John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."

You can download Bodrum Soft PDF Type Specimen here . "Bodrum Soft" is a rounded sans serif type family, designed by Bülent Yüksel in 20018/19. The font, influenced by serif styles that were popular in the 1920s and 30s, is based on optically corrected geometric forms for a better readability. "Bodrum Soft" is not purely geometric; it has vertical strokes that are thicker than the horizontals, an “o” that is not a perfect circle, and shortened ascenders. These nuances helps the legibility and gives "Bodrum Soft" an harmonious and sensible appearance for both texts and headlines. Bodrum Soft provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. “Bodrum Soft 14 Regular” forms the central point. "Bodrum Soft" is available in 10 weights (Hair, Thin, Extra-Light, Light, Regular, Medium, Bold, Extra-Bold, Heavy and Black) and 10 matching italics. The family contains a set of 650+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures can be accessed with one simple touch in all graphic programs. Bodrum Soft is the perfect font for web use. I hope you enjoy using it!

Ratherbe is a new modern brush font with an irregular baseline. A contemporary approach to design, natural handmade, suitable for use in designs for clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, T-shirts, packaging designs, posters, and more. Complete with upper and lower case letters, and multi-language support, numbers, punctuation and several ligature. Thank you very much for searching and letting me know if you have questions.

Introducing, Yolien Font. A retro, cute, and modern inspired by the flowy freeform lettering of the '60s and '70s. This font has a unique shape where every corner is smoother and more rounded. Every curve is designed based on an authentic and natural style. Yolien is perfectly suitable for a layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations: logotypes, and much more.

Change is An Arabic and Latin text typeface for desktop applications. This Font Family development and extension of the Old sultan font "change" Here you will find a change in many letters, along with two types of regular and bold fonts, as well as a change in all Latin letters. The font includes a matching Latin design and support for Arabic, Persian, Kurdish, and Urdu. Designer: Sultan Maqtari Design date: 2020 Publisher: Sultan Fonts

Sunny Sam is a fun handwritten typeface. It was drawn and created by Måns Grebäck during 2019 and 2020. The movements of this happy script font represents optimism and vivacity. Sunny Sam comes in three high-quality styles: Thin, Medium and Bold. The three weights works great as complements to one another. It has an extensive lingual support, covering European Latin scripts. Sunny Sam contains all characters you'll ever need, including all punctuation and numbers.

Graffiti Bomerang is a bold display font that captures the rebellious spirit of street art. Its thick, uppercase letters feature jagged edges and unique embellishments that evoke the look of spray-painted graffiti. This font is perfect for creating eye-catching titles and headlines for urban-inspired designs, music posters, and other projects that require an edgy and daring style. The font’s bold and unapologetic personality is sure to make a statement.

Ashley Southine is a handwritten script font that offers an elegant and personal touch to every character. Inspired by handcrafted strokes, this font presents a natural handwritten feel that is both warm and inviting. Each letter showcases uniqueness in every curve and stroke, creating a relaxed yet refined atmosphere. Ideal for design projects seeking a personal touch, such as wedding invitations, greeting cards, brand logos, and other design elements requiring a warm and elegant ambiance.

An unnamed scroll typeface featured in the 1869 MacKellar Smiths and Jordan specimen book provided the pattern for this font. You may begin and end the scrolls with parentheses, braces or brackets, and employ the space bar as you normally would to construct headlines "in a pretty box". Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

An unnamed scroll typeface featured in the 1869 MacKellar Smiths and Jordan specimen book provided the pattern for this font. You may begin and end the scrolls with parentheses, braces or brackets, and employ the space bar as you normally would to construct headlines "in full-flowing draperies". Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Proudly present Sageyl Typeface created by Sealoung, A serif modern and classic typeface that his own unique style & modern look. It loops and swoops in a delicate dance that is never boring. Use this dainty serif as a memorable logotype or header and pair it with something contrasting and clean. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Experience the beauty of "Rothwell Signature," a monoline, organically hand-written script font. With its complete A-Z, and complete set of alternates from A-Z, including both uppercase and lowercase, this font allows you to add a unique and personalized touch to your designs. Additionally, "Rothwell Signature" offers an extensive selection of ligatures, enhancing the fluidity and elegance of your typography. Elevate your projects with this versatile and stylish script font.

