A modern san serif typeface with a humanistic influence. The intention was to create a clean, functional design that would also have an elegant appearance. Careful attention has been paid to proportions and purity of form to help improve readability across text layouts. Details include 8 weights with italics, 540 characters with old style and tabular numerals, stylistic alternatives, manually edited kerning and Opentype features.

Oblivian Text is a sans serif type family of ten weights plus italics. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. It comes along with various OpenType features such as table, old style figures and a stylistic character set. Oblivian Text has an extended character set that supports Central and Eastern European as well as Western European.

Talesha is a high contrast typeface inspired by old style and contemporary fonts. Talesha family consist of 8 fonts: Sans and Serif Font: Normal, Condensed, Slant with 239 glyphs each. Opentype features allow for the implementation of typographic niceties such ligatures and extended language support. Perfectly for elegant branding, web design, magazine design, logo design, headlines, posters, packaging, cards or wedding invitation and more.

Press Grotesk is a handmade sans serif, condensed font that takes inspiration from old letterpress printing processes & handcrafting. The font's slightly imperfect, uneven appearance works perfectly for surfing, skating, motorcycling, coffee shops, health, wellness, adventure brands, and much more. Press Grotesk features 2 weights (fat and skinny), upper- and lowercase, many advanced characters and illustrations in order to achieve a truly hand painted look.

Selene is a sans-serif font family designed by Leonardo Di Lena. The font is based on geometric forms with as few improving legibility optical corrections as possible. If you need a minimalist font, technical but friendly and elegant, this is your choice. There are glyphs for all languages ​​with Latin, Greek and Cyrillic alphabets, all the basic ligatures, old style numerals and alternates.

Stratham is vigorous sans-serif inspired by the slab serif Clarendon. It is a heavy display face, and has a tangible modern British feel to it. The italic is especially dynamic and forward moving. Stratham includes OpenType titling and swash alternates, old style figures and small caps. Stratham is useful for headlines, highly legible signage or posters and works well in conjunction with the always popular Clarendon.

Fidel Black Essential is a heavily weighted, condensed, sans-serif typeface with a large x-height. Ideal for short, high-impact headlines, its design is inspired by Russian Constructivism and old Cuban communist posters. Variants include Fidel Black, Fidel Black Italic and Fidel Black Stencil. Fidel Black Essential is an excellent choice for headlines, subheadings, posters and logotypes. Languages: Basic Latin, Euro, Mac OS Roman.

Arkham Land - Sans Serif Font Family - Multilingual - 12 Style Arkham Land Sans serif font family helps you create many alternatives in your creative projects with its 12 styles.With its elegant and strong structure, different weights, it is also assertive about being a highly readable font. It provides flexibility in the width of usage areas in your projects, from thin styles to Black styles. It is a timeless font family with is rich styles, multilingual supports and modern structure. You can use Thin styles in elegant and stylish projects, and Black styles in strong titles. This font comes with uppercase, lowercase, punctuation, symbols and numbers, ligatures and multilingual options. Great for books and magazines, editorials, headlines, websites, logos, branding, advertising and more. This font family can meet your needs in all creative projects, modern and classic. With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Epoca, designed in 2010, is a classic linear sans for text and display. It has economical proportions, a neutral appearance and a discreet elegance. While sturdy and robust, it is nonetheless a strong workhorse. The slightly angular shape of the round elements results in a quiet flow of the line which enables fatigue-proof reading even with large amounts of text. Epoca comes in eight styles and in OpenType format. All weights contain small caps, standard ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

Urania is a new approach to early sans serif typefaces, in particular Ferdinand Theinhardt’s types which came out at the beginning of the 20th century. Urania is not an adaption, but a new interpretation of familiar and successful formal features, transformed into a contemporary look. The Urania family consists of 18 styles and it comes in OpenType format with extended language support for more than 40 languages. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternative characters.

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).

Introducing Agefin Regad, the perfect solution for your superhero-themed projects! With its bold and standout serif design, Agefin Regad is the ideal font for any project that requires a robust and impactful look. Agefin Regad comes in two families: regular and slant, allowing you to choose the perfect style for your design. Whether you’re creating logos, headlines, or posters, Agefin Regad has got you covered. With its unique and attention-grabbing design, Agefin Regad is the perfect choice for projects that need to stand out from the crowd. And with its multilingual support, you can use it for projects all over the world. Get Agefin Regad today and take your superhero-themed designs to the next level! What’s Included : File font All glyphs Iso Latin 1 Ligature, Alternate We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

A bold engraver type style with a Wall Street look.

Savage Adventure, a bold, modern and informal font with personality.

