CA 12C13C was designed by sticking letters together with tape. Use it when right angles are strictly forbidden!

This high contrast nib strokes and angle make this delicate handwriting stand out on your next greeting card.

With its tall, slinky letterforms and perky switchbacks, Ziggity may not be your father's typeface, but don't let that fool you. It's ready and willing to step right up and say what's needed with a unique angle on things. Ready to use as-is or with any variety of angles, outlines or shadows, it will make your message memorable if not downright adorable.

Pelita is a sans serif family which is divided into 2 sub-families, Regular and Grande. Pelita is designed with a terminal that forms a curved angle on one side so as to give the impression of representing firmness and softness. The grande version is a modified version of the main version, but is designed more streamlined with curves and more extreme angles.

Dillan is an 18 style sans family with an edge. It’s angled ascenders add movement and a unique appearance, whilst its flatter terminal angles gives a more fluid connection to partnering letters. The angles give the font a contemporary feel and the higher x-height give it great readability at smaller sizes. The font is made up of 9 weights and it’s matching italics and includes some nice features such as stylistic alternates, extensive European language support, case sensitive characters, ligatures and much more. Dillan is perfect for many applications including digital treatments such as apps, websites and motion design, as well as branding, logos, advertising and editorial, and much much more.

P22 Mercian is a Roman font with distinctively angled stub serifs. Comparatively even in weight and color. Designed for continuous text setting.

HU Makingfilm gives a solid feeling of a full module, and it is a font that adds softness by rolling the angled part.

Milibus, the refined and expertly crafted scientific sans-serif typeface, is a design marvel that stands out from the crowd with its unparalleled mechanistic aesthetic. Drawing inspiration from utilitarian alphabets like DIN and plotter fonts from the 1980s, Milibus is a testament to the fusion of technical and artistic excellence. Crafted with an eye for detail, Milibus boasts robotic angles that lend it a distinctive character that is both modern and vintage. The angle cut stroke endings are typical of industrial typefaces such as Expressway, making Milibus the go-to choice for designs that require a bold and commanding presence. In addition to its exquisite visual appeal, Milibus is also highly functional. Available in three weights and italics, it is a versatile typeface that can be used for a wide range of design projects. From scientific papers to technical manuals, Milibus is the perfect choice for those who demand precision and clarity in their typography. In short, Milibus is an exceptional scientific sans-serif typeface that is a testament to the beauty of mechanistic design. With its technical look, robotic angles, and angle cut stroke endings, Milibus is a design marvel that will elevate your designs to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Sports Jock JNL brings you a serif-style sports font built on the classic design of an early-1900s block font with chamfered angles.

Eight was desinged to be heavily geometric. The main lines were intended to be entirely comprised of lines of eight different but set angles.

Conifer is a blocky geometric sans serif font that adheres to strict grid rules in order to define its corner angles. Its seemingly rigid form is tempered by the soft, rounded corners, and fine notched details present at acute angles in the glyphs. Available in a clean solid and a varied, textured rough. The result is a rugged, retro, typeface that is at home in fashion lookbooks and wood-carved park signage alike.

Zafran is an elegant industrial display typeface, full of curves and sharp angles, the typeface has an oblique feeling and unified spaces that create neat alignments.

There is just one subtle difference between these two fonts. The A version has a straight lowercase 'e'; the B version has an angled lowercase 'e'.

A characteristic feature of the Darbee Legend is its boxy forms and the angled (unpainted) terminals. Regular to bold plus italic and a variable font (upright).

Thunderblack is a type of display letter that is made with firm lines and angles. This font is very suitable when combined with various types of typography.

Jules Thicket is a wonky caps font, with kicky angles. Mix and match caps and lowercase letters to create a unique hand-lettered look in your designs.

Lettre D'amour is an Oldstyle Handwriting Font. It comes in 11 Styles and two Angles with many OpenType Features. Alternate Caps, Alternate Ends and old style Numbers.

A blocky and bold geometric sans with inner angles and outer curves. No ascenders; lower case characters are as big as the upper case. Mix cases for variety.

Tall X-Height, Angled Terminals and Medium Contrast, Anthro is a UI font designed with personality. Concieved as a hybrid between Grotesk & Humanist, Anthro pairs legibility with character.

Windsor is an unusual design cut by Stephenson Blake in 1905. Windsor is a bold face with heavy rounded serifs and strong diagonal stress. Capitals M and W are widely splayed, P and R have very large upper bowls. The Lowercase a h m and n of the Windsor font have angled right hand stems, e has an angled cross-stroke. The overall effect is one of friendliness and warmth. Use the Windsor font in advertising, on posters and for general display work.

Windsor is an unusual design cut by Stephenson Blake in 1905. Windsor is a bold face with heavy rounded serifs and strong diagonal stress. Capitals “M” and “W” are widely splayed, “P” and “R” have very large upper bowls. The Lowercase “a”, “h” “m” and “n” of the Windsor font have angled right hand stems, “e” has an angled cross-stroke. The overall effect is one of friendliness and warmth. Use the Windsor font in advertising, on posters and for general display work.

A treasure trove of typographic rarity, found in an old print shop in the Saxon town of Frankenberg, now revived and carefully extended.

XPointedDesert and XSimpleHands do not have as much variety in the hands as XPhyngern, but their hands point in a lot more directions--up, down, and at 45-degree angles.

XPointedDesert and XSimpleHands do not have as much variety in the hands as XPhyngern, but their hands point in a lot more directions--up, down, and at 45-degree angles.

