Secretsoul is a Monoline Handwritten Font. Secretsoul Monoline is a thin lettered, refined script font that emanates sophistication and elegance. Its stylish alternates and ligatures make this font the perfect match for any project. Secretsoul also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Proudly Presenting, Chocobelly A Handwritten Inline Font. Chocobelly is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Chocobelly also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Presenting, Baltiholm A Handbrush Script Font. Baltiholm is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Baltiholm also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Vandal Linerous sounds like a cool graffiti typeface. Graffiti fonts often have a unique and artistic style that can add an edgy and urban feel to various design projects. If you have any specific questions or if there's anything specific you'd like to know or discuss about graffiti fonts or design, feel free to ask!

Proudly Presenting, Jolystmas a Modern Calligraphy Font. Jolystmas is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Jolystmas also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Atteron is a elegant serif font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Atteron (OTF) Features: Beautiful Alternates Stylistic Set Swashes Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Proudly Presenting, Boomsplash a Tagging Graffiti Font. Boomsplash is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Boomsplash also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

This unicase beauty is based on the typeface Vesta, originally designed by Albert Auspurg for H. Berthold AG, Berlin and introduced in 1926. Classic, stylish and elegant, this typeface will add grace and charm to any project. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Proudly Presenting, Fachristar A Fun All - Caps Font. Fachristar is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Fachristar also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Presenting, Onlychalk A Handmade Chalk Font Onlychalk is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Onlychalk also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Presenting, Gabyrose A Monoline Hand drawn Font. Gabyrose is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Gabyrose also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Present, Heartcraft a Handwritten Signature Font. Heartcraft is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Heartcraft also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Groovy Giggles is a playful and fun display font that adds a touch of whimsy to any design. With its lively shapes and quirky details, this typeface is perfect for creating a lighthearted feel in your designs. Use it for children’s books, invitations, and other applications that call for a touch of playfulness and creativity.

Proudly Presenting, Shinymotion A Monoline Script Font. Shinymotion is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Shinymotion also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Presenting, Lemonmint A Cute Handwriten Script Font. Lemonmint is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Lemonmint also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Proudly Presenting, Montageway A Bold Brush Script Font. Montageway is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Montageway also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Hermann Zapf made his first scetches for Orion in 1963. Zapf's aim was to create a neutral textface which can be ideally used as a newspaper face. Its strokethickness and open letterforms also fits well for book and magazine production. The final two weights of Orion were released in 1974 for the Linofilm photocomposing machine.

Cheese Tarts will be perfect for wedding lettering, beautiful frame for your home, book covers, greeting cards, logos, marketing, magazines or anything that requires cute handwritten lettering :) What's inside: Cheese Tarts Font Multilingual support Cyrillic support / Поддержка русского языка Cricut support If you have any questions, please contact me directly or in instagram @superdizigner

Angelic Bonques – Perfect Pair Font Duo is a combination of an elegant sans serif font & beauty handwritten script font based on the expression of real handwriting. Angelic Bonques – Perfect Pair Font Duo will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale and chic.

Bannex is a versatile font with a clean, sleek shape. The overall typeface is strong to bring order and harmony between letters. Best used as Instagram, poster, web design, magazine, logo or product. -Letters, Numbers, Puntuations, Accens Ligatures, Swashes, Alternates If you've got any questions don't hesitate to drop me a message thank you

Miftah is a modern serif font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Miftah (OTF) Features: Beautiful Ligatures Stylistic Set Swashes PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

The Shoreman This typeface is a vintage Sans Serif Display Typeface. The Shoreman comes packed with over 450 glyphs containing many alternates and decorative characters. With so many options of characters, you can give any of your projects it's own unique character. What's Included? Over 450 Glyphs with tons of alternates Western European characters Thanks!

Walftower - Bold Handwritten Font with its distinctive character that can be easily implemented in your various design projects . Walftowert came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature

Proudly Presenting, Ninety Starfox A Playful DIsplay Font. Ninety Starfox is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Ninety Starfox also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Benoa is a versatile font family for your design, consist of 6 weights from thin to black with dozens of alternates. Benoa works well with any style of design concept, from branding to a nice bold modern look! Benoa also available in Variable format, multilingual support, numbers, and currency symbols, and dozens of alternates.

Proudly Presenting, Franksthone A Handwritten Brush Font Franksthone is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Franksthone also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

ITC Redonda is the work of Montreal designer Gerard Mariscalchi and based on a common style of 19th century French handwriting. It comes with two sets of caps, both highly flourished, which are complemented by a refined lowercase. ITC Redonda is a distinctive upright script with intricate forms and will lend elegance to any application.

Please welcome our newest script typeface, The Kogles, a nice script typeface with retro feel. This font is perfect to be applied especially in logos and the other various formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Introducing Bemsod Decker is a casual handwritten font and will be perfect for book, title branding, product packaging, invitation, quotes, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Hope you enjoy it.