Ploni is a precise, geometric multilingual typeface. It contains many glyphs and fully supports 230 Latin, Hebrew and Cyrillic languages - which makes it an ideal font for the side-by-side use of Latin/Cyrillic and Hebrew characters. Many fonts are characterised by their unique character and language, and yet Ploni sheds almost all elements of uniqueness; as such, it will not overshadow your entire design. Every designer needs this functional font in their arsenal.

Road Crew is a handwritten, monoline font that includes two styles, regular and bold, with which you can combine and create unique designs in an instant. Also included in this font are alternatives and touches that you can use to make your design more diverse and attractive. You can also use them to create a logo or use them for small businesses, t-shirts, book covers, stationery, marketing, blogs, magazines, and more.

Shoebox font is crafty and sweet. It’s hand-drawn with double letter ligatures for upper and lower case. It works great in all-caps, and the lower case is a funky mix up with some interlocking ligatures too. Shoebox is rough with an occasional curl, and is paired with Shoebox Shapes; a unique picture font of Amy Dietrich illustrations (featuring boxes, bags, cats, stars, familiar household items, and for some reason, a forgetful octopus).

Sadina™ is the first font family in Sadina's series, based on geometric modernism with a classic touch. Designed with triple thicknesses to build a beautiful mix between modern humanist style, contrast, and classic sense, it provides support for double linguistic zone scripting in the world, depending on "Western European and Cyrillic" languages. It supports Professional Opentype features and supports a wide variety of alternative letters and styles for scripting and an attractive titling.

This is a stylized sans serif font family that is very high-waisted and sleek. The stroke is only slightly modulated. The letterforms are higher, with a more open aperture, and sprinkled with breaks to add light and sparkle. This an attempt at a readable sans serif for text. It has many OpenType features and 465 characters per font: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on.

Challans is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! Challans Features : Uppercase and Lowercase Numerical and Punctuation PUA Encoded Multilingual Language Easy To Use

The 225 glyphs that make “Spina Typeface” are the result of experience with hundreds of drawings, sketches and digital tests in seeking to achieve a typeface that represents the fluidity of the script and elegance of the modern roman. Thereby, based on this principle and a unique style, an infinitely versatile typeface was designed that evokes both the beauty and finesse of the plant as power its thorns and its deadly poison.

Mittwoch is an extended modern serif and a new companion to insigne's Montag and Dienstag extended sans serifs. Mittwoch conveys a graceful air with its high-contrast letterforms and its ball terminals, but also includes some unique touches that are unexpected for modern faces. Mittwoch includes four different weights and 50 alternate characters, including swashes, more traditional modern letterforms and simplified characters for titling or when a more unique look is needed.

Brachetto is a calligraphy script, influenced by traditional script style with an added touch of modernity and flourished elegance. This font is delicately crafted and well thought out with every little detail in mind, to ensure its ease and versatility when used. Being elegant yet bold in its visual presence. Brachetto is a collaboration between lettering artist and calligrapher, Leah Chong and typeface designer, Roland Hüse. Introduction video of this font here https://youtu.be/h9AvlgUDxUc

Callingstone is an elegant and modern sans serif font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! This font is PUA encoded which means you can access all of the amazing glyphs and ligature with ease! Features : Callingstone Regular, sans serif font All Caps, Numerals and more punctuations. Multilingual support for various languages Open Type Format

Cheddar Gothic is a hand drawn, 8 style typeface family including Sans, Serif, Slab, and Stencil with Italics that all include 92 matching catchwords and icons to add variety and interest. Great for a variety of uses: packaging, posters, t-shirts, stamps, branding, headlines, etc. An all caps family, simply switch between upper and lowercase for alternates. Lowercase offers a classic, condensed look; uppercase adds a little more character, including extended crossbars and sliced terminals.

MTC Quinnie a condensed serif typeface with many alternates and ligature features good choice for designers and editorials. The use of many alternates and ligatures in these fonts adds visual interest and variety, allowing designers to create unique and customized typography. One notable aspect of these fonts is the smoothness of their serifs. The serifs, or small decorative flourishes at the ends of letter strokes, are an essential part of serif typefaces.

