10 years later, one of the first geometric typefaces in our portfolio and a popular favorite of yours is rising to a whole new level! We’re revealing the stand-alone type family Code Next—a staggering evolution from Code Pro in functionality, versatility, and application. The transformation includes 6 new weights, 10 new Italics, full support of Extended Cyrillic and Greek, full redesign and glyphs refinement, 2 variable fonts, to name but a few. Going back to 2011, the grotesque-inspired Code Pro was designed to complement memorable pieces that make a statement. Balancing between stylization and simplification, it was encoded with the distinct voice of basic organic shapes to stand the test of time. Little did we know, it would expand and live up to the potential of a “font from the future” as the new Code Next. Today, a type family of 22 styles, this geometric sans solidifies its relevance and carries a strong constructive aesthetic through simplified forms with a twist. These fit any modern design in print, web, and display visualization. Developed to go above and beyond, Code Next comes prepared for multi-script projects with Extended Latin, Extended Cyrillic, and Greek. Explore Code Next’s versatility and switch things up with the help of 2 variable fonts, more than 1280 glyphs, and an extensive OpenType features set including small caps, standard and discretionary ligatures, contextual and stylistic alternates, stylistic sets, case sensitive forms, and much more. Overview: • Font family of 22 fonts • 10 weights • Languages - Full support of Extended Latin; Extended Cyrillic; Greek • Entirely refined design and metrics • Glyph count - 1288 • Variable fonts - 2 fonts OpenType features: • Small Caps • Standard Ligatures • Discretionary Ligatures • Contextual Alternates • Stylistic Alternates • Stylistic Sets • Case-Sensitive Forms • Ordinals • Localized Forms • Lining Figures • Proportional Figures • Tabular Figures • Oldstyle Figures • Subscripts • Scientific Inferiors • Superscripts • Numerators and Denominators • Fractions • Roman figures • Extensive mathematical support • Navigation symbols

Lust Sans is the penultimate exploration of producing a high-contrast sans wholly influenced by its bracketed ancestor. The aspect of this endeavor I enjoyed the most was finding sneaky ways to infuse warmth and whimsy into the letterforms when you least expect it. The result, however, is subtle and uniquely balances against Lust and Lust Didone without becoming cold and overbearing. To accomplish this, Lust Sans has 6 weights. What I found during development was, based on any setting where Lust or Lust Didone were in the same layout, the amount of contrast shown with Lust Sans needed to be adjusted. Expanding the weight offering, produces opportunities for Lust Sans to modulate the rhythm of the layout comfortably while keeping contrast—this is even more obvious with the Italics. I love those. You will too. If you don’t, you do not have a soul. Not sorry. The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

Introducing Morvien Typeface - a bold and dynamic display font that brings a unique edge to your creative projects. With its distinctive torn shapes and powerful design, Morvien Typeface is the perfect choice for film titles, game interfaces, comic book lettering, superhero themes, and music posters. This font is not just a typeface; it's an artistic statement that adds a touch of drama and excitement to your visual creations. Torn Shapes Design: Morvien Typeface stands out with its edgy and torn shapes, giving your text a rebellious and energetic vibe. Each character is carefully crafted to convey a sense of dynamism and movement. Display Style: Morvien Typeface is designed specifically for display purposes, ensuring that your headlines and titles command attention. The bold and impactful strokes make it ideal for creating a strong visual impact. Ligatures and Alternatives: Morvien Typeface includes a rich set of ligatures and alternative characters, providing you with creative flexibility. Experiment with different combinations to customize your text and make it uniquely yours. 633 Characters: Morvien Typeface boasts an extensive character set with 633 characters, offering a wide range of options for your design needs. Whether you're working on a detailed project or a quick creative piece, Morvien Typeface has you covered. Multilingual Support: Morvien Typeface is crafted with global compatibility in mind, supporting multiple languages. Now you can express your creativity in various linguistic contexts without compromising on style. Versatile Usage: Morvien Typeface is well-suited for a variety of creative projects, including film titles, game interfaces, comic book lettering, superhero-themed designs, and music posters. Its versatility makes it a go-to choice for projects that demand a bold and expressive typographic style. Elevate your design projects with Morvien Typeface and let your text speak with intensity. Embrace the torn shapes, explore ligatures, and make a lasting impression with this powerful and versatile display font. Your creativity knows no bounds with Morvien!

