Introducing Neon Font called Retrolight A unique Fonts with Retro Style can make your logotype become more interesting. inspired by real world neon light signs, it features minimal letter forms with smooth rounded corners and, true to real neon tubes, strictly uses lines with open start and end points. This font is perfect for adding your own glowing light effects or can be used to actually design real world neon signs. Retrolight fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

Introducing “Venice Serif - Font Family” – a functional serif type system with a sleek structure which gives a strong personality while still maintaining high readability. Developed in three weights with matching obliques. The full set of weights (Light, Regular and Bold) counts more than 350 glyphs. The end result is a family with full multilingual capabilities and a coverage of several languages based on the Latin alphabet. This fashionable font family is the ideal choice for advertising, corporate design, packaging, editorial and branding. Specifications: - Files included: Venice Light, Venice Regular, Venice Bold with corresponding obliques - Multi-language support (Central, Eastern, Western European languages) - OpenType features

The Cannon family is the result of combining the clean aesthetics from a classic sans neo-grotesque with a touch of a geometric design. The result is a simple but dynamic typeface with retro and technological airs. Cannon is ideal for robust advertising, bold brand identities and packaging, also suitable for high impact headlines and short texts. This type family consists of 36 variants and 9 weights (thin, extra light, light, regular, book, medium, bold, extra bold, black), matching italics for all weights and widths, matching small caps for all weights and widths, alternate characters and extended language support. We are proud to introduce: Cannon.

Verlo is a modern minimalist font that compliments any sort of graphic and web design. This font is perfect for branding, wedding invitations, magazines, business cards, quotes, posters, and websites. The complete font set includes; Regular, Italic, Light, Light Italic, Bold & Bold Italic will bring a unique and tender look to your overall design, as any typeface is a major part of the design. The font is designed so easily be read & bring a minimalist effect to any kind of design. Kufic Studio is a platform that provides professional and high-quality designs & fonts to fill the gap that has been missing in the market.

Pilfnof contains: - 394 glyphs which include: Basic Latin, Latin Extended - A, Latin 1 - Supplement and General Punctuation. - 4 weights: Light, Regular, Bold and Black Pilfnof is a reverse contrast serif font family. Purpose of the project was to design a standing out modern serif which revolves around reverse contrast. Width of strokes is fully reversed. Weight, width and contrast are regular while x-height is high. It contains uppercase and lowercase letters and lining figures. Pilfnof is perfect for use in Branding and Publications. It can be used both for text as well as headings and titles. Heavy weights are ideal for headlines while light weights are suitable for body text.

Introducing Neuborn Font Family Neuborn is a Sans Serif Font Family (Light, Light Italic, Regular, Regular Italic, Regular Hollow, Regular Italic Hollow, Medium, Medium Italic, Medium Hollow, Medium Italic Hollow, Bold, Bold Italic, Bold Hollow, Bold Italic Hollow). This Font Template contains Modern, Formal or Non Formal, Classy, Elegant, Strong, Readable, Stylish, Cool, Bold, Minimalist and easy to use. FEATURES - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation USE Neuborn works great in any branding, name card, logos, apparel, produk pagaking, flyers, magazines, label, films, stationary, posters, etc. and any design project that requires a formal or informal touch.

Introducing Neon Vibes - Retro Neon Light Font Neon Vibes is a retro neon light font that is perfect for creating a throwback, nostalgic feel in your designs. Its glowing letters are reminiscent of classic neon signage, and they are sure to add a touch of excitement and energy to any project posters, flyers, and invitations. Whether you're designing for a party, a concert, or a retro-themed event, Neon Vibes is sure to add the perfect finishing touch. FEATURES - All Caps - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Samarquand is a handwritten script design from Roy Preston. Based on the handwriting of a friend, Roy has expanded this friendly, semi-connecting script to include three weights, Light, Regular and Bold, opening up even more design possibilities. The Samarquand fonts support an extended character set, as well as some ligatures, inferior and superior numbers, and unlimited fractions. There are some really nice letterforms in these fonts, particularly that uppercase W! Peruse the posters to see. I'm kind of partial to the Light weight, which is really quite elegant in use, but that Bold can really make a strong statement! Samarquand. Check it out for yourself.

