This is Range Sans, the sans-serif counterpart to Range Serif . It can be categorized as a grotesque, with the idiosyncratic angular details from the serif family making themselves known in the arches and bowls of the lower case. The range of weights is larger than Range Serif, with two more weights at the lighter end of the spectrum. The weights from light to black correspond to their seriffed sisters, so can be interchanged with them freely while maintaining a similar text color and vertical metrics. This is useful for adding emphasis; Range Sans is deliberately lacking an italic, but the italics from Range Serif work better than you might expect in running text, particularly for the light and regular weights. Range Sans has a contemporary, somewhat geometric look that lends itself to uses such as corporate identities, minimalist graphic design, and logos. The middle weights do work well in running text, however, with the angled details being less noticeable at small sizes. Designed for demanding typography, supporting most Latin-based languages, Range Sans is equipped with true small caps for all weights, an array of numeral styles (proportional- and tabular- lining and oldstyle figures, small cap figures, numerators, denominators, superscripts and subscripts/scientific inferiors), automatic fractions, a set of useful arrows, case-sensitive forms, and a range of currency symbols including recent additions: Turkish Lira, Indian Rupee and Russian Ruble.

David Kowalski’s typeface Maccaroni is based on a logo type and has been designed to a complete typeface in Prof. Veljovic’s Type Design course at HAW Hamburg. Maccaroni breaks the traditional brush scripts and offers a unique design. Each letter is present in triplicate in order to achieve the illusion of a hand-written typeface. The OpenType programming ensures that two identical letters won’t follow each other.

Some vintage 1960s-era packaging for dive gear (masks, swim fins, etc.) manufactured by the Voit division of AMF had various merchandise boxes hand-lettered [with some variation of design] in an interesting sans stencil. These packages formed the inspiration of Dive Gear Stencil JNL. Thanks once again to Gene Gable, whom on many occasions has provided Jeff Levine material for type design inspiration.

This digitally remastered high density lettering has been bitmapped out for you by Comicraft's Eric Eng Wong. Those of you harddriving through cyberspace on the information superhighway had better zap your prams and reboot your hard disk before you're dragged into your system folder while OVERBYTE makes a major withdrawal from your atm. Do not be fooled by the name, there's nothing goofy about this typeface.

LAMPOH - The Handmade Scratch Display Font LAMPOH is an artistic and captivating handmade display font, meticulously crafted by a talented type designer to bring uniqueness and authenticity to your creative projects. With its scratch-inspired design, LAMPOH stands out as a one-of-a-kind font that exudes a raw and artisanal charm, making it perfect for various artistic endeavors. Every character in LAMPOH has been meticulously hand-drawn with love and passion, ensuring that each glyph carries a distinct and organic feel. The imperfections and irregularities of the scratch strokes add an element of human touch, providing a genuine and authentic character to the font. LAMPOH comes in both regular and bold styles, giving you the flexibility to choose the perfect weight for your design needs. The regular style boasts elegance and subtlety, while the bold style makes a powerful statement, ideal for headlines and emphasis. LAMPOH's versatile design makes it an ideal choice for a wide range of projects. Whether you're creating eye-catching headlines, attention-grabbing posters, logo designs, merchandise branding, or anything that requires a touch of artistic flair, LAMPOH will effortlessly enhance the visual appeal of your work. The uppercase characters of LAMPOH are bold and expressive, demanding attention with their captivating presence. On the other hand, the lowercase letters bring a touch of playfulness, offering quirky alternatives to add delightful variations to your text. LAMPOH comes complete with a set of thoughtfully crafted standard characters and ligatures, allowing you to elevate your designs even further. These unique elements enhance the font's versatility, making it easy to create visually engaging and harmonious compositions. LAMPOH is designed to seamlessly integrate into various design software, making it effortless to use in your preferred creative tools. From Adobe Illustrator to Photoshop, InDesign, and beyond, the font's compatibility ensures a smooth and hassle-free design process. LAMPOH's high-quality design ensures that it looks equally stunning in both print and digital formats. Whether you're producing posters, brochures, social media graphics, websites, or any other project, this font will consistently deliver outstanding results. LAMPOH is not just a font; it's a work of art that adds a touch of human craftsmanship to your creative projects. With its handmade scratch-inspired design, versatile usage, and expressive characters, LAMPOH brings a unique and authentic flair to any design. Unlock your creativity and let LAMPOH illuminate your artistic vision with its captivating charm. Choose between regular and bold styles to create striking and memorable designs that leave a lasting impression on your audience.

