I present it to you as a hollow-style transparent design of the Anglo-Saxon Runic inscription. Use it with pleasure.

Welcome to Sazone, a font that represents the essence of the future with a stunning modern and futuristic twist. Are you looking for the perfect solution for modern, futuristic, sci-fi, and future-themed projects? Sazone is the answer. Sazone is a font specially designed to bring an extraordinary and stunning visual experience. Each letter is unique and conveys a sense of the future, showing astonishing sophistication and innovation. The main benefit of Sazone is its ability to deliver unrivaled style. With a unique and exclusive character, this font will give a modern, classy, and futuristic look to every text you use. Every detail is carefully thought out to create a standout and stunning impression. Also, multilingual support, allows you to display text in multiple languages without restrictions. This gives you the flexibility to reach a global audience and convey messages effectively in the most relevant contexts. Take your projects to the next level with Sazone. Let this font be the catalyst for your visual success in creating eye-catching future looks. It doesn’t matter whether you are designing logos, posters, or websites, Sazone will give off a distinctive feel, exude sophistication, and deliver an unforgettable experience. Explore endless possibilities and make your vision come true with Sazone. It’s time to enter a spectacular and amazing future. Choose Sazone and let this font become an indispensable part of your vibrant, modern, futuristic, sci-fi, and future projects. What’s Included : - File font - All glyphs Iso Latin 1 - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

RAXON is a futuristic mecha typeface. Highly inspired by industrial vibes and future-themed mecha-robots. Font design will make your project more powerful and inspiring. Perfect for headlines, billboards, magazines, websites, titles, posters, branding, thumbnails, creative logos, and many others. We are always passionate about bringing new futuristic typography to market. This time we present a special futuristic font for you. **What’s Included:** - File font - All glyphs Iso Latin 1 - Ligature, Alternate - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support Thank you for your purchase!

In the early 1960s, the German Master Printers’ Association requested that a new typeface be designed and produced in identical form on both Linotype and Monotype machines so that text and technical composition would match. Walter Cunz at Stempel responded by commissioning Jan Tschichold to design a new version of Claude Garamond’s serene and classical Roman. Its bold, and particularly its italic styles are limited by the requirements of Linotype casting machines, forcing the character widths of a given letter to match between styles, giving the italic its characteristic narrow f. The family’s name is taken from Jacques Sabon, who introduced Garamond’s Romans to Frankfurt. Sabon has long been a favorite of typographers for setting book text, due to its smooth texture, and in large part because Tschichold’s book typography remains world famous.

Taxon is a straightlined Sans with a clean, fresh and unsentimental look. Related to classical faces like Optima and Imago, it appears more contemporary and merges the austere linearity of the Grotesk with the elegance of the Antiqua. The Taxon family consists of 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Anglo Saxon Futhark Runic adapted form of that beautiful impressive alien script from the Fantastic Predator movie. It looks great with the impressive red color.

The Saxo family is based on the typefaces of the twenties and thirties, where through the Art Deco and Futurism were built the foundations of the modern movement. Designed from basic geometric shapes (triangle, circle and square). This font transmits his solid character and modern spirit, through 470 glyphs, including Opentype features like ligatures, stylistic alternates and borders based on the geometry of the typeface. All Saxo fonts come with CE languages support.

Angelo is a decorative typeface published by SoftMaker.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web.

Jan Tschichold designed Sabon in 1964, and it was produced jointly by three foundries: D. Stempel AG, Linotype and Monotype. This was in response to a request from German master printers to make a font family that was the same design for the three metal type technologies of the time: foundry type for hand composition, linecasting, and single-type machine composition. Tschichold turned to the sixteenth century for inspiration, and the story has a complicated family thread that connects his Sabon design to the Garamond lineage. Jakob Sabon, who the type is named for, was a student of the great French punchcutter Claude Garamond. He completed a set of his teacher's punches after Garamond's death in 1561. Sabon became owner of a German foundry when he married the granddaughter of the Frankfurt printer, Christian Egenolff. Sabon died in 1580, and his widow married Konrad Berner, who took over the foundry. Tschichold loosely based his design on types from the 1592 specimen sheet issued by the Egenolff-Berner foundry: a 14-point roman attributed to Claude Garamond, and an italic attributed to Robert Granjon. Sabon was the typeface name chosen for this twentieth century revival and joint venture in production; this name avoided confusion with other fonts connected with the names of Garamond and Granjon. Classic, elegant, and extremely legible, Sabon is one of the most beautiful Garamond variations. Always a good choice for book typography, the Sabon family is also particularly good for text and headlines in magazines, advertisements, documentation, business reports, corporate design, multimedia, and correspondence. Sabon combines well with: Sans serif fonts such as Frutiger, Syntax. Slab serif fonts such as PMN Caecilia, Clairvaux. Fun fonts such as Grafilone, Animalia, Araby Rafique. See also the new revised version Sabon Next from the Platinum Collection."

