Aston is a custom sans serif font which is applicable for any type of graphic design - web, logo, print, motion graphics, and more.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, or text, closely related to Latin.

A modified remake of one of the popular wooden type fonts of the 19th century. An extra bold sans serif suitable for display.

This font can use in any media like tees design, poster, banner or movie logo type. Let's try ! Awesome font be with you !

Washington Heights JNL is a sans serif type design based on a vintage hand-made directional sign for the New York subway system.

Daily Tabloid JNL was redrawn from a set of wood type that was popularly used for newspaper headlines, posters, broadsides and the like.

Woodlawn JNL is based on an open face wood type. A bold outline sans, this design is excellent for headline and titling applications.

Wood type maker W. H. Page designed this in 1870. Caps, figures and points only. A great decorative for old-timey poster work.

Inspired by an image of some Art Nouveau wood type spotted online, Nouveau Impression JNL is available in both regular and oblique versions.

Try new Echophonic today! It's hi-fidelity sound you can actually see! Another miracle of modern science in several weights by Rocket Type.

Tribalism is a dingbat/flourish font inspired by tattoos and more. Use these ornaments to decorate your type settings and or design work.

Though there are many thousands of digital typefaces available, none seem to be made exclusively of letters that tessellate, a complete tessellating alphabet. This void is now filled with not one typeface, but a group of typefaces, the Tescellations kinship group. Even though I am aware of only one use for this typeface--writing about tessellations--that does not mean there are not hundreds or perhaps thousands of other uses. These typefaces are a byproduct of two maze books I designed, Puzzling Typography and Puzzling Typography A Sequel. I found the challenge of making mazes from tessellations, including letter tessellations, intriguing and these typefaces are a byproduct that endeavor. There are seven members of this typeface kinship group. I tried to select the the glyphs that fit together best to form Tescellations; it is the most readable of the lot. The reason for an Italics version is that I needed one for the maze project. In constructing it, I tried to include as many different lower-case glyphs as I could rather than just skew the regular version. A purist might insist that the tessellation deal with the counters. My approach was to worry only about the exterior of any letter that has an interior, but for anyone who who might object to the counters, versions with filled counters are included. What did not fit into Tescellations was dumped into Tescellations Two, which is somewhat of a ransom-note type of face. It comes in two styles, a regular version and a version in which the counters are removed. TescellationPatterns shows how many of the characters in these typefaces tessellate. It has over 100 tessellation patterns, each on only one character. Simply type several lines with any character and make sure the leading is the same as the font size, and you have an instant tessellation pattern of a letter.

Gerard Unger’s new typeface Alverata is a twenty-first-century type-face inspired by the shapes of Romanesque capitals in inscriptions of the eleventh and twelfth centuries, without being a close imitation of them. It is additionally based on the early twentieth-century model, but tweaked so as to prevent blandness and monotony. Alverata performs beautifully in both screen and on paper, delivering excellent legibility. Its letters are open and friendly in small sizes and lively and attractive in large sizes. They are robust, and show refinement in their detail. Unger’s Alverata is an extensive type family, with versions for both formal and informal applications, and with Greek and Cyrillic relatives. Alverata consists of three different fonts: Alverata, Alverata Irregular and Alverata Informal, that vary in form and width, but maintain the same spirit. The Irregular version is particularly inspired by the Insular letterforms, the uncials, and their constantly changing positioning. Alverata strikes a balance among Europe’s diversity of languages, combining contemporary typographical practices with features of medieval letterforms, from the time when Europe came into being. Visually, some written languages, such as Czech and Maltese, differ quite strongly from languages like English and German, notably because of their many accented characters. While other typefaces will show this difference, Alverata removes it. As a result, Alverata enables harmonious convergence of languages.  For the development of the Greek letterforms, Unger collaborated with Gerry Leonidas (University of Reading) and Irene Vlachou (Athens), and with Tom Grace on the Cyrillic letterforms.

