76 illustrations of vintage-inspired characters, most of them drawn from imagination, in the tradition of metal stock cuts or woodtype vignettes. Illustrissims is offered as a free sampler of our illustration style. Its themes are futher developed in the Absurdies, Bizarries, Genteta, Ombres and Whimsies series, also available from MyFonts! These illustrations are ready to use at any size and in any application (their vectorial format ensures they can be scaled to any size with no loss of sharpness). They can be used out of the box, or easily customized in any graphics program, adding colour or texture, resizing, combining... The variety of suggested uses is huge, from small spot illustrations to full-page layouts. Use them to great effect in magazine spreads, advertisements, stationery, packaging, bulletins or poster creative designs. Illustrissims combines three formerly separate dingbats (the Illustries 1-2-3 series), which have been unavailable for quite a few years.

Mories is an elegant display serif with unique letter shapes to complete any designs, especially in fashion, branding, and for logos.

Introducing my new handwriting font - Wildflower. It's perfect for creating quotes, logos, or just adding a handmade touch to any project.

Luxerie is an elegant display sans with unique letter shapes to complete any design, especially in fashion, branding, and for logos.

Anderson Silva is a monoline script that looks elegant and classy. It will add a charming touch to any crafting project!

A very clean conservative corporate look, very simple yet very dignified. Great for text and head lines, just about any application.

Queen Bella is a bold and bouncy handwritten script font. Use it for any design project that requires a personalized appearance!

Lifters is a unique and modern display font. Shifter will work perfectly for logos, branding, advertising, and any kind of project.

A delicate script font with a modern signature style, looks great in big texts and it is suitable for any project.

BooRush is a display font with a childish touch. The bold shape makes this font very suitable for any playful heading!

Filature is a fully connected typeface with open type features. Use Filature any time you want fancy, legible, and original text.

FOX IN THE SNOW is a cursive, casual handwriting font. Please contatct me if you have any questions, requests or feedback.

Molor Font is a sans serif font with an amazing feel. It will turn any design idea into a stand out.

‘My Darling’ is a stunning new typeface by Alex Kaczun. Inspired by the Didone shapes, ‘My Darling’ incorporates some Didot, a little Caslon, a splash of Scotch and a pinch of old Times. This unique display, with its high-contrast strokes is playful, formal and just a bit ‘sexy’. The swash capital terminals and lively curves, give this design a unique and distinctive look. It works well as a headline font, and because it was designed with generous counters, proportions and spacing—works equally well over a large range of text point sizes. My Darlings' character set supports most Central European and many Eastern European languages. Alex hopes to add many style variations, along with alternate glyph sets and weights to further enhance this offering. Stay tuned!

Sometimes it's easy to find a name to fit a font design, other times it's a struggle because of the sheer number of digital fonts available and the number of names already taken. Classification JNL stretches a point to arrive at its name. The attractive sans design was found as a hand-lettered title on a piece of vintage sheet music called "My Hawaiian Souvenirs". During the 1940s, the popular mode of travel to other countries was by steamship. Steamship passengers were assigned their accommodations by the type of passage they booked (such as First Class and Tourist), thus they were in various levels of classification. This aside, Classification JNL is a nice alternative to "standard" condensed fonts for design projects.

Fargo Tuscan is the first of seven typefaces exploring the decorative possibilities of the Tuscan letter form, all of which are releasing in 2017. It’s the most European of the seven- it’s a Mid-Victorian inspired display face which would have been (and is) at home on either side of the Atlantic, unlike some of the others in this batch of Tuscan faces which are distinctly ‘trans-Atlantic’ (we know, that depends on your point of view but we are Greater ALBION Typefounders after all) in flavour. Fargo Tuscan is replete with decorative features, including Swash Capitals, alternate numeric forms and stylistic alternates ideal for the beginning and ending of words. Have some mid-Victorian mid-Atlantic fun with your next design project!

The name Saluzzo is given to this font in honor of Giambattista Bodoni (1740–1813). Bodoni was born in the town of Saluzzo, Cuneo, Italy, and died at the age of 30. Saluzzo is a contemporary interpretation of Bodoni, retaining its elegant thin serifs and contrasted with heavy downstrokes. What makes Saluzzo unique is that it was approached from a calligraphic point of view. Also unique in this interpretation is the fact that it is a stencil. Saluzzo is a great choice when you need a font that is contemporary, timeless, and distinctive. Perfect for Advertising, Corporate identities and Packaging design, Fashion, Technology, Hospitality, Travel, and Retail applications. Saluzzo Regular Opentype is a Stencil font that is Contemporary, Distinctive, and Timeless.

