»XPress« is a very distinct, expressive, typical new Sans. »XPress« is my new Sans-Serif that impresses – especially in small sizes – with its outstanding readability. Seven precisely calibrated weights from »Thin« to »Heavy« and its corresponding italics make this font-family universally usable. »XPress« got its bearings from the fabulous American »Gothic« fonts of the twenties of last century. Modern, present day elements, high lowercase letters and infinitesimal elegant slight curves in start- and end strokes make the font family not only great for body copy, but also very useful in advertising. »XPress« ist eine individuelle, expressive, typische neue Sans. »XPress« ist meine neue Serifenlose die – speziell in kleinen Schriftgraden – durch aussergewöhnliche Lesbarkeit auffällt. Sieben präzise aufeinander abgestimmte Schnitte von »Thin« bis »Heavy« und dazu passende Kursive machen die Schriftfamilie vielseitig einsatzfähig. »XPress« orientiert sich bewusst an den grossen amerikanischen Groteskschriften der zwanziger Jahre des letzten Jahrhunderts. Durch moderne Formelemente, große Mittellängen und unendlich leichte, elegante An- und Abstriche ist die Schrift jedoch nicht nur als Textschrift, sondern auch im gesamten Bereich der Werbung vielseitig einsetzbar.

Omnipop is a potent display pack with three styles. All the fonts have firm yet clean and velvety character. Omnipop Brush is a forward leaning brush script with a somewhat heavy complexion. It has a large x-height and it makes nice smooth and even texts. Omnipop Brush is equipped with Standard Ligatures and Contextual Alternates that are automatically on as they should be kept. In addition it has Swash, Stylistic and Titling Alternates for extra show-off. Omnipop Script is a monoline connected script simulating a smooth felt-tip pen. Script is equipped with Standard Ligatures and Contextual Alternates to keep the connections smooth. In addition Omnipop Script has Swash, Stylistic and Titling Alternates and even more extra characters can be found in the glyphs window. Omnipop Sans is a sturdy rounded all caps sans with a sort of geometric vibe to it. Anything you type with Omnipop Sans will look cheery and approachable. Omnipop fonts rock on their own but they also play great together in any order.

Mr. Jenkins is designed to fill the void between the crazy, wacky and reckless comic style fonts, and the standard boring but very readable sans-serif typefaces. It makes for a distinctive bold headline, but is also quite legible at small sizes. It’s just off kilter enough to not take itself too seriously. A deceptively care-free font, each character was carefully drawn. The spacing and kerning of each letter and letter combination were painstakingly considered. Particular attention was paid to maintaining consistent optical weights and a spontaneous appearance. Mr. Jenkins is inspired heavily by humanist sans-serif faces such as Myriad and Lucida Sans, with its open apertures, and low contrast but almost calligraphic line weights. The lowercase a is single story in the italic face, but two story in the regular face. It contains uncommon features amongst many “quirky” fonts, including a full set of latin accented characters, lining and proportional figures, math symbols, standard fractions, foreign currency marks, contextual alternates, and even a few ligatures.

Strateen – a Futurism Sans Serif Font Strateen, a Futurism Sans Serif font, encapsulates the essence of contemporary design with its sleek and progressive aesthetic. Its clean, geometric lines and minimalistic strokes evoke a sense of modernity, making it ideal for projects that seek a futuristic and cutting-edge look. The typeface’s letterforms boast a harmonious balance between simplicity and sophistication, enhancing legibility while maintaining a distinctive personality. Strateen’s sans serif nature contributes to its versatility, enabling seamless integration across various mediums, from digital interfaces to print materials. The font’s forward-thinking design not only aligns with the visual trends of the future but also ensures a timeless appeal, making Strateen a compelling choice for those in pursuit of a dynamic and forward-looking typographic solution. Strateen is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Luminaire is an intriguing and modern sans serif font. With its clean and minimalist characteristics, Luminaire exudes a professional and contemporary impression when used in designs. One of the captivating features of Luminaire is its alternate style, specifically the display style. This unique feature allows users to combine two different styles within a single word, creating a distinct and eye-catching visual appearance. In display mode, Luminaire offers experimental and striking variations of letterforms. Certain characters exhibit alternative shapes with artistic touches, such as curved lines or changes in the basic structure of the letters. This grants greater design flexibility and makes words written in Luminaire font stand out. Luminaire also maintains the essential aspects of clarity and legibility expected from a sans serif font. When used in longer texts or paragraphs, this font remains easy to read and provides a professional and well-organized appearance.Overall, Luminaire is an appealing sans serif font with a modern style and a unique alternate style feature. It can add artistic touches and uniqueness to your designs while preserving the important aspects of clarity and legibility.

