paintbrushdd was created using a real paintbrush. It is available in 4 styles including almost 3000 characters (Latin, Greek, Cyrillic, Coptic, symbols, shapes, mathematical expressions and so on). The main focus is on authenticity: The font literally looks like someone just painted it onto your artwork with a paintbrush! Just to name some examples, it is recommended for headlines, posters, t-shirts, computer graphics, and for any other purpose that need less than about 1000 words (due to the complexity of the font and the brush details).

Stylish, elegant, and alluring, Sekhmet got its name from the lion-headed war goddess of ancient Egypt. And the typeface does possess a kind of feline, forward-directed energy - a result of its calligraphic detailing combined with a very slight slope in the roman. Sekhmet is essentially a display face; still, it's as carefully crafted as any of the designer's text fonts and so also works well in reasonably large text blocks, especially at larger point sizes. Comes with a book-weight roman and calligraphic italic.

Hi...Thank for your visit :) Snow White a script font is a beautiful script font with beginning and ending swash. It features White-themed characters that will take your projects to the next level! This font is PUA code which means you can easily access all the glyphs and alternates that are full of love! It also features many special features including glyphs and alternate. font designs that are made for various vector designs, printing such as digital wedding blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... so it can make your product look cute and attractive, and also Multilingual support!!! Happy design ...

Between 1958 and 1961, Herbert Thannhaeuser developed the typeface Liberta for Typoart as a broadly conceived newspaper type which established itself quickly. Its positive adaptation by publishing houses and printing companies was based, next to its agreeable and reader-friendly general impression, also on a relatively robust typeface character which does not sacrifice its power of impression and elegance even when confronted with poor paper and printing qualities. In the 1970s, a bullish and robust design style took over the area of consumer goods which then required a corresponding advertising face. Harald Brödel re-worked the Liberta Ultra for phototypesetting, and, with great sensitivity, designed a matching cursive variation. Both types work especially well as an attention getter for advertising and for emphasis purposes.

Popcorn is a brush script family of Regular and Bold weight and a set frisky caps, Casuals. Popcorn is a strikingly clear and smooth display face with short descenders and ascenders—it’s great for stacked layouts too. Popcorn scripts are equipped with plenty of contextual alternates and ligatures, all set in Standard Ligatures to keep the smooth flow. Besides that there’s also Swash alternates for every standard letter. Popcorn scripts are PUA encoded so you can access alternates with most design softwares. Popcorn Print is a rugged version of Popcorn with rough outlines and nice print texture. Popcorn is a great display family with roots in the past but smooth polished contemporary features. For the best price grab the whole pack!

Font designed from this who was used by an unknown printer in Lyon (France) to print the “Conte de Griseldis ” (Griseldis' tale), from Petrarque, inspired by Boccace, in 1495. The original font has a relatively small number of special characters and ligature, for the time. This font includes “long s”, naturally, as typicaly medieval but numerous letters - as accented ones - were added for this version. A render sheet, enclosed with the file, helps to identify them on keyboard. It is used variously in web-site titles, posters and fliers design, editing ancient texts or greeting cards as a very decorative and fine font... This font works at a small size like 9, remaining clear and easy to read on screen, but always better when printed.

CAL iWasLike™ Pro is totally for sure the amazing friendly font you need for, like, everything! Its conversational tone makes reading fun and enjoyable! Designed for friendly, paragraph reading ease on screen or medium res print, with the full set of OpenType features. It's design gives it the most even text shade for digital fonts, and has less holes in the text for easier reading. iWasLike™ is a large x-height, informal text and caption font designed to render well for Apple Quartz and Microsoft devices, low res to high res printing, with full Western Central European, and Turkish support, small caps, superiors, inferiors, fractions, as well as some special additions like music symbols, pricing feature, arrows, and two sets of circled numbers.