Odile is a text typeface with bracketed head and bracket-free bottom lower case serifs, a quality that counters rigidness most traditional slab serif typefaces possess. This contemporary design draws inspiration from an experimental typeface named Charter originally designed by the American book and type designer William Addision Dwiggins. It consisted of an informal lowercase alphabet, a narrow seemingly non-inclined vertical letter with script attributes, featuring non-joining letterforms. Dwiggins’ contemplated Charter as the italic companion to Arcadia, Experimental No. 221. The Charter project progressed sporadic stalled during the Second World War and came to a halt in 1955. Charter remained incomplete and was never commercially released. Assessing Charter’s whimsical design, its fragments were rethought and developed into a comprehensive text family. Odile Upright Italic reveals recognizable similarities shared by Dwiggin’s Charter and defines the design approach for the family. The steep calligraphic outstroke and low junctions off the stem as in the upright italic “n” or “r”, for example, are gradually lessened in the italic and moved up for the roman weights. The six optically balanced weights range from the delicate Light to stark Black, accompanied by display variants with feminine flair and ardent Ornaments. Two sorts of Initials, one amplified with interweaving swashes, the other more restrained, both are clearly derived from the Upright Italic. This mid-contrast serif offers a wide range of tools for text and display typographies with a palette of strict to playful. This family shines in magazine, book and display use. The graceful serifed type harmonizes perfectly with Elido, Odile’s sans companion. Sans and serif share the family array and OpenType features in perfect tune. Odile offers an extensive character set, numerous OT features including roman and italic Small Caps, five sets of numerals, alluring ligatures, and many more. OT stylistic variants (with accents) offer a one-story “a” for the roman weights, alternate “g” and “s” designs for the italics, and a variant “s” for the Upright Italic.

Cinema Macabre: Horror Fonts Torn from the Pages of Giallo A Hand-drawn Display Font for Creating the Most Diabolical Horror Titles This loose and inky brush font takes its inspiration from the classic Giallo film posters of the 1960s to 1980s - a cult cinematic subgenre beloved for its stylish visuals, haunting soundtracks and exploitation led marketing. It's a devilishly drawn design that aims to capture the feeling of vintage horror, preserving analogue details of old print while remaining versatile enough to work across a variety of digital designs. The Cinema Macabre font family boasts six fonts, each containing a unique set of uppercase and lowercase characters, as well as numerals, punctuation and language support. Add to this a host of custom ligatures, underlines and graphic elements and you have an essential toolbox for creating truly hand-made looking title designs. Cinema Macabre if a font that rewards experimentation by mixing all the various upper and lowercase alternatives, with interesting combinations waiting to be found and inspire terror across your own movie posters, book covers, albums and editorials. Few other fonts offer the versatility to create such diabolical designs! A Brief Introduction to Giallo: In popular cinema, Giallo is a genre of mystery fiction and thrillers often containing slasher, psychological horror, exploitation, supernatural and erotic elements. The term giallo (meaning yellow) derives from a series of pulp novels published by Mondadori from 1929 taking the name from its trademark yellow covers. The series consisted of Italian translations of mystery novels by well-known authors such as Agatha Christie, Edgar Allan Poe and Raymond Chandler. The popularity of these cheap paperbacks eventually established the word Giallo as a synonym in Italian for a mystery novel. The cinematic Giallo subgenre developed during the 1960-80s and are noted for their vivid cinematography, memorable soundtracks and inventive gore-filled scenarios. Key examples include Dario Argento's Suspiria, Tenebrae and Deep Red - stylish films that at once influenced the American slasher (see Black Christmas and Friday 13th) up to todays horror in Censor and Last Night In Soho.

The x factor How do you make a font like FS Albert unique, distinctive? “When designing a font I try to question every letter,” says Jason Smith, “but all you need is a few that have an x factor. With FS Albert, they’re the lowercase ‘a’ and ‘g’ and the uppercase ‘I’ and ‘J’. “I remember a friend saying, ‘Why on earth have you designed the ‘a’ like that? Isn’t it too friendly for this kind of font?’ And, in a way, that’s what I wanted – honesty and warmth, because a lot of big brands at the time really needed to show a more human side.” Range of weights and styles FS Albert is a charismatic type: a warm, friendly sans serif face with a big personality. Open, strong and amenable, and available in a wide range of weights and styles, FS Albert suits almost every task you put it to. Fontsmith has crafted five finely-tuned upright Roman weights and four italic weights, as well as a special Narrow version to provide the best coverage and give headlines and text an easy-going character. The chunky kid “FS Albert was inspired by – and named after – my son, who was a bit of a chunky kid,” says Jason Smith. “I designed an extra bold weight because I always felt that the really big font heavy weights had the most personality. “I recently told Albert this story. He laughed, and forgave me for thinking he was a fat baby. He liked the big personality bit, though.” 1000s of glyphs Not content with a character set that covered Europe and the whole of the Western world, the studio decided to go further afield. There are now FS Albert character sets that cover western and eastern European languages, including those of Russia, as well as Cyrillic, Arabic and Greek scripts. In fact, the font now covers more than 100 languages, making it ideal for bringing a consistent typographic style to the communications of global brands.