Kъnig – the old Bulgar runes The writing kъnig emerged in the places of ancient Thraco-Bulgarian migrations in ante-deluvial times and developed in stages paralleling the other ancient writings. There have been many interactions and loanings between kъnig and these other writings. The root of the word kъnig (OBg: кънигъı) comes from the Old Chinese k'üen 'scroll' (ModCh: 纸卷 zhǐjuǎn) [57]. The word was loaned directly in the Bulgar language (*kün'ig > *küniv) restoring two individual Old Chuvash forms: 1. *k'ün'čьk > кўнчěк kind of ornament on a woman's garment; *k'ün'-gi / *k'ün'-üg > k'ün'iv book, codex, which is evidenced by the Hungarian könyv book and Mordvinian konov paper borrowings; 2. *k'ün'i- > *k'ün'i-gi > к'әn'iγь > кънигъı. This word has been preserved in Sumerian as kunuku (inscription) and kəniga (writing, knowledge). It is inherited from Bulgar to Slavic: книга (Bulgarian and Russian), књига (Serbian, Croatian and Slovenian), kniha (Czech and Slovak), książka (Polish), and non-Slavic: könyv (Hungarian) languages. Kъnig letters (kъni) have been known from archeological finds for more than 100 years already; however, until recently, no attempt has been made to decipher them, find their phonological value, or connect them to their natural successors: the Glagolitic and Cyrillic alphabets. The oldest mention on the Bulgar runes is found in the mid-9th c. AD work On the Letters by the Bulgarian writer Chernorizets Hrabъr. Being already a Christian, he wrote pejoratively about the pagan Bulgars

Florian Fecher’s Lektorat font family is one for the books, and for the screens, and for the magazines. While an editorial’s main goals are to entertain, inform, and persuade, more should be considered. For example, clear divisions are necessary, not just from one article to the next, but in how each is positioned as op-ed or fact-based, infographic or table, vilifying or uplifting. From masthead to colophon, Lektorat has six concise text styles and 21 display styles to captivate, educate, and motivate within any editorial purpose. Magazines and related publications are notoriously difficult to brand and then to format accordingly. The research behind Lektorat focused on expression versus communication and what it takes for a great typeface to accomplish both tasks. In the changeover from the 19th to 20th century, German type foundry Schelter & Giesecke published several grotesque families that would become Lektorat’s partial inspiration. Experimentation with concepts from different exemplars gave birth to Lektorat’s manifest character traits: raised shoulders, deep incisions within highly contrasted junctions, and asymmetrical counters in a sans family. After thoroughly analysing magazine publishing and editorial designs, Florian discovered that a concise setup is sufficient for general paragraph text. So Lektorat’s text offering is concentrated into six total styles: regular, semibold, and bold with their obliques. Stylistic sets are equally minimal; an alternate ‘k, K’ and tail-less ‘a’ appear in text only. No fluff, no wasted “good intentions”, just a laser-like suite to focus the reader on the words. The display styles were another matter. They aim to attract attention in banners, as oversized type filling small spaces, photo knockouts, and in subsidiary headings like decks, callouts, sections, and more. For these reasons, three dialed-in widths — Narrow, Condensed, and Compressed — complete the display offerings in seven upright weights each, flaunting 21 headlining fonts in total. If being on font technology’s cutting edge is more your goal, the Lektorat type family is optionally available in three small variable font files for ultimate control and data savings. The Lektorat typeface was forged with a steel spine for pixel and print publishing. It unwaveringly informs, convincingly persuades, and aesthetically entertains when the tone calls for it. Its sans serif forms expand in methodical ways until the heaviest two weights close in, highlighting its irrepressible usefulness to the very end. Lektorat is an example of how much we relish entering into an agreed battle of persuasion — one which both sides actually enjoy.