Elixir is a strong display pack of five styles and total eleven fonts. Elixir fonts are designed to act together but they also work just fine by themselves. Elixir Script is a monoline Script with plenty of OpenType features: Contextual Alternates helps to keep letter connections smooth whereas Swash, Stylistic or Titling Alternates can be used to add flavour to your words! Elixir Brush is a smooth brush script with Contextual Alternates, Swash and Titling Alternates. Elixir Sans is a sturdy all caps font with wider uppercase letters. Elixir Circus is a circus style version of Elixir Sans. Elixir Serif is a rounded slab serif. Elixir Print is a rugged version of Elixir with rough outlines and worn-out print texture.

This family was inspired by the pure Jenson set of fonts used in Venice to print De preparatio evangelica in the year 1470. The present font contains all of the specific latin abbreviations and ligatures used in the original. Added are the accented characters and a few others not in use in this early period of printing, also small caps, these, contained in a separate file in the Mac TT version. This font supports strong enlargements as easily than small size remaining very smart, elegant and fine. Decorated letters like 1512 Initials, 1550 Arabesques, 1565 Venetian 1584 Rinceau or other fonts from GLC Foundry, can be used with this family without anachronism. If Italic style is required, we recommend the use of 1557 Italique.

Hi...Thank for your visit :) Halloween a handcraft font include 4 file font with ghost is a spooky seasonal halloween font. It features halloween-themed characters that will take your projects to the next level! This font is PUA code which means you can easily access all the glyphs and swashes that are full of halloween-themed! It also features many special features including glyphs and alternate ligatures. font designs that are made for various vector designs, printing such as digital wedding blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... so it can make your product look spooky and attractive, and also Multilingual support!!! Happy design ...

Hi...Thank for your visit :) You are my everythink a font duo is a beautiful script font with beginning and ending swash and display font. It features characters that will take your projects to the next level! This font is PUA code which means you can easily access all the glyphs and alternates that are full of love! It also features many special features including glyphs and alternate. font designs that are made for various vector designs, printing such as digital wedding blogs, online shops, social media, while printing can be used in the field of product clothing, accessories, bags, pins, logos, business cards, watermarks and many others ... so it can make your product look cute and attractive, and also Multilingual support!!! Happy design ...

Say hello Geraldyne Signature, a handwritten script-inspired font that flows with an aesthetic touch. Geraldyne Signature is flexible enough for web and print and can be used in a wide variety of projects such as stationery, packaging, apparel, wedding stationery, prints, quotes, social media graphics, planners, greeting cards, logos, branding, and more. This font includes a character set of uppercase, lowercase, numbers, symbols, multilingual, alternates, and ligatures. Make sure you enable OpenType Ligatures to see the magic as you type. Software requirements: No special software is required to type with standard font characters. To enable additional alternative letters and ligatures, you can use a design application that supports the Opentype Feature in Fonts, such as Photoshop, InDesign, Illustrator, etc.

Trithemius, a 15th century Abbott, and influential counselor to Emperor Maximilian I, was also an author who wrote both histories and the first printed work on cryptography which gained him much adverse notoriety. He has been long regarded as a mystic and some of his works were therefore banned. However, it may have been his intention to cloak his cryptology essays in mystical writing to keep people from easily grasping the subject matter, which it has been recently demonstrated, at heart was really cryptological methodology. This font is based on a printed version of the Polygraphiae -- a text that included many methods of encryption. The examplar for this font in that text was described as anothor method of Alchemists recording secrets.

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Agilo Handwriting Pro is an upright, medium weight handwriting font with a simplified, slightly sloped print (non-connecting) style that mimics true handwriting closely. Use Agilo Handwriting Pro to create stunningly beautiful designs easily. This typeface comes with many pre-made ligatures and alternative characters for sophisticated typography – all easily accessible as OpenType features. A “random” feature even allows for automated random switching between variations of the same character, resulting in type that looks authentically handwritten.

