The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

Introducing Alessandra, a stunning script font inspired by the elegance of Victorian style. With its graceful curves and intricate details, Alessandra exudes a timeless beauty that captivates the senses. This font is adorned with exquisite ending and beginning swashes, adding a touch of refinement and sophistication to every letter. Perfectly suited for various design needs, Alessandra shines brightest on wedding invitations, greeting cards, and any project that calls for a touch of romance and charm. Let Alessandra elevate your designs with its enchanting allure, bringing a sense of elegance and grace to your creative endeavors.

Clear Prairie Dawn is an original humanist sans serif family based on the designer's own printing. Designed for use as a text face, as a humanist sans it shares some of the characteristics you might notice in other such faces as Optima, Gill Sans or Stone Sans. The italic is a designed italic, rather than merely a slanted roman, and incorporates many of the ideas that the designer found too lively for the roman fonts. The complete CPD package consists of three weights with italics, and a set of original ornaments.

inner shadow is a great display font that brings out a street art vibe. the inner shadow appears in capital letters and a unique variety of ligatures. Inner Shadow is a graffiti font that combines the improvised qualities of urban graffiti with the subtlety and regularity of typeface. the inner shadow is spaced letter to letter individually so spacing will work smoothly, regardless of irregular shape expression and also includes a decorative font, which has clouds, underlines, arrows, crowns, halos, and more to add flavor. on your design.

Still Valentine is a lovely romantic handwritten font with lots of authenticities!. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. It will turn any design project into a true stand out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

In the days of hand lettering, a common philosophy was "the problem creates the solution". Often times the layout artist would have to adapt the lettering style to fit the amount of copy on a line. A perfect example is during the early 1900s, when popular sheet music of the time almost seemed to be competing for how many words could be used within a song's a title. One such piece of sheet music offered up the tall, condensed and variable-width lettering found within Narrow Minded JNL.

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

Mother Love is a lovely romantic script font with lots of authenticities!. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. It will turn any design project into a true stand out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Smiling Cat is a cute little font. It is an adaptation of and older font of mine: Harimau Dua. I have had many requests for a bold version of Harimau, so I started working on it, changed a few glyphs, redid the kerning and cleaned it up. Rather than adding it as an extra bold style to my existing font, I thought it’d be better to launch it as a new one. Smiling Cat is handmade, cute and quirky, it would be ideal for Children’s Book Covers. Comes with a litter of diacritics.

The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.

I really like the Japanese language, as it has words that describe a whole world of meaning. Like Shoganai. It literally means: ‘It cannot be helped’. That’s life, get used to it. Shoganai sums up a lot of the Japanese culture and way of thinking: if things cannot be helped, then accept it and move on. Shoganai is a set of Brush fonts: a thinner, script font and a heavy display font. Use if for book covers, product packaging and more. If you can’t use it, then, well, Shoganai.

I do groceries a couple of times a week. When I am shopping for food, I always read the ingredients list; I don’t want too much sugar, nor palm oil, trans fats or a lot of E numbers. It used to be quite hard finding products that didn’t contain artificial flavours or colouring, but it is getting better. Artificial Flavour is an anti-ode to the time we couldn’t get enough of the stuff - it is a handmade, all caps font which comes with extensive language support and a sweet set of alternates.

Korb is a rounded sans serif family of four styles. It features a narrow geometric construction inspired by DIN letter shapes along with more unusual details like open counters and smooth connections between shoulders and stems. This makes the family suitable for a variety of applications, from corporate design to signalization. The fonts, provided in OpenType format, include diacritics for most European languages, a set of arrows and a variety of OpenType features like stylistic alternates, case-sensitive forms, tabular figures, etc. Check the pdf specimen in the gallery tab for more info.

Bamberforth is a new take on the type of lettering that was often seen on Railway timetables, share certificates and anything else that needed a distinctive heading in the mid-19th Century. This sort of thing was used on both sides of the Atlantic and can carry us back to another time. Bamberforth aims to give a modern clarity to a style of lettering that, in all other particulars, harks straight back to Victorian times. Bamberforth is ideal for giving anything a 19th century feel-especially posters, book headings, dust jackets and invitations.

Can you imagine the delight that the printers of the Incunabula era would have had if they had such a tool as this font with a hundred and fifty glyphs of decorative capitals. The printers of that era were lucky to have more than a handful such delights. These Decorated initials and drop caps are all based on early period exemplars, dating to prior to 1525, from a wide range of printers such as Thomas de Blavis to Günther Zainer. Every Proportional Lime Font comes equipped with a complete character map.