Cherry is a bold and smooth display family with connecting script “Brush” and supporting thin marker caps “Sans”. In addition there is “Extras” which is a set of strokes and ornaments designed to go with the fonts. Cherry Print is the same set with rugged outlines and eroded print texture. Cherry Brush has clear and smooth letter shapes with lot’s of character. It’s great for Logo, Poster, Headlines, Packaging or any Display use. Cherry Brush is equipped with plenty of contextual alternates and ligatures that keep the connections smooth. This feature is set in Standard Ligatures and it’s on by default. Cherry Brush is designed so that you can also use it to writ ALL CAPS. For more flashy initials try Swash feature. Cherry Brush is PUA encoded so you can access extra characters in most graphic design softwares. Cherry Sans is an all caps thin marker font with two size of letters (uppercase & lowercase). Cherry Sans is clean and legible. It’s designed to work with Cherry Brush but works just fine on its own too.

Just as most buildings are based on a structure of vertical columns, horizontal floors, square angles and the occasional arch, most Latin typefaces are designed within a largely uniform, static, alphabetic structure that provides a framework for playing with the style of the terminals —serif, sans-serif, slab-serif, flared, Tuscan— without significantly modifying the deep anatomy of the letters. Orgánica Pro, by contrast, proposes a different structure: curvilinear, subtle and sophisticated, beyond the typical «sticks and balls» model. Organic anatomy, in one word; deliberately dynamic and asymmetrical. Over this radically distinct structure, terminals play a characteristic, expressive role that challenges easy classifications: Is this a serif or a sans font? A semi-serif? A semi-sans? For text or display? Modern or ultra-modern? Joke or serious? All answers are valid. Anyway, its six stylistic variants allow for multiple, diverse uses in text setting, headings and logotypes. In spite of —or perhaps thanks to— its innovative, uncommon structure, Orgánica’s personality is sweet to the eyes, wittily elegant and surprisingly legible.

Neo Sans began as an intriguing assignment from a branding agency. The agency’s client wanted an “ultra modern” type family that was "futuristic without being gimmicky or ephemeral.” When a bureaucratic decision cancelled the project, Monotype staff designer Sebastian Lester decided to finish the design on his own. “I was left with a sketchbook full of ideas,” he said, “and thought it would be a shame not to see what came of them.” Lester decided that the principal ingredient of an "ultra modern" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. By further amplifying these qualities, he crossed the line from modern to futuristic. Two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as "legible without being neutral, nuanced without being fussy, and expressive without being distracting." Both the Neo Sans and the more minimalist Neo Tech families are available in six weights, ranging from Light to Ultra, with companion italics. Neo Tech offers a suite of alternate characters.