About Royalis: Royalis is an expressive and extravagant serif typeface family. It is characterized by a high contrast and dynamic features in the details, such as long terminals or deep inktraps. Royalis is available in three versions: a display version in six weights, a corresponding condensed version also for display applications, and a text version for body text in four weights. It also comes with all the corresponding italics. This makes Royalis versatile, especially for editorial, packaging, branding and advertising. The wide range of weights and possibilities allows Royalis to be used variably. The thinner weights are characterized by their elegance, while the thicker weights captivate with their powerful contrast. They complement each other like the three musketeers once did. Be it the charmingly elegant Aramis, the sober strategist Athos, the powerful ruffian Porthos or the charismatic d'Artagnan, who led the group. Features: The Royalis family has a total of 32 weights, from extralight to black with matching italics, as Display, Display Condensed and Text versions. With over 1027 characters, it covers more than 200 Latin-based languages, with a whole range of Open Type features. There are alternative characters as stylistic sets, small caps, automatic fractions - just to name a few. Arrows and numbers: In particular, the extensive selection of arrows and numbers should be mentioned here. Thanks to Open Type features and a simple system, the various designs of arrows and numbers can also be easily "written" without first having to select them in a glyph palette.

Created by German designer Jürgen Weltin, Linotype’s Agilita is a contemporary humanist sans serif family with a wide variety of weights, including both ultra thin hairline options and heavier, dark type. Agilita has rather classical proportions; its clear ascenders and descenders lend more distinct word shapes. Weltin’s design has a dynamic, yet strong and very functional appearance with a fine but clear emphasis on the horizontals. This traditional approach makes it a versatile typeface for large-scale text setting, but it can also be used in complex information design projects, and orientation systems, for example. Hence it was developed carefully into a wide range type family system consisting of 32 styles. This even covers the requirements for display and headline setting. Corresponding condensed weights are suitable where horizontal space is scarce, as in narrow columns and tables, for example. The Agilta Hairline and Agilta Ultra Thin styles were especially made for display use. These fonts should be set at a minimum size of 20 pt for printed project, and about 40 pt on output to laser printers, depending on the paper used. Agilita’s character sets include special symbols and signs that may be used in dictionaries; like arrows for lemmata and signs for cross references, idioms or colloquial language. There are two sets of arrows available in each weight for use in orientation systems. Each font in the Agilta family is built according to Linotype’s Extended European character set guidelines. These offer support for more than 48 Latin-based languages used in Western, Central, and Eastern Europe, including Baltics and Turkey.

Bex Script is a riff on traditional French script forms: the Bâtarde, the Ronde, and the Coulée. It has two versions: First, there’s La Belle, a straightforward, lovely interpretation of the script form, suitable for things like invitations, poetry and branding. La Belle’s evil twin is La Bête, a more whimsical (and considerably more hairy) version, great for anything that requires an elegant-but-beastly feel. Bex is surprisingly versatile! With three optional capital forms (Swash, Caps, and Small Caps) all taller than the x-height, Bex has a variety of voices. A full small cap set and a full set of Swash Caps, plus a large complement of alternates, initial forms, terminal forms, and ligatures makes it customizable and… well, FANCY! Additionally, both versions of Bex Script have a set of ten ornament glyphs. La Belle has a combination of fleurons on a culinary theme and symbols of France. La Bête has ten pseudoheraldic beasts that would feel at home at the top center of any whimsical letterhead. NOTE: A few years ago in Paris, I was lucky enough to stop at the Librairie Paul Jammes in St Germain-des-Prés, where I bought a turn-of-the-19th-century signature from a Type Specimen of the printer Joseph Gaspard Gillé. The irregularity of his script types — particularly the ones at smaller sizes, like the Cicéro — was very intriguing. They seemed to blend the Ronde with some elements of the Bâtarde and Coulée. And they, along with the work of French master penman Louis Rossignol, gave Bex Script its initial form.