Haiku is a very modern old-style typeface. Inspired by late Renaissance-era typography, and carefully optimised for both display and text, digital and print. Featuring ligatures, old-style numerals, wide language support, and true italics.

Fifteen hundred years from now, a man will be selected to go back in time to prevent a catastrophic event which turned his world into a dystopia. Sent back in time, he was enveloped in empyrean fire, the strands of energy that make up time itself. Crash-landing near Astro City in late 1985, he learned how to master and channel the empyrean forces that had suffused his body -- finally learning to control his powers in time to prevent the destruction of the Space Shuttle Challenger, the event he had been sent to avert. He described himself to journalists as nothing more than "a Good Samaritan", and has continued to help his fellow man in Astro City ever since. John JG Roshell has also been struggling with the empyrean challenge of fitting all of Kurt Busiek's ASTRO CITY dialogue into balloons with the regular Samaritan font, so he created the Samaritan Tall font to help his fellow comic book letterers! It's kinda the same thing, really.

Introducing "Cowboy Wanted" - The Ultimate Western Retro Serif Font! Saddle up and embrace the wild, wild west with Cowboy Wanted, the font that's taking the design world by storm. This font embodies the perfect blend of old-school ruggedness and contemporary flair, making it the hottest ticket in town for all your Western-inspired design needs. Each character in Cowboy Wanted is meticulously crafted to capture the essence of the Old West, from the sweeping serifs to the rugged lines. Whether you're working on a saloon-inspired logo, a rustic poster, or a themed event invitation, Cowboy Wanted adds that authentic Western touch that's so in demand right now. Don't miss your chance to lasso the trendiest Western retro serif font of the moment. With Cowboy Wanted, you'll be the sheriff of style in your design projects, standing out in the crowded frontier of design. Saddle up and make a bold statement with Cowboy Wanted today! Here's what you get: Cowboy Wanted Regular All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

FF Cocon’s designer, Evert Bloemsma (1958—2005) described it as a “serious typeface”. Despite first impressions, the description holds up well. Since its 2001 release, FF Cocon has been used in an astoundingly wide variety of design applications. At large sizes, FF Cocon works as a display face, with beautiful detailing. And at small sizes, it remains surprisingly readable. The lowercase letters a, b, d, g, h, m, n, p, q, r and u, were drawn without spurs, as Bloemsma made an attempt to erase every trace of handwriting; even “normal,” neutral sans serif typefaces still retain elements in their letterforms like this. Bloemsma wanted none of it. Although a difficult starting point for a typeface, this proved successful. Bloemsma’s design is a family of rounded yet rather asymmetrical forms with details reminiscent of brush-strokes, but that were not made with a brush in hand. In spite of its claim to seriousness, FF Cocon is a family of seductive, voluptuous styles. The original FF Cocon had two widths—normal and condensed. Later, a more compact Extra Condensed version was introduced, as well as italics.

Gersio is a revisiting of a lapidary typeface from the 19th century designed for the horror and thriller genre but thanks to its strong distinctiveness it’s also suitable for branding. Gersio is available in light, regular and bold weights in two versions: solid and Scratched, it also offers a large selection of alternative letters. Gersio is suitable for display works, posters and billboards.

This bold, sharp and geometrically designed font exudes elegance and sophistication that will bring any design project to life. With its strong lines and shapes, it evokes memories of the glamorous era of art deco, making it perfect for theatre posters or hotel branding. A display font suitable for both print and digital media, adding an extra touch of class wherever it appears.