Sancoale Softened is the new rounded companion to Sancoale. While the original Sancoale is crisp and defined, its delicate forms also lend themselves well to a lighter, more rounded version. The stems of Sancoale Softened are blunted, and its corners have been carefully rounded, avoiding the “sausage” look seen with some rounded fonts. This blend of definition and delicacy makes the Sancoale Superfamily versatile and appropriate for a variety of applications. The design minimizes the characters to their essence, leaving a default set of simple characters without notches or spurs. However, the typeface family’s slightly technological feel still appears friendly and approachable to the reader. It’s slightly condensed proportions and tall x-height also make the design readable at a wide range of sizes, which works especially well for web pages. These softer letterforms give Softened its unique, futuristic look--great for distinguishing your text or display. There are six weights with true italics. All insigne fonts are fully loaded with OpenType features. Sancoale Softened is also equipped for complex professional typography, including alternates with stems, small caps and plenty of alts, including “normalized” capitals and lowercase letters. The face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. The Sancoale family also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Sancoale Softened supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. Sancoale Softened continues with Sancoale’s successfully simple, geometric and legible structure. With its suitability for a wide range of uses, the Sancoale superfamily is a very economical and versatile addition to any designer’s font collection.

Inspired by a former Hermann Zapf design, Hanse Textura was completely redrawn and redesigned as an English-style blackletter font with a calligraphic touch. It comes also with the historical long s which can be reached either by typing [alt] + b or by using the OT feature historical forms. I strongly recommend to activate both OT features, standard and discretionary, to access all ligatures built in the font. The keys pi and product are occupied with beautiful border elements.

Callistera Script is a natural also expressive font that contain lowercase, uppercase, symbol, and also mult- language support. It comes with ligatures, contextual alternates, stylistic alternates, swashes, and also underline. Callistera Script also suitable for logo branding, beautiful fashion design, suitable for wedding invitations, or handwritten quotes. Also with PUA encoding. For another questions, please send a mail to saridezra@gmail.com. Thank You!

Heartland font family is a pack of the bold connected script and rounded sans. Font is great to use for logotype, menu and product labels, prints, posters, branding, social media. This pack include 3 fonts: - Heartland Script - Heartland Sans - Heartland Sans Condensed - Heartland Italic Sans - Heartland Bold Sans Download Heartland for your next project today! Thank you and have a great day!

AT Allowe comes with a geometric sans serif style and a modern and elegant sans serif tagline. This font comes in eight thickness levels, from thin to black to suit your needs. AT Allowe is also equipped with the latest professional characteristics that can present an elegant and attractive identity for your company or project for business purposes. It goes well with modern serifs and scripts depicted or stands firm as a title and brand representative for an elegant look. AT Allowe also comes with multiple languages, making it easy to use for any country and language use. It also comes with alternative Ligatures and styles to make your designs more attractive. AT Allowe is suitable for branding projects and various design purposes such as business cards, name tags, advertisements, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. Supports languages: Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu

As designers, we seek perfection and originality. The more we step back and look at our work, the more changes we tend to find necessary. Drastic modifications are inevitable. The same is true of Grayfel. Grayfel began as an exercise at insigne to explore the crowded space of neutral sans. While the world of sans serifs is admittedly crowded, I still managed to find something new and different. The final Grayfel consists of 42 full-featured OpenType fonts containing three widths: Regular, Condensed, and Extended. Every width consists of 14 fonts--seven weights with matching italics, making it a good companion for setting clear text and headlines for print and screen. OpenType features are also available. There’s figure choices, such as proportional and old style figures. Additionally, Greyfel includes sophisticated typographic attributes: ligatures, fractions, alternate characters, small caps, superscripts and subscripts. Its extended character set supports Central, Western and Eastern European languages. Optical compensations also mean the outcome of this family is a hybrid of humanistic proportions. It’s a well-finished design with optimized kerning gives it a friendly look. If you like sans serifs within the tradition of Futura, Helvetica, Avant Garde and Avenir, then you’ll love Greyfel, too. Grayfel works well in a variety of applications. Subtly neutral yet fun, it’s suitable for headlines of all sizes as well as for text. Put it to the task for marketing, packaging, editorial work, branding and even on-screen projects. Try it out: it’s not just fun and playful; it’s Grayfel.

