The Phantom Isles: Retro Tiki Font A Textured Retro Font Inspired by Tropical Tiki Style and South Sea Adventures! The Phantom Isles is a hand-drawn font inspired by 1950s Tiki culture, tales of exotic locations and south sea adventures. It features the textured look of weathered wood and is the perfect choice for book covers, movie titles, theme parks or vintage themed events. The font includes a complete set of uppercase and lowercase characters, along with numbers, punctuation, symbols and language support. You’ll also find a set of specially illustrated underlines, shapes and icons including flora and fauna, old rope, skulls and more. A Brief History of Tiki Culture Originating from Māori mythology, a tiki is a wooden or stone carving that represents deified ancestors found in most Polynesian cultures. The mainstream and commercialised Tiki Culture that became popular across America from the 1930s to 50s was inspired by the sentimental appeal of an idealised South Pacific, particularly Hawaii, as viewed through the experiences of those who had visited such areas during World War II and cinematic depictions of beautiful scenery, forbidden love and the potential for danger. Over time it selectively incorporated more cultural elements of other regions that affected Polynesia, such as Southeast Asia. The Americanised form of Tiki Culture maintains a dedicated following today, particularly among those interested in 1950s graphic and interior design, history and the escapist lounge aesthetic it inspires. Learn more about the history of Tiki and Polynesian culture.

Mother of Mitra, Crom’s Devils and other Savage WORDS! The only thing better than one dead Pict is TWO! Or THREE! Or FOUR! And what better than this SAVAGE font to sound the sword strokes of a BARBARIAN BORN?! Hack! Slice! Cut your fiendish foes into pieces with Comicraft’s SAVAGE SWORD and tell your SAVAGE TALES to all and sundry and even those you’ve sundered! BE AWARE! Handle with care and keep some neosporin or other antibacterial cream at hand -- being Savage and filled with Berserker Rage may result in unintended wounds to yourself and your kinsmen. Savage Sword features two sets of automatically alternating uppercase characters, plus support for Western & Central Europe and Vietnamese.

Main Street is a revival of the old font Soutache, the original version of this decorative alphabet was created in 1873 by Julius Herriet, a type designer active during the period marked by the Western expansion. Main Street with its split serifs and ornate scrollwork reflects the romantic splendor of the old west from fancy garb and Cowboy Saddles to Ice Cream Parlors and painted window signage. Main Street goes one step further by creating a base fill font which can be placed behind the regular Main Street font giving this font more of an inline appearance. You will need an application that allows layering of your fonts in order to take advantage of FontMesa Fill fonts.

The hands on the clock tick inexorably on... the numbers on the digital display roll inevitably toward zero... time is tight, the fuse is getting shorter and the beads of sweat on your forehead are glistening in the red light of the LCD... you have come to a place where the only thing you feel are loaded guns in your face... can YOU handle the DREADED DEADLINE DOOM?!? TICK TICK TICK TICK TICK TICK TICK TICK TICK THRAKAKAKATHOOM! Uh oh… you blew it. Deadline Remastered features 18 static weights, including the new nearly square "Block", each with complete Western & Central European language support. Use the Solid & Open Variable fonts to access unlimited width and angle options.

Belle Helene is a script and symbols font based on handwritten brush letters. The name is inspired by the famous french dessert with the same name (wine cooked pears with vanilla ice cream and chocolate syrup). This soft and smooth shaped font is suitable for restaurants, cafes, shops, bakeries, menus, wedding stationary or wherever a warm and informal feeling is required. It comes with open type features such as standard ligatures and alternate end/initial letters. The symbols font has 62 cute symbols to play around with to spice up your designs. Multilingual support is included for almost all European languages (Diacriticals). Please Note! Test the font in the Font Preview before purchase.

Duck! There’s a cream pie headed your way! This wild and wacky face is based on the title card lettering for the original Soupy Sales TV show, a lasting testament to my misspent youth. Both versions of this font contain the complete Unicode Latin A character complement, with support for the Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Fijian, Finnish, Flemish, French, Frisian, German, Greenlandic, Hawaiian, Hungarian, Icelandic, Indonesian, Irish, Italian, Latin, Latvian, Lithuanian, Malay, Maltese, Maori, Moldavan, Norwegian, Polish, Portuguese, Provençal, Rhaeto-Romanic, Romanian, Romany, Sámi, Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish and Welsh languages, as well as discretionary ligatures and extended fractions.