Standard Request is 100% handmade, and was inspired by both grafitti and comic book lettering. When viewed at large sizes, the handmade look and feel really stands out - at the same time, Standard Request, is super legible even at really small sizes. I've added 5 slightly different versions of each letter, and they automatically cycle as you type!

Allaina is a stylish and elegant Serif family consisting of three styles, Regular, Medium and Bold with matching italics. It has many alternates and some unique attractive ligatures. This pretty serif family could be used for fashion, label packaging or elegant vintage style lettering. Combining standard letters with alternative letters wil give you beautiful and unique words.

Casual Style This is an excellent font family that includes ( script, bold script, sans serif and outline sans serif). These are multi-purpose fonts and they are suitable for all kinds of design, from modern fashion projects to vintage logos, editorial designsand, headlines, advertising and much more. This font is easy to use and has OpenType features.

Following from the continued popularity of the original MB Deco, here is Nuovo Deco, its new and improved big brother. Nuovo Deco comes in three weights, Light, Regular and Bold. A full character set of Caps and lower case letters, alternate characters, plus some very nice Ligatures to give some added art deco style and a much wider scope.

BR Candor is a geometric sans based on the functional characteristics and raw geometry of early European sans serifs. BR Candor however, is a more modernist interpretation of these classic styles, and its distinctly geometric letterforms produce a strikingly clear and contemporary typographic aesthetic. As the name suggests BR Candor is open, honest and straight talking.

Grota is back in its new Sans and Rounded versions. The complete family consists of 40 fonts, 10 different weights, cursives and an alt version. Grota Sans Rounded, designed by Eli Hernández and Daniel Hernández, is a grotesque font with Latin spirit. This type accompanies Grota Sans and Grota Unicase. It’s ideal for logos, brands, books, headlines, etc.

Senella is a script font with more than 350 characters and covers several languages based on the Latin alphabet; the whole font design has also been completed with extensive alternates, ligatures and swashes sets. Senella is suitable for any design project, vintage, fashion, branding, print design and whatever design you want Thank you for visits and happy branding !

Badona is a custom typeface which is applicable for web, print especially for magazines, brochures, posters, flyers and motion graphics. Both weights are perfect for logos (light size has an elegant look and the regular one gives a unique feel). Regular size is also applicable for text. Badona has 232 glyphs and supports Turkish and West European languages.

The historical source to Bad Situation comes from "EXAMPLES OF MODERN ALPHABETS, PLAIN and ORNAMENTAL; including German, Old English, Saxon, Italic, Perspective, Greek, Hebrew, Court Hand, Engrossing, Tuscan, Riband, Gothic, Rustic, and Arabesque, etc." Collected and engraved by F. Delamotte, and first published in 1864. The original alphabet was called "Example Alphabet" (plate 48), by Delamotte.

Khayla Almira is a clean and elegant sans serif font, this font also provides ligature and alternate letters, this font itself has 6 families, namely regular, line, bold, regular italic, line italic and bold italic. for use as logos, display designs, and also for other purposes, make sure you have this font collection on your device.

Introducing Anthemis, the bold script font inspired by Bold hand lettering style. Anthemis is good for branding logotype, Packaging, poster, headline, book cover, Flyer, t-shirt design and any more. Anthemis has many alternative character and have opentype features like a stylistic alternatives, stylistic set, ligature and swash so you can mix and match like a you want.

Belco, designed by Slobodan Jelesijevic, was the first font family released by Tour De Force Font Foundry. Belco is elegant and useful for all kinds of publications such as books, magazines, catalogs and brochures. With a wide range of possibility and smooth personal touch, the Belco font family is ideal for longer texts, titles and typography exercises.

The Morille is display bold serif typeface. The shape is classic and unique style. You can also get more elegant serif in alternate and ligature. With vintage fill It's great for logotypes, wedding invitations, romantic cards, labels, packaging, spelling of names and others. Add to your most creative ideas and watch how they bring them to life!

Hello Everyone, introduce our new product Insans - Bold Handmade Carefully All Caps Display, inspired by the title of the sports poster and We make it very energetically. Insans font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Solidaritha Script is a stylish calligraphy font that features a varying baseline, smooth line, classic and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. Solidaritha Script features 389+ glyphs and 194 alternate characters. including initial and terminal letters, alternates, ligatures and multiple language support.

The Floresto Textured is a Modern vintage sans serif font, with Roughed edges and touch of many beautiful alternate characters make this font look Elegant & stylist. It contains an uppercase alphabet with numbers and symbols. Designed with Stylistic Alternates and Contextual Alternate in some characters that allows you to mix and match pairs of letters to fit your design.