HD Colton is a 90-style super-sans from London Design Studio HyperDeluxe®. Using a combination of horizontal & vertical terminals along with squarish ovals, it is built with a confident structure that feels so much more than a neutral sans, it feels iconic. Engineered in 5 widths, compressed to extra wide, and in nine weights, HD Colton features a huge 90 styles that will offer your brand ultimate flexibility and variation in one font family. The black weights will help bring prominence to your brand while the light to mid weights will help you tell your story at a smaller size. HD Colton includes 1200+ glyphs per style, providing you with a workhorse sans that supports 200+ languages including extended Latin, extended Cyrillic and basic Greek. Also included are 5 stylistic sets, 2 arrow sets & numerous OpenType features (see last poster for complete list). The HD Colton complete family package comes with a single, 3-axis variable font so you'll have an infinite amount of combinations and uses for you to experiment with and add that touch of finesse to your visuals. Variable fonts are tech friendly providing smaller sizes for developers to work with, while also being responsive and used for motion design on the web. HD Colton key features: 3-Axis Variable Font. 90 Styles. 1200+ Glyphs Per Style. 5 Widths (Compressed, Condensed, Regular, Wide, Extra Wide). 200+ Languages Supported. Extended Latin, Extended Cyrillic, Greek Support. Stylistic Alternates for some key glyphs (J, Q, G, l, &, Arrows). Extensive OpenType features.

Mazot is a modern sans serif with a compact and low contrast structure. Low contrast structure and terminals being flush with the body, gives it a raw effect. Perfect for Branding, Poster and Packaging designs. It has rich OpenType features. It consists of a total of 18 styles, from Light to Heavy with 9 weights and matching italics. It is available in 2-axes variable version.

Introducing a series of decorative initials with a twist: each font contains two complete alphabets, A-Z, and numerous border elements in the numeral and shift-numeral positions. Classic, ornate, quaint and exotic, these fonts are essential tools for adding style and charm to your next project. Kudos Kaps Five features Jakob Erbar’s eponymous Initials in the uppercase slots, and Aldo Novarese’s Fontasi in the lowercase AND numeral slots. The font also includes three complete eight-piece borders, a two-piece accent set, two single border elements and an elegant penman dingbat.

Biscuit Boodle is a fun and uplifting script from Portland Studios Illustrator Justin Gerard. The characters are brush drawn with a slight texture. The font comes packed with OpenType alternates and ligatures. Included are small caps, old style figures, titling alternates and ending swashes. Sixty-four optional ligatures add a slapdash quality to your copy and make sure that no two letters in a word are alike, and auto replacing word ligatures add to the fun. The Biscuit Boodle family also includes an even more spontaneous alternate and even ornaments for even more creative options.

Legend of Christmas This is an amazing font family that includes six fonts: serif, serif rough, decor, decor rough, script, script rough style. These fonts are perfectly combined with each other and are suitable for both modern and vintage design. Serf has only capital letters and includes a large selection of alternates, play with them and achieve an amazing design. Script will also look great in vintage and modern design and can be used as an additional or main one, it includes a large selection of alternates for lowercase letters.

German type designers Henning Wagenbreth and Steffen Sauerteig created this display FontFont in 2000. The family contains 3 weights and is ideally suited for advertising and packaging, festive occasions, film and tv, editorial and publishing as well as poster and billboards. FF Prater Block provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Prater super family, which also includes FF Prater Sans, FF Prater Script, and FF Prater Serif.

German type designers Henning Wagenbreth and Steffen Sauerteig created this display and script FontFont in 2000. The font is ideally suited for advertising and packaging, festive occasions, film and tv, editorial and publishing as well as poster and billboards. FF Prater Script provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining and tabular lining figures. This FontFont is a member of the FF Prater super family, which also includes FF Prater Block, FF Prater Sans, and FF Prater Serif.

Thunder Shutter font is modern and elegant signature with a great flow effect. This font is great for your creative projects such as watermark on photography, and perfect for logos & branding, photography, invitation, watermark, advertisements, product designs, stationery, wedding designs,label, product packaging, social media, movie titles, books titles, a short text even a long text letter and good for your secondary text font with sans or serif. And also for special events or anything that need handwritting taste. Thanks for checking out this font. I hope you enjoy it!

