Inspired by old nature field notebooks, Natura was born out of the passion for new modern hand-calligraphy, designed first with a flexible fountain pen and then digitalized glyph by glyph to get the natural feeling of the dry ink on smooth paper. This family includes five different fonts. Natura regular is an upright script with lots of swashes and ligatures and offers a wide range of flexibility with its many Opentype features. You will also find that its initial and terminal letters can enhance your designs in new and creative ways. Natura Slanted font offers the same functionality than Natura Regular but we changed the angle 16 degrees, creating an elegant feeling. Natura Notebook, is a narrow serif font with a stylised grunge effect with strong, legible vertical height. Natura Icons and Natura Stamps complete the whole family with incredible flourished elements and capital letters inspired by nature. Hand-drawn leaves, plants, flowers, as well as large and small animals add original detail while complementing the font perfectly. Natura is ideal to use for event invitations, special purpose cards, signatures, labels and packages. Check out also ‘Modern Love Slanted’ Turquoise Nautica

I designed Conium to be a sister font to Nightshade. It was meant to have the appearance of the hemlock plant without being too derivative; it’s thin drooping stems conjure images of Hamlet’s mad Ophilia clutching sickly weeds while thinking them to be flowers. It also projects the appearance of an ice cold, wrought iron, cemetery gate. The sort that one might pass on a damp overcast day. A fitting compliment to an Edward Gorey illustration from top, right down to the frigid ground from which it sprang. Conium has a glyph count of 388 and supports the following languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Hello Everybody Hurry up and take handwritten works with natural scribble effects to design your product to make it look more memorable & attract everyone's first glance ! Real Dreams is a stylish and brushed handwritten font. This gentle font will look gorgeous on a variety of design ideas. It will add a joyful and romantic touch to each of your projects! Features: – Swash Collection – Unique Ligatures – Special Underline – Multilingual Support 83 Country – PUA Encoded – Numerals and Punctuation Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Tait, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Zulu. Thank you and happy design !

Quieta is a humanist serif typeface inspired by the aesthetics of Italian Renaissance and by the empowering history of the painter Artemisa Gentileschi, first woman to be admitted to an Academy of Fine Arts in Italy. The designer, Maria Chiara Fantini, has used sharp flat-nib calligraphic strokes to add a vibrant contemporary vibe to the traditional humanist proportions. Classical details (such as the beak of the “e” and the angled stress of the “o”), are balanced by a modern and readable low-contrast design, developed in a range of six weights with a matching set of true italics. A Display weight, with lighter shapes and stronger contrast has been developed excel in logos, headlines and captions. The wide array of alternate, decorative and swash glyphs and the full coverage of over 200 extended latin languages make Quieta a solid, highly readable and elegant typeface perfect for body text both on the screen and on the printed page. Graceful and powerful at the same time, this typeface family is ready to help you when in need of the timeless appeal of a self-conscious feminine elegance.

This version of News Gothic contains the Vietnamese character set. Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Body Types). The most obvious differentiation can be found in the spacing. That of the Body Types is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Body Types, fine spaces were created which prevented the smear effect on acute angles in small type sizes. For a number of Body Types, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Hastings was inspired by my appreciation for old fashioned English murder mysteries set in the early part of the twentieth century. No one seems to capture the ambience of the roaring twenties or thirties better than the Brits. Everything from the clothing, to the cars, to the telephones, down to the smallest accessories like the pens, all seem to have been appropriated from the local museum. I'm hopeful that this typeface also embodies similar feelings with its sleek and streamlined Art Deco features. Hastings has a glyph count of 389 and supports the following languages; Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Introducing "Glize" – a dynamic and bold oblique typeface designed to infuse your projects with an unmistakable sense of speed, strength, and sharpness. Crafted with precision, this font exudes a powerful and energetic vibe, making it an ideal choice for projects centered around superhero themes, sports, esports, and other high-energy contexts. The bold strokes of "Glize" create a commanding presence, instantly capturing attention and conveying a sense of forceful momentum. The oblique angles add a dynamic slant, enhancing the font's overall sense of motion and agility. Each character is meticulously shaped to embody a sleek and streamlined aesthetic, contributing to the font's ability to convey a feeling of speed and intensity. Whether you're designing a logo for an esports team, crafting promotional materials for a high-impact sporting event, or working on a project that demands a bold and powerful visual identity, "Glize" is the perfect companion. Its bold oblique design ensures that your message is delivered with vigor, leaving a lasting impression on your audience. Elevate your designs with the striking and forceful character of "Glize" – where bold meets speed, and strength meets style.