Price Tags JNL is a multi-use dingbat font. Along with over twenty nostalgic price tags, there is a set of individual numbers [1 thru 0 keys] and number pairs [A-T and a-i keys] for creating old-style white-on-black price tags. Blank end caps are available on the parenthesis keys, the decimal point is on the period key, catch words FOR, DOZEN and EACH are on the left and right arrows and right brace respectively, and the dollars and cents marks are on the dollar and hyphen keys. You'll even find a few extras placed upon the bracket and left brace keys.

Park Avenue Park Avenue was designed by R.E. Smith in 1933 for American Type Founders. Park Avenue is an elegant and light script with freely drawn capitals. Park Avenues pen-drawn quality is particularly evident in the lowercase. The ascenders and descenders of this script font are long; the ascenders are bent-over at the top. Park Avenue has a small 'x' height with tall ascenders, giving the face a refined, elegant appearance. The full elegance and lightness of Park Avenue are only apparent when combining upper and lowercase. It would be worthwhile trying this script in display sizes, for personal messages, invitations, business cards and greetings cards.

SK Cynic is a modern geometric experimental font. Inspired by modern industrial graphic design. The font form is based on a 8x8 grid, which makes it stricter and more accurate. Bevels are created at the corners of each letter, giving the symbols a special industrial look. The font is multilingual and supports almost all Latin and Cyrillic languages. For some characters, stylistic alternatives are provided for better readability. The font will give any work a unique look and is suitable for use on print and on the Internet. This font delivered in 8 styles: Thin, Light, Regular, Medium, Bold, Outline Light, Outline, Outline Medium

Vayu(air) Sans is light typeface family. The complete family design comes with 9 weights and 9 matching italics. The fluent functionality of Vayu(air) is created keeping in mind contextual and stylistic alternatives. Which perfectly suits all areas of graphic design such as branding, identity design, especially digital use. It works great for web, corporate as well as editorial design. The standard numerals set encompasses figures and symbols, numerators and denominators, plus fractions. Approach of this typeface is to introduce light weight family. Thin master weight is 5 point size. Designed keeping in mind all kinds of scales and purposes of design aspects.

Herold is a bold Art Nouveau advertising face released by H. Berthold, Berlin, Germany in 1901. It is also seen under the name “Herold Reklame.” The design is attributed to Hermann Hoffmann by the Klingspor Museum. A herold (‘herald’ in English, ‘heraldus’ in Latin) is one who delivers proclamations and announcements. Medieval heralds are often pictured with a horn with which to get everyone’s attention prior to performing his function. His only PA system was his own voice. Left and right glyphs of a herald with horn may be found at positions 137 and 172. Herold is quite compact with a high x-height, just right for making -- what else? -- announcements.

Introducing Neon Font called Avaneonz A unique Fonts with Retro Style can make your logotype become more interesting. inspired by real world neon light signs, it features minimal letter forms with smooth rounded corners and, true to real neon tubes, strictly uses lines with open start and end points. This font is perfect for adding your own glowing light effects or can be used to actually design real world neon signs. Avaneonz fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

Introducing Neon Font called Neonblitz A unique Fonts with Retro Style can make your logotype become more interesting. inspired by real world neon light signs, it features minimal letter forms with smooth rounded corners and, true to real neon tubes, strictly uses lines with open start and end points. This font is perfect for adding your own glowing light effects or can be used to actually design real world neon signs. Neonblitz fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more.

NorB TypeWriter is my emulation of the IBM Selectric 'Light Italic' ball witch was used by my grand-brother for his correspondance during the 70’s and 80’s. It's however a slanted mono-spaced looking typewriter font. You may want to use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB TypeWriter features 677 glyphs, OpenType features and comes in 8 weights each with their matching italics and in a Thin, Light, Normal and Bold version.

