Comenia Sans was designed in the framework of a unique typographic project for all types of schools. It is a complementary face for Comenia Serif, released by our friends at Storm Type Foundry. Comenia Sans has a lot in common with its serif sister: the height of both upper and lower case, the length of ascenders and descenders, and the general weight. This makes the two perfect partners which work well even when set side by side in a single line of text. Comenia Sans does, however, lack all serifs, ornamental elements and stroke stress variation. All these elements freshen up the feel of long texts, but for shorter texts use, they are not necessary. Despite that, Comenia Sans retains the soft, friendly character of its big sister, as well as a few tiny details which lend it its unique character without compromising legibility or utility. Open counters give all letters an airy feel and permit enough variation in construction. This is why the face works well even in multiple-page texts. All its letters are easily distinguished from each other, so the reader's eyes are not strained. Diacritics and punctuation harmonize with both upper and lower case. As usually, all diacritical marks fully respect conventional shapes of accents and they are perfectly suitable for Czech, Slovak, Polish and other Central European languages, where a lot of diacritics abounds. Similarly to the renaissance italics which refers to the cursive forms, Comenia Sans introduces novel shapes of some characters drawing from the hand-written heritage. This is most apparent in the single-bellied a, the simplified g, and the stem of f which crosses the baseline and ends with a distinct terminal. In the text, emphasized words are thus distinguished not only by the slant of letters, but also by the shapes of the letters themselves. All twelve styles contain set of small caps, suitable for the names, in the indexes or the headlines in longer texts. Legibility in small sizes under 10 points was at the center of designers' attention, too. This is why the counters of a, e and g are large enough to prevent ink spread in small sizes, both on-screen and in print. After all, the font was specifically optimized for screen use: its sober, simple forms are perfectly fit to be displayed on the computer screen and in other low-resolution devices. When used in the context of architecture, the smoothness of all contours stands out, permitting to enlarge the letters almost without limit. A standard at the Suitcase Type Foundry, each style of Comenia Sans boasts a number of ligatures, an automatic replacement of small caps and caps punctuation, a collection of mathematical symbols, and several types of numerals which make it easy to set academic and other texts in an organised, well-arranged way. For the same purpose, fractions may come in handy, too. Apart from the standard emphasis styles, the family also contains six condensed cuts (each set has the same number of characters), designated for situations where space is limited or the need for striking, poster-like effect arises. Comenia Sans is the ideal choice for the setting of magazines, picture books, and navigation systems alike. Its excellent legibility and soft, fine details will be appreciated both in micro-typography and in poster sizes. Although it was designed as a member of a compact system, it will work equally well on its own or in combination with other high-quality typefaces.

Felousia – This font have more than 30 unique alternate and ligature that to give your logo, business card and another project to a unique vintage look. Felousia – this style works well for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, or whatever project you’re working on. WHAT’S INCLUDED? Uppercase & lowercase letters. numbers. punctuation Ligature & Huge Stylistic alternate. Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com

Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a logo in a unique style but with an elegant shape. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for BRANDING and LOGO DESIGN. You will get classy, elegant, and certainly unique logos with this font. Beth Harmone is also included full set of: · uppercase letters · multilingual symbols · numerals · punctuation Wish you enjoy our font. :)

Azero is a extra heavy sans serif font with four style variations. The uppercase alphabet in particular is stylized to feature a wavy baseline on many of the characters, for a unique look that's just enough to add some unusual vibe and uniqueness. When your layout calls for heavy type with a wide (but not too wide) look, Azero is a strong choice. Great for bold headlines, logos, branding, wide horizontal banners, themes with a Hispanic flair, fitness products, food packaging, or retro poster styles.

Introduction Meet Norsen – Classic Serif, where the vintage aura intertwines seamlessly with modern sophistication. Initially, its presence elevates designs with a unique classical elegance. Embodying Versatility Notably, Norsen is versatile, suiting various design necessities effortlessly. Also, it easily molds itself, fitting perfectly into different creative realms, ensuring each design shines uniquely. Classical Elegance Immersed in a classical charm, every letter in this font tells a story. Additionally, its serif details bring stories and messages to life with grace and depth, enhancing readability and visual appeal.