Here is a "Decorative Braille font". The initial design was indeed drawn on a K.I.S.S digital sketchpad, the Windows default drawing tool (Microsoft Paint, classic version). A. Glyph Concept The Braille 2x3 dot matrix is weaved around a diamond-shape. a.1. Each "dot" is represented by a "right-angle isocel triangle". a.2. Braille dots in Diamond Braille a.2.I. "Dots" are outside the diamond for first Braille row (Braille dots 1, 4) and third Braille row (Braille dots 3, 6). a.2.II. "Dots" are inside the diamond for second Braillle row (Braille dots 2, 5). a.3. Diamond lattice Glyphs are connected horizontally (to/bottom diamond's corners) and vertically (left/right corners) to each other (see poster 5). a.4. Special Glyphs - Space: its is either empty ("Empty cell") or a "non Braille shape" { _, ° } depending on your display needs (as explained in b.3.II) - 6 dots: { £, =, û } - 6 empty dots: { ç, ¥ } B. Font user guide b.1. Lowercase glyphs { A..Z } In these glyphs the "dots" are represented as a white right-angle isocel triangle filled with a smaller black triangle. b.2. Uppercase glyphs { a..z } In these glyphs, the "dots" are represented as an empty triangle (this is an "empty dot"). b.3. 'Space' vs 'Empty Cell' b.3.I. 'Space' - 'Space' glyph is an empty shape - '¶' glyph (at the end of each line in Microsoft Word) is also an empty shape b.3.II. 'Empty cell' glyphs: _ (underscore), ° (degree). In these glyphs there are 2 "empty dots" at top and bottom corners of the diamond, which differentiates them from regular Braille glyphs (which dont have a "dot in the middle"). b.4. Diamond Lattice To display text as a 'diamond lattice', replace each 'Space' by an 'Empty cell' (as explained in b.3.II, see poster 5) b.5. Connectors The connector glyphs allow the creation of "circuit like" designs (see poster 1). Here are the connector glyphs: { µ, à, â, ä, ã, è, é, ê, ë, î, ï } b.6. Domino feature Some Glyphs represent numbers 1..6 in a way which is similar than on dominos (see poster 6) C. Posters Poster 1: the "Font Logo", it displays "Diamond Braille" text together with the Connectors feature. Poster 2: a pangram which is published on pangra.me ( "Adept quick jog over frozen blue whisky mix" ). Poster 3: an illustration of the Domino feature. Poster 4: a DiamondBraille version of the Periodic table. Poster 5: illustration of the Diamond lattice using only 6 dots ( û ) and 6 empty dots ( ç ) glyphs.

Friendly is an homage to Morris Fuller Benton's adorable Announcement typeface. It is not a strict interpretation, digital revival or reverent reproduction of the original letterforms… but I would be remiss and shady to not acknowledge the letterforms that inspired this typeface. If you are looking for a more accurate 'scanned revival' I would recommend searching "Announcement" on MyFonts. As stated earlier, it is an homage to the original letterforms of the typeface but takes a great bit of freedom tightening the construction up in order to loosen up the movement of the variant letterforms to allow a great deal of usable personality. I enjoy stating this dichotomy… "loosen up to tighten up the forms" and vice versa. It seems counterintuitive or silly but by allowing the letterforms to normalize, I felt more comfortable going back and adding rather indulgent personality. Infused with stylistic alternates, swashes, titling, many many contextual alternates, 9 stylistic sets and 2 stylistic sets with wordmarks, the typeface became far more 'friendly' for me… how could it not? With so many loops, swashes and typographic indulgences, it was bound to be fun. The more elaborate and 'overdone' Friendly got, the more I wanted to slant it. Here's where my thinking differs from MFB's original. I like slanted romans… especially ones with long ascenders, but I do not like much of a slant. It has to be the lettering person in me. It's hard for me to do a completely upright serif and not pair it with an angle, but I did not feel Announcement's 'Italic' offered much and the actual slant needed to be far less. If it's not an italic, I prefer the letters to slant with an angle equivalent to the thickness of the vertical stroke. The Slanted version of Friendly is set at 3.6 degrees, is quite subtle, and very fitting for me. You will find that most characters have a contextual, stylistic, swash and titling alternate assigned to them and some have an echoed alternate to the swash and titling options if the stylistic alt has been selected in tandem. Additionally, all of these are accessible in the glyph palette directly from the base glyph typed or through selecting options through the Stylistic Sets 1–9. Stylistic Sets 10 & 11 are a little different. They are actually configured as complex majuscule ligatures… a result of me getting carried away. Other features like a default old style numeral set and coordinating glyphs have been produced along with case support, ordinals, and more have been added to make it more relevant for contemporary use.