Monday is a bold and strong script family of two weights and a matching ornament set. Monday has a polished 1950s hand lettering feeling to it and it is ideal for logo, packaging and brand design purposes. Monday is equipped with plenty of alternates and features: To activate the alternates click on Swash, Contextual, Stylistic or Titling Alternates or Lining Figures in any OpenType Savvy program or manually choose from even more alternate characters from Glyph Palette. If you need to write in caps Monday pairs up nicely with Peaches and Cream Caps. Monday is loosely based on Fenotypes earlier release No. Seven. For the best price purchase the complete Monday Family.

“The rounded shapes are like Chantilly cream or Italian meringue over a lemon pie,” says designer Xavier Dupré of his FF Sanuk Round typeface. Designed to work alongside the existing members of the FF Sanuk family, this sprightly sans serif offers a more mischievous personality than its counterparts. Angular shapes have been gently softened, to create a playful design that really comes into its own at larger sizes. Set this one on posters and packaging, or anywhere you need to be punchy yet approachable. The FF Sanuk Round family is based on the original FF Sanuk family and offers 5 weights plus from Ultra Light to Black plus italics. It offers OpenType features including stylistic alternates and ligatures.

Gelato Fresco represents a coming-of-age of a script font that started life in 2011 as the popular Gelato Script. In 2018, Gelato Luxe sought to improve on Gelato Script, and now, with the addition of extra weights for the first time, Gelato Fresco takes the baton. What was always a typographically sophisticated and versatile font, has reached new levels of usability as it becomes a family. In its previous incarnations, the typeface has graced everything from designer handbags to prime-time TV shows; food blogs to wedding invitations; glossy magazines to (not so imaginatively!) ice cream shops. I can't wait to see what this even more versatile version gets used for.

Welcome to Happy Letters shop :) Happy St. Valentine's Day! Lovingly includes unique heart flourishes that give a charm and romantic love holiday mood ornaments, Valentine greeting cards, invitations, etc. Thin, elegant calligraphic lines like a light breeze give freshness and dreaminess to your handmade creations. Ornament font Lovingly is mapped to regular keyboard keys, so you don't need any additional programs to use them. Just install font, type and go! Lovingly is perfect for: decorating your albums, for holidays, logos, phrases, gift shops, Valentine's Day card, gift cards, tags, labels, stickers, wedding invitations, header images, Etsy presentations, ideal for handmade, scrap booking, printed paper items, promoting seasonal blog posts, social media posts, Pinterest, Instagram and much more.

The Griffith Initials font was inspired by a set of highly stylized capital letters from the remarkable hand of one of Americas foremost penmen, dating back to 1927. They combine a large degree of accuracy, grace, strength, and freedom. This font includes one set of graceful A-Z initials conveniently assigned to both the upper and lower case alphabet characters.

Caslon1821 is a revived "Italian" typeface of foundry Caslon & Livermore, 1821. The typeface quickly extended across Europe and America. It came to Russia and became very popular from France in the 30s of the XIX century. It's Cyrillic versions were offered by typefoundries of Revillion and Co., Pluchard, Semen, etc. In our version we also added support for Hebrew (with vowels).

JUNO is a soft & friendly script font for display use. Inspired by latin American vernacular signs, defined by the freshness of the freehand strokes, and mixed with the rigor of typography. Juno is well suited for packaging, headlines, advertising and any handmade feels graphic. Designed with a wide range of options, its variables move between tow poles; regular to black & condensed to expanded, plus true italics. This 40 font family sums up to 5 weight subfamilies: Regular, Semi Condensed, Condensed, Semi Expanded, Expanded. Designed with powerful opentype features, alternate characters and extended language support. We’re proud to introduce: Juno.

NixonScript is a display typeface inspired by the typographic emancipation given voice by 1950s and '60s north American vernacular type. NixonScript's starting point was lettering found on a 1960s camera found in a Chicago junk shop, but its development saw it transformed from a punchy sans-serif to a more thoughtful serif, with a lowered x-height and a vibe of almost priestly piousness. Rather than a simple regular italic, a bold italic is offered. During its development, the regular version seemed almost placid but with the double emphasis of bold and italic, NixonScript gained an energetic, self-congratulatory form.

