Iris font was designed in the late 1930s for American Typefounders. It is an all capital sans serif typeface whose slender geometric letter forms suggest the Art Deco period without limiting its application potential. Iris font creates a look of refined elegance.

Lambada font is the work of British designer David Quay, a font with a Latin American look. It should be used with closer letter and word spacing. Lambada will create eye-catching headlines and is perfect for wherever a festive appearance is desired.

Superstar was designed by Colin Brignall, who was inspired by American sportswear graphics during the process. The font is an inline sans serif that incorporates wedge-like cutouts instead of curves. Superstar is an excellent choice for design work related to sports activities.

Utshani means "grass" in the African language: Zulu. Grass has softness but it also has great strength and many African craft implements are made from it. When we describe someone as being "like the grass", it is meant as a compliment for it means that they can be tender and strong. The fluid African font, Utshani, was designed to suggest the flexibility and strength of grass. In this way it contrasts with the majority of other "African-inspired" fonts, which tend to be heavy and hard-edged. It can be used in a wide variety of situations, in adverts and on posters and invitations. The font includes all upper and lower case letters, all numerals and punctuation as well as all special and accented characters. The font has been professionally letterspaced and kerned, and the inter-line gap has been carefully checked.

An American Scotch remixed in 27 fonts Mencken has twenty seven styles, divided into three widths, three optical sizes, romans and italics. Generally, optical size typeface families belong to a same common construction. It falls into the same category of type classification, while presenting different x-heights or contrasts. Mencken is unique because it is designed according to different axis and optical sizes. Firstly, Mencken Text is a low-contrast transitional typeface, designed on an oblique axis, asserting horizontal with featuring open counters. Its capitals follow Didots to better harmonize the rest of the family. On the other side of the spectrum, Mencken Head (and narrow variations) is designed on a vertical axis, high contrast, in a contemporary Didot style. The Mencken is therefore a typeface answering to different sorts of uses, whose design is different according to its uses: from oblique axis in small size to vertical axis in large sizes. Vertical proportions (x-height, capitals height, etc.) were calibrated to be compatible with many Typofonderie typeface families. Lucie Lacava and I followed the idea launched by Matthew Carter few years ago for some of his typefaces intended for publications. From Baltimore Sun’s project to Typofonderie’s Mencken It is a bespoke typeface for American newspaper The Baltimore Sun started at the end of 2004 which marks the beginning of this project. The story started with a simple email exchange with Lucie Lacava then in charge of redesigning the American East Coast newspaper. As usual, she was looking for new typeface options in order to distinguish the redesign that she had started. At the time of its implementation, a survey of the newspaper’s readers has revealed that its previous typeface, drawn in the mid-1990s, was unsatisfactory. The Mencken was well received, some reader responses was particularly enjoyable: “It’s easier to read with the new type even though the type is designed by a French.” Why it is called Mencken? The name Mencken is a tribute to H. L. Mencken’s journalistic contributions to The Sun. According to the London Daily Mail, Mencken ventured beyond the typewriter into the world of typography. Because he felt Americans did not recognize irony when they read it, he proposed the creation of a special typeface to be called Ironics, with the text slanting in the opposite direction from italic types, to indicate the author’s humour. Affirming his irreverence, the Mencken typeface does not offer these typographic gadgets. Henry Louis Mencken (1880 — 1956) was an American journalist, satirist, cultural critic and scholar of American English. Known as the “Sage of Baltimore”, he is regarded as one of the most influential American writers and prose stylists of the first half of the twentieth century. He commented widely on the social scene, literature, music, prominent politicians and contemporary movements. Creative Review Type Annual 2006 Tokyo TDC 2018

Eyeballs was designed at Bitstream by designer David Robbins. Its beginnings can be found in Bitstream’s Old Dreadful No. 7, where Mr. Robbins first conceived the capital I. He was later asked by Bitstream to develop the entire character set. The result is a humorous meld of cartoon and typography. A word of caution: Watch how you use it!

DF Mercat is a tribute to the famous marketplace situated at ‘La Rambla’ in Barcelona's historic centre. It is a picture font containing over 240 illustrations of fish, crustacean, clams, poultry, game, meat, sausages, herbs, vegetables, fruit, bread, butter, a variety of cheese, wines and spirits, small dishes, drinks (coffee, beer, soft drinks), ice cream, pastry, etc.