Constant is a meticulously constructed slab serif display typeface of a sturdy lineage. The strong horizontal and vertical rhythm and calculated angles dominate its appearance, yet sweeping broad shapes infuse the design with an overall warm undertone. Constant is best suited for setting short headlines, word marks, posters and other visual communication ephemera. Particular when set in all uppercase the typeface’s squarish and resolute nature commands attention and projects authority. Despite the prominent slab serifs and their angular corner details, these fonts work well also for shorter text passages, especially in the lighter to medium weights. When typesetting Constant in paragraphs spanning several lines the face requires a fair amount of leading to not appear vertically compressed. As customary for Underscore’s catalog the fonts have very extensive support for languages in the Latin script, reaching from Afrikaans to Vietnamese and Zulu. The fonts are carefully spaced, kerned and hinted, and include a variety of typographic glyphs and OpenType features like various ligatures, number features and case alternatives. Constant has been developed and released in 2018 as the proud forth release from the Underscore label. This design by Johannes Neumeier is available from the Underscore webshop as well as selected retailers.

Haboro Slab. It’s a nose-to-the-grindstone kind of font like the first of its family. This slab serif pushes through the clutter powerfully in editorial and corporate work such as business websites and software. The Haboro hyperfamily as a whole is known for its ability to make the work clear and simple, even with the fonts’ advanced angle--and Slab is no change here. Consistent with Haboro, too, the simplified geometric features of the slab face just make sense, no matter where you use it. Its timeless wedge-molded serifs give this family the formula it needs to function flexibly in jobs from fashion to packaging. Enhance your output with the font’s wide range of ligatures and alternates, including OpenType alternates. Use Haboro Slab’s large pair of solution glyphs and various other OpenType specifics, too, to give your message the clarity it deserves. Even more, it couples well with the sophisticated didone of the Haboro hyperfamily to further expand your capabilities. Haboro Slab has every quality you need for successful lettering. Use this modification on a classy tradition to mold and shape your next layout, whether website, iPhone app, advertising, or newspaper. There is no work Haboro Slab won’t power through.

JUST Sans is a highly versatile sans serif typeface with endearing, modernist warmth, geometric legibility, and a distinctive friendly bite. Designed as a professional modern geometric sans serif, JUST Sans is both serious and friendly, neutral but warmly expressive, technical but not overt, and familiar but unique enough to stand on its own. With open-airy characters and a generous width, JUST Sans has an elegant contemporary feel, with sharp angled terminals that give it grip and make it so expressively endearing. With a clean, simple, and minimal aesthetic, JUST Sans is a functional workhorse with 7 weights, complete Latin extended language support, precise hand-adjusted kerning, and a variable version for maximum versatility. JUST Sans includes hand-hinted web fonts optimized for clear, legible text on screens making JUST Sans perfect for the web as well as logos, branding, headlines, paragraph text, UI, signage, packaging, posters, and industries rooted in technology, new media, architecture, fashion & design. With its universal functionality & characteristic bite, the JUST Sans family is an essential addition to your type arsenal, even if just for those beautiful stylistic numbers. For lovers of modern sans serif fonts who are looking for something a tad more warm, open & expressive, JUST Sans is for you.

