Caros Family is a modern sans-serif typeface that is clean, simple and highly readable. Letters in this type family are designed with geometric shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Caros is a versatile type family of 18 fonts. Caros family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

German type designer Siegfried Rückel created this display and sans FontFont in 2002. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries, poster and billboards as well as sports. FF Alega provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Greek writing system. This FontFont is a member of the FF Alega super family, which also includes FF Alega Serif.

German type designer Verena Gerlach created this display and sans FontFont between 1999 and 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Karbid Display provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid, FF Karbid Slab, and FF Karbid Text.

For the younger generation, San Serif has been modernized. Metuo is a modern font available in four weights. Easy to read with eye-catching graphics. It goes well with tech and futuristic themes and may be used for a variety of things, including business logos, packaging, and posters, as well as smaller items like banners, advertisements, apparel design, and letterheads. If you choose this typeface, your project will instantly be engaging and enjoyable, so get started right now! of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Italian type designer Albert Pinggera created this sans FontFont between 1996 and 1998. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, software and gaming as well as sports. FF Letter Gothic Text provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Letter Gothic super family, which also includes FF Letter Gothic Mono and FF Letter Gothic Slang.

British designer Bob Newman's Horatio family is a delightful look back into the modernists experiments of the 1920s. This geometric sans serif design was created in 1971, and was originally released by Letraset. We are please to offer the family in digital form, in light, medium, and bold weights. Many designers during the 1920s were interested in reforming the alphabet, and wanted to reconcile letterforms with the machine and manufacturing technology of the age. Herbert Bayer at the Bauhaus was one of many designers who developed a universal alphabet," creating letters using only the simplest of geometric forms. Similar experiments in 1920s-style revivals were also created during the 1970s, most notably Herb Lubalin's ITC Avant Garde Gothic."

Canadian type designer Nick Shinn created this display, serif, and script FontFont between 1994 and 2010. The family has 16 weights, ranging from Light to Extra Bold (including italics) and is ideally suited for advertising and packaging, book text as well as festive occasions. FF Fontesque provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. This FontFont is a member of the FF Fontesque super family, which also includes FF Fontesque Sans.

Avid Pro font family is designed by Naghi Naghashian. A modern interpretation of classic Sans Serif characters in 6 weights: Thin, Light, Regular, Demi Bold, Bold and Heavy. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Humanist on one hand, geometric wannabe on the other Born from the need of having a custom font for our own branding, Redonda became too big to keep just for us. Like that, came to light Plau's 10th retail font, the first one designed by Carlos Mignot. The font's personality is a result of a search for extreme impact. Having started out as a exclusively Black geometric face, it became a full, versatile humanist sans. While it maintains the impact that inspired it, it also offers performance for both UI and body copy. This balance reflects the font's creative process: at first it referenced historic examples, but we also made sure it worked as a contemporary face.

German type designer Erik Spiekermann and American type designer Christian Schwartz created this display and sans FontFont in 2008. The family has 6 weights, ranging from Light to Ultra and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards as well as wayfinding and signage. FF Unit Rounded provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Unit super family, which also includes FF Unit and FF Unit Slab.

Clearface Gothic first appeared in 1910, designed by Morris Fuller Benton, the world-famously prolific typeface artist. In addition to Clearface Gothic, Benton also designed classics like Franklin Gothic, Century Expanded, and many other types. Clearface Gothic is a sans serif face with light forms displaying the Zeitgeist of the turn of the 20th century. Distinguishing characteristics are the open forms of the a" and "c," the arched "k," and the upward-tilting horizontal stroke of the "e." The relatively narrow typeface, with its open inner white spaces, is extremely legible even in small point sizes. There is no accompanying italic. This digital version of Clearface Gothic was made in 1984 by the Linotype Design Studio."

Megabyte is a modern sans serif typeface built with minimal tapering and a geometric foundation in mind. The family contains 10 weights from light to black with matching italics that slant at 9°. Working on Megabyte, we’ve aimed to create a reliable workhorse typeface with the widest possible range of implementation. With its quirky curves and sharp edges Megabyte functions equally well in bulk text and in headings. Designed with an extensive collection of OpenType features and alternative forms, each weight includes extended language support + Cyrillic, ligatures, arrows, symbols and much more. Megabyte is ready to be put to work. Designed by Thomas Gillett, metrics and engineering with the help of Erin McLaughlin (Hindi Rinny).

This family is the rounded version of Segaon family. Segaon Soft Family is a humanist sans-serif typeface that is clean, simple and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Segaon is versatile type family of 18 fonts. Segaon family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes old-style figures, proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Modérnica is a sans serif type including roman & oblique styles in 9 weights. Originally published in 2014, then in 2020 we released version 2.0, in which we expanded the language coverage and character set, adding a new Fat weight, tabular figures, smart fractions & arrows. We’ve improved the OpenType features adding new Stylistic Sets. Besides this, we have retuned the letters spacing in the whole family. Seeking for the best performance, we added a bit of spacing between letters in the text versions (middle weights from Book to Bold), while as for the display variants (extreme weights from Thin to Fat) we made them gain space in the light versions and loose it in the blacks.