Described as “An extended script type that lends itself well to fine fashion, ready-to-wear and all quality merchandise” in a marketing blurb pitching Beaufont by the Morgan Sign Machine Company of Chicago for their Line-O-Scribe sign printing system. This advertising script font was originally manufactured exclusively for Morgan Sign under license by the Hamilton Wood Type Manufacturing Company. The source patterns and original artwork for this typeface exist in the archives of the Hamilton Wood Type & Printing Museum, and were used for this fresh digitization of this font. This digital take includes alternate letters as originally designed in the mid-century wood type version, and now includes a full extended latin character set with over 350 characters.

MOTORWAY is the companion typeface to TRANSPORT, the British road sign lettering. The Motorway alphabet was created for the route numbers on motorway signage, and is taller and narrower than the accompanying place names and distances which are printed in Transport. However, for Motorway Jock Kinneir and Margaret Calvert created only the numbers 0 to 9, the capitals A, B, E, M, N, S and W, ampersand, slash, parentheses and a comma. So, although the lettering made its first appearance on the Preston bypass in 1958, K-Type Motorway is the first complete typeface and contains all upper and lower case letters, plus a full complement of punctuation, symbols and Latin Extended-A accented characters. As with the Transport alphabet the starting point was Akzidenz Grotesk, Motorway taking inspiration from condensed versions. Changes were mainly driven by a quest for legibility, resulting in some reduced contrast between horizontal and vertical strokes, and Gill-esque straight diagonal limbs on the 6 and 9, and high vertex for the M. Kinneir and Calvert designed the limited range of characters in two weights; a SemiBold 'Permanent' weight for use as white letters on blue motorway signs, and a Bold 'Temporary' weight for heavier black letters on yellow non-permanent signage. In addition to creating full fonts in both original weights, the K-Type family adds a new Regular weight, plus a set of italics, completing a highly usable condensed typeface which, while rooted in history, is fully functional for both print and web usage. The K-Type fonts are spaced and kerned normally, simply increase the tracking to recapture the generous spacing of motorway signage.

Sipur Knight is a fun and whimsical paint brushed display font. This font is perfect for many themed designs.

Based on the 60-point Amati designed by Georg Trump and issued by C. E. Weber (Stuttgart) in 1953.

The font was intended primarily to have a stronger body. It has a simple geometrical surface. This font has a strong personality, that makes it perfect for use in headline sizes but means it also works gracefully within text blocks. "Finalist Round Slab" is carefully crafted and a unique slab serif. Use for websites, print, motion graphics, logo design, packaging design, t-shirts and more. The designation “Finalist Round Slab Regular” forms the central point. The first figure of the number describes the stroke thickness: Thin to Black. "Finalist Round Slab" comes 7 weights and italics total 14 types. The family contains a set of 450+ characters. Case-Sensitive Forms, Classes and Features, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs. You can enjoy using it. UPDATES: - 30 December 2015 Opentype Feature (fractions) and some kerning. - 11 June 2018 Solving some UNICODE problems on the internet. - 12 March 2019 Some error has been fixed. - 19 November 2019 Some error has been fixed. - 16 August 2021 New Version - 2.0 Some error has been fixed.

The early Twentieth Century was a golden age for cinema, and for the artists who lettered the iconic title sequences. Stanffords Family evokes the soul of this vintage brush lettering with a modern twist. Its main characteristics are bouncy baseline, round forms. These qualities give Stanffords its casual, friendly and handmade looks. The font family is characterized by excellent legibility in both - web & print design areas, well-finished calligraphic designs, optimized kerning etc. Stanffords Family include 5 fonts: Stanffords, Stanffords Bright, Stanffords Sans and Stanffords Ornaments and Stanffords Bright Ornaments (sets of 86 ornaments) to combine and give options to your typographic elements and designs. Stanffords is a very versatile script font: it includes initial forms, and a generous complement of alternate characters, ligatures and ornaments, creating a genuine connecting hand-painted look in dynamic OpenType format. You have a lot of options to customize it and that makes it perfect for logos, packages, titles, food packaging, t-shirts, blogs, photo books, wedding and invitation stationery and for everything you think necessary ... You get the idea!

