Glico Prime is a heavy, bold, standout sans serif with futuristic theme. It has few styles with 3 stylistic, This type of font perfectly made to be applied as a headline, logo, title, quotes which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Regular, inline & outline 3 stylistic set numbers and punctuation multilingual ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Apricosa – A beautiful bold serif with vintage swashes, alternate letters and ligatures. Apricosa is a delightful, modern take on a vintage font. Packed with plenty of alternates and ligatures to really bring it to life! Create stunning designs that are truly unique to your brand. Vary between a light and heavy vintage look based on how many letters you alter. Due to its large selection of alternate letters and ligatures, Apricosa is very versatile, covering a wide range of project types, from unique branding, to bold magazine design, to vintage wedding invitations, and so much more. FEATURES Uppercase alphabet Lowercase alphabet 41 alternate glyphs 36 ligatures big range of numbers, symbols & punctuation comprehensive language support

Omerta Blackletter Font Blackletter fonts have letters that are very bold and ornate. It is a Western calligraphy style that was used in Europe from 1100s to the 1600s. Blackletter is also known as Old English or Gothic script. During the 20th century, blackletter type styles were adopted by new audiences and came to be associated with punk, street art, and heavy metal. Omerta Blackletter Font Specifically developed to be suitable for perfect for tattoos clothing, labels and packaging, branding, or any Gothic-themed projects. Omerta Blackletter Font are great for Classic Calligraphic type projects and convey a sense of what’s to come. This font can be used with all software that can read standard fonts.

Satero was designed by Prof. Werner Schneider in 2007. Never before have we had so much written material to consume; this is the age of mass-communication. Unfortunately, the decision of which typeface to use is too often made lightly. The typeface is one of the most elementary means of language, and it can play a major role in a text's legibility and the amount of time the reader needs for it. The Satero Type System offers a high degree of legibility due to its dynamic and forms. The individual characters have been based on classical concepts. They are clearly made, and leave all unnecessary elements behind. The type works to create an environment of extreme legibility. Essential parts of the a, c, e, s, and r are to be found at the x-height line, which is the most important area of a line of text in determining legibility. The Satero Type System includes two members whose basic forms are the same. The Sans Serif members are more horizontally differentiated than common grotesques, which aides their legibility. The Serif design employs asymmetrical serifs, avoiding elephant feet" altogether. Their dynamic is progressive. The condensed nature of the seriffed counterparts is optimal for newspaper and magazine applications, where space is at a premium and paper must be saved. All fonts in the Satero Type System include a number of alternate glyphs, as well as ligatures and proportional lining figures; all weights except the Heavy and Heavy Italic fonts are also equipped with small caps, small cap figures, and oldstyle figures as OpenType features. "

Satero was designed by Prof. Werner Schneider in 2007. Never before have we had so much written material to consume; this is the age of mass-communication. Unfortunately, the decision of which typeface to use is too often made lightly. The typeface is one of the most elementary means of language, and it can play a major role in a text's legibility and the amount of time the reader needs for it. The Satero Type System offers a high degree of legibility due to its dynamic and forms. The individual characters have been based on classical concepts. They are clearly made, and leave all unnecessary elements behind. The type works to create an environment of extreme legibility. Essential parts of the a, c, e, s, and r are to be found at the x-height line, which is the most important area of a line of text in determining legibility. The Satero Type System includes two members whose basic forms are the same. The Sans Serif members are more horizontally differentiated than common grotesques, which aides their legibility. The Serif design employs asymmetrical serifs, avoiding elephant feet" altogether. Their dynamic is progressive. The condensed nature of the seriffed counterparts is optimal for newspaper and magazine applications, where space is at a premium and paper must be saved. All fonts in the Satero Type System include a number of alternate glyphs, as well as ligatures and proportional lining figures; all weights except the Heavy and Heavy Italic fonts are also equipped with small caps, small cap figures, and oldstyle figures as OpenType features. "

Rioma is a geometric typeface inspired by a legend of type design: Antique Olive. As a font family, Rioma ships in two different formats. Depending on your preference, you can install the typeface as two Variable Fonts or use the family’s 16 static OpenType font files instead. Those weights run from Light to Heavy. While the static-format fonts offer a good intermediary-step selection, users who install the two Variable Fonst have vastly greater control over their text’s stroke width.