Isabelle is the closest thing to a metal type revival Jim Rimmer ever did. The original metal face was designed and cut in late 1930s Germany, but its propspects were cut short by the arrival of the war. This was one of Jim's favourite faces, most likely because of the refined art deco elements that reminded him of his youthful enthusiasm about everything press-related, and the face's intricately thought balance between calligraphy and typography. Not to mention one of the most beautiful italics ever made. Jim's early 2000s digitization included mathematical corrections to the original metal cut, as well as some functional improvements for digital use. In 2013, during the remastering of the entire Rimmer collection, Isabelle underwent a considerable rethinking/expansion and was rechristened Isabelle Pro. The new revisions include small caps, ligatures, seven types of figures, automatic fractions, extended Latin language support, stylistic alternates that include lowercase serif angle options in the roman and looped ascenders/descenders in the italic, and plenty of extra OpenType features like caps-to-small-caps substitution, case-sensitive positioning, ordinals, and extended class-based kerning. Now each of the Isabelle Pro fonts includes over 680 glyphs. 20% of this font's revenues will be donated to the Canada Type Scholarship Fund, supporting higher typography education in Canada.

Pinkerton Introducing Pinkerton font. It was inspired from a cartoon that i saw on television, and it was originally crafted by hand to add natural handmade feeling than i make it clean with pentool. We improvise it a little bit to make a playful feel, this font is bold so and it can look strong if you use it for branding or even title for your poster design with playful decorative style. Opentype features Pinkerton Font is very good looking in playful decorative logotype, labels, t-shirt prints, product packaging, invitations, advertising and others. If you looking for a playful decorative font, than this item is a good choice for you because this font have a strong playful feel. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Drakoni Sans is a bold and rounded font that exudes a strict and angular aesthetic. Its clean lines and subtle curves give it a humanist touch, making it perfect for a wide range of designs. Designed with a vision of comic book headlines, Drakoni Sans is both playful and professional. Its bold and powerful presence commands attention, while its rounded edges and angled cuts add a touch of personality and charm. Available in four styles - Regular, Italic, Bold, and Bold Italic - Drakoni Sans offers versatility and flexibility for any project. Its clean and clear letterforms make it ideal for logos, headlines, and other display purposes. Whether you're looking to add a touch of softness to your designs or to create a bold and commanding presence, Drakoni Sans is the font for you. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Afical update 2.0 version Afical Composed of 3 set families, consists of 35 fonts matching italic: Afical Std, Afical Neue, Afical Stencil. families all with distinctive qualities and features but share the same basic construction and proportions. Afical has been carefully crafted to focus on Text sizes and legibility with a high x-height, we developed it with Manual TrueType Hinting. Afical It's a perfect choice for publication, Packaging, logo, branding, Signage, wayfinding design systems, as well as web and screen design OpenType features: Alternate Characters SS.01, SS.02, SS.03, SS.04, SS.05, Denominators Case-Sensitive Forms, Tabular Lining, Fractions, Ordinal, Ligatures, Discretionary Ligatures, Subscript, Superscript, Language Support: 63+ (Latin based) languages Afrikaans, Albanian, Asu, Basque, Bemba-language, Bena, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Gaelic (Irish, Scots), German, Gusii-language, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Cornish, Luhya, Luo-Language, Machame, Madagascan, Makhuwa-Meetto, Makonde, Malayan, Manx, Morisyen, North-Ndebele-Language, Norwegian, Bokmål, Nynorsk, Nyankore, Oromo, Pare, Portuguese, Rombo, Rwandan, Rukiga, Rundi, Rwa, Samburu, Sango, Sangu, Swedish, Swiss German, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Taita, Teso, Vunjo, Zulu Behance Looking for custom Afical? Please send us an email at hello@formatypefoundry.com Designed 2017 Published 2021 2021 Copyright © Formatype Foundry All rights reserved

Introducing Magilio - A Chic Serif Fonts Beautiful and soft fonts in a contemporary style that can make your design projects look modern, elegant and luxurious. Made with many alternative characters to make it easier for you to do various design projects and give you fun while typing. You can apply them to designs like social media posts, logos, merchandise, book covers, posters, video content thumbnails, quotes, landing pages, wedding invitations and much more which you can make with this great item for any design :) Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Opentype Features & PUA Encoded Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Note: Use a program that supports the Opentype features and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Corel Draw or Affinity Designer.