Alejandra Monoline is a bold font that is perfect for your design project. Alejandra comes with OpenType features such stylistic alternates, stylistic sets & ligatures which makes it great for logotypes, posters, badges, book covers, t-shirt design, packaging and many more. Features: • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature There it is! I really hope you enjoy.

Shabwa is An Arabic typeface for Print And screen. this font family is from Kufi style and contains 3 weights: Regular, Medium and bold. Shabwa is simple and a little detailed font and its three weights are fully harmonized, one letter with one length on the line, and words with a uniform length on the line, gives a comfortable reading look.

The Mancho Font was completely created by graphic tablet. This font family comes in two weights; regular and bold. They're all capital but lowercase and capital letters are different from each other. The name “Mancho” comes from Turkish Rock Music Singer "Barış Manço". The Mancho font can be a part of your stylish designs with its free and powerful outlook.

Creatify – Font is a bold script font. It’s perfect for logo, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web design, etc. Features : Creatify ( Uppercase, Lowercase ) Contextual alternates Stylistic alternate Ligatures Multilingual Support If you have any questions please don’t hesitate to contact me. follow my Instagram: fkryall Thank you Fikryal Studio

Gresic is a modern sans serif font, which is very bold, and contrasting, a font with this style is being sought after on the planet for modern design needs such as logo design, application design, website, social media, and others. Why not try Gresic Modern Font today? It comes in uppercase, lowercase, punctuation, and numbers; no more worrying about anything else.

Introducing the Bornia Sans Serif Modern Minimal Font Family – a typeface that exudes sophistication and simplicity. This is a font that exudes a contemporary feel and minimalist look that is sure to captivate your audience. With a variety of bold, Light-to-black variants, this font provides a lot of flexibility in use, giving your designs extra charm and appeal.

Introducing Rose Pink, a fun and exciting font suitable for any creative project. From product packaging to logos, this font is the perfect way to express your creativity with a bold style and playful look. The whimsical and flowing curves of this font also can help create a sense of lightheartedness in your design. project. Thank You and Happy Designing!

This assertively Art Deco face is based on Cubist Bold, designed by John W. Zimmerman for Barnhart Brothers & Spindler in 1929, and takes its name from one of the co-founders—with Pablo Picasso—of the Cubist Movement. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Apple Jam is a sweet and friendly handwritten font. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, this font will turn any creative idea into a true piece of art! Apple Jam comes with: 3 font styles: regular, bold, light uppercase & lowercase standard punctuation & numbers special accents & characters for most of the European languages cyrillic typeface

Finger Stamp is an unique display font with fingerprint texture on it. You can use it for anything ranging from t-shirts and clothing, for your kids book designs, kids party needs, greeting cards, stickers, posters, banners, or anything that needs a bold and fun touch. Try it to create fabulous designs and feel the fun and cheering vibes with it!

Hello, Introducing a new font Winter Swash inspired by graffiti style. It's bold, dramatic, urban styled display font. Add this font to your favorite creative ideas and notice how it makes them come alive like a poster, kids flyer, merchandise, quotes, branding, cartoon, comic and more. If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Bayu Suwirya

Canadian type designer Val Fullard created this display FontFont in 1992. The family contains 3 weights: Light, Medium, and Bold and is ideally suited for festive occasions, music and nightlife as well as poster and billboards. FF Mambo provides advanced typographical support with features such as ligatures, titling alternates, alternate characters, and case-sensitive forms. It comes with tabular lining figures.

Introducing, Briberra - Realistic Rough Bold Script! Briberra is hand lettering script font that contain stylistic alternate, swash, etc to create your own customized design. You can using this font for quotes, t-shirt design, or whatever you want. This font is support multi language. Support PUA. PS: Type underscore + number (from 1 to 5). Or copy Brib_3erra in preview bellow.. Thank You!