Sabon was designed by Jan Tschichold and released in 1967. Sabon was created in response to the specific needs of a group of German printers who wanted a typeface that would be identical in form when produced by three different metal-casting technologies. Named after Jacques Sabon, a sixteenth century typefounder whose widow married another typefounder, Konrad Berner, who is credited with issuing the first typefounder's specimen sheet. Several types on the sheet were attributed to Claude Garamond, and one of these served Tschichold as the source for Sabon roman. The italic was based on another face on Berner's sheet, cut by Robert Granjon. Tschichold's skillful adaptation of these old style faces has produced an elegant and workmanlike book face. The Sabon font family is a popular choice for setting text.

The Sabon® Georgian design translates the original Sabon typeface into Georgian language. Its old style Latin-based design traits and proportions have been carefully and beautifully interpreted as Georgian script characters. In the early 1960s, a group of German master printers wanted a typeface family which would provide them with consistent and predictable results, whether it was used as machine or hand-set composition. They approached one of Germany’s most distinguished type designers, Jan Tschichold, to undertake the design task. The end result of the design commission is a typographic tour de force, and the face that establishes Tschichold’s reputation as a type designer. The completed design, released in 1966, not only solved the imposed design problem of the early 1960s, it is also an exceptionally beautiful and useful digital design. The Sabon® Georgian design further extends the range of this remarkable typeface

Inspired by the sign outside a beauty salon, it is an art-deco all-caps font. This font will NOT make you more attractive to the opposite sex.

P22 Salon was originally inspired by Art Nouveau lettering. In the development of the three fonts (P22 Salon Full, P22 Salon Inner and P22 Salon Shadow) they began taking on a slightly more modern feel. All three variations were designed to be completely interchangeable with one another, and can be layered to achieve a variety of effects.

The design of Sabon® Next by Jean François Porchez, a revival of a revival, was a double challenge: to try to discern Jan Tschichold´s own schema for the original Sabon, and to interpret the complexity of a design originally made in two versions for different typecasting systems. The first was designed for use on Linotype and Monotype machines, and the second for Stempel hand composition. Because the Stempel version does not have the constraints necessary for types intended for machine composition, it seems closer to a pure interpretation of its Garamond ancestor. Naturally Porchez based Sabon Next on this second version and also referred to original Garamond models, carefully improving the proportions of the existing digital Sabon while matching its alignments. The new family is large and versatile - with Roman and italic in 6 weights from regular to black. Most weights also have small caps, Old style Figures, alternates (swashes, ligatures, etc); and there is one ornament font with many lovely fleurons. The standard versions include revised lining figures that are intentionally designed to be a little smaller than capitals. Featured in: Best Fonts for Resumes, Best Fonts for Websites, Best Fonts for PowerPoints

Angela is a modern, bold and highly detailed serif font. This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.

Tangelo is a fun, casual display script that could be more accurately termed a unicase – it borrows characters liberally from the lower case, but scales them up to cap-size. Tangelo is ideal for kid-friendly products like candy packaging, game boards or apps, and clothing labels. It includes 115 alternates and swash characters for a convincingly hand-lettered look. See what’s included! http://bit.ly/2lW33tt These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Angelus is a flowing script that can be seen as a more casual modern version of the copperplate script, with a fresh take on the way the ascenders and descenders interact with the totality of the setting. Angelus is ideal for use in package design, as well as on personalized collateral and book covers.