Playtoon is a playful display typeface that may be used for a variety of projects. Each letter in this typeface has been specifically created to emphasize a fun, distinctive, and distinct personality. also in a unique pattern on each letter, greatly enhancing the uniqueness and enjoyment of your project. Of course, this typeface is appropriate for a wide range of creative applications, including game covers, titles, book covers, outdoor events, posters, banners, promotional material, movie titles, YouTube covers and thumbnails, children’s games, cartoon projects, and other unique projects.

Delaguerra is based on a lettering style originating in the California Arts & Crafts period commonly associated with 'Mission Style'. It is still in common usage in signage at historical sites in California. This version is a sort of idealized hybrid of several different variations on the style from samples we were sent by a customer who wanted to use the font in a set of invitations. It features a basic character set on the lower case and then relief initial versions of the same characters for the upper case.

Rosina is a geometric typeface with a distinctive charm. With a captivating fusion of dashing 1920s style and 21st Century sensibility, geometric forms have been taken and optically adjusted to create a sturdy typeface. Tall ascenders and descenders attempt to simulate architectural features of the Art Deco period, striving for a look of the future, nevertheless form always follows function. Rosina explores typographic boundaries and lends itself well to branding, posters and other display uses. Full details include 6 weights from Thin to UltraBold and include a range of OpenType features such as case sensitive punctuation.

Sprightful Font is a casual dry brush font with a bunch of letter variations to make that perfect and unique design. Ideal for the header, logos, handwritten quotes, product packaging, poster, merchandise, social media & greeting cards. Sprightful Font comes with upper and lowercase characters, a large set of punctuation glyphs, numerals, and the second version of Sprightful, with a completely new set of both lower and uppercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option.

Get to know Norman Fat a new version of our best seller Norman, elegant and fashion forward. This new condensed high contrast and heavy weight serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman Fat is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display.

Lucky Organic is an endearing and charming handwritten bubble font that radiates pure cuteness and playfulness. With its whimsical and rounded letterforms, Lucky Organic captures the essence of joyful innocence. Each letter is nestled within a delightful bubble, creating a captivating and cheerful visual effect. The font's organic curves and friendly design make it an ideal choice for projects that crave a touch of adorable charm, such as children's books, playful logos, and vibrant signage. Lucky Organic effortlessly transforms any text into a lively display of creativity, bringing a smile to faces and a sense of light-hearted wonder to designs.

Zapatista is derived from a typeface that I designed in 1998 but never released. It is a playful slab serif with a texture that is sometimes subtle and reminiscent of the irregularities of letterpress printing. Like a fine wine, this face has been aged to perfection and is now ready for public consumption. It includes a full character set with accented characters as well as a second full set of alternate uppercase, lowercase, and numbers. OpenType makes it easy to mix and match the two sets of letters to create custom designs. It's like having 2 fonts in one!

“When you push the stage props of the life aside, there will remain the truth ...” Ambient is a deconstructed sans-serif font, which captures the essence of basic Roman letterforms... with a few twists. Gabor Kothay was born July 19th, 1962. He works as a graphic designer and teaches second-form art students. Typeface design was a hobby for many years but it has become an everyday routine with Fontmunkasok and Fontana Type Foundry. He lives with his wife and two daughters in a suburb of Szeged, a sunny southern Hungary town that lies on the banks of the Tisza river.

Quenda is a small sans-serif family comprising six weights: thin to heavy. Due to its rounded terminals and a slight handwritten look, Quenda has a friendly and warm appearance. Its main purposes are for advertising and branding projects. You will find lots of ligatures and a total of 593 glyphs in each style. With extensive language support, lining-, old-style- and tabular-figures, a slashed zero, self-building fractions, superscript and subscript digits, a set of arrows as well as thousands of kerning pairs, Quenda is ready to contribute to your next design project. Designed by Marc Lohner in 2015.

Bonning is a Roman face full of the spirit of the 1920s. It was inspired by a (real)estate agent's For Sale board seen in an old sepia photograph from that era and combines visual flair and period with good clear legibility. A range of Opentype features including alternate forms, old style numbers and fractions, as well as discretionary and standard ligatures are included. Three weights are offered, including a shadowed black form are offered, all in a choice of three widths. It's the ideal face for signage with a period feel, as well as posters, headings and feature paragraphs.