Online auctions offer a myriad of unique, vintage and novel lettering devices – all which are fertile ground for typographic inspiration. In this instance, a set of stamped metal letters for outdoor signage was the basis for Stamped Metal JNL. Some of the non-traditional letter weights makes these simple block letters a wonderful change of pace for bold, attention-getting headlines.

Kuro is a precisely rendered sans-serif type family. Modern geometric forms combined with subtle detailing create a charming, straightforward and versatile design. The lighter weights bring a contemporary touch to body copy while the bold weights add the strength of character to branding, identity and packaging. Details include eight weights, over 450 characters, manually edited kerning and Opentype features.

The Stomp Family is a set of three different fonts, Swirl, Flowers and Circles which are designed to be used with Stomp Black to create dual colored type for bright and exciting images. Metrics and Kerning information for the four faces are identical so that they overlay perfectly. Stomp Black is also very usable on its own for bold, high impact type.

Molagane is a Bold Minimalist Elegant Modern vintage font with beautiful ligatures, tons of special alternative glyphs, ornament and multilingual support. It’s a very versatile font that works great in large and small sizes. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Proudly Introducing, Biomorph! Biomorph is a brand new condensed sans font family released by us. This font is very suitable for your projects especially for brandingm publishing, titles, book, magazine, website, etc. Biomorph is font family that comes from thin, extra light, light, regular, medium, semibold, and bold version, with all of these styles gives yoiu freedom to design as you like!

Muraba Arabic is the sibling font of Muraba, with the addition of Arabic glyphs; Arabic, Persian, Urdu, Kurdish, and Jawi (Pegon). Muraba Arabic font is a one-of-a-kind, bold vintage serif display typeface, defined by its distinctively thick, squared-off serifs that offer decorative flair. This versatile typeface is ideal for various applications, including logos, headers, and display text

Gyanko is one of a kind display font. With tight and equal side bearing, bold weight, and rhyme! It comes with Regular and Stencil version. Use it with tight space for the best result. Of course it's support multilingual. I also add some alternate, so you can have more option when you using the interlock feature. Have fun with Gyanko!

Arunika Lavanaa Feminine Script, inspired from Women ornament with beautiful curly. Bold and Otline style from monoline hand lettering, really Easy to make it your own style typography. Good for your Lettering, Signature, Typography, Magazine, Branding, Poster, wedding invitations, Quotes Lettering, and more your project design. - Unique glyphs - Multilingual Characters - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Ligature - SS01, SS02, SS03, SS04 inumocca type

Present to you new handwriting font, Glovy! Glovy - Made from my own actual handwriting. It’s not supposed to be neat... because I don’t write neat. It doesn’t align and it’s annoyingly all in caps (but it's kinda charming right?). Glovy - Includes 2 font styles for both regular and bold (A-Z and numerals), as well as standard and accented characters.

Proudly Presenting, Quarts Pachino a Bold Marker Font. Quarts Pachino is perfect for any tittles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Quarts Pachino come with many ligatures, ending swash and come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Trendy, bold & modern style serif font for your fancy projects. Elegant, fashion and classic style on Bigroki font will be great for any branding project. Lot of alternates and ligatures will help you to create unique and original logo design or website header! Enjoy :) Multilingual support Lot of alternate characters Lot of ligatures Web font Great for modern branding projects!

Huggy is a display typeface designed by Michael Parson and inspired by the work of Heinrich Heinz. Full of Art Nouveau flair, this two weight typeface is bold forceful but full of subtle features that give the design a unique personality. With a narrow width and tall aspect, it is perfect for setting text in tight spaces like posters or other titling situations.

Hello! Retrofield is here! With a cute, playful and bold looks, Retrofield bring happiness for both of writers and readers. If you want to write something fun, happy and cheerful, we suggest you to use Retrofield. Hope Retrofield can boost the appearance your text. Enjoy this font in your children book, birthday card, fun poster, comic book, and any other arts. :)