclusive, and ready for complex signage and packaging projects. With four stylistic sets, this typeface allows users to further customize their designs. Alternative glyphs allow you to change the look to a more modern and tech form, giving even more dynamism to web pages, packaging, and signage. Check out some of the features present in Caribantu Agora: 7 weights and a variable option; 100% Latin Plus; 15 OpenType features; 4 stylistic sets; Monetary symbols for all circulating currencies; Braille character sets; Math symbols; Arrows pointing in all directions.

Start good day for new font! present to you, Gilter! Gilter is a font created specifically to give your designs a modern, stylish, and unique feel. With a combination of fun retro serif shapes and an elegant appearance, this font is the right choice for designs that want to display a creative impression and be different from the others. Gilter presents strong and tough-looking letter characters, but still maintains a friendly and welcoming impression. This makes this font very suitable for various types of projects, from branding, packaging, posters, to website design. What's you get? Gilter Regular Gilter Italic Unique letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. I really hope you'll get pleasure using Gilter font and it will be perfect addition to your font collection! If you have some questions, please write me a letter! Shakira Studio

Eurobrush Pro is a new handwriting script designed by German type designer Ralph M. Unger. He produced not only the standard Western character complement, but added all of the Eastern European Latin glyphs and, on top of that, even the complete Cyrillic characters. Born and grown up in Th�ringen, former East Germany, Unger has a fair knowledge of Polish and also Russian (Cyrillic). Eurobrush Pro is a very beautiful, casual, informal and modern handwriting in `brush-style of a contemporary type designer. Even though a digitized handwriting, it keeps a very natural and pleasant look, at the same time being generous and well-readable. The individual characters combine quite easily and perfectly with no need for extra variants (although Unger included a number of ligatures). Eurobrush Pro is well-suited for plenty of applications, e.g. personal correspondence, invitations, greeting cards, headlines etc. Eurobrush Pro is supplied in the complete Latin character set (West + East) including ligatures, plus Cyrillic.

Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context--it has a certain nostalgia to it, yet it also has a slick, clean, futuristic look. It can even be used in a semi-grunge setting. This is a very versatile font! And if you like this font, check out the new boxy version of it, Neon Bugler Squared! Digitized by John Bomparte.

The retail storage box for a vintage metal numbering stamp manufactured by the American Numbering Machine Company had its brand name hand lettered in an Art Nouveau style that most likely went back to the 1920s, as the company was in existence from 1908 to around 1971. Numbering machines were used in offices, schools, libraries, and anywhere a series of numbers needed to be marked onto printed items. Similar to what was called a ‘crash numberer’ used in letterpress shops, the machines could be set to do a run of digits [for example: 4000, 4001, 4002] or repeat numbers for forms used as carbon copies. As computers took over most forms of printing, the use of numbering machines dwindled, but they are still available. The American Numbering Machine Company was one of several Brooklyn, New York companies that specialized in the manufacture of these machines. Retail Packaging JNL replicates the lettering from their packaging, and is available in both regular and oblique versions.

Los Lana Niu was designed by Bruno Jara and Luciano Vergara. The typeface is based on Los Lana (2007). Along with the redesign, the font has increased from 1 to 24 different styles. This new version preserves the rustic aesthetics of the original typeface, but it lacks of curves and it visually looks as if it was a nirregular font. Los Lana Niu comes with a wide range of ligatures included in every weight: from Thin to Black. In order to offer a wide array of uses, the typeface has been structured by adding acomplete family of small caps, which makes this font well-suited for headlines, posters, branding and publishing design. Los Lana Niu comprises 3 subfamilies: Los Lana Niu Essential (392 glyphs) – including both regular and alt versions, Los Lana Niu Small Caps (392 glyphs) and Los Lana Niu (820 glyphs), which includes a variety of OpenType features such as stylistic ligatures, contextual alternates and small caps.