The starting point for Wildcat was the 3×5 squared grid popular for tiled lettering and American sportswear typefaces. However, Wildcat breaks free of the net whenever necessary. This typeface comes across as tough, it has no soft curves, and evokes strength and confidence. Unlike other collegiate-style fonts, Wildcat includes a real lowercase which makes the face particularly usable and adaptable. Wildcat also contains a full complement of Latin Extended-A characters. Three fonts are included in the download; Regular, College and Outline. The College and Outline fonts share identical spacing and kerning, so can be overlapped to create bicolor artwork.

XyloScript is my first script with a woodcut look to it. Still, it is very elegant. Xylo is Greek and means “wood”. This script is another one I designed in the tradition of the 18th-century English calligrapher George Bickham and the 19th-century American calligrapher Platt Rogers Spencer. I like it, your very crafty Gert Wiescher BTW if your font manager tells you that the font is corrupted, just ignore that! This script is very complex and that’s causing some font managers to say the font is corrupted. I have tested it and it works fine!

The font family "DEADman" is mostly inspired by the weird style of the British illustrator Ralph Steadman. He had a long partnership with the American journalist Hunter S. Thompson, drawing pictures for several of his articles and books e.g. "Fear and Loathing in Las Vegas." Like Steadman's artwork all the letters are painted with ink. The best ones were selected out of hundreds of variations to get the whole character set complete and look uniform. By combining the regular weight with one (or both) of the additional weights "Blotting" and "Squirting" you can achieve a more freaky and psychadelic look.

ITC Kulukundis is the work of designer Daniel Pelavin, a square, connecting script which looks as though it could have been cast in shiny chrome for the side of a 1950s American roadster. Pelavin based his design very loosely on a vertical French script but the overall look is all his own. Unlike calligraphic scripts, the lower case letters all connect in exactly the same way and the straight diagonal junctures give the typeface its broad, spacious character and keep it locked into a continuous line. ITC Kulukundis could also be used to create a decorative border for special occasions.

Linotype Renee is part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. It was a prize-winning entry of American designer Renee Ramsey-Passmore. The letters of this font are strictly constructed with a grid, which is still visible in the weight Types + Lines. The figures are designed with only the basic forms of circle, rectangle and triangle, giving the font an individual and technical feel. Some letters are only recognizable in the context of a word, making Linotype Renee exclusively for short headlines in large point sizes.

Frank H. Atkinson was a popular Art Nouveau sign painter in Chicago, Illinois. He designed signs for the Cadillac Motor Car Co., Chicago Academy of Fine Arts and the department store Marshall Field. Oddly enough, he even designed signs for other sign painters. In 1908 he published a book, Sign Painting, which sold well. French Plug, a bold, rounded, all-cap design in an American Art Nouveau style from that book. It has a relaxed, easy-going informality that is useful for ads and flyers. It also would have fit very nicely with many French posters of the period.

Victory Script is the sixth font family created by American Graphic Designer Tom Nikosey. Tom specializes in Lettering, Typographic Design, Illustration for Branding and Trademarks. CozyFonts Foundry is Tom's intro into the world of font design. Aladdin Family is the first font, Skratchbook Family is the second & Noodlerz Family is the third, Toms Finger Family is the fourth, Posterface Family is the fifth & Introducing Victory Script Family as the sixth with 2 fonts: Victory Script & Victory Script Aged. Please visit www.TomNikosey.com or Google Tom Nikosey for more info on his illustrious career. CozyFonts is Tom's intro into the world of font design.

The type design for Impecunious JNL comes from the 1939 sheet music for "You Don't Know How Much You Can Suffer (Until You Fall in Love)". The name comes from another piece of sheet music, 1899's "Impecunious Davis" [a piece of late 19th century tripe demeaning Black Americans]. However, the word "impecunious" was intriguing. According to the website Merriam-Webster.com, the simple definition of impecunious means "having little or no money". Since we've all been in that spot at one time or another, it became a perfect font name. Impecunious JNL is available in both regular and oblique versions.

Slenderz is a handwritten font designed by Tom Nikosey, an American Graphic Designer specializing in Typographic Design and Illustration. Slenderz is available in Light, Medium & Bold weights. CozyFonts Foundry is Tom's intro into the world of font design. Slenderz is a casual, handwritten font that gives a reserved yet firm and legible personality to any headline or copy. Each of the 3 weights has it’s own personality yet like 3 brothers they represent the and belong to the same family. Intermixing Light & Bold or Medium & Bold won’t ruin the flow but will enhance it. Slenderz is the 9th font family from CozyFonts Foundry.