Most of my fonts tend to skew more to the darker side in terms of themes and uses. So, as a challenge, I took it upon myself to design a font through the eyes of my wife. Josephine, having a sunny and carefree disposition, gave this font her blessing as being certifiably fun and cheerful. The name of the font comes from the Cantonese translation for "peach" (tow); and saying it twice (toto) is just a cuter way of putting it. Sort of like "Peachy". It's been my nickname for Josephine for as long as I can remember. Totoey has a glyph count of 390 and supports the following languages; Supported Languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Broker is an angular variable display type family that invites carefree experimentation, but is designed to make a statement. With twelve unique styles and variable controls for thickness, decoration, and shape, Broker is a versatile and expressive shape-shifter that adapts to fit your mood. It can go from slim, square mono-weight to edgy stressed angled styles, and full-on style with chunky serif heels. And because it’s drawn on a rectangular frame, it’s modular, making it particularly easy to lay out and stack. Inspired by DIY, cut paper lettering Broker isn’t delicate, elegant or precious—it’s a rough and tumble typeface to play with and make your own. Use the variable control to try different styles to give shape to your words. It’s perfect for creative projects, posters, funky packaging, flyers, cover art, motion displays, and fearless branding. The font family includes uppercase and lowercase alphabets, numbers, punctuation and latin diacritics—fully adaptable as a variable type (.ttf) for designers using compatible platforms. It’s also available as thirteen unique opentype (.otf) fonts that can be mixed and matched. Broker was designed by Alexander Wright and In-House International for the In-House International foundry and developed by Rodrigo Fuenzalida at FragType.

Mexica is a typographic tribute to Nahuatl, the tongue of the Aztecs, but also the lingua franca of ancient Mexico. ‘Mexica’ is not only the feminized, latinized form of the word ‘Mexico’, but also the name of the inhabitants of this place: the Me-xic-cah. Nahuatl, when composed in the Latin alphabet, abounds in diagonal letter shapes: XYZ are ubiquitous in its classic orthography, just as KW are in its modern one. This visual feature is further enhanced by the absence of some rounded letters such as BDG that depict inexistent sounds in this millenarian tongue. Besides, Nahuatl is language with a tendency to form very long words that give the text quite a distinct appearance, unlike English, for instance, with its abundance of short words. Mexica was designed to look well in all these contexts, and to perform as well as a contemporary, daring, stylish serif type family, with several weights for text and display composition. Further, its terminals and general structure —devoid almost completely of straight lines—are inspired by the angled architecture and ornamentation of the ancient city of Mexico- Tenochtitlan. Mexica received an Award of Excellence at the Type Directors Club of New York annual competition.

Reminiscing the old era of historical books (seriously, that old), circa 19th century. We crafted the letters by connecting the dots from the past with research for every flow, ornaments, look, and feel, to precisely aim for that perfect shape. Ephemera Blackbooks are born with a dark and robust personality. Feel the European historical mood right away, even with just typing it with your keyboard. You don't even realize when the design is done cause we make it so easy as a one-click-time-machine to your works using Ephemera Blackbooks font. It will be a perfect armory for a vintage headline, old book cover concept, sign, posters, playing cards deck design, vintage labels, beer labels, bar decoration, apparel, merchandising, you name it. OTF Features : Stylistic Set 01 to 07 and Ligature Glyph Count : 355 glyphs Language support : Afrikaans, Albanian, AsuBasque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, VunjoZulu

Obidel Introducing Obidel font, that was inspired from a lettering design that i saw on pinterest. It was originally crafted by hand to add natural handmade feeling than i make it clean with pentool. We improvise it a little bit to make a playful feel, this font is bold so and it can look strong if you use it for branding or even title for your poster design with playful decorative style. Opentype features Obidel Font is very good looking playful decorative font for logotype, labels, t-shirt prints, product packaging, invitations, advertising and others. If you looking for a playful decorative font, than this item is a good choice for you because this font have a strong playful feel. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Syntax was designed by Swiss typographer Hans Eduard Meier, and issued in 1968 by the D. Stempel AG type foundry as their last hot metal type family. Meier used an unusual rationale in the design of this sans serif typeface; it has the shapes of humanist letters or oldstyle types (such as Sabon), but with a modified monoline treatment. The original drawings were done in 1954; first by writing the letters with a brush, then redrawing their essential linear forms, and finally adding balanced amounts of weight to the skeletons to produce optically monoline letterforms. Meier wanted to subtly express the rhythmical dynamism of written letters and at the same time produce a legible sans serif typeface. This theme was supported by using a very slight slope in the roman, tall ascenders, terminals at right angles to stroke direction, caps with classical proportions, and the humanist style a and g. The original foundry metal type was digitized in 1989 to make this family of four romans and one italic. Meier completely reworked Syntax in 2000, completing an expanded and improved font family that is available exclusively from Linotype GmbH as Linotype Syntax. In 2009 the typeface family was renamed into a more logical naming of "Syntax Next" to fit better in the Platinum Collection naming."