When traveling in Paris, American designer Frederic W. Goudy did a rubbing of a second century marble inscription he found in the Louvre. After ruminating on these letterforms for several years, he drew a titling typeface in 1918, all around the letters P, R, and E. He called the new face Hadriano" as that name was in the original inscription. Robert Wiebking cut the matrices, and the Continental Typefounders Association released the font. Goudy designed a lowercase at the request of Monotype in 1930, though he didn't really like the idea of adding lowercase to an inscriptional letterform. The lowercase looks much like some of Goudy's other Roman faces. Compugraphic added more weights in the late 1970s, and made the shapes more cohesive. Hadriano has nicely cupped serifs and sturdy, generous body shapes. Distinctive individual letters include the cap A and Q, and the lowercase e, g, and z. Hadriano™ is an excellent choice for impressive headings and vigorous display lines."

SG Larchett is a stunning new sans serif font perfect for display. It features clean, elegant lines and a modern, minimalist design that is stylish and versatile. The font is characterized by its balanced proportions, uniform stroke width, and subtle variations in letterform, giving it a distinctive and sophisticated appearance. The unique features of SG Larchett make it ideal for use in a wide range of design applications, including branding, advertising, packaging, and web design. The font's clean, uncluttered lines and legibility make it easy to read even at small sizes, while its bold, striking appearance ensures that it stands out in any design. SG Larchett is a font that commands attention, yet remains understated and refined. It is the perfect choice for designers looking to make a bold statement with their typography while maintaining a sense of elegance and sophistication. Whether used in headlines, logos, or body copy, SG Larchett is a font that will impress.

Mica Valo is a sophisticated serif font that exudes timeless elegance and refinement. Its graceful curves and meticulous detailing make it the perfect choice for projects that demand a touch of class. The inspiration for Mica Valo is drawn from the seamless marriage of classic serif aesthetics and a modern sensibility. The result is a font that transcends time, adding a touch of grace and poise to any visual composition. What sets Mica Valo apart is its Alternate version, which introduces a unique twist to the classic serif style. The alternates offer a subtle variation in letterforms, providing designers with the flexibility to experiment and create distinct, personalized looks. This feature makes Mica Valo an ideal choice for branding, editorial design, and other creative projects where a touch of individuality is desired. Incorporate Mica Valo into your creative toolkit and let its elegant vibes and alternate options elevate your designs to new heights, leaving a lasting impression on your audience.

Emilio is a modern serif family available in 14 styles. It's an elegant typeface with friendly and warm personality which seeks a balance between traditional and modern. Emilio is inspired by the visuality of the 1980s and the typefaces that were widely used in advertising at the time, such as Times and Garamond. However, Emilio offers a contemporary take on the serif font family, adding new elements such as reductive, calligraphy-inspired details or the "K" and "R" legs shape. If you want a more traditional look, you can achieve it with the stylistic alternatives available. Of course, the typeface also provides standard and discretionary ligatures and many other Open Type features. In addition, it offers support for most Latin languages. The big headlines and titles are where Emilio shines the most, but due to large x-height and decent contrast will work for smaller text as well. Emilio is the ideal typeface for editorial design, posters, covers, branding and much more.

Tipo Pèpel strikes again with a lush splurge on pure basic geometrical shapes and sizes, those that inspired Paul Renner’s typographic milestone “Futura”. A new look to classic shapes, bringing them back plenty of delightfullly details as the lowercase cursive forms’ long tiles that break the supposed linearity expected from a purely geometrical font. Rhythm given by hidden details in each character of each weight, push “Naste” out of German geometric sobriety, will help us to easily create typographic hierarchies upon the many weights available and the many and accurate details. Excellent results with minimal effort. Wide ‘x’ height, restrained ascending and descending stems; thick but elegant, easy to read and in need of generous white space around, where it feels comfortable. More is better than less. As usual in Type Pépel, full sets of Opentype alternatives and Unicode support for 104 languages ​​plus Cyrillic. 16 weights of typographic beauty in all its glory.