American type designer Guy Jeffrey Nelson created this script FontFont in 1994. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, festive occasions, poster and billboards as well as web and screen design. FF Providence provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional oldstyle figures. As well as Latin-based languages, the typeface family also supports the Greek writing system. This FontFont is a member of the FF Providence super family, which also includes FF Providence Sans.

Proudly present Peronas a new display font Inspired by American circus and carnival typography. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with the script, sans, or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Medina Gothic is a three-weight sans serif inspired by Latin American moderne. It was designed in response to the 2002, Altos de Chavon design conference in The Dominican Republic, which celebrated utilitarian driven gestures in graphic design. "There’s a rigor to Medina Gothic that takes care of all sorts of tenets of a hard-working, highly legible, objective font. But at the same time, it’s human. All the curved terminals and open counter forms make for a sort of kindness. For all the discipline, it doesn’t sacrifice its friendliness." – William Morrisey, Professor of Typography, Parsons The New School for Design.

Tuscaloosa is a hybrid script that includes Tuscan (bifurcated) serif treatments. The design of Tuscaloosa began as a set of organically-formed initials, the Tuscan serifs being reminiscent of shoots and leaves bursting forth. Tuscaloosa also derives inspiration from the late Victorian era, when the development of newspaper and poster advertising led to extremes of weight in the main strokes. The font is intended to convey an aura of excitement and fun that characterized those times! The name 'Tuscaloosa' was chosen because of the appropriate combination of 'Tuscan' and 'looseness,' and because of its essentially American character.

ITC Kumquat is the work of American designer Eric Stevens. He started with the logo for his company, Tower of Babel Design, and expanded upon the Mesopotamian look to create a typeface to match. Stevens imagined drawing figures in the sand with a stick and how this method would change the way one usually draws characters, usually with lines replacing curves. Most characters are slim but a few, like the uppercase A and L, were made to contrast with the rest. ITC Kumquat is a great display typeface for anything which should have an antiquated feel.""

Corner Deli is a layered script & sans pack inspired by American commercial sign culture. Corner Deli has three base fonts and four layer options for each + there is a set of extra end swashes for Corner Deli script and layers for them too. Corner Deli is easy to use, just write the same text with different layer-fonts and colors and stack them on top of each other: check the gallery for more detailed instructions. Corner Deli is a great family for any display use, especially for branding, packaging, menus & posters from print to online and it works stunning even without the layers.

Speener is a handwritten font designed by Tom Nikosey, an American Graphic Designer specializing in Typographic Design and Illustration. Speener is based on his son Spencer’s printing style. “I love the way Spence prints. There’s a loose control in a vertical stroke that has his personality built into it. I wanted to create a font to see how it would look & feel and it looks and feels right to me”. Speener is a nickname. CozyFonts Foundry is Tom's intro into the world of font design. Speener is a casual, handwritten font and the seventh font for CozyFonts Foundry.

Indenture English Penman is based on research into original English and American indenture contracts from the eighteenth and nineteenth centuries, mostly with roundhand scripts, paragraph versals in Old English script and many, many flourishes. This font has a little of everything, with hundreds of glyphs: dozens of versals to each alphabet letter, some versals in Old English style, plus flourishes to use at beginnings of paragraphs or chapters, and many additional flourishes to create perfect ancient documents. To better use the resources of this font we suggest using the Glyphs resource in Illustrator and other software.

The font DXAngelusMediaval was developed on the basis of the Angelus Mediaval font, which was issued by Russian type foundry from the beginning of the 20th century (type foundry of G. Bertgold, St. Petersburg and Moscow, before 1904). Probably, the font is a reworking of the DeVinne font (1892 (?), Designer Nicholas J. Werner) of the American Central Type Foundry. For the reconstruction, we used examples of font prints: Cyrillic from the catalog "Art Fonts", 1929, Latin part - Chicago font, from the catalog "La Fonderie Typographique Francaise" (FTF) 1924. In addition, in the font are available Digits of the old style and ligature.