Magasin is a high contrast display typeface inspired by the pointed pen calligraphy, yet with a retro-chic twist. It combines a sense of script with geometric and slightly condensed structure resulting in idiosyncratic curves softly connecting the vertical elegance of its forms, ideally suited to use at large sizes in headlines for magazines, posters or packaging. Magasin boasts a rich set of OpenType features that provide a better flow such as Ligatures, Stylistic Alternates, Contextual Alternates, and Final Forms. It also includes a set of capital Swashes. Please check the ‘Read me’ file located in the gallery for more specifications.

Let Kinder Stone add a pop of personality to your designs! This fun and whimsical font is like a playful friend. Its rounded, bubbly letters give it a friendly and approachable feel, while its cartoon-like appearance adds a touch of humor and playfulness. Use Kinder Stone to create logos, posters, and other designs that need a dash of personality and fun. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing "Queen Michelly" - a Serif font family that's "two-faced" with modern and vintage. If you're using Vintage Retro : Access your OpenType features to access a large selection of alternative fonts and ligatures, pick the font you like from a wide variety of variations to get the vintage look you're looking for. Vary between a light and heavy vintage look based on the number of letters you change. Due to its dual personality, Queen Michelly is a very versatile font, covering a wide variety of projects, from bold magazine images, to wedding invitations, to branding, poster design, and more. Inclouded : - Multilanguage

The concept of a bold connected script with a hand lettered feel has been on my bucket list for decades. I imagined a pretentious, ornate, swashy look, a variety of word-end embellishments, heaps of ligatures and underscores. It took a weekend workshop on Python Scripting at Type@Cooper in San Francisco reinforcing the smarts of Opentype to make it happen. Hand drawn on paper using broad pen strokes for reference, the design was the easy part. The real work was in the back-end and self-imposed rigorous testing. Download a comprehensive pdf User Guide at this link.

Advertiser JNL is a simple A-Z only font used to make retro-styled titles and names. Based on a popular style of retail signage from the 1950s and 1960s, alternating keystrokes will create a contrast of positive and negative letters. The capital letters have the alphabet in white on black boxes, the lower case have the black letters alone—with the white space conforming to the width of the black boxes. In a pinch, the boxed characters can also be used as initial caps. For a more complete character set with the same style of lettering, use DuBois Block JNL.

ITC Juanita is the work of Argentinian-born designer Luis Siquot and was inspired by a text set only with woodcuts which he was reading during a long international flight. ITC Juanita is a series of six distinct typefaces which Siquot sees as a personal reinterpretation of designs that originated in the 1930s and 40s and were still popular during his childhood in the 1950s. For me, Juanita is like a toy, charming, expressive, and also dramatic," says Siquot. The ITC Juanita series offers designers a range of variations based on similar structures, each variation with its own look."

Portello is a display family in the tradition of Tuscan advertising and display faces. It's a family of three 'all capital' faces. A perpendicular regular form is offered, along with an italic form (a true italic - with purpose designed glyphs-NOT merely an oblique) and a basic form for small text - which dispenses with the family's characteristic outlined look. It offers the spirit of the Victorian era with ready and distinctive legibility. It's ideal for poster work, especially at large sizes, and for signage with a period flair. Why not give your work the flair of colorful 19th century commercial design today?

The idea of this font started while designing a logotype for a company named (Mazarat), consisting of 3D geometric looking shapes and overall structure. After designing several words, I thought of using the design concept of this logo to develop a geometric Kufi font for headline category. All letters of this typeface family were conceived with suitable coordinates and dimensions to create the first weight, bold, before finishing the rest of the letters to support Arabic, Persian, Urdu and Kurdish languages. Another weight was conceived, regular, which was designed closer to light to support applications that require variations in thickness. With a 3D look, this font is a simple and creative addition which can be useful for book titles in addition to a variety of other geometrical constructions projects. It brings new design concept for ends of Jeem, Ayn, Reh and Waw to enhance beauty and harmony and to enrich our previous geometrical font contributions which started with the release of HS Alhandasi and HS Almohandis from HibaStuido.