Just as the camera adds weight to human faces, serifs can add weight to typographic faces. Rod McDonald trimmed and adjusted his new Egyptian Slate design as it emerged from its sans serif predecessor, the Slate typeface family. Slate is a great sans serif design, and the addition of his Egyptian Slate to your typeface library will make it even more versatile. Egyptian Slate is a solid and stylish slab serif design that will look superb in the spotlight of your choosing. Available in six weights – from a svelte light to a commanding black – each upright member of the Egyptian Slate family has a complementary italic. Egyptian Slate fonts are available as either OpenType Std or OpenType Pro fonts; the later options offers an extended character set that supports most Central European and many Eastern European languages. Egyptian Slate™ font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Logos, Best Fonts for Websites

Introducing Syntage – a brand new serif with all the nostalgic vibes! I've started seeing classic, tightly-spaced serifs of the 80s & 90s making a comeback, and wanted to create the perfect one for you too! Syntage is a beautifully nostalgic upper and lowercase typeface and has 80+ Special Alternates that looks incredible in both large and small settings as a display and body text. I've been loving combining the Regular and Outline, whether all in word or in body text! What's Included? Syntage Main File 80+ Special Alternates Regular and Outline version Instructions (Access special characters in all apps, even in Cricut Design) Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Thank you Dharmas Studio

Are you in search of Ancient Astronauts? Extraterrestrial beings who came from the 12th planet to influence human cultures, technologies and religions? They're here! They visited our Earth prehistorically and they didn't just make contact with humans -- they gave birth to our entire race! Some believe they are a secret group of reptiloids who still control humanity! Their agents live amongst us disguised as George W. Bush, Queen Elizabeth II, Kris Kristofferson and Lady Gaga. It's true, we read it in Weekly World News. These ancient aliens established divine status over primitive men and compelled them to build Stonehenge, Pumapunku, the Moai of Easter Island, the Great Pyramid of Giza, and the ancient Baghdad electric batteries. After all, if you're stuck on Earth, you may as well have some big heads to look at and a source of power to jump start your flying saucer. And a font. Features: Three fonts (Regular, Bold & Alien) with alternate characters.

Prored is an avantgarde sans serif typeface that contains 5 weights – Light, Regular, Bold, ExtraBold and Black. It is small and compact font family with own characteristic expression, constructed to be safe choice for all kinds of typographic tasks. With specific curved endings that are adhered on baseline, Prored includes tiny note of singularity – just enough to make it’s own identity recognizable and catchy. Taller x-height gives an afterimage of a bit narrowed look, but with rational proportions and well balanced weights, 5 of them are really sufficient and capable to handle extreme typographic issues. Especially charming is Black which can be used also as display typeface in situations where elegant solutions are required in combination with stronger visibility. Beside Central Europe, Prored also contains glyphs for Turkish and Baltic languages. Highly neutral impression recommends Prored as an excellent choice for branding campaigns or new identities. Recommended for use in: branding campaigns, identities, editorial publications, packages, web design, as web font and many more.

Phrasa is a robust humanist sans-serif typeface family which will carry you through most of your design needs. Designed for legibility, she truly shines in running text. However her solid (yet elegant) construction allows for usage in such settings as branding or signage. Phrasa's most prominent features are: 13 weights, from hairline to black Moderate x-height Large apertures Modern capitals proportions Designed for readability… … without sacrificing good looks True Italics Small capitals Adobe Latin 3 language range Cyrillic alphabet Old-style and tabular figures The idea behind Phrasa was to create a stylish typeface but with legibility in mind. The inspiration came from history, namely from two of the most legible typefaces known: Garamond and Gill Sans. The new typeface boasts a smooth, easy-on-the-eyes texture which allows the reader to simply sink into the text. It also posses a set of true italics to compliment it. Phrasa has a broad linguistic range, spanning from extended latin alphabet to cyrillic.