Vernon’s inspiration came while researching and investigating a 'legible' typeface design for tangible purpose. The main characteristics of ‘Vernon’ can be seen in the slightly modulated strokes that reference the natural and friendly humanist proportions of the humanist hand, with open interior letterspace characteristics. The subtle detailing and finishing of strokes and junctions – seen in the curved tail of the lowercase ‘l’ and the head serif of the lowercase ‘i’, create a smooth rhythm along the baseline. Utilizing the ‘contextual alternative’ feature of OpenType, Vernon substitutes select characters in words with word-shapes that may cause visual confusion to some readers. Vernon uses subtle character differentiation in the detailing of the inner-shape / counter space from similar letter shapes (for example: ‘p’, ‘d’, ‘g’ and ‘q’) to assist in creating the contextual alternate designs. Vernon is recommended for use as a text typeface, as it performs well at small text sizes (12 point size and below) intended for continuous reading of printed instructional and presentational information, especially where an inclusive audience demographic is required.

Gilam is a sans serif font with semi-condensed proportions. The typeface was based on the famous DIN but combines its popular neo-grotesque look with characteristics, such as the pointed edges in the “W” and “M” as well as the outward cut terminals, which gives a distinctive look to the modern geometric typeface. The complete set of 9 weights plus italics gives to designers the absolute freedom to create anything. Perfect layouts with blocks of text, headlines, motion graphics, logos, apps, and websites are just part of the intended usage of this versatile typeface. Features: • 765 glyphs in 18 styles; • Extended Latin, Cyrillic and Greek; • Geometric forms and low contrast; • Prominent x-height which makes it legible in a text; • Perfect for headlines and logos; • Suitable for web, print, motion graphics etc. • Semi-condensed proportion; • Advanced typographical support and OpenType features including case-sensitive forms, fractions, superscript and subscript characters, and stylistic alternates; • Complete set of figures - old style and lining figures, which come with proportional and tabular variation; Gilam means “joy of people” so that you can enjoy it!

ITC Magnifico Daytime and ITC Magnifico Nighttime are inspired by nineteenth-century decorated types and letterings. “Although they are designed as display typefaces, their use is not limited to large headings. Usually three-dimensional types are employed in gigantic headings in large posters, but I thought it would be interesting if such decorative types were used as well in small sizes, say at 12 point,” says designer Akira Kobayashi. “There were a few examples of small three-dimensional types used in cards printed in the nineteenth-century. I studied their letterforms carefully and became more and more interested in those small three-dimensional types. The outlines of ITC Magnifico are robust enough to endure use at small sizes. Sometimes the angle or the shape of the 'shadow' had to be slightly modified or even illogical, because the letterforms ought to look as simple as possible. The resulting types are fairly easy to read at small sizes, and I hope that at large sizes those occasional oddities will appear charming.”

Rialto dF is a book face inspired by calligraphic tradition. Named after the famous bridge in Venice, it was conceived as a bridge between calligraphy and typography, roman and italic. It can also be thought of as an imaginary bridge between Italy and Austria, since it is the result of collaboration started in 1995 between the Austrian Lui Karner and Venetian Giovanni de Faccio. The letterforms of Rialto dF were drawn directly in digital format with a starting point deriving from humanistic letterforms memorized in the hearts, minds and the manual ability of its designers… As tradition demands, uppercase, numerals and punctuation are used in combination with italics – the same solution adopted by Francesco Griffo when he cut his first italic for the Virgil, the first of the octavo series printed and published in Venice by Aldus Manutius in 1501. Rialto dF comes in two optical weights: Piccolo, for up to 14 pt, and Grande for 16pt and above. Alternate characters and various dingbats are also provided and these are available through OpenType features developed by type designer and technician Karsten Luecke.