Peroba rosa is a modern sans serif type family featuring a blend of modern, classical, and playful characteristics. The simple, clean forms and classically inspired proportions give it a timeless quality and interesting visual rhythm. Peroba rosa is perfect for logo design, magazine headers, product packaging, branding projects, clothing or simply as a stylish text overlay to any images or websites. WHAT’S INCLUDED? • Comes with regular, thin, light, italic, bold, thin italic, light italic, bold italic and bold italic font styles. Uppercase & lowercase letters. numbers. punctuation Ligature & Huge Stylistic alternate. Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com

Introducing Neon Sci-fi Futuristic Font called Stacker A unique Fonts with Futuristic Style can make your logotype become more interesting. inspired by real world neon light signs, it features minimal letter forms with smooth rounded corners and, true to real neon tubes, strictly uses lines with open start and end points. This font is perfect for adding your own glowing light effects or can be used to actually design real world neon signs. Stacker fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, and many more that are beautiful. It is also best used for posts, logos, posters, labels and more.

The other day, I was cooking a curry and I suddenly realised that we, as a family, eat a lot of meat. At home we do like meat, but given the state our world is in right now, we cannot continue eating meat like there is no tomorrow. As a result, I am hunting the internet right now for good vegetarian recipes (if you have one you’d like to share, then please contact me!). Tournedos is a beefy font family: a chunky all caps set of fonts - and a leaner set to counter and complement this rather heavy dish. And do eat your greens!

The font has a truly futuristic nature. It perfectly conveys the atmosphere of technology and futurism and it's the best choice for sci-fi and hi-tech topics and pictures. The font letters are unrounded, it's build is very simple and straight. The font includes 7 styles: thin, extra light, light, regular, medium, bold, and black. With the variety of font widths, there is the ability to make different combinations in graphic or web design projects as well. Carefully kerned letters look well in paragraphs and titles. Special attention to uppercase headings. The font counts 477 glyphs for each style. The thin style is free to use.

Story Fresh is a family script font, with 5 styles: brush, bold, medium, normal and light. Story Fresh a work that is purely handmade, has its own characteristics with the style of monoline. this is perfect for invitations, signatures, blogs, social media, business cards, product brands. FILE INCLUDE - Story Fresh Brush (OpenType,PUA) - Story Fresh Bold (OpenType,PUA) - Story Fresh Medium ( OpenType,PUA) - Story Fresh Normal ( OpenType,PUA) - Story Fresh Light ( OpenType,PUA) OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. special greetings for all, all of us all smoothly in running the routin

CF Cozyscript is an even weighted connecting script. Created in the spirit of the Old Grade School cursive chart seen above the blackboard in the front of the classroom. Giving students a constant visual reference of the smooth flow of Caps and Lower case script. Neither formal nor casual but a combination of both styles. Cozyscript is currently available in 3 styles: Light, Medium & Rounded. The Light & Medium styles are best suited for Invitations, Notes, Advertising, Personal Letters, and Sensitive Subjects such as Movie Titles, Biographies, Wedding paraphernalia, etc. The Light & Medium Glyphs finish in squared-off ends, whereas the Rounded version is slightly bolder than the Medium version with rounded ends resembling a tubular look. The Rounded version lends itself to effective use in Sports, Music, and Advertising, Graphics, Signage, Branding, Neon effects, Logos, Titles, and Packaging. With over 300 glyphs applicable in over 100 languages, Cozyscript is available for use! Cozyscript is CozyFonts Foundry's 17th Font Family released and 2nd script font by Tom (Cozy) Nikosey, California Designer.