Tebel Sans is a modern, ultra-bold sans-serif font perfect for all kinds of designs. With nine different thickness variations and two different typefaces (regular and italic), this font is the ideal choice for your designs. Its unique thickness makes your design look like a bold and elegant title. It is also a practical body text, with a large selection of different font families available in Opentype features such as multilingual ligature. Alternative fonts make it even more attractive and valuable for various graphic designs. Tebel Sans has a uniqueness that makes your designs look more powerful and modern. Languages Support :Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu

Bauhaus is a style of art that was born in Weimar Germany in the early part of the 20th century. The font that bears the bauhaus name was constructed in accordance with this style by making use of spheres and squares with little or no added flourishes. Since this typeface was already minimalistic in appearance, it was difficult to produce a similarly styled font. So I went back to bauhaus’ architectural roots for inspiration. The result contains a more detailed composition, but is still focused on the basic aesthetics that continue to make bauhaus a popular art form. Baudi has a glyph count of 388 and supports the following languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylistic set (ss03) feature which switches regular parentheses for angle brackets, which the Art Director thought “looked cool”. In a mess of venture capitalist pull-outs and Covid related issues, the publication never came to be, but the Hipster Japanophile Magazine World’s loss is your gain, as this beautifully crafted, editorial oddity is now available to license. Use it editorially, obviously, but it would also look great on posters, perfumes, postmodern publications, and perhaps some other things that don’t begin with p.

Why Baka Expert? There’s actually a simple answer. The original Baka was done as an experiment of sorts. I wanted to quickly capture a rough, frenetic handwriting style that broke normal conventions. Commercially, it was successful, received some accolades ... but I wasn’t completely satisfied, so I went back to the master art and the lettering explorations and produced Baka Too. This addressed some of the line items I wanted to refine in Baka. I liked it. Each font has been out for a few years now, and I have seen them in use. I’m very critical of my work, and I could still see things—modulations of strokes, angle of the nib, ink swell, and so on—that I wanted to change, refine, and reorder. For me, it is typographic indulgence, but I wanted to take this handwriting ‘font’ and turn it into a robust ‘typeface.’ So I did just that and a bit more by adding back more of my initial flourish concepts; attaining tighter, consistent control of the modulation; optimizing points; adding titling options; and expanding the character language set. Baka and Baka Too had to exist to produce this entirely new re-envisioning of an old friend ... and they all play well together :)

Introducing Polotan, the ultimate futuristic and modern sans-serif font. With its sleek and streamlined design, Polotan is perfect for creating a cutting-edge, high-tech look that's perfect for a variety of design applications. Featuring strong lines that convey a sense of power and confidence, Polotan is perfect for headlines, titles, and branding materials. But what sets it apart is its unique alternates, which give you the flexibility to create custom designs that stand out from the crowd. And with its alternates, you can take your designs even further and truly make them your own. Its clean and minimalist design makes it easy to read, while its sharp angles and unique letterforms create a sense of energy and movement!. Whether you're designing a high-tech website, a sleek user interface, or a modern brand identity, Polotan will help you make a bold and unforgettable impression. So why settle for a boring and outdated font when you can make a statement with Polotan sans-serif? Try it today and see how it can take your designs to the next level. And please message me if you want your language included or if there are any features or glyph requests, feel free to send me a message.