Operandi is geometric sans family available in 6 weights inspired with vintage posters design from period between two great wars. Unpretentious family guided by simple design solutions – slightly wide by its character, decently recognizable, fully capable to lead any project – Operandi offers combination of functionality and visual balance that should be enough to recommend it as right choice. From Light to Black, packed in extended Latin character map, Operandi also contains a few OpenType features such as Ligatures, Fractions and 2x Stylistic Sets – one for complete uppercase alternatives and one for “a” and “g”.

Bluebell is a modern script type family in the style of copperplate calligraphy. It comes with six weights from extra light to extra bold, all of them maintaining the distinct high contrast. Rich with Open Type features, Bluebell includes Swash & Stylistic alternates, automatic ligatures, old style figures and small caps that work as stand-alone font as well. Each font also comes with a set of ornaments that are found in the glyph palette. Bluebell makes for an elegant, iconic display letter for packaging, books, posters and the like.

Dutch type designer Just van Rossum created this sans FontFont in 1991. The family contains 4 weights: Light, Regular, Bold, and Black and is ideally suited for advertising and packaging projects. FF Advert provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Advert super family, which also includes FF Advert Rough.

American type designer Christian Schwartz created this display and sans FontFont in 2005. The family contains 3 weights: Light, Regular, and Bold and is ideally suited for advertising and packaging, music and nightlife, poster and billboards, software and gaming as well as sports. FF Oxide Solid provides advanced typographical support with features such as ligatures, titling alternates, case-sensitive forms, fractions, and super- and subscript characters. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Oxide super family, which also includes FF Oxide Stencil.

Dress Code is a modern sans-serif font family that includes 12 fonts: 2 styles - regular and round, each with 6 weights - extra light, light, regular, medium, semi bold and bold. Also included in this font are many alternatives that give you more options for creating your project. with them, you can be unique and experiment with your design. This font is easy to read and versatile, suitable for editorial tasks, creating logos, book and magazine covers, cosmetics, advertising, branding, wedding invitations, posters, postcards, labels, business cards, packaging and much more.

These letters were developed to decorate the font Bowling and then were also used in the fonts Coffeemug and Teapot. For many years the InsideLetters family had only one family member, InsideLetters. An upgrade in early 2019 added two more family members, InsideLettersHalloween and InsideLettersXmas. The first puts the letters from InsideLetters on pumpkins and the second puts them on Christmas tree ornaments. In 2022 and oblique stye was added to the family. Inside letters is caps-only. It is a casual and playful handwritten sans-serif font.

NCS Rogueland is Modern extended sans serif font that is out of this world. A strong balance between pointed corners and smooth curves with luxurious styles. Perfect for all purposes but especially for headlines. With 10 Variant to choose : NCS Rogueland Light NCS Rogueland Light Italic NCS Rogueland Light Rounded NCS Rogueland Regular NCS Rogueland Italic NCS Rogueland Rounded NCS Rogueland Outline NCS Rogueland Bold NCS Rogueland Bold Italic NCS Rogueland Bold Rounded Include uppercase, lowecase, numeral and punctuation. This font also includes alternative glyphs, ligatures and multilingual support.

ITC Verkehr was designed by Mott Jordan, who based its forms on those of narrow sans serif typefaces but also chose a departure from the tradition to set the font apart from the rest. The upper half of each character is heavier than the lower half, although this is usually the other way around. Diagonal strokes, like the horizontal of the lower case e, relax the otherwise regular, bar-like look of the font. ITC Verkehr is suited exclusively for use in headlines and display in larger point sizes.

Introducing "Manova" - a friendly and approachable handwritten sans serif font that adds a touch of warmth and authenticity to your designs. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Autor is a medium-contrast sans serif font with a dynamic stroke modulation. Its clean look and angled terminals give your designs a ‘sharp’ and contemporary feel. Autor Family comes in 7 weights, ranging from Thin to Black, with matching italics, resulting in a total of 14 styles. Autor is well-suited for editorial design, body text in books and magazines, headers and titles. It can also be used—as a display font—for logotypes, branding, advertising and publishing. The font includes a character set containing more than 400 glyphs that support over 200 languages.