Inspired by stenciled lettering on crates and shipping containers, Intermodal is a 18-typeface family consisting of six widths and corresponding italics in two different angles. Intermodal uses only vertical stencil cuts— creating a dynamic rhythm and a unique, industrial feel. The variable font allows for customization of weight, slant and stencil opening size. 18 fonts Six widths: A-F Regular and two different oblique angles Tabular Opentype Numbers and an alternate "9" Variable font allows you to change weight, slant and stencil opening size

Like traditional athletic block typefaces, Crafton is built with chiseled corners and a rigid skeleton. However, an underlying formula of fervor and functionality emerges in execution. The typeface features traditional block tendencies that are challenged by expressive angles and deviations in line weight that harken to penmanship. Uniquely tapered terminals seen in letters like a, c, and s demonstrate a strong visual energy while increasing legibility. The legs of angled letterforms like the A, v, and y are cropped in a way that further reinforces this motif.

The Comic-Script by ingoFonts In the past cartoons used to be lettered by hand. Hardly anyone does this today. The reason is, because hardly anyone has nice handwriting these days, so there are practical advantages in having a special font. However the font should still look like it’s been written by hand. Well, most script fonts don’t meet this requirement. The LeDrôle Lettering is a computer font, but closely resembles genuine handwriting. The model for the LeDrôle Lettering is my personal handwriting, as can be seen on the example of the Biró Script, which is also an ingoFont. The habit of capitalization comes from the Romanic and Anglo-Saxon countries. Depending on the purpose they are designed in three significantly bolder weights. In order for the typeface to actually look handwritten, it needs to have clearly visible irregularities. These are not found only in the shapes of the individual letters. Even though LeDrôle Lettering is all in capital letters, the characters of uppercase and lowercase letters are clearly different. Additionally, many alternative shapes are used, which are automatically applied when the OpenType “Ligatures” feature is activated. Thus, there are no identical double letters or numerals, and many character combinations are defined as ligatures with alternative forms.

Broken letters or Gothic letters, also known as German letters, are the typeface used in Europe West from the 12th century to the 17th century. Meanwhile, Danish spoke it until 1875 and German, Estonian and Latvian spoke it well into the 20th century. Fracture is one of the broken typefaces that is often considered to represent the entire broken typeface. Broken letters are sometimes also called Old English, but not in the Old English or Anglo-Saxon sense that was born centuries earlier. This group of letters is so named because it contains Latin letters that have breaks in the curvature of the letters, either in part or in whole designs. The fracture arises from a sudden dip when writing certain parts of the letter. In contrast, letters with perfect, unbroken curves, such as Antikua, are created from smooth, flowing writing movements. Callimathy is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and unique. In addition, Young Best font is also supported with multilingual characters that can be used in several international languages. Callimathy font is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

Alarionsa - font with straight horizontal serifs, vertical serifs have a slight angle of inclination. Lowercase letters are designed with somewhat inflated x-height. Perfect for both creating headlines and regular text.

Tall X-Height, Angled Terminals and Medium Contrast, Few Grotesk is a UI font designed with personality. Originally conceived as a hybrid between Grotesque & Humanist, Few Grotesk pairs legibility with character.

Moving Van JNL is a classic sign painter's block Roman with angled [instead of rounded] corners and slab serifs. This style of lettering was most popular in the 1920s and 1930s.

My font Diashapes has been created by the power Point shape Diagonal Stripe and its angles act like curves. It is a unique font that stands out like a building frame work.

Parkitecture JNL is the latest font to embrace the angles and lines of the Art Deco era. Bold and solid in look and feel, it gives nostalgic headlines a "solid" retro appearance.

An online reproduction of a trade ad circa the 1950s for comedian-actor Paul Gilbert featured his name in the hand-drawn lettering that serves as the basis for Stand Up JNL. While the style of the typeface is derivative of the Latin Spur faces used popularly since the 1800s, the playful – almost awkward angles create a casual design that evokes good times. It should be noted that the extremes of such angles might appear ill-spaced unless kerning is turned on within the application where the typeface will be used.

Handwriting is a unique and personal expression of language created by individuals using a pen, pencil, or other writing instrument. It encompasses various styles, characteristics, and nuances that make each person's writing distinctive. Pointed shapes and characters refer to the specific forms and angles of the letters and symbols in a written script. Pointed shapes in handwriting typically involve the presence of sharp angles or well-defined points in the formation of letters. This can contribute to a more angular and edgy appearance in the overall writing style.

This script font is inspired by the flexible nib strokes to create a concatenation of refinement with character mixing the contrast with pronounced but rounded angles. This angles along with the inktraps give the font a better performance when printing. Texts will have a very even rhythm due to its consistency on the stroke’s angle and spacing. The words can receive a dramatic touch by using the wide range of glyphs with curly and refined ornamentation. There are lots of caps and number variants dressed up with a variety of swashes. Also, two sets of versatile ornaments will be found: a first set of ending flourishes that match with any lowercase letter and a second set of independent flourishes to be placed around the words. Quarzo will give a great sophistication level to invitations, cards, tags, menus, advertising and packaging. Its character map covers Western and Central European characters.

Sardis is based on a family of wood type called "Lydian," designed for American Type Founders Company by Warren Chappell in 1938. The strokes have angled ends, referencing the use of a calligraphy nib.

Lev is a slab serif font, the rectangular serifs and the straight angled shoulders and links contrasting the curves and loops. Lev Serif is characterized by thick, block-like serifs. Lev contains 12 high quality fonts.

An old set of brass stencils spotted for sale on eBay were the inspiration for this font from Jeff Levine. Redrawn completely from scratch, Jeff retained the narrow "M" and angled corners found in the original.

Arrieta is a versatile typeface family designed to serve various design purposes. It combines the traditional mechanical typography process of punch cutting with the expressive strokes of a nib pen, resulting in a reliable, angled typeface.