Haboro Slab Soft is a scion of the Haboro hyperfamily. This concept powers through with its well built, accommodating nature. Haboro Slab Soft’s serifs are rounded, giving it a softer look. The Haboro hyperfamily is a comprehensive design suite that provides solutions for many projects. The iconic angled wedge makes this family ideal for apparel, packaging, apps, corporate identities and advertising campaigns. Subfamilies in the hyperfamily include the original Haboro, a Didone face, Haboro Sans, Serif, Soft, and Slab. The Haboro hyperfamily is known for its ability to make your copy appear clear and simple. The Haboro typeface is built on a common underlying model. It has the same cap height, the same x-height, and the same basic character shape. This unification of shape and proportion results in a complementary set of typefaces. Haboro Slab Soft’s wide variety of ligatures and OpenType alternatives give your message the clarity it deserves. The Haboro Slab Soft family includes seven weights, from Thin to ExBold, three widths, and matching italics. There are over 550 glyphs per style and support for over 70 Latin-based languages. Haboro Slab Soft includes features such as small caps, ligatures, fractions, and alternatives. Haboro Slab Soft is there when you need to present information in a clear and friendly fashion.

Cheshire This pair was inspired by poster design that i saw on street, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. We improve with handmade to make a retro playful feel, this font is bold so it can look strong if you use it for branding or even title for your poster design with retro playful decorative style. Opentype features Cheshire font has 175 character set included Cheshire Font is very good looking in retro retro playful decorative logotype, labels, t-shirt prints, product packaging, invitations, advertising and others. If you looking for a retro playful font, this item is a great choice to make your design authentic and unique. This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS

Name: Quarpa Styles: 6 styles Glyphs: 394 Year: 2021 This lofty font features a compact structure as well as a unique combination of rounded corners and square contours. The collection includes six styles: Extra Light, Light, and Semi Light that will ensure elegance; Regular, Medium, Semi Bold and Bold suitable for a solid design. Each of them also has Italic variation. It’s an ideal option for outstanding corporate images, logos, promos, or video presentations. Quarpa has proper kerning, multi-lingual support, and ligatures. Languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Ido, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkmen, Upper Sorbian, Vunjo, Walloon, Walser, Xhosa, Zulu

Introducing Seafont - serif typeface , 24 fonts + 26 swashes Seafont is elegant and timeless typeface loaded with 24 font styles (narrower, narrow, regular, wide, wider, widest) 26 swashes, 87 languages support and ligature glyphs to make you typography truly unique! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs Narrower - 4 weights Narrow - 4 weights Regular - 4 weights Wide - 4 weights Wider - 4 weights Widest - 4 weights Multilingual support - 87 languages No special software is required to type out the standard characters of the Typeface. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Equality Serif is a font that radiates classiness and luxury. This beautiful serif font features delicate and intricate details that add finesse and sophistication to any design. Designed with an aristocratic feel, this font is perfect for high-end projects that require a touch of elegance and refinement. With its clean lines and precise angles, Equality Serif is the epitome of top class design. This uppercase font is perfect for headlines, logos, and branding projects that demand attention and make a statement. The font also features a set of ligatures that add a touch of fluidity and grace to your designs. Whether you're working on a wedding invitation or a high-end fashion project, Equality Serif is the perfect font for adding a touch of class and elegance to your work. Equality Serif is available in two styles: Regular and Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Snacko is one dope display font. It’s got that casual vibe mixed with some 70s soft serif styles, and a playful italic angle that’ll make your designs move and groove! This font is perfect for titling, branding, logos, and all kinds of digital or printed materials. It’s fun and playful, so it’s perfect for designs that are targeted at a younger crowd or need a fresh and modern feel. Snacko’s funky, soft, and cool design makes it the bomb for all kinds of design fields, from advertising to packaging to social media graphics. It’s got a style that’s all its own and can make your designs pop and stand out from the crowd. This font only comes in one style, but don’t trip, it’s versatile and can be used in all kinds of ways. It’s approachable and friendly with a softness that’s off the hook, but also funky and expressive with a unique personality that can take your designs to the next level. Bottom line, Snacko is one creative and versatile font that’ll bring a playful and fun energy to all your designs. It’s got a unique style that’s perfect for any designer’s font collection, so don’t sleep on this one!