Look @ Me is a cartoonish, fancy font. Its special features are the different eyes of the capital letters. The letters literally have faces and who knows, probably they may talk to you... ;)

This is the kind of font which is up to trouble. Not trouble in a bad way, but trouble like when you are in no way prepared what is going to happen. The font is handmade and playful - and to help that playfullness come to live, the 5 different versions of each letter helps! Watch your words change while you write with Budskab! And, by the way..."budskab" is message in danish...just thought you should know!

Noah’s Ark was designed to combine it with the bestiary animal series I designed. A simple font, well harmonized with the highly synthesized designs of animals and insects. So, it seemed natural to use them for posters. Noah's Ark is a stylized font with a constant stroke, which stands between writing and the typeface. Its design is inspired by the fonts used in the 1940s. It is made up of linked letters, excluding numbers and other signs.

Anne's Hand is a custom handwriting font of Anne Hubbard, who tragically lost her battle with anorexia nervosa this past January. Anne loved to write, so her brother Richard designed a custom font of her handwriting as a tribute to her memory. All proceeds from its sale will go to the National Eating Disorders Association to support programs and services like the NEDA Navigators and Loss Support Network, programs that many families count on for support.

Welcome to the new font! An elegant slim handwritten font created from childhood memory. This is how my grandfather wrote. He seemed very beautiful to me when he was little and I really wanted to write "when I grow up" too:) Perfect for captions in photo albums, on photos, birthday invitations, calendars, magazines, Instagram posts and more! A vector font is composed of uppercase and lowercase letters. Feel free to email me shabanovasprt@gmail.com if you have any questions. :)

Luxury Modish is Modern Calligraphy font presentation from Ergibi Studio. Inspired by beautiful writing that has a luxurious feel with additional swash lines This font includes uppercase, lowercase letters, numbers, punctuation, symbols, swash and multilingual support. Luxury Modish is perfect for branding, photography, invitations, quotes, watermarks, advertisements, product designs, social media posts, stationery, labels, and more! I hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :) Thank You, Ergibi Studio

Fusaka was created by graphic designer Michael Want, a highly original and specialized display typeface which bridges Kanji and Roman letterform styles. As in Kanji, each character fits into a square. The shape and the placement of letter and decorative strokes can make Fusaka look like Asian writing at first glance and allow it to be set either horizontally or vertically. Use Fusaka for a unique look on CD covers, magazine headlines, book titles and Web sites.

'Appetizer' is a casual marker font, this font is suitable for a variety of purposes, it is great for logos, craft, prints, text headers, web banners, writing quotes as well as for video editing, animation and other visual presentations. This font is equipped with ligatures and is supported by multi languages, making it worthy of your bringing to any part of the world. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Larchmont is a piece of pure fun, inspired by inter-war enamel advertising hoardings (often known as 'street jewelry') and by traditional sign writing. It's ideal for poster design, book covers and any sort of signage, or just about anywhere you need more than a hint of flair. Larchmont combines a sense of fun with a traditional ethos. The family is offered in three widths, each in upright and oblique forms. Revive the golden age today!

Introducing Naturaliya; An monoline script font! Naturaliya is a hand-drawn monoline script font that showcases beauty and balance in flawless writing. It's the perfect choice for stylish branding & logo projects, product packaging, handwritten quotes, editorial design, and more. What's Included: Naturaliya comes with a single font file that includes uppercase, lowercase, numbers, punctuation, and multilingual support. That's it! I hope you enjoy it. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

In 1994, Edward Benguiat designed ITC Edwardian Script, an emotional, lyrical, even passionate calligraphic typeface. Its appearance was influenced by the look of writing with a steel pointed pen, an instrument which can be pushed as well as pulled, and which produces stroke contrast when pressure upon it is varied. The delicate, sophisticated letterforms of ITC Edwardian Script font were drawn and redrawn until the connective elements of the letters were perfected to create the look of true handwriting.

"Super Crash" is a Playful Display Comic Typeface. "Super Crash," a display comic typeface designed to infuse your designs with vibrant energy and lighthearted charm. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Too Sweet To Eat is a hand-drawn font that has many variations because you can choose from simple outline version, only shadow version, normal version and filling version. If You put one on another then you have a great possibility to apply different colors on different layers! That makes your letters multicolor! Great stuff for decorative writings, posters, informal stationery! SPECIFICATION: alternate characters for all numbers and letters, nearly 400 kerning pairs, multi-language coverage, ornaments.

