This is a new classic Renaissance Initial font. Renaissance Initial font is perfect for premium design labels, medieval print, antique posters, etc. The fonts are presented in usual and color versions. Only uppercase letters from A to Z and numbers set (36 characters)

A partial set of antique brass stencils inspired Old Spur Stencil JNL, which is available in both regular and oblique versions. The lettering is based on a traditional Roman stencil design with Western-style spurs added to the approximate centers of each character.

16th and 17th century formal handwriting forms the basis for Tinderbox, an antique script. Preserving the rough impression of a quill pen on parchment, Tinderbox evokes old manuscripts, ecclesiastical texts, gothic inscriptions, faded tattoos and horror literature; spooky calligraphy for the digital age.

Wedusa with an antique typeface offers the impression of a classic and elegant design. Inspired by classic and modern calligraphic styles. Can support about 35 languages. Will be a versatile font because writing text using this font is also easy to read.

Satisfactory Craft retro vintage typeface. It can be used to create almost all types of design projects. Just use your imagination and some graphic design set, your project will become more alive and look great. Implementing alternative Contextual features makes it easier for all people to use. Hope you enjoy. Intuisi Creative

Christmas Surprise is a joyful and festive display font. It is ideal for holiday-themed greeting cards and for any crafting project so add this font to your designs and make them come alive! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Spooky Christmas is an incredibly unique and spooky display font. Add this font to your favorite Halloween-themed ideas: invitations, banner, logo, app game scary or horror, and notice how it makes them come alive! Spooky Christmas is PUA encoded which means you can access all of the glyphs and swashes with ease!

Sonderlina is a convenient and modern grotesk sans serif features low contrast details to cover small text purposes. It can be used to create almost all types of design projects like print materials. Just use your imagination and your project will become more alive and look great than ever with this typeface.

ZT Frimpong is a sans serif look made by hand, all the letters are drawn one by one, so that no one line is exactly the same. This is a closed, low contrast typeface with an emphasis on connecting strokes. Sensational style, potentially unique atmosphere, ZT Frimpong comes in three thicknesses, and each type has a different feel, namely each weight of the font texture is getting denser, so there are fewer cavities. It can be used to create almost any type of design project such as Poster materials, logos and web designs. Just use your imagination and your project will come alive and alive than ever with the ZT Frimpong Font. I hope you have fun using ZT Frimpong Thanks for using this font ~ Khaiuns X zelowtype

Fruit and Veggie Doodles is a 33-picture clipart font. Use them as dingbats or enlarge the small pictures and use them as clipart. Lots to choose from potatoes, tomatoes, avocado, eggplant, fig, watermelon, radish, peppers, broccoli, asparagus, corn on the cob, green onions, carrots, peas, lettuce, mushrooms, onion, olives, garlic, okra, beans, lemon, pear, pineapple, grapefruit or orange, pumpkin, apple, strawberry, grapes, cherry and banana. This is the companion font to Food Doodles Too. Also works nicely with Coffee & Tea Doodles. And if you need some fancy cakes check out Party Doodles. All in the same line drawing style to mix and match.

Are you hungry for a font design that will blow you away? Do you want to invoke the rustic smell of wood smoke, the mouth-watering thought of antipasti, olive-oil, open French doors in the summer? Well before you book your ticket to Rome, check out the new font from Thinkdust, Rustick. Four weights (and italics) of indulgent, home cooked comfort, warm, earthen and familial. Before making its point, Rustick gives you a cup of deep, rich coffee and double checks you're warm enough. Just one look will start your stomach rumbling. Ideal for food packaging and warm, homey branding, Rustick will never let you go home hungry.

Based on some script in the 19th century. Inky texture gives realistic handwriting appearance. Smooth writing feeling creates antiqued and nostalgic atmosphere. Big flourish and elegant script! There are two other script designed by in the same concept. -Daisy Lau -Lily Wang -Pansy Bo

Based on William Page’s Skeleton Antique wood type (circa 1865), Local Printer JNL is available in both regular and oblique versions. Primarily used for text passages, the type design also works well in headlines and sub-headlines needing less emphasis and a touch of subtlety.

Slabserif Grotesk JNL was modeled from an example of a wood type design called Antique Light Face, and is available in both regular and oblique versions. The numerals (although an odd fit to the overall design) make this vintage font quite unusual and charming.

SchwarzKopf is an 18th Century European "Schwabacher" blackletter which features a distressed edge for creating authentic "antique" documents. Old features the long "s" and other archaic forms. Both Old and New variations feature many additional ligatures such as tz, sch, ss, ff and ck.

Handlettering in an ad from the 1920s for a Chicago engraving company provided the inspiration for this fine, fat, flowing face, full of fun and antique charm. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Based on some script in the 19th century. Inky texture gives realistic handwriting appearance. Smooth writing feeling creates antiqued and nostalgic atmosphere. Rising Star on March 2007. There are two other script designed by in the same concept. -Daisy Lau -Lily Wang -Pansy Bo

Introducing High Noon; this very old font originally known as Antique Tuscan dates back into the 1800s and was available only as an uppercase font. Now with the addition of a new never-before-seen lowercase you'll find new uses for this old classic.