"Sound Distortion" a mixed font inspired by retro collage art and clipping of old newspapers. Feel the old school taste with this block font mixed of sans serif, condensed serif, blackletter, handwriting, and old typewriter style, combined into a chaotic collage style. You can also mix and match the letter by using the alternates characters or switching with the lowercase which gives you a more attractive design. Features : - Lowercase & Uppercase - numbers and punctuation - multilingual - alternates - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Sello is a hand-drawn, geometric sans-serif with a touch of retro style. It's a unicase typeface inspired by hand-engraved, mid-1960s Spanish postage stamps, hence the name "Sello" – Spanish for "stamp". This font comes in three different weights – light, regular, and bold – with a regular and oblique version of each for a total of 6 styles. Vowels have a special third alternate glyph. Sello also contains the necessary diacritics and special characters to support several different languages. Looks great at the slightly larger point sizes, when used in header or display purposes.

Blog Cube - Display Typeface Blog Cube is a bold and strong display typeface from rectangle shape that is perfect for your work such as posters, logos, branding, covers, banners, t-shirts and headers, or even large-scale artwork. Creative & Decorative Typography Web Design, Try this font on any surface it will look Stunning!. happy creating. hope you like it! well, Blog Cube also has an Outline style, is a strong and bold typeface, it has multilingual language, it is useful for your coolest and coolest project up next. Thanks, Have a wonderful day Say Studio

Grand Dae is a Modern Elegant Serif Typeface. This font is perfect for branding, logos, social media, prints, stickers, shirts, svg files and more! Grand Dae is unique as it can be used for a variety of design styles. It fits in wonderfully for free-spirited, boho designs and also for more classy editorial looks! There are a lot of fun stylistic alternates available to use with this font. These letters are embedded into the font file and easily accessible in programs such as photoshop and illustrator. Thanks, Have a Wonderful Day, Say Studio

The Flounder Pro is a simple and clean condensed all-caps sans serif font. It is a close relative of the Floz, but has rounded edges. It comes with Cyrillic, Greek and Latin alphabets, the latter including loads of accented characters. It is also equipped with a bunch of ligatures, as well as alternates for the letters J, W, Q, Z, Ω and Ξ. Those features are easily accessible via opentype features. This family includes three weights with their respective italics and backslanted versions. The Flounder works well for Logos, Headlines, or short texts.

Munky, a big bowl full of slab serif goodness. It's got a cheeky, playful look with large, heavy serifs. Its shapes have a few kinks here and there. I would say that adds to its charm—and it does. It's great for headlines and titles but is also very legible in sentence case. It works great for branding and packaging, books, invitations and anything where you want a laid-back vibe—without being too childish. If the font were a celebrity, it would be more John Candy than John Malkovich.

Bilton is a sans-serif typeface with the personality of serif and an incredibly large X-height. Intended for headlines and display sizes, Hutton can also be used at body sizes if needed. High contrast, sharp angles, and subtle serif-like flares are used throughout the design, making Bilton feel playful yet classy. Featuring ten styles – five roman and five matching italics – Bilton is suitable for a wide range of uses. The family supports more than 300 latin-based languages, and features contextual alternatives for character combinations and languages.

Say Hello to "Cnossus" Bold Funny Fonts! Cnossus was built with OpenType features, numbers, punctuation, ligatures and it also supports other languages. Cnossus is very suited to build your brand such as : T-shirt, Logo, Poster, Packaging, Advertising and anything. Installing Your New Font: This font can be installed in all software that can read standard fonts. Accessing the swashes / opentype features / glyphs: In order to access the alternate characters in this font, you need a program that supports OpenType features such as Adobe Indesign, Adobe Illustrator CS, or Adobe Photoshop CC.