Jump is a lighthearted, handwritten script. Its quick and informal style is perfect for short notes and messages to convey charisma. The letters 'jump' up and down on the baseline giving words and sentences a lively impression. Try out Jump for invitations, cards, and announcements when you are aiming for the hand-made effect.

Imagine being printer in the early nineteenth century, your stock isn’t the finest, your lead characters are worn out: Voilá Kandidat Rough. But wait, Kandidat isn’t the usual scan-an-old-book,-put-the-glyphs-in-a-font-and-you’re-done-font. Kandidat Rough has a variety of whopping 14 alternates for most characters. Our algorithm changes the letters automatically. All you have to do is turn on Contextual Alternates in your layout app. The algorithm is the best we’ve seen so far, and it’s so good that even same words appear in different forms. And should by coincidence words have the same glyphs, just assign a different Style Set to the first letter, and all other letters in the word will change as well (well, it depends a bit on your software). The mechanism isn’t perfect and maybe we stretched OpenType capabilities a bit over the top, but we yet haven’t seen any better routine for switching letters on the fly. Is it worth to mention that Kandidat Rough not only speaks English, but also German, French, Spanish, Dutch, Danish, Norwegian, Swedish, Croatian, Turkish and most likely some other languages? Maybe. To be sure whether your language is supported, this is the typeset of all letters: ABCDEFGHIJKLMNOPQRSTUVWXYZÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝĆČĐĞ݌ފŸŽ abcdefghijklmnopqrstuvwxyzàáâãäåæçèéêëìíîïñòóôõöøùúûüýÿćčđğıœşšž Apart from that we also included the following punctuation and currency symbols: !"#$%&'()*+,-./:;?@[\]_{|}¡©«®°±¶·»¿×–—‘’‚“”„†•…‹›⁄≠☞ €¢$£¥ This sums up to nearly 3000 glyphs per font, and we have three of them: Regular, Italic and Bold. All neatly kerned. All in all a great repertoire for even the most demanding book or advert jobs with a look of old times. And now imagine you are sick of the rugged print experience Kandidat Rough delivers: go for Kandidat. This is our Scotch-ish ancestor the Rough version was made from. A sturdy, friendly, round, warm friend from the beginning of the nineteenth century. A bit dark, maybe. You will like it. Kandidat has the aforementioned type set plus complete Baltics, Eastern Europe and Cyrillic. Plus a couple of gimmicks like fleurons, stars, circled numbers, arrows, and, and, and… Kandidat Regular additionally has small caps for Latin based scripts (not Cyrillic). The spick and span Kandidat font set also consists of Regular, Italic and Bold cuts. The bold cut is on the very bold side and can nicely be used for headings, whereas Italic is a great companion for Regular. It took us some time and trouble to finish this project, but after all we are very proud of our little feat and hope you will enjoy Kandidat as much as we do. Enjoy!

Introducing TT Norms® Pro, version 3.200! The updated font now supports more languages and boasts a larger character set. These implementations have made the typeface even more advanced and convenient. TT Norms® Pro is a functional geometric sans serif for aesthetic design choices and TypeType studio's bestseller. It has been a massive success since its release, and rightfully so! This stylish, elegant, and versatile font will become the full-fledged core of your collection. TT Norms® Pro is ideally suited for products in any domain: streaming services, banking, clothing brands, or the automotive industry. It's equally convenient to use in both web and printing. Now, the TT Norms® Pro typeface includes the most extensive font package, both in terms of font styles and character sets. The base version of TT Norms® Pro consists of 22 fully redesigned font styles and 4 additional subfamilies. Besides, this font boasts the most comprehensive language support in the TypeType collection. We've added the characters of extended Cyrillic and Latin writing systems to the updated TT Norms® Pro and configured the new languages support. The character set has become more extensive—we've added currency symbols with their minuscule version and minuscule mathematical symbols. The 3.200 version of TT Norms® Pro includes: 44 roman font styles, 44 italics, and 2 variable fonts; 7 roman and 7 italic font styles in TT Norms® Pro Mono; 2 variable fonts: TT Norms® Pro Variable with three parameters of variation (weight, width, and slant) and TT Norms® Pro Mono Variable with weight and slope axes of variation; 1993 characters in each font style, including an extended set of punctuation marks, symbols, and currencies; 5 widths: TT Norms® Pro with classic proportions, monospaced TT Norms® Pro Mono, narrower-proportioned TT Norms® Pro Compact and TT Norms® Pro Condensed, and wider TT Norms® Pro Expanded; 38 OpenType features, including a large number of ligatures, fractions, numerators, and denominators; 17 stylistic sets; - 280+ languages support, counting in new symbols for French, Norwegian, Bulgarian, Uzbek, Abkhaz, and more; Flawless kerning and manual TrueType hinting. TT Norms® Pro has already become the signature font of Intercom, Inc., Sartorius AG, CSN, CBSN, Shieldex, and many other global brands. Customization is available for TT Norms® Pro upon request—we adjust the font to suit your project. Learn more about customization options in the corresponding website section. In addition to the TT Norms® Pro, we've designed the TT Norms® Pro Serif typeface. These fonts complement each other perfectly, making an ideal typeface pair.