Ravensara Stencil - elegant high contrast classic serif. Ravensara family was born from the idea of taking the Didone concept to weight extremes. In light and medium weights Ravensara transmits a very elegant and high fashion style attitude, but stays readable in small sizes and can even be used as a text font. That makes it an ideal solution for projects, that needs an injection of contemporary sophistication. Heavy weights perfectly complement light and medium ones and also works great by their own in large sizes. It is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Serif. Ravensara Stencil is available in 9 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black and ExtaBlack. Ravensara font family, combining its classic origins and contemporary elegance, is a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, posters, advertising, etc. Ravensara Stencil extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

Galvantur Grand is an uppercase-only display font, intended to be used for attention demanding titles and headers, or generally any form of text that needs to take center stage. An offshoot of the Galvantur font, Galvantur Grand takes things one step further towards the extreme, to really give your design projects that special flair. Characterized by the double lines and negative space between them, this powerful font can make any form of text stand out strongly. The multiple styles included can further help customize your designs and projects, to get the perfect feeling you're going for. Comes in 7 different styles - Regular, Oblique, Light, Light Oblique, Outlines, Light Outlines and Oblique Outlines. To get an idea of the various styles, please check out the images or use the preview field to type in text. Galvantur Grand supports Latin and Cyrillic based languages. IMPORTANT: This is an uppercase-only font. Typing out lowercase characters will look exactly like typing out uppercase ones. Furthermore, it is recommended that this font is used with bigger sized text.

Gunsmoke is a revival of a James Conner's Sons font that's been listed under different names such as Extended Clarendon Shaded, Original Ornamented and Galena. Dating back to 1888 this font was available with an original lowercase, numbers and punctuation. Today we've expanded the set to include the original shaded version a regular black, open left, open right and a fill font for the two open faced versions. The single Gunsmoke fill font is in alignment with the Gunsmoke Open R version and will also work with Gunsmoke Open L by shifting your fill font layer to align with the Open L version. You will need an application that works in layers in order to use the fill font with the Gunsmoke Open L and R fonts. Make sure you check out the left and right pointing gun hands on the less than and greater than keys, the gun alone is on the left and right brace keys. Remember to check your gun in with the Marshal when entering Dodge City.

Light the fire and get your spells ready for Halloween with this witchy font, Arkhania. This display family offers three different styles from which you can pick the one that best describes the atmosphere and mood of your composition: Striped, fun and wicked, Regular, a more strong and classical look, and Hollow, old styled and classy. All three typefaces inspired by the Triple Moon Goddess and its phases: Maiden, Mother, & Crone. Arkhania family features: 423 glyphs 3 styles 84 icons, drawings, swashes and flags Standard ligatures Alternate characters Contextual alternates Swashes more... In addition, there is Arkhania Sigils, a style filled with swashes, icons, drawings and symbols. Play with them, combine a few, choose from different beginnings and endings and create your own swashes, underlines and frames. You can also find flags and boxes along with common connectors. Tips for a clean and modern look: Combine this typeface with a sans serif, light or thin font, like Aeonian (Aeonian Light was used for these images), and let Arkhania cast a spell on the viewer.

DT Augustina Slab is an original Clarendon's style slab serif font family of 98 styles including 7 weights, 7 widths plus Italics. There is no such a big choice of Clarendons with a wide range of styles on a market. Super wide range family will satisfy almost any request. Ultra Lights and Light styles will add elegance and lightness to your headlines, especially with using Italic swashes. Regulars, Mediums and Semi Bold will make your text blocks readable and stylish. Combine with Italics and Small Caps for sub-headers and highlights to get an incredible result. And finally Bold and Extra Bold for massive and heavy text headers. Strong, stable and reliable. The whole family has been working well in almost any type of a project: Websites, Apps, E-Books, Books, Magazines, TV broadcasting, Packaging. The family has an Open Type Features like a Ligatures, Italic Swashes, Small Capitals, Case Sensitive Forms, Tabular Figures, Old Style Figures, Tabular Old Style Figures, Circled Figures, Black Circled Figures, Fractions, Superscripts, Subscripts, Stylistic Sets, Localisation forms for Moldavian / Romanian, Catalonian and Turkish.