In 2009, a book from 1897 in the library of the University of Wisconsin caught David Berlow’s attention. It was set in a clear text face—a predecessor of Bookman—cast by the Western Type Foundry who called it Custer. Upon noting how well the typeface worked in sizes of 6 and 7 points, Berlow developed it into a member of the Reading Edge series specifically designed for small text on screen. Custer RE was a broad and approachable typeface drawn large on the body with a tall x-height to maximize its apparent size when set very small. This was the beginning of the newly expanded series; in 2020, Berlow added new optical sizes and weights, growing the original design’s versatility up to headline sizes.

Road Stencil is a font based on painted street markings. The letters are stretched roughly six times their normal height so that when viewed from an angle, the text is seen as proportional. If you're looking to Photoshop a street scene, this is your font. This is an all caps font, but the letters were copied to lower-case for convenience. In these forms, I've preferred to use horizontal and diagonal dividers instead of verticals which can weaken the fonts readability. This font embodies a pleasant aesthetic while maintaining a coherent and believable feel. Check out the 'Rough' version of this font, which has more of a 'drawn on asphalt' look. The rough version's lower case letters have eroded alternates.

Yseult is a ultra-romantic, elegant handwritten font, reminiscent of pre-Raphaelite beauties and classical paintings. It refers to the opera Tristan und Isolde (also spelt as Yseul, Isolda etc.) in three acts by Richard Wagner. The opera was based largely on the romance by Gottfried von Strassburg. Its design was influenced by Genevieve and, less directly, by Silver Dagger. Suggestions for use: - wedding stationery - greeting cards - valentines day media - beauty product media - lingerie tags - women's magazine pages - classical music media - theatre posters The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). (It has all the accented characters used in the major European languages).

Bisco Condensed is a small capital design inspired by hand lettered memorial wall art from the Harlem section of New York City. As a memorial, this design is dedicated to a type design colleague who lost his long battle with cancer. This font is a tribute to his strength and his liveliness. The original idea for Bisco Condensed was to capture the energy of those unique "streetforms" in a text/display design and encapsulate them into a lively & fluid type design with a high level of readability at all point sizes. Bisco Condensed is an excellent type for expressive display layouts. It works well as an independent design or a long with contemporary sans serifs that complement Bisco's irregular contours, weighting and bounce.

The Flowers Family is a collection of 3 typefaces in two weights, meticulously drawn by British designer Roy Preston. The Flowers fonts share a common clean and narrow design, with oval-shaped rounds and distinctive individual letter shapes that give each font a unique character all their own. Flowers Petal is the base typeface, essentially a sanserif with rounded terminal ends. Flowers Bud adds a unique inverted triangle shaped serif, and Flowers Thorn replaces that with an elegant pointed serif. All 3 typefaces are very legible and usable for text runs, and there are bold weights of each font for headlines and display applications. Flowers' extended character set supports many Western European languages and each font has some OpenType features, including Ligatures, that make them more useful.

Features of TE ALDWAWIN font with his high ability according to the letter's requirements. Diwani calligraphy is characterized by the convergence of letters, and their contiguity through one path, with the exception of some letters that must deviate from their path in order to move away from the monotony, leading to a horizon characterized by magnificence and beauty, flexibility and elegance in flow. Diwani calligraphy is characterized by being soft and malleable, and fits most writings. Suitable for most writings and is flexible in writing, The calligraphy was concerned with official books sent between kings and sultans, books of appointments to prominent positions, imitation of high positions, and special statements and orders issued by kings and princes. Write major names for books, and write ads.

Wild Title Sans is ideal for projects that are intended to be leisurely and relaxed. The font deliberately destroys the principles of restrained fonts, emphasizing unbridled individuality. The distinct notches in the font are enlarged ink traps, which are used for typesetting in small sizes and usually copy the structure of the character. In this case, the ink trap becomes part of the structure of the character, giving the font a strong and original feature. The weight of individual styles is also distinct: the emphasis on the vertical breaks with traditional approaches to posture. This font literally draws attention to itself. Individual styles are suited to a variety of uses, from small-point texts to bold, distinctive headings. Specimen: http://carontwice.com/files/specimen_Wild_Title_Sans.pdf

This font set is based on the handwriting styles of quintessential American artist Edward Hopper and his wife, Josephine Nivison Hopper, and was produced in conjunction with the Whitney Museum of American Art. Both artists kept a record of Edward's paintings in a series of journals, which provide the basis for this set. Unlike font sets which feature two similar handwriting samples of one artist, the Edward Hopper font set presents two distinct handwriting styles. The Edward Hopper font is typically masculine, with its sharp angularity, while the Josephine Hopper font presents an interesting contrast, given its elegant, rounded shape, with significantly more flourish. The extras, culled from the aforementioned journals, feature 52 Hopper sketches, which run the gamut from landscapes to nude studies.