I bet a lot of people would love to have a Veggie Spray - I bet they would use it to turn candy, ice cream, cakes and other fattening products into something more healthy! Well, this font has zero calories and is 100% handmade, and comes with contextual alternates - which means that every letter has 5 different versions!

Party Doodles Too is the companion font to the popular font Party Doodles. 29 fun icons including a tray of champagne glasses, appetizers, balloons, pinwheel, stork with a baby, ace of hearts playing card, top hat and tunes, dice, bowling ball and pins, gifts, party umbrellas, cakes, cupcakes, ice cream, lollipop, drinks, corkscrew, noise makers, banners and candy.

Cursivica is a decorative font. Its letters are an odd mixture of script forms and block letters straightening and slimness. Cursivica supports several writing systems and besides supports extended Latin characters, also it contains extended Cyrillic (including Tatar letters), Greek alphabet and Hebrew. This font will perfectly fit for invitation letter design, packaging of cosmetic products, creams, etc.

Sun is a family of compact typefaces closer to old industrial-style American newspaper headlines than to Luc(as)’s other designs. The fonts also work in text, and have been used for corporate identity and editorial projects for more than two decades now.

Here’s a workman-like collection of border elements gleaned from the specimen books of various American manufacturers of woodtype from around 1840 to 1885. Refer to the PDF guides for detailed, yet simple, instructions for constructing various border patterns, all with Victorian grace and charm.

Tag is the work of American designer David Sagorski and influenced by street art. It is an all caps typeface which includes a complete set of alternate capitals and amusing spot illustrations. The graffiti style of Tag is ideal for vivid, eye-catching headlines.

ITC Highlander font is the work of Dave Farey and loosely based on the handwriting of the late American graphic artist and lettering master Oswald Cooper. ITC Highlander is a unique font family, but not so unusual that it is limited only to display applications.

Pacifica – hand lettered elegant bold script for decorative typography inspired by American branding typography from end of XX century. Comes with different variates – filled, highlighted or pressed. Perfectly for headers, signs, logos, prints, etc. Comes with ending and some middle alternates and some standard ligatures.

These beautifully designed initials were created by talented American designer Steven Albert. Aquitaine looks best when the more straightforward characters are used to set words and the decorative alternatives are used to provide exciting initialling complements. A unique style with subtle historical and religious overtones.

Surreal PostIndian by Laura Klamburg. OpenType, 2 styles According to its creator, Surreal Post Indian was inspired by the performance of an American Indian artist, but this typeface seems more connected with pop neon signs. Anyway, here is an amusing Laura Klamburg font. Enjoy it.

American type designer Jim Parkinson created this display FontFont in 1996. The family contains 2 weights and is ideally suited for advertising and packaging, film and tv, editorial and publishing as well as poster and billboards. It comes with proportional lining and proportional oldstyle figures.

Loubotin Inspired by Modern Vintage & Retro style and combination with old american traditional style.Loubotin allowing you to create hand lettering is an instant and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

Haglos Script was inspired by Modern Vintage & Retro style in combination with old American traditional style. It's bold and has amazing swashes. In my examples I show how this script can be used. It's very well suited for logotypes, product labels, food flyer, and others.

Apparently original with the Lindsay brothers type foundry in New York shortly before they were merged into the American Type Founders Company. A few characters of the original font have been modified slightly to make them more harmonious with the rest of the alphabet.

The name says it all. It is aesthetically located between American Gothics and European Grotesques and features small caps, a Central European character set and four number formats plus small caps numerals. This makes it not only a heartbreaking headline font, but also extremely versatile.

Rase Nicolous is a tall, handwritten graffiti font built to emulate a particular category of modern American, west coast graffiti styles. The varied stroke width & rough edges can produce the look of a number of different writing implements, paint brush, pencil, marker, chalk etc.

Sign and Design JNL is a casual brush alphabet modeled after an Alf R. Becker design that appeared in Signs of the Times Magazine. Thanks to Tod Swormstedt of ST Media and the American Sign Museum for providing the reference material to make this font.