MayPole is a contemporary, 21st century, sans serif font, that contains an eclectic mix of elements from the 20th century. It combines gentle curves with base and caps-line transgressions but is substantially more rounded than in most commercial-style sans serif faces. Terminal strokes are slightly rounded and occasional elements are strongly rounded. MayPole is readable and can be successfully used for presentations, magazines etc, and for display use in newspapers, advertising and promotions.

Clafoutis: tasty, sweet and tangy, handmade, an all original recipe. Go with the Regular for a richer option and with Rapide if you're on a light mood. Or better yet, go with both - and don't forget to sprinkle some Insolite bits over it! Notes from the test kitchen: Clafoutis Regular and Rapide contains 2 uppercase glyphs for each letter and extended language coverage. Clafoutis Insolite contains over 200 unexpected lovely pics. Use without moderation.

Manifold Extended CF is a wide variation of the classic Manifold font family. Its clean, elongated shapes are both technical and elegant. An excellent typeface for titles, logotypes, user interfaces, and short texts. Manifold Extended CF is best used as a headline or display typeface, and pairs well with contrasting simple serifs like Artifex CF and Artifex Hand CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

The chestnut ("castanea") is one of my favorite trees. I used to collect the chestnuts and made chestnut-figurines out of them, using bamboo sate skewers. Castanea font is a calligraphic typeface with an uneven baseline and some messy characters - not unlike the tree. It is a highly legible, highly enjoyable font and could be used for children's books and postcards. Castanea comes with various alternate glyphs and speaks most Roman-based languages!

Amarela Stencil is a contemporary typeface, specially designed for titles, packaging and branding. Sharp serifs and an extreme stroke contrast give the font a classy look and a strong personality. Amarela Stencil comes in 5 weights, ranging from Ultralight to Black, plus two decorative styles- One and Two. As you would expect from Latinotype, this font comes with a standard character set that supports over 200 languages. Alternates and OpenType features are also included.

Dynamic and urgent in style, Delux draws influence from '50s science fiction pulp magazines and hand-painted military letterforms. Delux evokes an era when the future was neo-plastic, solid-state, isotopic bright (and everything was better with fins and chromium plating). Both retro-futuristic and nostalgic, Delux embodies a time when there was no melancholic longing for the past, just a naive burning optimism that 'things to come' would be better.

Proudly present Cotton Kindly Typeface, created by ClevUs, A serif modern and classic typeface that has own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. Product Content : Features : Uppercase and Lowercase Numerals Punctuations (OpenType Standard) Accents (Multilingual Characters) Ligatures and Alternative Style Stylistic Set Works on PC and Mac Simple installations Thank You.

Solo is a renovation of an Arabic font designed by Sultan Maqtari in 2012 Solo is distinguished by its single and unconnected letters, as is the case with other Arabic fonts. Its letters are contemporary and do not dispense with the features of Arabic letters that are clear, legible and simple. But it gives user different creative possibilities, This font can be used in all artistic and creative projects in print and screen.

Konung (konge, koning, ~king) – appointed guardian who is trusted to transfer the Wisdom (Kon) to a new land. Konung is a friendly type, which is an amalgam of several writing culture. It offers re-unite originally of kindred peoples and their Outlook on life. Konung type is soft and elegant, it includes 925 glyphs, Slavic and European alphabets, over 20 Opentype features, small caps, serif and sans-serif styles and so on.

Wild Game is a bold and playful typeface to add a playful edge to your design. It’s dynamic, modern, and instantly recognizable, making it ideal for posters, headlines, and branding. With its bold letterforms that stand out from the crowd, Wild Game creates an impactful statement for your project. Features : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations works on PC & Mac Thank You

Tobias Sergel was the greatest Swedish sculptor and draughtsman of the 18th century. The typeface that carries his name has a sculptural quality, with the white line decorating the stems and curves of the letters. "However," says Bo Berndal, the designer of Sergel, "the general shape of the typeface is timeless". The Sergel fontpack includes four fonts: Regular, Italic, Semibold and Semibold Italic, and is an OpenType typeface for both PC and Mac.

Exorts Compressed is a display font family. This square condensed sans is designed with an increased cap character and tight kerning to give the ability create the large and bold typography. It is made specifically for editorial design, headlines, posters, magazines, clothing and other purpose printed material. The family comes in weight from extra light to extra bold and have italic version of each weight. Features include: OpenType stylistic sets, ligature, and Multiple Language Support.