The BD Retrocentric font is inspired by logotypes made in the sixties and seventies. The characteristics of this font is the well balanced blend of retro and futurism.

Lesham fonts include uppercase, lowercase, numbers, alternative, and puch. This modern look typeface is made for posters, web design, branding, illustrations, badges, shirt designs and several other works.

Uncut Madness is a another horror genre font, inspired by vintage movie posters, books and vinyl covers. Including some bloody extras... ;) Made for logos, headlines, apparel design etc.

Ruby Red is a playful font, made with ink and a brush. Ruby Red would look great in ads and packaging. Comes with a treasure trove of diacritics.

The 2031 typeface is a toolbox made of fonts from the 2030 typeface. 3d, outlines, shadows and other graphic effects remix each style into a new postmodern typeface.

The goal of this font design was to create forms which could be used and reproduced electronically and remain legible. Technicians from the European Computer Manufacturers’ Association and Adrian Frutiger combined strict mathematical criteria with typographic tradition to solve both technical and aesthetic problems. OCR was the resulting font and was made a world standard in 1973. The font has an objective, technical character and was created specifically for multimedia, although its distinctive appearance has also made it a popular typographical trend.

Billion Brush is a handwritten font with a rough texture, the process of creating type by stroke with strong, fast strokes on paper to create the rough texture that is characteristic of Billion Brush, so it is a font with a rough, dry brush style. Anything made with this font is sure to be wrapped in ultra-contemporary style and elegance. We made some preview pictures as a guide for designing directions, please check them all Regards and thank you very much..

Get back to your roots this Halloween with the font that makes your clients scream. Grim Creeper is the perfect font for your macabre movie, comic, or horror projects! It’s the typeface that your favorite 80’s horror movies were made of, used by indie comic book creators, and perfect for anything that calls for a gritty situation. Grim Creeper was made for Halloween designs and decor, zines, movie titles, cards and invitations, apparel, posters, social media, music, comics, and more!

-OC Revolt is a variable display font made for the protest graphics of the NYC based T*#@p Brexit era Non-Complicit project who initially made guerrilla type with masking tape applied directly in situ or to silk screens. An uppercase only font there are alternate versions of each character on the lowercase keyboard. Double letter ligatures are used to prevent direct mechanical repetition of letters in the static styles and the Shift axis can be used to make each letter variably unique.

Hougbon is a script with feminine, smooth and glamour feels. Carefully made with up to 8 stylistic set each characters. This font perfectly made to be applied in various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Including number, symbol, punctuation and also with multilingual support. This font already PUA Encoded, so you can use it to another design apps without opentype feature.

The design for Granjon was produced at the English branch of Linotype under the direction of George William Jones and appeared in 1928. This reproduction of a Garamond typeface was based on the typeface sample of the Frankfurt font foundry Egenolff from the year 1592 . The roman characters of the sample were made by Claude Garamond and the italic forms were designed by Robert Granjon. Jones made sure that the Granjon font remained true to the original characters of Garamond and Granjon.

Beautiful rain made in the rainy season I made an irregular handwritten font at will with beautiful and attractive results full of love and affection in it, making this font very attractive to use in your photos with two words that go hand in hand or also to connect your own name or partner's name because Having a swash heart that can be connected is very suitable for use on greeting cards, wedding invitations, magazines, logos, clothes, stickers, and many more.

Gloss & Bloom is rough script font made with a brush pen. This font is made from the awesome work of Sean Delloro. Enjoy this natural brush pen script font to create cool logotypes, posters or invitations. The full commercial version comes with a complete set of alternate glyphes and a wide selection of underlining styles and splaters. This font contains: Uppercase & Lowercase font Stylistic Alternates Lowercase and uppercase alternates A set of 14 underlining styles 8 Ligatures 6 splatters OpenType Features

I made this font using my index finger and Chinese ink. I thought the ink would come off easily, but I can tell you: it doesn’t. I have been walking around with a black stained finger for a week now and I do get strange looks from people every so often… Fingerfood, of course, is hand made. It is a rather playful font - all caps, but lower and upper case differ and like to mingle. Comes with a full diacritics palette.

Gandhewa is a font that I made in handwriting style. This font is inspired by my grandfather's writings. I made Gandhewa in a few steps that were long enough to finally become a beautiful font. Starting from rough sketches on paper using a ballpoint pen, I then redrawn and arranged the characters in the font creator. If you are looking for a natural, clean signature font, Gandhewa is perfect for you. Gandhewa is also equipped with 17 ligature and has multi-lingual support.

As the name implies, this font was made with a gritty pencil. Gritty Pencil comes with language support and a set of cool alternates for the lower case letters.

Halfway between graffiti & typeography you find styles like Graffick™. These fonts are derived directly from hand written letters made mechanically perfect to behave more like common digital fonts.

The Manus font family is extended with a new relative: Manus Smooth. Some major and minor adjustments were made, but it still has the look & feel of the original.

Noodleis a hand made font. It's a fun and whimsical font that would be perfect for greeting cards, toys, picture books or anything that requires a naive sensibility. Enjoy!

Handwritten with care, and made bold and consistent with an art deco flair. If I owned a classy diner, this is how I'd like my chalkboard menus to look.

PT Baroque Borders A is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressive greeting cards, wedding invitations or decorative certificates.

Made with a cute shape, making this font suitable for use in graphic designs related to unique things. This font is available in 2 styles namely bold and black.

I made this cartoon book font in my own handwriting. This type of font is great for writing comic stories, children's games, and is perfect for making cartoon movies.

PT Baroque Borders B is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressed greeting cards, wedding-greetings or decorative certificates.

Element M One is a clear and bright typeface with a touch of futurism. Specially made for signing, posters, covers and corporate identities. Also a perfect typeface for headlines.

Rheina font is a font that depicts creative power, this font is made with memories of past disappointments that have been passed, and trying to move on in life.

Inspired by the decayed lettering on the signs at Siesta Key beach painted on weather-worn old wood in Florida, these letters are made to look like peeling paint.

Halfway between graffiti & typeography you find styles like Graffick™. These fonts are derived directly from hand written letters made mechanically perfect to behave more like common digital fonts.