Pacific Script is a font inspired by an alphabet created by Howard Trafton in the 1930s. However, I felt it needed some changes to bring it to the cutting edge of 21st century font design. Though designed as a display font, it works very successfully in longer passages of text, however, it should not be used in font sizes less than about 15 point. Small x height in contrast to extravagant caps gives the font a very dramatic feel. Though it has cursive qualities, the characters in this font do not connect, making it slightly more legible and less like handwriting. The inclusion of 26 alternate upper case characters give the user the freedom to create a hand crafted design. Language support includes all European character sets.

Giambattista Bodoni (1740–1813) was called the King of Printers and the Bodoni font owes its creation in 1767 to his masterful cutting techniques. Predecessors in a similar style were the typefaces of Pierre Simon Fournier (1712–1768) and the Didot family (1689–1836). The Bodoni font distinguishes itself through the strength of its characters and embodies the rational thinking of the Enlightenment. The new typefaces displaced the Old Face and Transitional styles and was the most popular typeface until the mid-19th century. Bodoni’s influence on typography was dominant until the end of the 19th century and, even today, inspires new creations. The Bodoni Classico of Franco Luin displays less stroke contrast than the original and is therefore also appropriate for smaller point sizes.

Linotype Party Time is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The typeface is the work of Bulgarian designer Christo Velikov and is composed exclusively of capital letters. Different components make up this cheeful, frolicking font: stripes, dots, triangles, arrows, a trumpet, a ribbon, and others. The characters of Linotype Party Time stand straight on the base line while those of Linotype Party Time Drunk take on the stance typical of this state. Linotype Party Time is perfect for anything which has to do with fun and should be used exclusively in larger point sizes to emphasize the details which make the figures so unique.

Migueto is a serif typeface with ligatures also complete multilingual glyphs. Migueto come with Regular style, it will make this typeface can be used in all design projects and works perfectly for pairing with script typeface or handmade fonts, Headlines, Posters, Packaging, T-shirts, Postcards, Invitation, Wedding Sign, Sign Painting, Signboard, and much more. Try Migueto, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. • Multilingual Support And Special Ligatures If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows)

Tabac Slab was created by combining several contradictory influences, the result of which is a universal linear font. The combination of brisk serifs and refined calligraphic details in the structure of the characters serves to create an original concept that mixes influences from both book and advertising graphics. Serifs aid legibility in long texts, while small drawn details realise their full potential in sizes of twenty-four points and larger. The basis for our Egyptienne was Tabac Sans, with which Slab logically forms a harmonic duo. The addition of bracket-less serifs caused the typeface to thicken and become solidly anchored on the lines, giving a firm answer to all typographers who like to complain about the slight exuberance of grotesque fonts.

Umbero is an experimental geometric blackletter. Umbero was inspired by modern street art (by artists like Pokras Lampas, RETNA, etc.), gothic script and constructivism. It has an ornate and twitchy structure: you can not find two similar letters. Capital letters have even more complex structure, then lowercase, to the extent that you can even use them as initial letters with a different, more calm font if you want to achieve a medieval stylization in a contemporary way. Get Umbero if you need something extra for your design. Or vice versa use it as a starting point of your work. It’s a perfect choice for the mystic or contemporary logos, headlines, oversize typography, branding, identity, website design, album art, covers, posters, advertising, etc.

Our chef Martin Lorenz likes to mix cool and fresh cocktails - shaken, not stirred! You have to taste his awesome Martini or mix it yourself! To make matters more easy, cocktail master Martin reveals his special recipe: “The TpMartini refers esthetically to typefaces drawn with a pointed nib as the Bodoni or Didot, but with the clear distinction that it is obviously constructed by modules. The visual system for the TpMartin is based on a square 5x9-unit grid and three different basic forms with which the font and other elements are designed. The basic forms consist of a straight line and circles of two different sizes. The line can be extended, but the circles retain their related proportions.” One piece of advice: Don’t drink and type!

Linotype Flamingo, from German designer Michael Leonhard, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. The figures of this font have pieces missing, the curve of an a, the stroke of an n. The eye fills in the gaps, allowing the designer to present a unique font with reductionist forms which can still communicate written ideas to the reader. A small number of forms come together to create the alphabet and the 'missing pieces' make a light and airy overall impression. Linotype Flamingo should be used in point sizes of 18 and larger and because of reduced legibility should be used only for very short texts.