Welcome fashionistas, we have designed a type family based on fashion and current trends. Trendy, the new font of our studio follows the same design line that represents us, processes with brush lettering, variety of characters, OpenType programming and a special touch that reflects a boho chic style. The soul of Trendy is inspired in the logotype of one of the most influential type foundries around the world. Because of its great contribution in graphic design we have decided to pay tribute by expressing our gratitude for being an icon in the design world, the most recognized type designers of the last years have been part of that type foundry and for being source of inspiration for new designers. Trendy represents a fashion house, a place that breathes fashion, there are inside 5 determining variables for designing time: Regular, Bold, Black, Display & Stencil. Discover this new way to see the glamour world all include in a type family. To know more about our new project, Trendy, visit our web site www.estudiocalderon.co and our portafolio in Behance.

The Humorous is the perfect choice for adding a playful and energetic touch to your creative projects. With its combination of uppercase and lowercase letterforms, The Humorous offers versatility and allows you to create captivating typography that stands out. Whether you're designing greeting cards, posters, children's books, or any other cheerful project, this font will infuse your work with a sense of fun and happiness. The font includes a comprehensive range of characters, including numbers and punctuation marks, ensuring versatility and compatibility across various design applications. It also supports multiple languages, allowing you to express your message effectively to a global audience. One of the standout features of The Humorous is its collection of ligatures, which adds a touch of uniqueness and enhances the visual appeal of your designs. Additionally, the font is equipped with PUA Encoding, enabling easy access to special characters and glyphs. Embrace the joyful spirit of The Humorous and let your creativity soar. Whether you're designing for personal projects, branding, or any other creative endeavor, this font will bring a smile to your audience's faces.

Some years ago, a good friend and typophile, Gonzalo García Barcha, approached me with the idea of designing a typeface for his editorial project Blacamán Ediciones. He had just came across an hitherto unknown manuscript by Luis Lagarto, a colonial illuminator and scribe, working in Mexico City and Puebla in the late 1500s. The manuscript calligraphy was incredible and stunningly original. It featured three different hands by the scribe, intermingled in the text: a kind of baroque «Roman» roundhand; a very ornate, lively «Italic»; and some sort of irregular, playful, even funny «small caps». All imbued with an eccentric, convoluted zest and vivacious rhythm. Lagarto is the final result of translating these extraordinary hands into a digital type family. Since the manuscript had no numerals, math signs and many other characters now in use, part of the fun of the job was to infer them from the stylistic peculiarities of Luis Lagarto's calligraphy. Lagarto received an Award of Excellence at the Type Directors Club of New York annual competition.

Chianti was designed at Bitstream by senior designer Dennis Pasternak in 1991 and initially released in 1995. The intent behind the design was to provide a humanist sanserif of high readability at a wide range of sizes and weights. Humanist sanserifs (others that fall into this category are Linotype’s Frutiger and Optima, and Monotype’s Gill Sans) are an attempt to improve the readability of sanserifs by applying classical roman structure to the letterforms. To enhance its versatility, Mr. Pasternak designed a wide variety of alternate characters, rare ligatures, ornaments and swashes. Chianti is a friendly sanserif useful for a broad range of typographic needs.

Being one of the most popular font style; Neo Grotesk, Hando offers a wide range of usage possibilities. It's low x-height and variety of light size options make it a good choice for reading, it's tenuous white spaces in the counter letterforms make it legible enough to be recognized remotely. It's curve tensions on the circular letterforms gave a futuristic impression. It's sleek and simple strokes make it perfect for a broad range design purposes. Hando consist of 10 syles from Hairline to Black with each matching oblique. Contain more than 440 glyphs that support a broad latin languages. Also some Opentype features e.g. stylistic alternates, variation of figures, e.t.c

Quaint Vibe is a unique display font created by Look Minus Today. It captures a distinct and charming vibe, blending vintage aesthetics with modern design elements. With its quirky and unconventional letterforms, Quaint Vibe adds a touch of whimsy and character to any project. Whether you're creating retro-inspired posters, playful logos, or eye-catching headlines, this font will evoke a sense of nostalgia and captivate your audience. With its extensive set of alternate characters and ligatures, Quaint Vibe offers endless creative possibilities, allowing you to craft truly unique and captivating designs. Embrace the charm of Quaint Vibe and infuse your projects with its one-of-a-kind appeal.

NewYorkerType was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it in, I just looked at the type and redrew it completely by hand. So it is not just a copy, but rather a redesign. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin's design for New-Yorker magazine was just one of them, but the best. Yours, sincerely honoring Rea Irvin a great type- and magazine-designer Gert Wiescher