Scarf Bandana is a Brush Display Font. These fonts can be categorized into brush and display fonts. With a unique character, this font will make your project stand out. Suitable for logos, branding, crafting, svg, book covers, posters, headlines, labels, t-shirts and more. This font also has 92 ligatures, so it will make this font more interesting and unique. This font is also support multi language. This font can be used and supported in various programs and OS, such as procreate, cricut, windows, macOS and others.

Adoria is a minimalist logo font with unique edge that will make your logo and design looks more simple and modern. With the unique characteristic lowercase, this font can make your logo even more stunning. You can use this font for any purpose, especially to make logotype. You can mix and match the uppercase and lowercase to make your logo more advanced. Adoria also comes with alternates that's why it's called deluxe logo font. This font also comes with number, symbol, and multilingual support!

Sweet Husky is an original and cute display font. The unique style makes it incredibly fitting to a large pool of designs that will take your crafting projects to the next level! Your imagination and this font will make a perfect combination. Get inspired by its unique charm and create amazing greeting cards, apparel, book, logos, stationery, and much more! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of including ligatures.

Klopers is a lovely and minimalist logo font with unique shape that will make your logo and design looks more minimal yet modern. With the unique characteristic lowercase, this font can make your logo even more stunning. You can use this font for any purpose, especially to make logotype. You can mix and match the uppercase and lowercase to make your logo more advanced. Klopers also comes with love shape that replace the "o". This font also comes with number, symbol, and multilingual support!

Roshage is an elegant, stylish and assertive serif font. This font is PUA encoded which means you can access all glyphs and swashes with ease! The elegant modern font serif creates a unique design and is sure to steal the eye of the design target audience. Besides being unique, the Roshage font also has a luxury simple character that makes the design charming and luxurious. Grogie excels in display settings such as headlines, titles, branding projects, Logo design, packaging, magazine headings, advertising, YOU GET: Multilanguange. Thank you!

Channe is a display serif font. a blend of straight and curved shapes that look contrasting and elegant. Channe has a unique shape on the capital letters "A, B, F, H, P, Q, and several other letters. It also has several ligatures with a unique blend. Channe font is very suitable for use on labels of cosmetics, fashion, jewelry products, and several other products. Also suitable for posters, magazine covers, book covers, business cards, invitations, and several other things that demand a formal and elegant impression.

SK Moralist is an authentic handwritten font. It is made in the style of ink writing techniques. Smooth and rounded shapes of the font gives it an unusual and unique look. This font is multilingual and supports all Latin and Cyrillic languages, contains an extended Latin alphabet, as well as the Greek alphabet! Therefore, the font is suitable for use in almost every country. The font will give any work a unique look and is suitable for use on print and on the Internet.

Introducing the “ROCKHARD” font, a type of display font with a strong and modern shape, you can find a lot of uniqueness in it, this font is intended for designers who like strong but still elegant fonts with a unique shape that will add an elegant impression to the design you and different from others. This font is very suitable for design needs such as logos, branding, magazine covers, and others, please try it yourself. If you have any questions, don’t hesitate to contact us.

Cevilla Grotesk is a thick and quirky sans serif that is loaded with personality. Handcrafted for branding and logo projects, Cevilla Grotesk brings a unique aesthetic to any design thanks to its distinct embellishments and unique stylized cutouts found throughout the letterforms. Put those Google and Adobe Fonts away for your next branding project! With a striking bold appearance, Cevilla Grotesk is sure to bring a totally new look to anything from logos, websites, magazines and posters, to emails, social media posts and so much more!

Marginal is a Humanist Vintage Sans Serif. A New Vintage font that we created special for Unique branding needs, with extra rough style that ready to add value of your brand. It's so nice to leverage designer or product owner that need solutions to make their design look more unique and vintage. Marginal Vintage Sans Serif font ready with: Lowercase and Uppercase characters Numbers and Punctuations Preview as a inspirations that you can do with Marginal font Available for PC and Mac Wish you enjoy our font. :)

Rose river – This font has more than 70 unique alternate and ligature to give your logo, business card, and another project a unique vintage look. Rose river – this style works well for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, or whatever project you’re working on. WHAT’S INCLUDED? Uppercase & lowercase letters. numbers. punctuation Ligature & Huge Stylistic alternate. Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com