Father Christmas is a festive, fresh, rich, and elegant calligraphy font. It’s great for Christmas-themed greeting cards, branding materials, business cards, quotes, posters, apparel and more! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

This elegant unicase uncial face is based on a work by German type designer Ernst Engel from 1927.This typeface masterfully combines Art Deco sensibilities with medieval letterforms, and is suitable for both text and headline use. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Vabi Dasabi is a unique japanese hand drawn brush font. It comes with uppercase and lowercase characters, set of punctuation marks, numbers, alternative set of latin characters and numbers, Cyrillic characters, ligatures and multilingual support. Perfect for logos, quotes, posters, branding projects, product packaging, t-shirt, book cover, greeting cards and applicable for any graphic design.

Govanka is a beautiful and classic handwritten font. It is the best choice for creating attractive logos, branding projects, weddings, magazines, shops, and quotes. Each letter has a unique and beautiful touch, which will bring your designs to life! This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Shutterday is a beautiful and refined script font, featuring a lovely flow. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, materials marketing and much more! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Paragon is a display Roman family of nine faces, combining elements of formality and fun. It embodies a high degree of contrast between near hairline horizontal strokes and bold vertical strokes. The family is offered in three widths and in regular, small capitals and title faces. Use Paragon to lend impact to your next design project.

‘La Arista Del Sol’ it's the mountains climbing route. I've created this font family to transfer adventure and romantic mood. I believe La Arista is very useful in printing and for web. * Regular, italic and pattern styles * Uppercase and lowercase * Numbers * Ligatures * Punctuation * Multilingual support Please feel free to request to add characters you need: kaer.pro@gmail.com

Skippy Sharp was drawn by Skippy McFadden in 1995 and faxed to Mister Chank Diesel. Chank completed the character set, added extensive kerning and created a very friendly, informal marker handwriting font. The font is also enhanced for OpenType use with Contextual Alternates for a more natural and organic handwriting style, and true Small Caps, too.

Rozza is a single weight stencil cursive fat face font for extremal display use. Looking at this font the story of beauty and the beast comes to mind. That is how I would describe it. On the one hand prickly and dangerous, and on the other - pulsating beauty and passion. Try to combine Rozza together with Displace — great pair!

Theater Tickets JNL was inspired by a photo of the marquee signage for Detroit’s Majestic Theater (built in1934), and is available in both regular and oblique versions. The theater was renovated and restored in 1987 and its marquee replicated the original one. What’s interesting is that the signage actually resembles squared pen lettering with rounded corners.

The Pallace feels equally charming and elegant. This stunning handwritten font is a stylish homage to modern calligraphy. It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

Avenue is an eleven font family with five synthesist serif faces, five humanist sans serif faces, and one old style face. It is designed as an extrememly versatile body copy set. There are many special dingbats for bullets, and so on. It has oldstyle numbers and the small caps versions have lining numbers and small caps numbers.

ITC Deelirious is the first typeface of Dee Densmore-D'Amico and its name comes from the astounding number of D's packed into her name. The design came from her own handwriting. The differences between capital and lowercase letters are sometimes arbitrary, but this characteristic and the many alternate letterforms give ITC Deelirious the spontaneity and naturalness of true handwriting.

Is a blackletter typeface font that is inspired by gothic and horror style because it's shape is very unique and is perfect for any project that you will use with this theme. Features : Symbol Number Multilingual support Uppercase & Lowercase Support in Mac and Windows OS Support in design application (photoshop, illustrator, and more) I really hope you enjoy it.

Planca is a sans serif typeface with medium contrast and distorted rhythm of the line. Spaced and mastered for optimal readability. All lines are of equal thickness. Its morphology is based on the study of traditional writing with a wide tip stick. It comes in 4 different weights (Light, Regular, Bold and Black) and provide multilingual support.

Penna is a calligraphic type system designed by Pedro Leal. Amidst the four available styles you get four different ascender and descender styles, two different styles of starting and ending swashes, a plethora of ligatures and several other features. Choose between regular, swashes, unconnected and connected versions or mix them all up for a deeper calligraphic feeling.

Rankfine is a elegant calligraphy with natural and handwritten style. It brings a modern and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Includes: Rankfine (OTF) Features: Stylistic Set Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Play a while with Horsefeathers, and you'll find yourself feeling kind of a combination of giddy and up. a lively, animated font that draws attention in short bursts yet has remarkable balance in longer text blocks, even at smallish point sizes. And that can be said for all three styles: Regular, Bold, and the aptly-named Horsefeathers Buzzsaw.