Resplendent is a beautiful and free-flowing hand-lettered modern brush script font. Along with a full set of alternate lowercase characters, Resplendent comes in 2 different styles; Brush and Solid - giving you a hugely versatile brush font which can be used in a range of different scenarios. Resplendent Brush maintains a rough hand-painted aesthetic, whereas Resplendent Solid has a totally clean & smooth finish to it's edges; ideal for vinyl cutters such as Cricut and Silhouette Cameo, or simply for any project which needs a silky smooth style. Both styles of the font include an 'Alt' version, this has replaced all of the lowercase characters with a completely new set. If you wanted to avoid letters looking the same each time to recreate custom lettering, or try a different word shape, simply switch to the 'Alt' fonts for an additional layout option. Language Support • All Resplendent fonts include language support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay

We introduce our new font named Ginchiest. According to its name, the word ‘Ginchiest’ is slang for something interesting, the coolest, the hippest, the prettiest, the smartest, the most fun to be around. You’re the ginchiest! Maybe this is slang you have heard about; it represents Ginchiest font perfectly. The Ginchiest is a bold script font with retro vintage style. This font is perfect for you lettering lovers because we prepared lots of alternates and ligatures that are very eye-catching. And of course we also designate this font for branding; it's great in logos and logotypes. Bold style make your product look very confident to appear in the public market. For shadow effect, just relax, we have prepared it for free for you, so you don’t need waste time making shadow effects. For the tutorial how to make shadow effect please see this link: https://youtu.be/Bt_DqE0TQjc No doubt - its great choice for lettering and logotype. You’re the Ginchiest!

Delwyn is a Serif font family, which has a condensed and explicit character with 10 variants, namely; Thin, Light, Extra Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black and Extra Black. Delwyn gives a clear and elegant look to logos, quotes, headings, wedding invitation, t-shirt, letterhead, lable, news, posters, badges, magazines, films. etc. Delwyn is a versatile typography filled with the character you want. with Marston you work.Marston has standard styles, Stylistic Alternates and ligatures. and includes upper and lower case letters, numbers and punctuation marks. Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more. The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project.OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map

Dolce is the next step in Elena Albertoni’s ongoing exploration of handwritten letterforms that started with her typefaces Dyna and Scritta. It is an attempt to arrive at a more naturally flowing type of handwriting, striking a balance between the orderly and the informal, while taking a critical look at the possibilities and limits of OpenType. Dolce uses OpenType functionality to achieve a strong sense of spontaneity. . Because the uppercase letters of Dolce are lively calligraphic initials, they should be used only in combination with lowercase, and not in all-caps setting; to make it easier for the user, Dolce includes a special OpenType feature that automatically substitutes initials with small caps when words are completely set in capitals. The small caps set is calmer, fitting nicely with the rest of the typeface. Dolce offers full support for Central European languages. In 2005 Dolce received the “Certificate of Excellence in Type Design” award from the Type Directors Club (TDC) of New York.

Hidrogent is a sans Serif font family, which has a condensed and explicit character with 6 variants, namely; Hidrogent Extra Light Ultra Condensed Hidrogent Regular Ultra Condensed Hidrogent Medium Ultra Condensed Hidrogent Extra Bold Ultra Condensed Hidrogent Black Ultra Condensed Hidrogent Extra Black Ultra Condensed Hidrogent gives a clear and elegant look to logos, quotes, headings, wedding invitation, t-shirt, letterhead, lable, news, posters, badges, magazines, films. etc. Hidrogent is a versatile typography filled with the character you want. with Marston you work. Multilingual support for various languages including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more. The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project.OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. can also be accessed through the character map.

Say hello to new serif font, The Duck! The Duck is a Groovy Retro Font. Create bold, gorgeous headlines and elegant designs with a vintage flair. George's contrasting lines and curved terminals give a sleek, elegant look to logos, holiday cards, wedding invitations, quotes, advertisements, and more. The Duck has full set of modern uppercase and lowercase letters, numerals, punctuation, also multilingual symbols. It included opentype features like ligature, alternate and many others. Here's what you get: Regular and Outline All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Esm is a font that tries to convey the reinterpreted aesthetics of German and Swiss typography along with a new trend of unusual shapes. The font has a different approach to the internal elements of letters-ovals that have a straight line on one side, drawing the glyph "a" example. I wanted to diversify the font with different styles to avoid the effect of triviality of machine text. The font has a large language support and contains 626 characters. And a large number of special characters. The font family is universal. It is suitable for large text, magazines, posters, logos, and headlines. Thanks to 6 different font styles and customized kerning, the font will look just fine. The thin print is incredibly elegant. The regular is great for a large amount of text. And bold for posters and headlines. Named by the French feminine name Esm. The name itself has a meaning: dear and beloved. I hope my font will convey these feelings.