Lady Edith harkens back to the days of flappers and cocktail parties. The early part of the twentieth century, when Art Deco was at it’s height and high fashion was all the rage. A time of beauty, class and elegance. A minimalistic font with clean lines and just enough flare to make it unique. The perfect font for any occasion that needs a bit of high end magic. There is no lower case for Lady Edith as it is a decorative font. The Upper case version serves both the upper and lower case keys. Lady Edith has a glyph count of 397 and supports the following languages; Supported Languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Upper Sorbian, Vunjo, Walser, Zulu

ATF Poster Gothic is an expansion of a typeface designed in 1934 by Morris Fuller Benton for American Type Founders. The one-weight design was a slightly condensed display companion to Benton’s ubiquitous Bank Gothic family. This new family of aggressively rectilinear headline types expands the design’s possibilities, offering 30 fonts. The all-cap design sports square corners in the counters, creating tension between angular and curved details; this feature, and the generally rectangular shape of the whole alphabet, makes ATF Poster Gothic distinctive on the page or screen, while its relationship to Bank Gothic makes it seem somehow familiar. Vertical strokes on the C, G, J, and S, as well as on several of the numerals, are cut off at an angle, which suggest the curves those strokes might typically display if the characters were less boxy in design and more along the lines of late-19th-century headline faces. Certain weights also recall the style of lettering used on athletic team jerseys, television crime dramas, action & adventure movie titles, and engraved stationery. With three widths and five weights, ATF Poster Gothic is distinctive and versatile at the same time. The full family is also available in a “Round” version, with corners subtly rounded for a softer, more “printed” feel.

Introducing The Clover, a stunning duo font that combines the timeless elegance of a serif typeface with the fluid grace of calligraphy. This versatile font set includes two complementary styles that work together seamlessly to add sophistication and charm to your design projects. The serif font is a classic and refined typeface that exudes elegance and professionalism. Its clean lines and sharp angles create a sense of precision and authority, making it perfect for formal documents, headlines, and branding materials. In contrast, the calligraphy font is a more decorative and ornate style that evokes a sense of fluidity and movement. Its graceful curves and flowing lines create a sense of beauty and grace, making it ideal for invitations, wedding materials, and other special occasions. When used together, the serif and calligraphy fonts complement each other perfectly to create a stunning visual contrast that captures attention and creates a lasting impression. Whether you're designing a logo, brochure, or wedding invitation, The Clover is the perfect choice for adding a touch of sophistication and style. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

The Waldorfschrift family was created in digital form in the years 1993-1994 by Joachim Frank, inspired by the naturally organic letters from the anthroposophical movement of the 20th century of Rudolf Steiner . In nature there are no right angles, straight lines or complete uniformity, but instead round corners, varying thicknesses and all kinds of variability. This is what the anthroposophical movement created in their buildings, their art, in their music – and also in their lettering. And this Font is like the plants in nature: it grows upwards, branches out, letters hugs to some letters, with others they keeps more distance, some letters proudly stretch their belly, others crouch in the corner - a completely natural font. Take a look at the brand of Weleda (the natural cosmetics company), Demeter (one of the biggest organic foods companies), Filderklinik (a great anthroposophical hospital in Germany) and you will see these great companies work with different but organic letter styles. More recently, Joachim revisited the Waldorf fonts with modern type design software and added extra characters such as the euro sign, and extra weights to make the fonts useable for a wide variety of design tasks. Dez 21: A big update: All fonts have been digitized again and given a complete character set, new kerning, minor bugs removed.

The typeface Stempel Sans Print Neo is designed from 2022 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font based on a original set of 29 old rubber stamps (6 cm height). Digitized via hand-stamped, a scanner and Glyphs app. 3 font-styles (Rough, Misprint, Black) with 321 glyphs incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ♥︎or #SMILE for ☻ as OpenType-Feature dlig) and stylistic alternates (6 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Stempel Sans Print Neo ■ Font Styles: 3 font styles (Rough, Misprint, Black) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play Script for head­line size ■ Glyph Set: 321 glyphs (incl. decorative extras) ■ Lan­guage Sup­port (36 languages): Asu Bemba Bena Chiga Cornish English German Gusii Indonesian Kalenjin Kinyarwanda Luo Luyia Machame Makhuwa-Meetto Makonde Morisyen North Ndebele Nyankole Oromo Rombo Rundi Rwa Samburu Sangu Shambala Shona Soga Somali Swahili Swiss German Taita Teso Uzbek (Latin) Vunjo Zulu ■ OpenType features (16): aalt calt case ccmp dlig liga lnum onum ss01 ss02 ss03 ss04 ss05 ss06 mark mkmk ■ Design Date: 2022 ■ Type Desi­gner: Manuel Viergutz