Introducing Ablation Sans Serif Typeface - 6 weighs Ablation is casual, clean typeface that contains 6 weights to enchant your next project. They have basic latin, advanced latin, basic Cyrillic and advanced Cyrillic character sets. Very versatile fonts that works great in large and small sizes. Ablation is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol Hairline Light Regular Bold Extra Bold Black Basic and advanced latin character sets Basic and advanced Cyrillic character sets Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Although initially designed as a rational/geometric font, Triplex developed into one of Zuzana Licko's most intuitive typeface designs at the time. Its first extensive use was in Emigre magazine #14, a special issue devoted to Swiss designers published in 1990. Triplex was intended as a friendly substitute for Helvetica. The name Triplex refers to the three versions that make up the entire family; Triplex, Triplex Serif and Triplex Italic. Each version of the typeface comes in light, bold and extra bold. The italic was designed and drawn by type designer and sign painter John Downer, and was designed to work with both the serif and sans serif versions. See also Triplex Italic OT.

Punta is a minimal, yet elegant sans serif font. Suitable for a wide variety of designs due to its neat and simple style, it has the potential to become your favourite go-to font, no matter the occasion!

Tubbs is a thick sans font. Beefy. Heavy. It's got weight. Comes with two levels of distress suitable for mixing for a more natural look. Great for use in posters, headlines, titles - wherever you need a little heft.

Bold, punchy and attention-grabbing, Maximum is an extended sans serif with obround curves that fills the space on the page due to its tight spacing and short ascenders and descenders. Recommended for posters, packaging, headlines and branding.

Take a bit of Brooklyn attitude, add a dash of hand-lettered appeal and mix in a slightly Art Deco flair... Your result is Canarsie JNL; a bold sans serif face that would make any New Yorker proud!

A practical font family with 4 weights for all your day by day design needs: headlines, body text, signage etc. High legibility at small sizes. An extended sans serif typeface that provides unique softness appearance without losing legibility.

Graigway is an art deco styled display font face in sans and serif. It has small caps and ‘halfcap’ alternatives included. There is an outline version with separate fillings for multilayering and color fonts with the layer-combination.

A World War II training film had its opening title card “First Aid” hand lettered in a casual, Art Deco sans serif design. This is now available digitally as Film Title JNL, in both regular and oblique versions.

Brumder is a condensed sans serif typeface. Inspired by Industrial style. Comes in several styles namely regular, round, rounded, rough, and stamp, with matching oblique, making it 10 styles. Brumder is perfect for branding, headlines, and many more.

Introducing BROKENZ – Bold Sans Condensed fonts with 4 styles with strong and challenging nuances. very suitable for the title, typography, clothes, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional

An antique barrel lid stencil spotted in an online auction for a company once located in Guttenberg, NJ provided the hand-cut sans serif lettering which inspired Old Brass Stencil JNL; available in both regular and oblique versions.

Inspired by the clarity of signage fonts, Objet Sans is a modern geometric typeface with a friendly rounded touch. It containts many OpenType features and an extensive character set that make it suitable for a variety of uses.

A curly and playful sans serif font with blurry lines. Fits nice to anything that has to do with products for kids! Comes with 3 different versions of each lowercase letter, and they automatically cycle as you type

Clio - a display sans serif with simple, clean, and visual elegance. Specially designed for elegant-themed projects, perfectly suitable for creating simple, clean, lifestyle design such as logos, title, and magazine and more. The font features standard ligatures.

Alfrere Banner is a 1950s inspired masthead typeface, designed to complement our ‘Alfrere Sans’ typeface family. These two Banner faces, offered in regular and incised forms, emphasise horizontal lines and have a distinct ’streamline-era’ feel to them.

From the backlots of Hollywood to a computer near you! Quiet on the set... Huntington JNL is a bold sans serif font inspired by titles preceeding the opening of the film classic "Casablanca". Art Deco meets Film Noir...

Good Notes font is a simple, modern, playful and natural handwritten sans serif font. This font is perfect for creating logo, watermark, branding, wedding invitation, quote, tagline, or anything else. Let’s make something beautiful project with this. Enjoy!

Lokanova is a display font with a sans serif type designed in a bold and unique style to give the impression of a firm but still playful design. Lokanova is available with uppercase, lowercase, number, symbol and multilingual

Introducing Le Atallier an elegant sans serif font that look classy. Perfect for Logo brand, product packaging, advertisement, social media post, clothing brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support

The Pilatus font is a sans-serif standard technical font based on the ISO 3098 standard. The standard was developed for a good reading when reducing technical plans on films. The font follows clear rules and geometric proportions.

One year old Suredog font. Affectionate with print and good with other sans but will probably chase a serif. Suredog is truly deserving of a loving home for the rest of her life. Please give Suredog a chance.

Autobahn is a robust masculine sans of near monoline thickness and angular characteristics. Available in four weights (with italics), it has a healthy compliment of OpenType Features and the character set covers most Roman-based letterforms and Cyrillic.

Moldr, a sans-serif with modular grid structure, inspired from handmade letter to industrial machine mold, Moldr come with 9 weights in complete family, Support many language with standard Adobe Lain 4 glyphs, world-ready and mark2mark support.

Eneas Expanded is a decorative artistic poster handwritten font. It's an sans serif, wide, rounded monoline font which will provide an informal, funny and fancy look to your work. It's recommended for display usage for its glyph quality.