Garagin Rock was developed from the studies for the title of a publication called Garagin in 1999. Its use is indicated for the titles on posters and stuff like that, but feel free to dare. Anyway, it really was not made ​​for small sizes and is not a WebFont obviously, but again, feel free to dare. May you notice something odd in the baseline position, this is to keep leading with a defined size. But of course you can change it in any editing program. Being a heavy typeface, use in moderation... or not! Garagin Rock Lite is a version with a limited set of characters.

A heavy weight - softened sans serif that is not only friendly, but easy on the eyes. Good Eatin was inspired by the title screen from the 1942 Warner Bros. cartoon titled, "Dog Tired". The original all capitals setting had a charming & quiet nature to it, which became even more pronounced when drawn out to include a lowercase set. Later expanded upon to include a Small Caps set, Good Eatin Pro achieves a wider, even more electric appeal. Loaded with personality, Good Eatin Pro is joyful and stands out without being an eyesore, and while being based on vintage lettering it has a contemporary feel.

Jure Stojan first created JY Klin for a student magazine in Ljubljana, Slovenia. ‘It was borne out of my frustration with layout [programs] and their taste for messing with decent fonts (making the headline occupy the entire column width at any cost, for instance). Therefore, I designed a “heavy duty” display font—it can be extended up to 120 per cent without any loss in quality (it is fairly condensed, so no one could think of squeezing it any further). I even used the font, stretched by the very 120 per cent, for 10 point text and the result was surprisingly legible (given some peculiar details prominent at display size).’

Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is complimented by two other families, Crewekerne Magna and Crewekerne Magister. Three widths - condensed, regular and expanded and three weights - regular bold and heavy are offered. Crewekerne is especially good when combined with its two complimentary families and when used in poster and design work that needs a rustic hand crafted flair but still needs to be easily legible. Crewekene is a fun family and a serious set of faces all in one. Crewekerne, Crewekerne Magna and Crewekerne Magister can also be purchased together in the Crewekerne Value Pack.

Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is complimented by two other families, Crewekerne Magna and Crewekerne Magister. Three widths - condensed, regular and expanded and three weights - regular bold and heavy are offered. Crewekerne is especially good when combined with its two complimentary families and when used in poster and design work that needs a rustic hand crafted flair but still needs to be easily legible. Crewekene is a fun family and a serious set of faces all in one. Crewekerne, Crewekerne Magna and Crewekerne Magister can also be purchased together in the Crewekerne Value Pack.

AS HAREF is a contemporary geometric Arabic font, drawn and constructed carefully Font design is inspired by the ARABIC calligraphic style. AS HAREF Its structure is equal and visually controlled. Character forms are a combination of vertical straight lines that integrate visually with soft angles in some areas. This makes it a line of nature suitable for today's technological and visual development. The variations and weights of this font are suitable to use companies in their names and appearance, and also suitable with the titles and logos and is also used in all the requirements of advertising and long texts, use in headlines, logotypes, branding, books, magazines, motion graphics, web and Tv. AS HAREF consists of 7-weight versions from Thin to Heavy.

Crewekerne is a typeface family which speaks of the villages that are at the heart of English life. It is inspired by the arts and crafts movement of the early twentieth century, and is complimented by two other families, Crewekerne Magna and Crewekerne Magister. Three widths - condensed, regular and expanded and three weights - regular bold and heavy are offered. Crewekerne is especially good when combined with its two complimentary families and when used in poster and design work that needs a rustic hand crafted flair but still needs to be easily legible. Crewekene is a fun family and a serious set of faces all in one. Crewekerne, Crewekerne Magna and Crewekerne Magister can also be purchased together in the Crewekerne Value Pack.

Oksana Sans Compressed is the most skinny part of Oksana Sans font family, but still it retains most features of this humanist sans serif. The Compressed version is designed to get most of your page and fill a minimum space with maximum information. It can be useful in multiple columns typesetting — like magazines, newspapers or business documentation. Oksana Sans Compressed could be a good minor companion for other Oksana fonts as well. It has six weights from Thin to Heavy plus free and funny Fat Compressed Italic face, supports Western, Central European, Baltic Latin and Slavic Cyrillic codepages. Old-style digits, some ligatures, alternative characters and modern currency signs are also included.