A bold-face font with interesting lower case letter forms.

Bullterrier is a bold type of font that has a unique character than other bold fonts, Bullterrier has a strong but soft character, with an elegant and fresh theme, Bullterrier is provide your something different unique bold font . Its weight excels in logos, posters, social media, magazine titles, clothing, large print formats – and anywhere you want to see it. Inspired by the design styles that are currently popular, let’s make your imagination come true with Bullterrier.

Hello, let me introduce my font called de Floras - 5 Fonts Family. de Floras is a lovely and beautiful script typeface that designs manually by hand and love. de Floras comes with 5 weight, light, regular, semi bold, bold and extra bold. de Floras comes with a beautiful start and end swash that made who look for the first time is falling in love. Very suitable for designing wedding cards, birthday cards, invitation, greeting, and many more.

Presenting Bones Stone! A Bold Script Font with more than 9 Alternates and Extra. This font made with the perfect combination of each character. You can type by Mix & Match with an alternate version and extra swashes to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, Bones Stone looks Authentic on design projects. So, Bones Stone Font can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, logotype, product packaging, etc. Besides that, Bones Stone also has some ligature that gives a surprise when you type certain characters combining. The ligatures are ff, tt, and ll. WHAT'S INCLUDED? 1. Bones Stone Basic • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Bones Stone Stylistic Alternate • The Second version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 3. Bones Stone Stylistic Set • It comes with 12 stylistic glyphs. Just access using Opentype Tools. 5. Bones Stone Swash • It comes with 47 underline swashes. Just type c_1 until c_47 to feature all. Enjoy the Font and Happy Creating! Thank You Azetype Studio

This vintage typeface named "Classic Heritage" has a steampunk look and was inspired by old-school lettering styles. The 13 stylistic alternate letters can help you to create a unique and interesting text composition.

An awesome premium quality set of 26 layered badges. It’s a very versatile, “old timey” look, vintage and that can be used as logos, member badges, company badges, stamps, price reductions and much more.

Ruina inline is an alternate version of Ruina, containing inline and also oblique, a very expressive font that can be seen in any casual design

How cute can you get? Cattapilla's open type version has extra ligatures and stylistic alternates, perfect for scrapbooking, greeting cards, announcements or any creative project.

Adolescent is a cute and playful handwritten font. Use this font to add that special cool touch to any design idea you can think of!

Redmoon is a cute and playful handwritten font. Use this font to add that special cool touch to any design idea you can think of!

Whether you call them slab serif, square serif, or Egyptian, you know them when you see them – sturdy, nearly monoweight designs with blunt, straight-edged serifs and a no-nonsense attitude. The Rockwell® Nova family is a fine example of this appealing and eminently usable type style. This is a design that is both robust and adaptable. Marked by the flat top-serifs on the cap A, unusual Q tail and high-legibility two-storied lowercase a, Rockwell has a bit of handmade charm that distinguishes it from the cool, more modern interpretations of the slab serif style. The family is excellent for branding, headlines and other display uses. The simple shapes and hearty serifs also make it a good choice for short blocks of textual content in both print and on-screen environments. The light and bold weights are perfect for setting blocks of text copy, while the extra bold and condensed designs bring authority to display copy. Throw in a little color, and you amp up Rockwell’s messaging power. The regular and italic designs perform handsomely, in the most modest of screen resolutions. With four weights of normal proportions, each with a complementary italic, and three condensed designs, two with italics, the family is a commanding and versatile graphic communicator. Rockwell’s large x-height, simple character shapes and open counters, make for an exceptionally legible design. It should not, however, be set so tight that its serifs touch, as this will erode legibility and impair readability. A benefit to Rockwell’s slab serifs, however, is that the design combines beautifully with both sans serif typefaces and a variety of serif designs. Rockwell OpenType® Pro fonts have an extended character set supporting Greek, Cyrillic, most Central European and many Eastern European languages, in addition to providing for the automatic insertion of ligatures and fractions. Looking for its perfect pairing? Look no further than ITC Berkeley Old Style, Between™, ITC Franklin Gothic®, Harmonia Sans™, Metro® Nova or Frutiger® Serif.