The Planetype Font Family is Modern. It has 6 Font Styles: X-Light, Light, Medium, Inline, Bold, & X-Bold. Each style has a consistent weight with a square serif of equal weight to its vertical and horizontal strokes. Planetype™ for short or Planet-Type font styles all have extremely clean edges and are sharply defined. There is a standard kerning applied, however evenly letter-spacing these family members give a distinct personality and continues to command the negative space just as in tight kerned examples. The compatible relationship of these font family members, weight to weight, and X-Light to X-Bold is seamless and the overall design coloring of words and sentences is well balanced and extremely legible. The Planetype Family fonts are matching members glyph to glyph. This family works in modern, contemporary and vintage settings. The Planetype Medium matches the outer weight of Planetype Inline. Their are several unique Glyphs that set the character of this family, such as: Caps B, M, Q, R, X and Lower Case a, e, k, r, z to begin with. The numerals and dingbats also have several unique glyphs that flow with the family Style in every matching weight. These characteristics lend well in designing logos, brands, and even monograms. Starting with Planetype X-Light the designer has a command of the clean lines yet expressing Modernism and a touch of Architectural structure. Planetype Medium & Planetype Inline are a dynamic duo giving a positive/negative readability.

Don your Flying Suit and tighten up your Atomic Powered Jet Pack buckle! Pencil in your pencil-thin moustache and stick your head into that Rocketeering Helmet! It's Zero Hour, 9am, 1949! Five Days a Week, you ARE the King of the Rocket Men, ready to Burn out your Fuse on a Timeless Flight into Outer Space Alone! Mission Control has advised our Space Race Typeface that Mars is not the kind of place to raise your kids and, furthermore, it's gonna be a long, long time until touchdown brings you round again to find you're not the man they think you are at home. You are in fact a ROCKET MAN; not a postman or a milkman, you're a modern man, a higher-than-a kite flying masked hero on your first manned flight to Infinity and Beyond!