Avid Pro font family is designed by Naghi Naghashian. A modern interpretation of classic Sans Serif characters in 6 weights: Thin, Light, Regular, Demi Bold, Bold and Heavy. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Ronde Script (Ronde meaning "A kind of script in which the heavy strokes are nearly upright, giving the characters when taken together a round look.") is based on the original design named Parisian Ronde released in 1878 by the Chappelle Foundry in Paris. Other versions of this script include Inland French Script, French Script, French Plate, and Typo Upright. Different type foundries tied to the releases of this design include Mayeur (Paris), Stephenson Blake (London), Bernhardt Brothers & Spindler (Chicago), and ATF (Elizabeth, NJ). This style of script has been a very popular choice in designing wedding invitations and so many other formal announcements for over 130 years. Its very readable, formal and elegant with an antique or retro feel.

In comparison to most of my typefaces that tend to be fairly expressive, I wanted Voice to be simple, effective and easy to use. Voice was designed to work well in a wide range of sizes, and also in narrow tight columns with a wide range of weights. Those are some criteria for a good corporate typeface that I could clearly see in all my corporate branding projects. It is not that a brand needs all the weights but some appropriate weights can be chosen from that wide range. In copy you should not use heavier than Heavy. ExtraBold and UltraBold work best in display. Recommended uses: corporate branding, magazines and other publications.

Divan Pro font family is designed by Naghi Naghashian. It is a Headline font family, a modern interpretation of sans serif characters in 2 weighs: Heavy and ExtraBlack.The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Ciao! This is Maestri — a connected script family of eight weights, from thin to heavy. Maestri is initially a sans serif made into a script, hence the design that's strict, clean and sharp. The formal approach gives it a touch of cool elegance — yet Maestri is full of expression and character. This is evident in the wide array of Open Type features which will open up innumerable solutions for unique typography with a hand-written feel.  For lowercase letters, available are Ending Alternates, Standard Ligatures and Contextual Alternates. Uppercase can be used to write in caps and there are also Swash alternates that have script-like character forms for every uppercase letter.

Polar is a sans-serif grotesk with characteristic ink traps and rounded vertexes. Polar is a variable font. It is versatile, modern, elegant and neutral. It can be displayed in a range from 200 to 900 in its weight axe to play many different roles. The font has 5 predefined instances, Thin Display, Light, Regular, Bold and Heavy Display, in two styles, regular & italic, with 716 glyphs each of them. Polar has 25 OpenType features such as ligatures, fractions, stylistic alternates, localized forms, old-style figures, etc. It can be suitable for long texts. It also works great as a perfect display font for all caps headings, especially with its thin and heavy weight variants. Polar covers Latin, Central European characters & supports 101 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Igbo, Inari, Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Koyraboro Senni, Koyra Chiini, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Tasawaq, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Vietnamese, Volapük, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zarma, Zulu.

Antry Sans is a cool uppercase typeface. With heavy letterforms in a sturdy appearance, this poster font gets attention while keeping clean. It is legible and clean, optimized for a non-complex design or headline. The Antry Sans font family consists of Thin, Regular and Bold, and each weight as Italic, totalling in six styles. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

The Bacony Script family is a bold script family of fonts. This rustic font is expressive, and is constructed of fat brush strokes and heavy letterforms. Use it for a comical logotype or headline to give your work that genuine handpainted look. The Bacony Script family consists of four high-quality fonts: Regular, Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive language support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you’ll ever need, including all punctuation and numbers.

Gernsheim is a semi condensed display sans serif font family. This font family has been created for use in headlines and logo display fitted on showcase screen. 9 weights and 18 font styles make up the initial release. To increase the adoption of a wide range of display fonts, the individual glyphs' handle fluctuations were subtly applied. The compromise of disproportion between straight lines and curves improves glyphs autonomy and relieves tension. And by applying rounded corner effects to each style, it presents the reader with softness and comfort. It is designed so that the rebellious disproportion created by heavy styles transition to flat and classy tenderness as the thin style approaches. Try the uniqueness and excitement of individual styles for yourself