The standard American sanserif of the first two thirds of the twentieth century, prepared for ATF by Morris Fuller Benton in 1908 under the name News Gothic, with a matching lightface known as Lightline Gothic. Linotype’s Trade Gothic follows News Gothic except for its widely-spaced straight-sided boldface based on ATF Alternate Gothic No.3. Linotype matches News Gothic Bold, a boldface version that originated at Intertype, with Trade Gothic Bold No.2. Ludlow Record Gothic follows News Gothic more loosely. News Gothic BT™ font field guide including best practices, font pairings and alternatives.

Binny Old Style is based on type designs originally cut in Scotland about 1863. Binny Old Style shows the influence of the types cut by William Caslon but was an attempt to make a modernized version by eliminating some of Caslon's more archaic features. It was cut by some American foundries at the end of the nineteenth century and by Lanston Monotype for mechanical composition, in 1908. Binny Old Style was named after Archibald Binny, a Scotsman who established a type foundry in Philadelphia in 1796. The Binny Old Style font is ideal for small point size settings in newspaper advertisements, catalogues etc.

Mocombo JNL is a slightly modified version of one of the numerous alphabets created by the late Alf R. Becker for Signs of the Times Magazine during the period of the 1930s through the 1950s. Tod Swormstedt of ST Media—who is also the curator of the American Sign Museum in Cincinnati, Ohio—supplied Jeff Levine a wealth of source material from which this font is derived. The angular style of this typeface was originally referred to as “German Poster Lettering” by Becker, but it can represent many styles from 1940s night clubs to African safaris and just about anything in-between.

Gradus is a multi-purpose typeface designed to properly mix elegance and rhythm. The balance between modern and sophisticated touches and styles can achieve the effect of harmonizing well with any device and channel. The hardness of the rigid stem of the grotesque typeface is transformed into a soft touch that organically matches words and sentences. Langages. Basic Latin. Western European, Central European, South Eastern European, South American, Oceanian, Basic Cyrillic, Ukrainian OpenTypeFeatures. Standard Ligatures : fi, ff, ffi. Discretionary Ligatures : ai, ia, il, ill, illi, ma, md, mi, mu, na, nd, ni, nu. Fractions, ss01, ss02, and more.

RF Marshall was inspired by an 1883 tombstone, tucked away in a pioneer cemetery. The 4-sided marker is sparsely adorned with homespun carvings of a handprint, two tulip poplar leaves, and these words: "RF Marshall died 1883 Aged 72 years." The font faithfully reproduces the stone's hand-carved lettering and artwork, as well as artwork from other 18th and 19th century American headstones. It was drawn with calligraphy nibs dipped in walnut ink and delights in a range of end uses including period films, rustic decor, Halloween decorations, historical logos and branding, and on the pages of children's books.

ITC True Grit is the work of American designer Michael Stacey, a bold distinctive typeface. An enthusiastic collector of vintage graphic design, Stacey says that he is especially intrigued by lettering styles from the days when most display typography was done by hand. The style for ITC True Grit was taken from the 1930s and updated for digital imagine. Stacey say his goal was to retain the casual feel of handlettering yet impart the crisp finish of current precision typography." ITC True Grit is a hybrid design, a cross between German Blackletter and brush script with a hint of Jugendstil thrown in."

“PGF Dinos” is a low contrast round typeface that resembles handmade American ‘Sign Painting’ in such the upper portion of the characters is bigger than the lower one, what gives the font a more playful and friendly personality. Another remarkable feature is its hooked terminals in characters such as C, G or S, heightening the differences between similar characters. “PGF Dinos” Family is composed of 10 different weights ranging from Hairline to Extra Black plus Italics and a full set of Dingbats. Early version was originallly called as “Globa” and was developed under the supervision of the Latinotype Team. Designer: Pedro González.

Ariom is a fresh, geometric, sans-serif font family inspired by iconic typefaces. Ariom has a big x-height value, ​geometrical letterforms, sharp edges, and strong stroke contrast as the neo-grotesque fonts from the 20th Century. The typeface is versatile and can be successfully used in magazines, posters, branding, websites, headlines, large-format prints, brand identities, social media, advertising, editorial design, posters. The family contains over 40 alternative glyphs and over 50 ligatures in each style. The family comes in 3 weights with their corespondent italics. The family Latin supports Western, Central, South Eastern, South American, Oceanian, Pan African, Vietnamese, and Sámi.