Trinstam is a fancy modern and classic serif typeface with a clear and bold look. It's a very versatile font that works great in large and small sizes. Perfect for editorial projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. This font is PUA encoded and has more than 120 unique alternative glyphs and ligatures that will give your project an unique classic look. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Introducing P&A Sans, a modern sans serif font that combines geometric shapes with unique and glitchy characters that will make your design stand out from the crowd. This typeface is perfect for editorial design, branding, or advertising needs. P&A Sans has a solid character structure and supports multiple languages, so it's great for anyone looking to create designs with a global impact. Whether you're a freelancer, student or professional designer, P&A Sans can help you create something truly unique and special.

Rozelle Fonts are serif fonts with rounded edges. These fonts are formed as a unique multipurpose font, you can use them in vintage, retro, and modern designs. These fonts are perfect for a variety of projects, such as branding, poster displays, logo designs, magazine covers, and more. These fonts are perfect for you who need unique serif fonts! Rozelle fonts feature opentype, kerning, and alternates packed in 4 fonts: Regular, Italic, Bold, Bold-italic. Rozelle fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

Kicaps is an unique all caps sans serif and bold modern look font. This Font design presents a unique display of each characters that created awesome typeface. Also Kicaps design gives a bit more of a restrained option by keeping with more classic sans serif letterforms. Kicaps font provides a distinct, creative, and expressive message for branding, advertising, packaging, headlines, magazines, websites, logos, and more. Kicaps Features: Uppercase glyphs Numeral and Punctuations Currencies Standard Ligatures Stylistic Alternates Thankyou for choosing this font, Enjoy Regards, Grontype

Rasputin is a sharp, curvy and versatile modern slab serif typeface with 4 weights. These are complemented by unique discretionary ligatures that pay attention to detail to make this font stand out and stand out in all its shapes and weights. Its sharp uniqueness, for example in the letter "A R K" provides a great personality type in the title and body text while maintaining optimized readability. Characters that are well-suited for a wide variety of applications from editorial design to branding, advertising, publicity and digital.

Present to you for New Modern Unique Serif, Silent Dreams! Silent Dreams is a sophisticated ligature serif from us. This typeface has been made carefully to make sure its premium quality and luxury feel. The ligatures makes this typeface unique and stands out rather than the regular serif font. This font is very suitable for logo, headline, tittle, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Dipping into the shadowy corridors of design, the Gnarly font family weaves a tale of both intrigue and artistry. Comprising the eerie elegance of Gnarly Bone, the spine-chilling intricacy of Gnarly Skeleton, and the vertebrae-inspired mystique of Gnarly Spine, each sub-family adds its unique touch to the overarching narrative of the collection. Perfect for those seeking a blend of the macabre and the meticulously crafted, this trio of typefaces brings a uniquely haunting aesthetic to any project, from film posters to novel covers.

The Revolancer Pro font was designed in addition to the unique Revolancer font, so this font looks more familiar. But this is only at first glance. This typeface combines the simplicity of classic grotesque typefaces with the freedom and independence of a Revolancer typeface. This font will give you freedom. The freedom to be unique, not like everyone else. Each character in Revolancer font knows its place, and it is impossible to achieve such a smooth and organic flow of words using a regular font.

