Edits and Credits JNL is a cheerful sans serif typeface modeled from ceramic letters in a movie titling set from the late 40s or early 1950s. In the original kit, letters would be lined up accordingly against a contrasting background and photographed for home or professional movie and slide titles. Note: The cap height is slightly smaller than normal for the respective point size. This will give the effect of wider line spacing - similar to that of home movie titles.

A 1930s-era WPA (Works Progress Administration) poster advertising a Federal Art Project exhibit entitled "Index of American Design" was the basis for Art and Design JNL.

Reading & Writing Doodles is just that. 27 low-tech illustrations of books, pens, pencils and paper. Along with some hand lettered phrases, "My Book", "Ex Libris" and "From The Desk Of:" A fresh approach for Save a Date Cards and From The Desk Of notepads. An absolute must for bookplates and your book club graphics.

Rospi Clean and Retro Family is two-element font inspired by the weekly "Tygodnik Ilustrowany” from the 1933.

The hand lettering of a piece of 1930s sheet music's title has once more yielded an interesting take on the popular "thick and thin" lettering of the Art Deco period.

Cast and Crew JNL is a condensed monoline font that lends itself well to any text project where more copy needs to fit into a limited space. A perfect example of this is a movie poster's cast, director, producer and other acknowledgements.

See also Modula.

Olive&Figs - a classic Roman-culture-inspired calligraphic serif with elegant, regal, artistic touch. Specially designed for regal, classy projects, perfectly suitable for creating elegant, simple, lifestyle design such as logos, title, packaging and more.

Surf and Turf JNL was redrawn from hand-lettering on a souvenir folder for an event believed to be sponsored by Miami Beach's exclusive Surf Club on March 19, 1938. Entitled "Steeplechase Pier March 19 Surf Club Stroller", it's now lost to time whether the event recreated some of the fun and games of Atlantic City's famed Steeplechase Pier at the Surf Club, or if this was a special event trip to the New Jersey venue. It's also highly possible that the Steeplechase Pier referred to in the title was the one at Coney Island.

The image of an old enamel sign advertising poultry inspired Poultry and Fish JNL, which is available in both regular and oblique versions. Horizontal cut-through lines within the Art Deco-era hand lettering adds to the uniqueness of this type design.

Imperfectly hand-sketched sans serif.

Adorable accents for your work including frames, labels, chevrons, mustaches, and more!

The 1934 sheet music for "I'll String Along with You" from the Dick Powell-Ginger Rogers musical "20 Million Sweethearts" yielded the charming Deco monoline design for Words and Music JNL.

This family was inspired by the beautiful roman font used by Aldus Manutius in Venice (1499) to print for the first time Hypnerotomachia Poliphili..., the well known book attributed to Francesco Colonna. Francesco Griffo was the punchcutter. The present font contains all of the specific latin abbreviations and other ligatures used in the original. The Italic style, carved by Francesco Colonna, the so called "Aldine" style, was inspired from various documents, all printed with this first Italic font. We offer the complete set of ligatures (about 60) we have been able to find, contained in the original font. In the two styles, we have made differences between I and J, V and U, to make easier a modern use. Added are the accented characters and a few others not in use in this early period of printing. The Italic style may be used as a complement to our 1470 Jenson Latin. The font contains all characters for West European (including Celtic), Baltic, East and Central European and Turkish language.

26 paisleys and 26 swirls to mix and match. All hand drawn of course.

A beautiful bold serif specially designed for display. Inspired by modern fashion and classic typography, this font equipped with hundreds of alternative characters and ligatures. The Brande and Lotaline typeface represented luxurious, elegant, glamour, fashion, and wealthiness. This font works perfectly for logotype, invitation, cards, magazine, apparel, fashion, lifestyle, poster, social-media kit, and many more!

Knitting & Sewing Doodles are just that. If you type all caps you get 15 knitting icons and lower case is 15 sewing doodles. Knitting items include yarn, knitting, needles, ball winder, spinning supplies, stitch counter, etc. Sewing machine, buttons, thread, pin cushion, bobbin, thimble and needles, scissors, label, tape measure, darning egg, zipper, seam ripper, and pins, all in the Outside the Line style.