Blank Manuscript allows you to produce sophisticated musical scoresheets even on basic Word Processors - anything from simple plain staves to complex full-page orchestral scores of your own design, to write in the notation yourself. The basic stuff is really easy and straightforward, but there's some quite advanced things you can do as well. So Copy and Save these Instructions. • The main stuff is simple and tends to follow the initial letter. Treble, Bass and Alto clefs are on upper case T B A (there are more clefs, below). The 5 Lines for the clefs are on L or l. • A small v will give a small vertical line (like a bar line) and a Big U will give a Big Upright - these can start or end a line or piece. • Time Signatures - type the following letters: Think of W for Waltz and it's easy to remember that 3/4 time is on W. Then from that they go up or down together like this: V=2/4 W=3/4 X=4/4 Y=5/4 Z=6/4 Compound Times are on H I J K like this: H=3/8 I=6/8 J=9/8 K=12/8 Common Time and Cut Common symbols can be found on semi-colon and colon respectively (all begin with Co- ). 2/2 3/2 are on lower case a and b, 7/4 and 7/8 are on lower case c and d, 5/8 is on small k (think POL-k-A) • Flat signs are on the numbers. Flat signs on LINES 1 to 5 are on numbers 1 to 5. Flat signs on SPACES 1 to 5 are on numbers 6 to 0 (space 1 being above line 1, space 5 being above the top line of the stave). Sharp signs are on the letters BELOW the long-row numbers. Which is q w e r t for the sharp signs on Lines 1 to 5, and y u i o p for sharp signs on spaces 1 to 5. Doing it this way means it works the same for all clefs, whether Treble, Bass, Alto, Tenor or any other. Sharp and Flat Signs always go in this order, depending on how many sharps or flats your key signature requires: Treble Clef Sharps t i p r u o e Flats 3 9 7 4 2 8 6 Bass Clef Sharps r u o e t i w Flats 2 8 6 3 1 7 = Alto Clef Sharps o e t i w r u Flats 7 4 2 8 6 3 1 • Guitar Chord Boxes are on G and g (G for Guitar) Upper Case G has a thick line across the top Lower case g has an open top, for chords up the fretboard TAB symbols are available: Six-string Tablature is on s & S for Six. Four-string Tablature is on f & F for Four. (Lower case has the "TAB" symbol on it, Upper Case has just the lines to continue.) Five-string tablature, is on lower case "j" (as in BAN-j-O) and of course L or l will continue the 5 lines. •RARE CLEF SIGNS including Tenor Clef, are on various punctuation marks, i.e. dollar, percent, circumflex, ampersand & asterisk, above the numbers 4 to 8. NOTE: The important symbols were kept on the letter and number keys, which are fairly standard all over, but some of the less important symbols are on various punctuation keys, which in different countries are not the same as on my keyboard. If it comes out wrong on your system, all I can say is it's right on the systems we've tried, and they'll be in here somewhere, probably on a different key. CLOSING THE ENDS OF THE LINES and BAR-LINES is done with the 3 varieties of brackets - brackets, brace and parentheses - Left/Right for the Left/Right end of the line. Parentheses L/R () which are above 9, 0 give a clef with a small vertical upright (the same as a bar line). Brace L/R and Brackets L/R (both on the 2 keys to the right of P on my keyboard) will close off a staff line with tall upright bars. Brace gives a double upright - one thick, one thin. Brackets give a single tall upright. A Big Upright is on Big U, (Big U for Big Upright) and a small vertical line is on small v (small v for small vertical). The Big Upright is the maximum height, and the small vertical is exactly the same height as a stave. And there's a tall upright Bar, on Bar (which is to the left of z on my keyboard, with Shift,) which is the same height as the bar on upper case U but twice as broad. • There's a staff intended for writing melodies, which is a little bit higher up than an ordinary treble clef giving a space underneath to put lyrics in - on m and M for Melody line. Lower case has the Treble Clef on, Upper case M has just the higher-up staff lines with no clef. (Use mMMMMMMM etc.) However this clef will be in the wrong place to put in sharp and flat signs, key signatures and so on, so if you use this clef you'll have to write the sharps, flats and key signature yourself. There's also a clef that's smaller (less tall) than the ordinary clef, but with the same horizontal spacing so it will align with other standard-sized clefs - on slash (a plain clef) and backslash (with a Treble Clef). • There are some large brackets for enclosing groups of staves, such as you'd use on large orchestral scores, on Upper Case N O P Q R, which can aid clarity. N and O on the left, Q and R on the right. P is a Perpendicular line to be used on both sides to increase the height of the enclosure, in this way but with the staff lines in between: N Q P P P P P P O R OTHERS —————————————— • Repeat marks are on comma (left) and period/full stop (right). • Hyphen is left as a sort of hyphen - it's a thin line like a single staff line, with the same horizontal spacing as ordinary staff lines - in case you want to draw a line across for a Percussion Instrument, or a Title or Lyric Line. • Space is a Space, but with HALF the width or horizontal spacing as ordinary staff lines, so 2 space symbols will be the same width as a clef symbol or line. • Grave (to the left of 1 on the long row, or hold down Alt and type 0096 then let go) gives a staff line that is one eighth the width of an ordinary staff line. • If you want manuscript in a clef and key which requires a flat or sharp sign in the space underneath the 5 lines, they’re on = equals and + plus . SYMBOLS • Many of these symbols will only be useful if you have worked out in advance which bars will need them, but they are here in case you've done that and wish to include them. • Symbols for p and f (piano and forte) are on 'less than' and 