Bold mutant typography. Retro-futuristic. Sixties meets 1990’s comic book inspired, superfast for your superhero? The pencil tissue was dragged out from the very back of the file cabinet, stuck in the metal rail, it was lost then found- to bring a unique look to your project. A companion font to astroluxtype’s Spacepod, both fine ways to mark and identify your spacecraft. Note the lowercase letterforms that make connectors such as g, j, y, b, d and g. See the posters at myfonts.com for examples of how to you might use this feature. Redrail Superfast is a minimal glyph set which can be used at various sizes, we consider it a headline/display font and best applied larger than 36 points in size.

As a font designer for films Henning Brehm delivers fonts with a whip-sharp eye for precision. His latest Vette Letters release, VLNL Agitka is a Cyrillic-inspired (and including) alphabet with both feet rooted in Soviet Union-era propaganda posters. Its design is constructivist (look Mom, no curves!) geometric and strong. Like Russian vodka. Aside from the Regular, Light, Bold and Black weights, Agitka comes in four Neon styles as well. For a dazzling design effect, layer those neons over a regular weight for a star struck embossed-letter effect. We would also like to point out the usage of VLNL Agitka in the Bourne Ultimatum movie, for which Brehm designed neon signage for a scene at a Russian supermarket. За здоровье – Za Zdarovje!

created in 2023, Tyneside is corporate and not too eccentric, but still has a strong character that makes it a the perfect starting point for the new Tyneside text font family. Clarity is very important when displaying a lot of information on the screen. The ranking table is full of names and times and while the display typeface should stand out, the text pieces should be eye-catching and very legitimate. We sharpened the corners, made some shapes easier to read and more modular, clean and sporty overall. We are very satisfied that Tyneside managed to capture the “spirit of sporting enthusiasm” in the personality of the typeface. We hope to create a growing family of typefaces in the future and maintain our partnership

Atlan—a Latin ‘spin-off’ of classic geometric sans typefaces. Remembering typefaces like ‘Kabel’ by Rudolf Koch, while paying attention to current design needs, was the starting point for ‘Atlan’—a simple, elegant and appealing font. This typeface is based on highly expressive sans-serif geometric fonts of the 1920s. We challenged ourselves to reinterpret these characteristics, without losing expressiveness, in order to create a functional and versatile design. This process resulted in a font with display features, well-suited for light, uniform-coloured texts. The family offers a variety of styles from the elegant Thin weight—ideal for publishing and corporate websites—to the Heavy variant (perfect for logotypes and packaging), which reveals the stylistic elements of the typeface.

Chaparral is the work of type designer Carol Twombly and combines the legibility of slab serif designs popularized in the 19th century with the grace of 16th century roman book lettering. The result is a versatile, hybrid slab-serif design. Unlike ""geometric"" slab serif designs, Chaparral has varying letter proportions that give it an accessible and friendly appearance in all weights from light to bold. And because it is a multiple master typeface with an optical axis (ranging from 7 to 72 points), Chaparral is clear and legible in smaller text settings while remaining subtle and lively at display sizes. Chaparral�s highly functional design is surprisingly beautiful, the perfect choice for correspondence, as well as book, poster and newsletter design.

Calgary Script was mostly inspired by a brush script on a Welcome To Calgary sign in, you guessed it, Calgary. Though now, after it's finished, I can easily tell the influence is evident of all the books on American sign painting I have absorbed over the years. The overall effect of the font is similar to something that Fonzied itself, big hair and leather jackets and all, out of the early 1980s, but the feeling really dates back to a few decades earlier. Heady caps and free-flowing lowercase make for a speedy, determined, and instinctively organized buffalo herd of a typeface. This is a packaging font with a true supermarket sign spin, with OpenType features including ligatures, alternates, and ordinals specifically made to follow numbers.

Floriste is an elegant, stylized and expressive script font inspired by those beautiful calligraphies of yesteryear, but with a modern point of view. Its informal and friendly appearance refers to traditional flowing writing. Floriste includes many stylistic variations, swashes, stylistics sets, ligatures, contextual and stylistic alternates to create more authentic and varied connections between letters and to assure almost infinite combination possibilities. In addition, the font includes a set of very useful ornaments to combine and give an ornamental aspect to the calligraphic text. It has Central European language support to suit your design. Floriste works perfectly on greeting cards, invitations, weddings, posters, magazines, fashion world, brands, logos, packaging, etc. Floriste is friendly, cool and fun to use in your works. Enjoy it!