City Streetwear is a sophisticated signature collection that includes four script weights and plenty of ligatures. City Streetwear scripts includes 102 ligatures and 6 alternates. Ligature programming has been added to the fonts to give the scripts a more handwritten and luxurious appeal. Try the City Streetwear free font for fashion marketing and social media. It is a great starting point for finding appealing modern catchwords. Use City Streetwear for sophisticated designing. Fonts and posters designed by Cindy Kinash. See font details below. SCRIPT FEATURES: Signature style OpenType Common ff fi fl ffi ffl ligatures  Available in Extended Latin Pro (Standard) or American (US) version. 102 ligatures and 6 alternates. Programmed ligature feature for optimization. Every time you type specific pairs, ligatures are programmed to pop up to avoid letter pair collisions. Programming ligatures gives the script a more sophisticated flow. Make sure to turn on the feature in your preferred program that supports ligatures. FREE WORDS FEATURES: 68 free words useful for fashion, marketing and social media promoting. Keyword examples include fashion, exclusive, and style. Intended use for fashion, apparel, beauty, marketing, social media, websites, magazines, sales, film and packaging.  VERSIONS: American (US) and Extended Latin Pro (Standard) AMERICAN (US) Shorter version  102 ligatures and 6 alternates  Common ff fi fl ffi ffl ligatures  OpenType Includes the common alphabet, numbers, American symbols and punctuation. EXTENDED LATIN PRO (Standard) Extended version of the American (US) version.  102 ligatures and 6 alternate Common ff fi fl ffi ffl ligatures  OpenType Includes characters for Albanian, Basque, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Feroese, Finnish Scots, French, Gaelic, Galician, German, Greek Transliterated, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Maltese, Nynorsk Bokmal Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish, Welsh. TIPS: Try the OpenType ligatures by turning on the feature in your preferred program that supports ligatures. DISPLAY- The City Streetwear fonts work best as large headline text for optimization. FONT USE- Use City Streetwear for fashion, apparel, beauty, marketing, social media, websites, magazines, sales, film and packaging.

The term Sanseki (Japanese for Three [Brush] Traces) is used to describe three famous Heian period calligraphers: Yaseki, Gonseki and Saseki. Not that I would ever dream of comparing my messy brush-work with theirs, but the name stuck and I kind of liked it. I used Chinese ink and a high quality brush (which I got in a sale actually) to create this font. All glyphs were hand painted in one go! Sanseki is a very detailed brush font. Upper and lower case letters mingle and there’s even an alternate for every lower case glyph. Comes with an abundance of diacritics.

In isolated Eastern European states, atop cold castle towers, nefarious nonbelievers are discussing their diabolical devises with their minions, acolytes and sweet little Yorkshire terriers! Evil Doings is a font that gives form to the softly spoken schemes and terrifying tweets of these psychopaths, sociopaths and just plain naughty boys and girls. Will Good Triumph and Defeat the EvilDoings of EvilDoers?! Only if we listen to the cries of the oppressed proletariat and quash the devilish dreams and evil schemes of Fascist Dictators EVERYWHERE! Features: Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters. Includes Western European international characters.

Have you been looking for a vintage font? Do you dream of creating headings that stand out and inspire modern and artistic? Lastones - A Vintage Font Lastones is a display font made all in uppercase typeface that shows retro looks. A great display font that appears to drip down on the page, as if sprayed there only moments ago. Well suited to titles, poster designs, branding, and logos. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Swashes Stylistic Set PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Have you been looking for a graffiti font? Do you dream of creating headings that stand out and inspire modern and artistic? Introducing Streetlife - A Grafiti Font Make your graffiti text dance with this wonderful, rhythmic font that captures motion and is bound to call attention wherever you use it. This font is perfect for logos, printed quotes, cards, packaging, website or social media branding, and many more! Our font always includes Multilingual Support to make your branding reach a global audience. Features: Standart Ligatures Stylistic Set Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Garinstae Script Pro, is modern and classic handwritten calligraphy, so soft, perfect for your next designs, such as logos, printed quotes, invitations, cards, product packaging, headers and anything else from your imagination. Garinstae Script Pro allows you to create custom dynamic text. You can access by turning on; Alternative Styles, Swashes and binders in Photoshop, Adobe Illustrator, Adobe InDesign or via the glyph panel like Adobe Illustrator, Photoshop CC, Let's go from regular characters to alternate characters to get the text with the layout of your dreams. Garinstae Script Pro also includes glyphs, punctuation, numbers and multilingual. Thank you for your visit