'greater than' < > (above comma and full stop) and m for mezzo is on Question, next to them. They can be combined to make mp, mf, ff, pp, etc. These signs -- and other signs and symbols like Pedal Sign, Coda Sign and so on -- can be found on various punctuation mark keys, including above 1, 2, 3 in the long row, and others around the keyboard. There's a sort of logic to their layout, but in different countries the keys are likely to give different results to what is stated here, so it's probably best to just try the punctuation and see if there's any you might want to use. (But on my keyboard a Coda sign is on circumflex - because of the visual similarity. Pedal sign is on underscore. A "Sign" symbol is on exclamation mark.) They were only included in case you really need them to be printed rather than handwritten. • However, a Copyright symbol is deemed necessary, and also included are a "Registered" symbol and a TradeMark symbol. They are found in the conventional places, and can be accessed by holding down ALT and typing 0169, 0174 or 0153 respectively in the numberpad section and letting go. • Staff lines with arco and pizz. above are on capital C and D respectively ---C for ar-C-o. • An empty circle above a staff line (to indicate sections by writing letters A, B, C or 1,2,3 inside for rehearsal marks) is on n. The actual signs for an A, B, C and D in a circle above the staff line can be produced by holding down ALT and typing 0188, 0189, 0190 and 0191 respectively and letting go. • The word "Page", for indicating page numbers, is on the numbersign key. • The two quotes keys, (quote single and quote double) have symbols representing "Tempo is", and "play as triplets", respectively. • INSTRUMENT NAMES There's a whole lot of Instrument Names built in (over a hundred) which can be printed out above the clef, and you do it like this. Hold down Alt and type in the given number in the numberpad section, then let go. For Piccolo it's 0130, for Flute it's 0131, Cornet is on 0154, Violin is on 0193, and the numbers go up to over 0250, it's a fairly complete set. There's also a blank which is used to align un-named clefs on 0096. Put them at the very beginning of the line for the best results. Here they are: WOODWIND Piccolo 0130 Flute 0131 Oboe 0132 Clarinet 0133 Eng Horn 0134 Bassoon 0135 Soprano Sax 0137 Alto Sax 0138 Tenor Sax 0139 Baritone Sax 0140 Saxophone 0142 Contrabassoon 0145 Recorder 0146 Alto Flute 0147 Bass Flute 0148 Oboe d'Amore 0149 Cor anglais 0152 Pipes 0241 Whistle 0242 BRASS Cornet 0154 Trumpet 0155 Flugelhorn 0156 Trombone 0158 Euphonium 0159 Tuba 0161 French Horn 0162 Horn 0163 Tenor Trombone 0164 Bass Trombone 0165 Alto Trombone 0166 Piccolo Cornet 0167 Piccolo Trumpet 0168 Bass Trumpet 0170 Bass Tuba 0171 Brass 0172 VOICES Vocal 0175 Melody 0176 Solo 0177 Harmony 0178 Soprano 0179 Alto 0180 Tenor 0181 Baritone 0182 Treble 0183 Bass 0197 (see also PLUCKED STRINGS) Descant 0184 Mezzo Soprano 0185 Contralto 0186 Counter Tenor 0187 Lead 0206 BOWED STRINGS Strings 0192 Violin 0193 Viola 0194 Cello 0195 Contrabass 0196 Bass 0197 Double Bass 0198 Violoncello 0199 Violin 1 0200 Violin 2 0201 Fiddle 0252 PLUCKED STRINGS Harp 0202 Guitar 0203 Ac. Gtr 0204 El. Gtr 0205 Lead 0206 Bass 0197 Ac. Bass 0207 El. Bass 0208 Slide Gtr 0209 Mandolin 0210 Banjo 0211 Ukelele 0212 Zither 0213 Sitar 0214 Lute 0215 Pedal Steel 0216 Nylon Gtr. 0238 Koto 0239 Fretless 0244 KEYBOARDS + ORGAN Piano 0217 El. Piano 0218 Organ 0219 El. Organ 0220 Harpsichord 0221 Celesta 0222 Accordion 0223 Clavinet 0224 Harmonium 0225 Synth 0226 Synth Bass 0227 Keyboards 0228 Sampler 0249 PERCUSSION and TUNED PERCUSSION Percussion 0229 Drums 0230 Vibes 0231 Marimba 0232 Glockenspiel 0233 Xylophone 0234 Bass marimba 0235 Tubular Bells 0236 Steel Drums 0237 Kalimba 0240 OTHERS Harmonica 0246 Mouth Organ 0247 FX 0251 Intro 0243 Verse 0245 Refrain 0248 Chorus 0250 un-named 0096 (this is a small spacer stave for aligning clefs without a name) ALSO copyright 0169 registered 0174 TradeMark 0153 Rehearsal marks 0188-0191 (giving A, B, C, D in a circle, an empty circle is on n ) Clef signs for Treble Bass Alto without any staff lines 0253-0255 An Alphabetic List of all signs: a 2/2 time b 3/2 time c 7/4 time d 7/8 time e sharp sign, centre line f Tab sign for 4-string tab g Guitar Chord Box, no nut h half-width stave I sharp sign, third space up j Tab sign for 5-string tab k 5/8 time l Lines - 5 horizontal lines for a stave m Melody Clef - a standard clef but placed higher up, with Treble sign n Stave with an empty circle above o sharp sign, fourth space up p sharp sign, space above stave q sharp sign, bottom line r sharp sign, fourth line up s Tab sign for 6-string tab t sharp sign, top line (fifth line up) u sharp sign, second space up v vertical line (bar-line) w sharp sign, second line up x Fretboard, four strings y sharp sign, first space up z Fretboard, five strings A Alto Clef B Bass Clef C “arco” above stave D “pizz.” above stave E Double Vertical Lines F Four Horizontal lines (for 4-string tab) G Guitar Chord Box with nut H 3/8 time I 6/8 time J 9/8 time K 12/8 time L Lines - 5 horizontal lines for a stave M Melody Clef - a standard clef but placed higher up, plain N Bounding Line for grouping clefs - top left O Bounding Line for grouping clefs - bottom left P Bounding Line for grouping clefs - Perpendicular Q Bounding Line for grouping clefs - top right R Bounding Line for grouping clefs - bottom right S Six Horizontal lines (for 6-string tab) T Treble Clef U tall, thin Upright line V 2/4 time W 3 / 4 time X 4/4 time Y 5/4 time Z 6/4 time 1 flat sign, first line up (the lowest line) 2 flat sign, second line up 3 flat sign, third line up 4 flat sign, fourth line up 5 flat sign, fifth line up (the top line) 6 flat sign, first space up (the lowest space) 7 flat sign, second space up 8 flat sign, third space up 9 flat sign, fourth space up 0 flat sign, space above stave