Created by Jovica Veljović, the Agmena typeface family is a fine melding of digital technology and beautifully crafted Renaissance fonts. This typeface makes skillful use of proportion, form and spacing rather in the way that a practiced storyteller varies the timbre of his voice and deftly inserts longer pauses to bring his tale alive.

Malven is a modern serif features thin stroke, low-contrast modulation, with small serif that make it elegant and classy. It can be used to create almost all types of design projects like print materials. Just use your imagination and your project will become more alive and look great than ever with this typeface.

Misty Gold is a delicate, elegant and flowing signature font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs.Misty Gold features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates. Add it to your most creative ideas and notice how it makes them come alive!

Jakarta Night is a relaxed and flowing handwritten script font. Incredibly versatile, this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favorite creative ideas and notice how it makes them come alive! Features: A-Z Character Set Numerals & Punctuations (OpenType Standard) Stylistic Alternates Multilingual Ligatures

Designed in 2011 by Olivier Gourvat, this font family has generous proportions with a range of weights make it a versatile family for print and web design work. Kyrial Display Pro is also a practical typographic choice to express strength, elegance, and conceptual clarity. Kyrial offers lots of OpenType goodness and broad language support.

Poole Standard is the "flagship" typeface from former wine label designer, Wesley Poole. It's a versatile friendly face, antique but not antiquated, elegant yet inviting. "I first used a hand lettered version of this look on the Carmenet label. I've had this alphabet designed in my head for some time. It's perfect for upscale work. Like wine, this font is well rooted in the past, but meant to be appreciated and used in the here and now. Poole Standard is a stylish headline face, yet works well as a text face because of its readability at smaller point sizes. (Other styles and weights are coming soon!) If you're looking for understated elegance, Poole Standard does the job.

Orlando is the work of British designer Freda Sack. It is an all capital, outline typeface including a complete set of swash initials and an array of stunning flourishes designed especially for this typeface. Orlando was inspired by and modelled upon 19th century antique type styles.

The font Antique Slabserif JNL was run through a filter to create a design that looks like worn type at smaller settings or jaggedly distressed lettering in larger type heights. The end result is Radio Interference JNL, which is available in both regular and oblique versions.

Using examples of antique street signs from New York City, Stickball JNL recreates the iconic lettering in a digital typeface and is available in both regular and oblique versions. For a nostalgic touch, a blank street sign is located on either the solid or broken bar keystrokes.

Township JNL is based on French Antique Condensed [a classic wood design] and is available in both regular and oblique versions. Reminiscent of Old West wanted posters and circus broadsides, this ultra-condensed typeface allows for more word copy to fit into a single line’s space.

Orlando is the work of British designer Freda Sack. It is an all capital, outline typeface including a complete set of swash initials and an array of stunning flourishes designed especially for this typeface. Orlando was inspired by and modelled upon 19th century antique type styles.

Stencil Sheet JNL was modeled from an antique brass stencil sign that was custom hand punched for the customer. Sets of punch dies were available for years that allowed rubber stamp shops and similar trades to make custom stencils out of sheets of zinc or brass.

Jacob Riley is based on antique 18th century printers’ specimens and has been hand-illustrated with calligraphy nibs dipped in walnut ink. A goodly fellow, Jacob delights in uses varied and sundry including personal correspondence, rustic decor, graphic display and even amongst the pages of children’s books.

This is our name for Antique Tuscan, of which there were many variations. This font came from a large lot purchased around 1970 from an east coast newspaper shop. Subsequently, we acquired several more versions of the face, but this one had lowercase so we used it.

Inspired by food labels, signs and coats of arms, PR Scrolls is a collection of images which can be used for framing text in contexts where antiquity, craftsmanship, or traditional quality are conveyed. Most of the glyphs are presented in a range of four or more widths.

Love Lea is a lovely calligraphy font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs and swashes with ease

This typeface was developed for the Different Ground exhibition identity (and that explains the name of the font). The aim was to make an absolutely geometric, constructed font. Sometimes even too geometric and too much into it's own rules. But at the same time to make it look very humane, sometimes imperfect and weird, but alive and not soulless.

Don't try to find logic in this font, nor the harmony of the forms. It is meant to be crank. All the letters were first cut in linoleum and then digitized. Hence, everything is alive. You will find no uniform elements. We think this font will find its use in the hands of a brave designer.

Santomyse Eridupes is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. The Glisten features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates. Add it to your most creative ideas and notice how it makes them come alive!

Baby Sandria is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Baby Sandria features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates. Add it to your most creative ideas and notice how it makes them come alive!

Resonant Chilliner is a spectacular duo font (Serif and Script). Perfect for product packaging, branding project, magazine, social media, and much more. Add this font to your favorite creative ideas and notice how it makes them come alive! NOTE: Quick access beginning and ending swash with ligature, add (2-3)x underscore before or after lowercase a-z.

Goldie Boxing is a Bold Brushed Handdrawn Font. Goldie Boxing is a bold display font with an autumn theme. Add this chunky lettered font to your designs and notice how it makes them come alive! Goldie Boxing also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!