Wild love is an amazing collection of fonts that has everything you font lovers dream of. This beautiful collection comes with two fonts that pair perfectly together that will make designing Instagram quotes, websites & invitations so much easier and fun. WHAT’S INCLUDED WILD LOVE SCRIPT (OTF) A lovely script font that includes 67 ligatures with letter combos that give you that gorgeous hand-lettered look. This font also includes 52 alternate start & end swashes for all of the lowercase characters. WILD LOVE SANS (OTF) This is an all caps font that pairs perfectly with the script font

Venetian 301 is the Bitstream version of the Centaur type family. Centaur was designed by the American book designer Bruce Rogers on the basis of Venetian typefaces of 1470 of Nicolas Jenson. Beautiful Italic based on a face by Ludovico degli Arrighi was developed by Frederic Warde who was an American calligrapher and typography researcher was added as Italic to Centaur. Adapted for mechanical composition by English Monotype in 1929. Its lettershapes owe much to pen-drawn letters of Italian humanist minuscule and cursive. This elegant humanist face is useful for the finest typography both for book text and display matter. Cyrillic version included small caps was developed for ParaType in 2003 by Dmitry Kirsanov.

Qi is a display sans-serif inspired, in part, by the art deco typefaces sometimes seen on old signs along rural American backroads. Unlike these signs, Qi is new, fresh, a little bit quirky, and not at all in need of repair or a fresh coat of paint. The family is comprised of six distinct fonts with more on the way. With an entire set of Central and Western European (and, of course, American) glyphs, plus a bunch of alternates and ligatures, Qi could be the perfect display face for your next sign, poster, newsletter, headline or, well, most anything else. Hey, the lowercase alone makes these fonts well worth the price.

These six faces are interpreted from examples shown in Rob Roy Kelly's "American Wood Types" They are not merely scanned copies, but have been redrawn from scratch with various optical adjustments. Kelly points out that the true glory of the American Wood Types are the negative spaces, which are, in their dynamic active forms, the antithesis of the anemic flimsy letters produced by type foundries in the 19th century. The Alphabets Wood Types are designed with digital manipulation in mind. Stretch, curve and distort at will! These designs were released prior to similar revivals from Adobe. Each font has two full alphabets (one full height, one smaller) and numerals. However, certain points and accents will not be found.

Tshikona is casual and vigorous font with a taste of African spice. Although creating an impression of handwritten informality, Tshikona is a carefully crafted font, making it easy to use in any display setting, either for headings or as an informal body font. The line of the letters is reminiscent of the angular, dry branches of trees in the African veldt.

Park Avenue is a lighthearted contemporary script designed by Robert E. Smith in 1933 for American Type Founders. This unique design has small x-height lowercase letters with very long ribbon-like ascenders. Park Avenue is a good design for occasional pieces such as invitations and menus.

Here's another old-timer that needed a lowercase, so we drew one. Originally issued as a caps-only type by The American Type Founders Company about 1898, this font found its way into Craftsman period design. It was the inspiration for Galadriel, a dry transfer sheet alphabet.

Victor Hammer created many faces based on uncial handwriting of which American Uncial, released commercially by the Stempel foundry in 1952, is the source for this version. Uncial is an ideal choice for historical or church pieces, provided that the length of the copy is brief.

Monotype Lightline Gothic is a thin sans serif face cut by American Type Founders to work with Franklin Gothic, which had been designed as a bold face. The rather condensed nature of the Monotype Lightline Gothic font has made it popular for advertising display and newspaper work.

Clearface Gothic was designed by Morris Fuller Benton for American Typefounders. The design was released between 1907 and 1910 for text and display use. Since then, many variations have been released. An interesting typeface, Clearface Gothic is useful in advertising for display and small quantities of text.