In B-movie awesomeness, Air began as Grotesk vs. Grotesque. I was trying to unify the prevailing traits of German and English Grotes(que/k)s in order to make something different but familiar. I am NOT trying to reinvent Helvetica (snore), so get that out of your system. From the onset, I intended this typeface to be a true workhorse that offers infinite options and flexibility for the user. At its core, it is the maturation of the Aaux Next skeleton I developed years ago. I worked out Aaux Next to settle my issues and love for Akzidenz. With Aaux Next, I strove to be mechanical, cold and unforgiving with it. I was single, young, cocky and it fit. Now I'm married, kids, dog and have found that I've turned into a big softy. When I look at Aaux Next (and have for the past few years) I see another typeface trying to eek out. I wanted it to avoid the trappings of robotic sans, quick tricks and compromises. The typeface’s DNA needed to be drawn and not just generated on a screen — so I set aside a year. I love type. I love working with type. I hate when my options for a slanted complement is only oblique or italic. I set out to produce both to balance usage — there are more than enough reasons to prepare both and I want the user to feel free to consciously choose (and have the option to choose) the appropriate typeface for print, web, etc. That flexibility was central to my decision-making process. The Oblique is immediate and aggressive. The Italic was redrawn at a less severe angle with far more movement and, as a result, is far more congenial when paired with the Uprights. Condensed and Compressed. Yep, why not? I know I would use them. There are nine weights currently available. The logical progression of weights and the intended flexibility demanded I explore a number of light weights and their potential uses — this has produced a number of ‘light without being too light’ options that really work based on the size. The result is a robust 81-font superfamily that is functional, professional, and highly legible without compromising its personality. Pair that with over 900 characters per font that includes ligatures, discretionary ligatures, stylistic alternates, fractions, proportional/tabular lining and proportional/tabular oldstyle figures, numerators, denominators, ordinals, superiors, inferiors, small caps, case-sensitive functionality and extensive language support and you have a versatile superfamily well-suited for any project.

Comenia Sans was designed in the framework of a unique typographic project for all types of schools. It is a complementary face for Comenia Serif, released by our friends at Storm Type Foundry. Comenia Sans has a lot in common with its serif sister: the height of both upper and lower case, the length of ascenders and descenders, and the general weight. This makes the two perfect partners which work well even when set side by side in a single line of text. Comenia Sans does, however, lack all serifs, ornamental elements and stroke stress variation. All these elements freshen up the feel of long texts, but for shorter texts use, they are not necessary. Despite that, Comenia Sans retains the soft, friendly character of its big sister, as well as a few tiny details which lend it its unique character without compromising legibility or utility. Open counters give all letters an airy feel and permit enough variation in construction. This is why the face works well even in multiple-page texts. All its letters are easily distinguished from each other, so the reader's eyes are not strained. Diacritics and punctuation harmonize with both upper and lower case. As usually, all diacritical marks fully respect conventional shapes of accents and they are perfectly suitable for Czech, Slovak, Polish and other Central European languages, where a lot of diacritics abounds. Similarly to the renaissance italics which refers to the cursive forms, Comenia Sans introduces novel shapes of some characters drawing from the hand-written heritage. This is most apparent in the single-bellied a, the simplified g, and the stem of f which crosses the baseline and ends with a distinct terminal. In the text, emphasized words are thus distinguished not only by the slant of letters, but also by the shapes of the letters themselves. All twelve styles contain set of small caps, suitable for the names, in the indexes or the headlines in longer texts. Legibility in small sizes under 10 points was at the center of designers' attention, too. This is why the counters of a, e and g are large enough to prevent ink spread in small sizes, both on-screen and in print. After all, the font was specifically optimized for screen use: its sober, simple forms are perfectly fit to be displayed on the computer screen and in other low-resolution devices. When used in the context of architecture, the smoothness of all contours stands out, permitting to enlarge the letters almost without limit. A standard at the Suitcase Type Foundry, each style of Comenia Sans boasts a number of ligatures, an automatic replacement of small caps and caps punctuation, a collection of mathematical symbols, and several types of numerals which make it easy to set academic and other texts in an organised, well-arranged way. For the same purpose, fractions may come in handy, too. Apart from the standard emphasis styles, the family also contains six condensed cuts (each set has the same number of characters), designated for situations where space is limited or the need for striking, poster-like effect arises. Comenia Sans is the ideal choice for the setting of magazines, picture books, and navigation systems alike. Its excellent legibility and soft, fine details will be appreciated both in micro-typography and in poster sizes. Although it was designed as a member of a compact system, it will work equally well on its own or in combination with other high-quality typefaces.

Fierro is a heavy-geometric-retrofuturistic typographic construction that, without any curve, still retains good legibility. These shapes are based on great bended metal pieces, which represent its name, meaning "hardware store". It has been designed to be used in large sizes and for designs with character that look to create a strong visual block. Designed by Jko Contreras.