Anelo is about beauty with objectivity. A handmade sans serif with a humanist style. 889 Latin and Greek glyphs covering lots of Western and Eastern European alphabets. You can use Anelo from a LaTeX equation (there are 117 Greek/Coptic glyphs; please see image #6 in the gallery for an example of an Anelo/Computer Modern combination) to billboards and traffic signs. Its crisp, upright, handmade aspect takes communication to a direct and personal level. Anelo has some important OpenType features, like kerning, standard ligatures, old style/tabular/proportional figures and diagonal fractions. There are 25 currency symbols, including Euro ₠ €, Shekel ₪ and Bitcoin ₿. Each Anelo style has a condensed version, which gives room to many interesting combinations. For best results on screen, the Semibold Family is recommended.

Victorian fonts are a delight to use, but many don¹t have a lowercase. Today, that doesn¹t cut it, so where practicable, we design a harmonizing lowercase to extend the usefulness of the font.

Angelle is a serif type. Inside there are two options, namely Regular and Bold. In addition, this font also comes with Ligature and Stylistic Alternates features. The font has an elegant, delicate and luxurious character. Very lucky for those of you who can have it. This font can be used to create wedding invitations, presentations, web, magazines, covers, and various other designs.

Angele is an elegant serif font with stylish curves. This beautiful serif is timeless and can not be missed in your font collection. This font collection will give your design projects that instant touch of class. Once you download this collection you will be able to start designing straight away. Have fun creating!

Saxo Grammaticus is a beautiful and friendly family that works great with family themes, elegant & classy material and professional settings. It's so versatile you'll find yourself coming back to it over and over for your projects, and that's whether you're looking to create logos, quotes, poster designs, brochures, packaging, anything with big letters like headlines, wedding invitations, holiday cards, advertisements, signs and on and on and on... There is a total of 107 ligatures and 76 alternates! That's plenty of options for any designer wanting to give those big letters a little extra wham bam!

A Sans serif that we created special for unique branding needs, with extra ligatures in unique shape will be ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more unique and modern. And specially for this font, We prepared any ligatures characters to help you create unlimited variations for your creative needs. Anteros Modern Unique Stylish Font ready with: Any options to get creative variations (combination of Ligatures) Preview as a inspirations that you can do with Anteros font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Cangela Light, beautiful handwritten script fonts get a distinct impression with a touch of style that is unique to every job you do. Cangela is perfect for branding projects, homeware design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance.

Introducing "Canelo" is a playful handwritten font. Dive into the world of joyous design with "Canelo," a delightful handwritten font that brings an element of fun to every project. This font contains a regular style and fun style, which is equipped with patterns in fun-style fonts. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Angellove is a beautiful and elegant script font. Its modern and classy look makes it the perfect font for creating outstanding DIY projects! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates.

ANGOLI is characterized by line geometric and simple. This font is ideal for titles and text in large sizes. The font has two uppercase versions. To realize this character I was inspired by angular shapes of the buildings. Each character has the characteristic of being formed by a single continuous line.

Migelo is a versatile font meticulously crafted for optimal text display, offering a spectrum of 9 variations from thin to black, accompanied by 9 italic versions. Ideal for a myriad of purposes, Migelo is your go-to choice for creating captivating headlines, distinctive logos and brands, expressive quotes, eye-catching posters, and impactful product displays. Its range of weights and italics ensures adaptability, allowing Migelo to seamlessly elevate the visual appeal of a diverse array of design projects.

Banjelo is inspired by the 90's vibes, making it feel retro, vintage, and classy. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with script, sans, or serif. Featured: * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Intelo was created with the single idea of redefining what makes a functional grotesque typeface nowadays. Its large x-height and letterforms with subtle elliptical finish create a distinctive look that can help brands cater to an increasingly design savvy audience. To top it off, Intelo comes in two versions - an attention-grabbing original cut and an additional version with flat endings for a more streamlined effect. The family weights range from thin to extrabold with matching italics making it a versatile choice and perfectly suited for digital applications including web and interaction design as well as printed media such as editorial and corporate materials. When it comes to Opentype features, Intelo is loaded with stylistic alternates, tabular figures, fractions, ligatures, and more. In addition, the font family has an extended language support featuring Western, Eastern and Central European languages. To sum it up, the friendly and inviting letterforms of Intelo came as a solution to the need for more human fonts in our technology-oriented environment.