In the collection of vintage and historic images available online from the Library of Congress is one of the exterior of the Town Talk Diner in Minneapolis, Minnesota. Regrettably, on May 28, 2020, the Town Talk Diner was damaged by vandalism, and subsequently destroyed by a fire that engulfed the building early on the morning of May 29th due to civil unrest following the death of George Floyd. The restaurant first opened in 1946, closed in 2011 and subsequently re-opened under new ownership in 2014 with French cuisine, then from 2016 until its demise as an American bistro. While this was not known at the time of selecting the image for a typographic model, subsequent research on the diner turned up these facts. The large vintage sign above the entrance was in big, bold Art Deco letters with rows and rows of bulbs for illuminating the name at night. Coffee and Danish JNL, modeled from the image of that sign, is available in both regular and oblique versions. Perhaps, in a way, the type design will serve as a bit of historic recognition for a popular eating spot.

Town and Country JNL features a mix of block-style characters along with rounded ones found so often in the Art Deco fonts of the 1940s. Modeled from the hand-lettered title on a piece of sheet music from that era, this unusual coupling of two distinct design styles works despite it breaking all of the obvious rules of typography.

Discover the perfect pairing for your culinary creations with the Crust and Crumbs Foodie Font Duo, featuring a harmonious blend of rounded sans-serif and expressive brush fonts. Whether you're a food blogger, restaurant owner, or a passionate home cook, this font duo is designed to add a delectable touch to your food-related designs. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products. ~Redy

Sign and Design JNL is a casual brush alphabet modeled after an Alf R. Becker design that appeared in Signs of the Times Magazine. Thanks to Tod Swormstedt of ST Media and the American Sign Museum for providing the reference material to make this font.

MD-Type Rounded is a modern, stylish font family. The family consists of five fonts (Regular, Bold, Light, Block, Black) which are formed by all capital letters. The strong and accented letters were rounded on the corners and therefore softened. The font family supports Turkish language as well.

I became interested in designing Bodoni Classic because of a lazy graphic designer at Jacques Damase publishing house. He had to change a single letter on a bookcover about J. B. BODONI. The French call him Jean Baptiste instead of Giambattista! And that unknown graphic designer just took any old “J” from some newly cut Bodoni. All the new Bodoni cuts have square serifs, whereas the originals had rounded serifs and slightly concave feet. The single letter “J” with the squared off serif was for me like a road sign to start redesigning the entire Bodoni family. That’s exactly what I started in 1993 and a dozen years later I am finished. Okay, I am still adding new Bodoni Classics, but those are my personal additions. Yours very retro, Gert Wiescher

I created this font following my love for Etruscans, their culture and their myths. Many times I looked for a false, but similar, Etruscan TrueType font on the Internet, but I didn't find it, so one day I decided to make it myself.

Enjoy this sophisticated serif font. Modern trends finally meet timeless classics here. This typeface, wherever it's used, will give a sense of refinement in detail, and at the same time, a touch of relaxed elegance. If you are looking for a trendy font that could give you these feelings of modern grace and classic elegance, you've already found it. This font is quite versatile and can be used in both classic and modern designs. Whether it's a sensuous Jane Austen-inspired love letter or a trendy acid-jazz concert poster, this font will give your design a finished look and a touch of sophistication.

When designing AM Sans One, it was a great challenge for me to develop a modern sans serif, which despite the large number of existing fonts in this sector has its own unique character. Starting point for the design concept was the cap O, designed as a rectangle with rounded corners, and not as usual as a circle or oval. The O should form the basis for the whole alphabet. Another feature are the characters with oblique starting and end strokes such as "A, V, W". These have not exactly straight, diagonal lines, but have a slight curvature. Thus, these letters do not look too geometric. Also the cap K deviates slightly from the usual shape which makes AM Sans One different from other already existing fonts. I could well imagine applying this font for areas such as engineering or architecture.

Inspired from archaic slavonic calligraphy, with a modern, fresh and spontaneous look, Architype AD-2014 is a display font designed for impactful and original headlines that has somehow to do with historical or religious content.