Kuunari Rounded is the rounded version of Kuunari. it is a structured square sans type family of 42 fonts. It has three widths and seven weights in both upright and italic versions. The base form is a round-cornered rectangle, and this form constructs the glyphs throughout the fonts. Kuunari Rounded is a straightforward sans serif. It doesn't make any fuss about itself; it just does the job proudly and confidently.

JetJaneMono is a large family of sans-serif faces which are monospaced. It is very plain (plain=plane=jet). The font family has two widths and three weights, with each upright style paired with an italics style. These twelve fonts are then duplicated with another set in which small caps replace the lower-case letters. The typeface was created in 1994 and in 2021 the condensed widths were added.

Sollesty is a modern signature script font. With upright contrast stroke, fun character. To give you an extra creative work. Sollesty font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Sollesty font. Cheers, Maulana Creative

Cyntho Slab Pro is the slab serif companion to Cyntho Pro. It’s a modern geometric slab serif with extensive language support including Cyrillic and Greek scripts, rich with OpenType features, perfect for magazines, posters, advertising, corporate identity, and much more. It offers optional upright and real italic forms, wrapped in OpenType ‘stylistic alternates’ features, or stylistic set #02, where sets can be applied separately. Small caps are included as well.

Blunch is a new glyphic typeface that has flared slightly strokes. The design is based on many typographic references as Basilea, Stettler and Pascal. It includes three styles: Upright, slanted and backslanted. Blunch is equipped with an extended character set to support Central and Eastern European as well as Western European languages. I recommended use Blunch in the following design concepts: Brewing company Can beer desing Sports Branding Packaging design

Schmallfette Binder-Style, designed by Joseph Binder and released by D. Stempel AG in 1959 provided the template for this upright, set-tight display face. Its rather unconventional placement of the crossbars on the f and t is a subtle attention-grabber, and true to Binder's original design. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.