Neuarc Font Family This is the 20th font family of CozyFonts Foundry, established 10 years ago in 2012 with the release of Aladdin Bold. Neuarc is based loosely on arcs and curves, hence it’s naming. As shown in one of the font posters that serves to showcase this font, a collage of rough sketches is displayed as the poster’s background. These hand drawn pencil drawings were worked and reworked and The final drawings were scanned and built in Adobe Illustrator and transferred to glyph windows, glyph by glyph, in Fontlab 8. The 5 styles, so far, are reminisscent of The Art Deco Era of Design between the 1030s and 1950s. Neuarc also has it’s own footprint with several characters that stand out, eg. A, 8, &, B, ?, $, 5, w, x, a, c, e, etc. giving the reason for the ’Neu’ in the naming. These letterforms & Numbers work extremely well in monograms. Each styles has it’s own personality. From the ultra chic Light style to the dominant cool Bold style, this family maintains a uniform legibility at small to large sizes. Meant primarily for display uses, Neuarc works well for posters, logos, headlines, packaging, branding, signage for a myriad of applications. The Neuarc Deco style font will work well in titles and numbers of any application.

Philadelphian is a revival of a MacKellar, Smiths & Jordan font from 1867 by the same name. The regular version with shadow outline was the only style that was offered in 1867. We've taken the original design further by creating two additional weights of medium and bold plus plain black versions. The medium and bold weights are unique because only the horizontal strokes increase in thickness while the vertical strokes remain the same in each weight. Philadelphian Nite is the plain black version of this font family, Nite is the casual spelling of the word Night meaning dark or black. In the late 1800's Philadelphian was a very popular typeface which can be seen on many billheads and letterheads through the early 1900's. If you're looking for a western style font that doesn't look like any other then Philadelphian is the right choice. While the name doesn't remind you of the cowboy genre we've kept the original name for historical reasons because this font was so popular in its day. We plan on going forward with a weathered version of Philadelphian which will be released under a southwestern style name. With Philadelphian we've decided to set the complete family price to an amount that may be considered on sale all of the time.

"DARK SAME" is a unique and versatile font that combines the striking and bold elements of blackletter with the elegant and refined features of a serif font. This font is perfect for anyone looking to add a touch of sophistication and style to their design projects. With over 701 characters, "DARK SAME" offers support for PUA Unicode and multilingual use. Its extensive range of alternate glyphs, ligatures, and swashes allow for endless creative possibilities and customization. The font's classic modern and beauty dark style makes it an excellent choice for various design projects, including branding, logos, invitations, book covers, posters, and more. "DARK SAME" will add a touch of timeless elegance to any project and will make your designs stand out from the crowd. Overall, "DARK SAME" is a must-have font for anyone looking for a versatile and sophisticated typeface that combines the best of both worlds: the boldness of blackletter and the elegance of a serif font. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Hello Everyone.. Introducing a new Font " El Fonte Angelia " Beautiful Serif Type Family is inspired by the serif typefaces used in editorial media in the 70s and 80s.such as the soft and gentle shapes found in Cooper or the fluid, angled strokes in Windsor— mixed into one single design that features familiar, fresh, modern flavors. Designed to reflect nature, it creates a sense of natural softness and expressiveness. We pushed the concept into a usability focused direction, to work as a bold tool and beautiful communicator. El Fonte Angelia variable allows fluid design across 5 weights The font broadens its use by supplying weights all the way from Light to Bold. The natural curves, swells and sloping trunks, grow in character as the font gains weight. Whilst the thinner weights have lowered contrast and optical corrections to create a warm and gentle appearance. El Fonte Angelia character set incorporates additional symbols, stylistic alternates, unique ligatures and case sensitive punctuation - producing a stable workhorse family ready to tackle projects of any size.The type family melds organic curves and gentle repetition into powerful and harmonious type. At large point sizes you can appreciate the letter shapes, whilst the same restraint and focus creates an even texture for small point sizes and long reading. Its variety of weights provide a range of choices that will help you find the best typographic color for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines. The available stylistic alternates offer a number of different characters that give your logo or business card a unique look. Check my other Font here : https://gilarstudio.com/ Thank you Regards, Gilar Studio

Birch Beer JNL comes from lettering spotted on a European business sign found in some stock footage that was used for an old black and white film about World War II. The name is derived from a popular root beer-like soda sold by the Royal Castle Restaurants that were popular in Florida from the 1930s through the 1970s.

Cowboy Rhumbahut is an old-timey script the drips with a twang and tradition that you can practically hear. If you've been wandering the range, searching for the perfect cowboy alphabet for you, you might wanna wrangle up this old-time original. My goodness that's one kooky cowboy font. Now get to work and start makin' something with it, ya lily-livered varmint!

A playful, casual take on round nib pen lettering was spotted amongst some online scans from an old lettering book. The free-form and stylized shapes of the letters and numbers are reminiscent of old-time show cards, movie titles and signage in vogue around the early 1900s through the 1920s. Fancy Show Card JNL is available in both regular and oblique versions.