The idea of a brand-new grotesk is certainly rather foolish – there are already lots of these typefaces in the world and, quite simply, nothing is more beautiful than the original Gill. The sans-serif chapter of typography is now closed by hundreds of technically perfect imitations of Syntax and Frutiger, which are, however, for the most part based on the cool din-aesthetics. The only chance, when looking for inspiration, is to go very far... A grotesk does not afford such a variety as a serif typeface, it is dull and can soon tire the eye. This is why books are not set in sans serif faces. A grotesk is, however, always welcome for expressing different degrees of emphasis, for headings, marginal notes, captions, registers, in short for any service accompaniment of a book, including its titlings. We also often come across a text in which we want to distinguish the individual speaking or writing persons by the use of different typefaces. The condition is that such grotesk should blend in perfectly with the proportions, colour and above all with the expression of the basic, serif typeface. In the area of non-fiction typography, what we appreciate in sans-serif typefaces is that they are clamorous in inscriptions and economic in the setting. John Sans is to be a modest servant and at the same time an original loudspeaker; it wishes to inhabit libraries of educated persons and to shout from billboards. A year ago we completed the transcription of the typefaces of John Baskerville, whose heritage still stands out vividly in our memory. Baskerville cleverly incorporated certain constructional elements in the design of the individual letters of his typeface. These elements include above all the alternation of softand sharp stroke endings. The frequency of these endings in the text and their rhythm produce a balanced impression. The anchoring of the letters on the surface varies and they do not look monotonous when they are read. We attempted to use these tricks also in the creation of a sans-serif typeface. Except that, if we wished to create a genuine “Baroque grotesk”, all the decorativeness of the original would have to be repeated, which would result in a parody. On the contrary, to achieve a mere contrast with the soft Baskerville it is sufficient to choose any other hard grotesk and not to take a great deal of time over designing a new one. Between these two extremes, we chose a path starting with the construction of an almost monolinear skeleton, to which the elements of Baskerville were carefully attached. After many tests of the text, however, some of the flourishes had to be removed again. Anything that is superfluous or ornamental is against the substance of a grotesk typeface. The monolinear character can be impinged upon in those places where any consistency would become a burden. The fine shading and softening is for the benefit of both legibility and aesthetics. The more marked incisions of all crotches are a characteristic feature of this typeface, especially in the bold designs. The colour of the Text, Medium and Bold designs is commensurate with their serif counterparts. The White and X-Black designs already exceed the framework of book graphics and are suitable for use in advertisements and magazines. The original concept of the italics copying faithfully Baskerville’s morphology turned out to be a blind alley. This design would restrict the independent use of the grotesk typeface. We, therefore, began to model the new italics only after the completion of the upright designs. The features which these new italics and Baskerville have in common are the angle of the slope and the softened sloped strokes of the lower case letters. There are also certain reminiscences in the details (K, k). More complicated are the signs & and @, in the case of which regard is paid to distinguishing, in the design, the upright, sloped @ small caps forms. The one-storey lower-case g and the absence of a descender in the lower-case f contributes to the open and simple expression of the design. Also the inclusion of non-aligning figures in the basic designs and of aligning figures in small caps serves the purpose of harmonization of the sans-serif families with the serif families. Non-aligning figures link up better with lower-case letters in the text. If John Sans looks like many other modern typefaces, it is just as well. It certainly is not to the detriment of a Latin typeface as a means of communication, if different typographers in different places of the world arrive in different ways at a similar result.

Roguedash is a stylish sans serif font family. This font is perfect for anyone who like strong style. Also, this font has Sporty, trendy, Futuristic, Modern, Elegant, Creative, and Unique Concept.

One Code was made in the end of 1998. Original naive character was specially created for an unique design project, but now it is ready for use as an ordinary typeface.

I Love Summer is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting for a large pool of designs. The only limit is your imagination!

Introducing Deep Dope, another fun retro psychedelic-inspired typeface from creativemedialab. Its unique and consists of 2 styles Regular & Liquify. Perfect for summer theme design concept, branding, logo, and many more.

Simultaneously futuristic and retro, Retron is perfectly named. Retron is a partially connected script - or is it a connected sans? Either way, it's a strange, unique combination that works surprisingly well.

Reliva Organic Sans is a typeface that comes with many alternates and ligatures to make this font unique. Reliva is just the perfect font to make logotype, branding, packaging, and quotes.

MS Reference Specialty is a unique font that was originally developed for inclusion in a Microsoft product. The MS Reference Specialty font is available in TrueType with a custom character set.

Shamus is a unique uncial design that contains several weights. Designed with many alternate glyphs and flourishes, Shamus embodies all the high-end features expected in a quality OpenType Pro font.

A unique semi-sans-serif font specifically designed for all texts in a variety of applications. Recommended for posters, titles, book covers, greeting cards, signage, packaging, invitations, magazine articles and advertising.

Old Russian is a fake Cyrillic alphabet, based on old Slavic characters universally adopted in the old days of the Russian empire. Offering an opportunity to create a unique historical look.

Dark Monsta font is very emotional and innovative products! unique look to company branding, logos, greetings, magazine layout, homeware, prints and invitations. I hope you like it Available : uppercase, lowercase, numerals