Say hello to our new Retro font, Cheria! Cheria - A chunky serif texture with a bit of humanist touch. With its good readability, Cheria is perfect for both displays as well as body text. Inspired by all the retro aesthetics making a comeback, Cheria is perfectly suitable for creating thoughtful yet still contemporary designs such as logos, packaging, editorial, and more. Cheria - Has a unique shape, where all uppercase letters have alternates so you can combine them to make your text and header look more interesting! What you get : Regular and Bold family Alternate and Ligature Instructions ( Access special characters, even in circuit design ) Letters, numbers, symbols, and punctuation Use in many programs even in Canva Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/ Dharmas Studio

Meets Genty, A new carefully crafted Delightful Bold on a script typefaces. A Creation of combining on our last 2 fonts which is Budge and Glaw. It generates a lot more fun, more trendy and more vibrant. It’s Versatile, Fun, Cute and Beauty feel that you get in Genty Typefaces. Genty Created with a tons of opentype features!. beautiful swashes, contextual alternates, stylistic sets up to 15 alternates, ligatures, ascender & descender swashes, Uppercase swashes, swoosh under the letters and swoosh at final of the letters. Every glyphs for alternates are curated for the best and possible without eliminate characteristic of this fonts. Genty also comes with a Font Pair Sans Serif that complete the needs for your design. Our creation on the display to give you a reference what it looks like on your project. such as Branding, Header, Logotype, Poster, Magazine, Packaging, Food Menus, and etc. It shows that Genty clearly can accommodate various design style.

As one of the most distinguished lettering artists of the 20th century, Meyer “Dave” Davison’s greatest contribution to the American visual landscape is arguably Davison Spencerian. The alphabet made its first appearance in Photo-Lettering’s 1946 catalog and remains a benchmark of the ornamental script genre. Thanks to the skillful hands of Mitja Miklavčič and the tireless eyes of House Industries designers Ben Barber and Ken Kiel, we have preserved the poise and precision of Davison’s masterwork in this faithfully-rendered digital incarnation. From automotive exhaust accessories and pirate-themed wedding invites to New Orleans sissy bounce hip-hop CD covers and upmarket bivalve ambrosia packaging, Davison Spencerian offers sober sophistication and unparalleled flexibility. DAVISON SPENCERIAN CREDITS: Typeface Design: Meyer “Dave” Davison Typeface Digitization: Mitja Miklavčič Typeface Direction: Ben Kiel and Ken Barber Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

A fresh new decorative display face bubbling with life & spontaneity, Jabberwub belongs to a rare genus of creature fonts that time forgotócasual animated. A fun & bouncy eye-catcher that crosses into the land of the zany, dancing a whacky line between discord & rhyme, Jabberwub packs tons of fun into a state-of-the-art OpenType font loaded with 270 extra glyphs, including stylistic alternates, discretionary ligatures, word ligatures and capitalized ligatures, allowing creative typographers to achieve a custom hand-lettered look without all the mess & spilt glue of a manual paste-up job. Just like using rub-down type but it never cracks or splits, and it never runs out. The moment you start using Jabberwub you'll be laffing! Jabberwub is ideal for whatever zany stuff springs to mind. It takes an outline with no problem-o, and you can squish & squoosh it as the occasion takes your fancy. Optimal results are achieved by hand setting each individual glyph. Available in OpenType only.