A new font inspired by vintage hand-painted paper grocery store signs. The Doorbuster Collection is based on retro hand-painted paper signs primarily seen in grocery stores from the 1920s through the 1970s. We meticulously hand-drew each font, modeling the spacing and uneven baseline found in vintage sign painting. The purposely organic ascenders and descenders, along with a huge set of ligatures/contextual alternates to avoid the same letters repeating when paired, give it a real hand-lettered look. Doorbuster Script is perfect for both vintage-inspired and contemporary marketing, branding, and packaging designs. Check out a few of the samples included in the thumbnails above.

Huxley Cyrillic is based on our Huxley Amore Bold, retaining all the Western and Central European characters of the latter, while adding upper and lower case Cyrillic characters. Huxley Cyrillic, like Huxley Amore, is visually simple and direct and yet sophisticated and unexpected. Those are the qualities that give it such freshness in so many applications. This font is intended for display use. It is highly condensed and is therefore difficult to read below 18 points. It works well at 36 points, but really works best at 48 points and larger. Huxley Cyrillic has 499 glyphs. I think we should have made at least one more!

PixelZoo gathers over 70 animal species turned into pixels. They are wild and domestic animals, mixing mammals, fishes and birds.

Another entry in the trusty old "Schriftatlas" named Phoenix—original source and designer unknown—provided the inspiration for this bouncy bit of alphabetical tomfoolery. Its animated typeforms, definitely retro chic, will put some bounce in the step of any headline it graces. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish

Road Art derives from painted lettering found on roads in the UK. Each character has been created from original photography.

A square san serif font family for short texts and headlines. Inspired by old hand-painted signs in Tel Aviv.

Counterfact is a bold, two-pronged, handwritten font that combines informality and neat imprecision. Especially effective at large point sizes.

Splasher is a set of 94 unique ink, paint and coffee splatters that can be quickly used in your design.

This set of swirlies oraments is drawn with a pointed brush, for a higher contrast appearance than Swirlies 1 & 2.

Oliver Serif, clean, contemporary and sophisticated. It is available in 3 distinctive weights-Regular, Bold and Ultra with matching italics. Oliver Serif is a fine choice for a variety of uses ranging from body text to bold dynamic headlines and branding applications. A perfect choice for both digital and print.

Bulluck is a serif display typeface with strong characters to support your brand/project. Perfect for projects with subjects related to automobiles or outdoor activities. Bulluck can also be used for logos and branding, headlines, posters, signage, advertisements, printed quotes, product packaging, product designs, labels, photography, watermark, special events and more.

Mettle Bilingual Arabic font, Latin-Arabic for print and web. The Mettle font family contains four weights: thin, normal, medium, and broad. This font supports Arabic, Latin, Persian, Urdu, and Kurdish languages. The digital designer can use the variable Mettle font to access wider options in working with the text.

Antibes is a casual italic face with print caps and cursive lowercase letters. Antibes works well with colorful, freeform illustration and travel-related material like illustrated travel brochures and callouts for maps. All-caps paragraphs are an easy read and letter-spaced all-cap treatments can be used for titling.

Take a classic wood type design, add some white panels to parts of the letters and numbers and you end up with Partial Eclipse JNL, a novelty display font that adds a clean, yet unique look to your digital or print project. A little experimentation can go a long way!

Disgrunged is a distressed grunge font, as you might guess, and industrial sans-serif in feel. The Disgrunged ABCD family resembles bad printing with rubber stamps, with corners showing, along with misprinted letters, and the typeface has four versions (A, B, C, D) giving increasing amounts of chaos, jumbledness and irregularities.

First Responder JNL is a back slanted version of Catalog JNL, and is intended to be used for graphics on police and fire vehicles to emulate "forward" movement, which is a popular theme on such vehicles. It is also useful in conveying the same image in print applications and web design.