Introducing Graffiti Line A Display Graffiti Style Font. Inspired by the graffiti art on the city streets, so I made it into a font. So that it will make it easier for you to make graffiti writing or designs. There are much ligatures that will make this font even cooler. So enjoy it! Suitable for many design project, branding, packaging, logo, wall art, headline, template, banner, poster, and so much more! This font is also support multi language.

Asegunt is an abstract handwritten font but looks lovely on the eyes. with original hand strokes mixed together to make words and sentences This font is designed with a natural touch of handwriting which is refined to create a portion and composition that suits your needs. So this font is suitable for craft, children's writing, adventure posters, food banner titles, wedding invitations, product packaging logos, quotes, social media page covers, furniture banner headlines, book covers, and much more.

Drumonz is a death metal font made with a touch of darkness, featuring a heavy and death metal feel to compliment your design. Drumonz is very easy to use in any variation or writing combination, also perfect for metal band logos, merchandise, clothing, apparel, or anything else that calls for a metal feel. Here is tutorial how to use it : https://youtu.be/a0uHeXSmsCo Recomended Software to use: Corel Draw Adobe Photoshop Adobe Illustrator Clip Studio Paint

Côte is a display monospace handwriting font. The typeface is a distinct hand drawn font using a felt marker. The Côte name is derived from the French word meaning "coast" and is also used to describe winemaking vineyards and regions throughout France. One of the most popular regions in the south of France is the French Riviera also known as the Côte d'Azur. Côte is great for display work, invitations, writing, architecture, posters, wine labels and headings.

SF Hussein font is designed to be used in broad writing and short sentences. It is an ornate heading font with minimal details. Its domain is stationery, logos, branding, ad design, and posters, and it can be paired with a range of other font styles to create different moods. This font is an improvement of the Hussein font that was presented by designer Sultan Al-Maqtari in 2013 The Hussain font supports Arabic, Latin, Persian, and Urdu.

Meetha Script is modern calligraphy script font. This is a beautiful script font with italic style. Made gently and danced to give the character of modern writing that is sweet, simple, stylish and firm. With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Misopen is a handwriting script font with a unique, casual and beautiful handwriting style. Misopen was made using a calligraphy pen with a fine nib. This font was designed by writing a lot of sample letters and trying to make it connect natural. It also contains many OpenType "ligatures". Each letter was made with love and designed to work well on designs like invitations, wedding, signatures, clothing, photography, branding, album covers and more. Just try it yourself.

Introducing "Travax" - A Futuristic Sport Font. Elevate your designs to new dimensions with "Travax," a bold and futuristic sport font that embodies the spirit of progress and competition. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Jason Uncial, a unicase font, was created by Dutch designer Coen Hofmann. Uncial hand writing began to spread in Europe at the time of the late Roman Empire (200 A.D.). It influenced both the Carolingian Minuscule as well as our present lower case letter forms. Uncial fonts are still very much in use. It is used for headlines, display, titles, certificates, and not surprisingly, very much in Ireland or for anything with a Gaelic/Irish or Celtic touch.

Introducing Bayfront, a thick handwritten marker font with a sandy variation! Designed to emulate the casual look of marker writing, Bayfront also takes to the beach with a special 'sandy' version which features large distressed markings and imperfections. This distressed style creates a very natural weathered look which is great for bringing an interesting texture to your signage, social media graphics, marketing collateral, websites and more. Bayfront just might be the perfect summertime font for your next project!

Romello is a pretty typeface that was made to make your designs look more funny and pretty. Romello is also accompanied by Alternative characters that embellish every form of writing, Romello is the perfect choice to use for poster designs, signatures, logos, quotes, album covers, business cards, product designs, and many other design projects. Romello has its own charm when used. We make this font look elegant, classy, easy to read, stylish, easy to remember, and easy to use.