Black line style - New modern & fresh script with handwritten and script style makes this font look elegant, natural, stylish and perfect for any extraordinary project that requires a handwritten feel. I am made with love and unique!! Blackline includes a full set of beautiful handwritten upper and lower case letters, numbers, assorted punctuation marks and bindings. All lowercase letters include starting and ending strokes, providing a realistic handwriting style. What did you get, honey? You will get : - Alternative Ligatures & Styles - Fonts include multilingual support for; Afrikaans, Albanian, Catalan, Danish, Dutch, English, Icelandic, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Polish, Indonesian, Zulu To use beautiful strokes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional font swash file: If you have any questions about the latest fonts, please give us a short message thank you Rhd Studio

Infusion is a type family designed by CFCG & Fabio Godoy for andinistas.net. The creative process of Infusion evolved throughout a myriad of experiments supported by my font gluten This is why its expressivity comes from the addition and subtraction of its parts by mixing and combining, resulting in a great variety and new versatility of uppercase, lowercase, multiple and different numbers to be applied at the beginning, middle or end of the word. Infusion is used to write sentences in craft contexts that require organic graphic design, with meticulous imperfect look. Infusion offers typographic solutions out of the limits, or out of borders that divide the mechanics of the drawn by hand. Infusion has 6 decorative and legible fonts to write casual messages with organic, friendly and natural personality. Infusion “Script, Mix, Roman, Shadow, Extras, Dingbats” contain unconventional visually appealing ideas to work independently or in group in the design of logos, packaging, presentations, headlines or editorials.

American type designer Alan Dague-Greene created this serif FontFont in 2001. The family has 8 weights, ranging from Book to Black (including italics) and is ideally suited for book text and editorial and publishing. FF Atma Serif provides advanced typographical support with features such as ligatures, small capitals, petite capitals, alternate characters, case-sensitive forms, and fractions. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Ready for Anything BB is a classic comic book lettering font designed with a Speedball C-6 pen nib, giving it supremely versatile letter-forms to complement any comic book art. As if that weren't enough, it also features contextual alternates that swap through six versions of every letter, three versions of every number, exclamation point, and questions marks. It also automatically corrects errant serif-I, and creates a bouncy baseline for any more than three consecutive letter!

"Goblin Monster" is a font with a monster theme that is perfect for your Halloween celebration. This font is very easy to use and each letter is decorated with bats and spider webs which will add to the beauty of this font. The shape of the letters and the character of the letters is very unique and different. This font can also be used for book covers, movie or book titles, logos, posters, stickers and more.

Atze, a handwriting script font, was designed by Ralph M. Unger for the profonts Library. Inspired by frowned-upon Comic Sans, Atze is much more pleasing, much milder and more natural. It cannot and should not only be used for Comics and children?s books but for literally all situations where a friendly, soft, casual and relaxed atmosphere is required. However: Especially for Comic books, Unger created a set of very funny Atze Bats: AAAAH ? BOOOM ? BRRRR!

The hand composition typeface was created at Polygraphmash type design bureau in 1959 by a well-known Soviet book and type designer Pavel Kuzanyan (1901-1992). It was reproduced in the 1960s for slugcasting and machine display composition. Sharp contrast, strong weight, slightly condensed Modern Serif with calligraphic elements. The typeface is useful in text and display composition, in scientific, fiction and art books. The revised and completed digital version was designed at ParaType in 2002 by Lyubov Kuznetsova.

Gromy is a casual, informal and friendly calligraphic font. It come with 561 glyphs, with OpenType features, swashes for all glyphs, stylistics sets, stylistics alternates and a lot of ligatures to play with your texts. Gromy can be used in works that require an informal and original feel, children's books, wedding invitations, greeting cards, posters, labels, t-shirt design, in ink or watercolour based designs, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds!

Keizer is a serif display typeface freely inspired by the display metal fonts of the early XXth century, reminiscent of those used in cartographic and book design. Its five versions display an open-face, an inline-flared, outline and decorated capitals, and an essential titling high-contrasted serif face. Keizer works well both on print and screen, ideal for book covers, posters and logos. Every weight includes small caps, petite caps, stylistic alternates and a neat set of ornaments.