Mix Teapot is a handwritten sans serif, short & stout. This was written on an iPad using the Poppy procreate brush from my Procreate Lettering Brush Bundle. Mix Teapot includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ (plus an alternate for each) abcdefghijklmnopqrstuvwxyz (plus an alternate for each) 0123456789 !@$#%^&*()`~♥• +=[]:;'”,.\|/?{}<>“”‘’-–—_…©®™«»°²³¡¿₱¢€£¥½¼¾ ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜGĤÍÌÎÏIĪĮĴKŁŃÑŇ ÓÒÔÖÕØŌŐŒŔŘŚŜŠȘŞŤȚÚÙÛÜŮŰŪŲẀẂŴÝŶŸŹŽŻ áàâäãåăāąæćĉčçðđéèêëėēęĝgĥíìîïiīįĵkłńñň óòôöõøōőœŕřśŝšșşťțúùûüůűūųẁẃŵýŷÿźžż

Another variant to the ever-popular Art Deco sans lettering with solid centers (no counters) was found in the hand-lettered title on the cover of the 1933 song "There's A Ring around the Moon". This became the basis for the digital typeface Moonlit Walk JNL, available in both regular and oblique versions.

The 1937 sheet music for the tune "Sweet Stranger" has the title hand lettered in a round cornered Art Deco sans with an inline featuring square corners. Now available as Curtain Up JNL, it is available in regular, oblique, solid and solid oblique versions (for those who prefer a version without the inline).

Rambla is a humanist sans for medium-long texts. It’s slightly condensed, with a generous x-height and short ascender/descenders. Its proportions have as objective to gain space in height and width. It’s elegant at large sizes and legible at the same time, with a lot of rhythm in small sizes.

A light hearted comic sans-serif typeface inspired by a 1972 cartoon of the same name, Houndcats works with all it’s got to convey a funky, friendly, fantastic persona. A little bit off the chain, yet still easily legible, this typographic nutcase is ready and waiting for you to go wild with it!

At first glance Parking Lot Stencil JNL look quite similar to many sans stencil fonts, but rest assured there are numerous subtle nuances that give the typeface its own unique flavor. Modeled after the plastic stencils used for marking numbers and directional information on paved surfaces, the lettering is clean yet industrial.

Flaunters is a sans serif neo-grotesque font with neat and beautiful letters. This font family comes with 14 fonts, consisting of 7 upright weights and matching italics, with 390+ characters. Flaunters is very suitable and looks amazing in designs such as posters, advertisements, banners, or your formal and non-formal design needs.

A finely crafted sans serif typeface with an uncomplicated appearance. Soft curves are mixed with minimal angles to create a readable font ideally suited for identity, editorial and online uses. Details include 10 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.

Vettom is a rounded-geometric typeface made up of 16 fonts across 8 weights. It’s a unique and modern sans typeface, which is well suited for a variety of typographic applications such as headlines and small texts. The Vettom font family supports multiple languages and is available as both webfont and desktop font.

Orange is the work of British designer Timothy Donaldson and defies the conventional rules of letter construction. Its soft appearance and unusual stroke style produces a fascinating texture in both small and large point sizes. Orange is a departure from standard sans serif styles and ideal for a slightly off-beat look.

Spiggie is a sans-serif, whose name came to me on a Shetland beach. The beach traces a tight curve between the shoreline and the sea paralleled in the fonts controlled yet smooth character. The design language reaches back to the art deco period and the 1920s, yet retains a distinct modern flavor.

Galexica is a geometric, modernistic, sans-serif typeface. The original family had five members, but an upgrade in 2019 expanded that to ten, with five weights and italics for each of those weights. The eccentric letter forms have a techno or futuristic look. There is also a monospaced version of this design,

Pine Forest is a display sans serif typeface inspired from outdoor activity, they have a verry handrawn and playfull character. Pine Forest come with two fonts styles press and press italichand. Suitable and applicable to create typography design, branding, logos, product packaging, invitation, qoutes, t-shirt, label badge poster etc. Caps Only Fonts

Gremlin is a modern sans-serif font designed with an extended width for a bold and impactful presence. Its clean and sleek lines contribute to a contemporary aesthetic, making it suitable for a variety of design applications. The bold weight of Gremlin ensures that your message stands out with confidence and authority.

The cover of the 1930s-era “Catalog of Artists’ Materials” from Ernst H. Friedrichs, Inc. (New York) has the words “Artists’ Materials” hand lettered in a stylized Art Deco sans serif type style. This unique design is now the digital font Art Materials JNL, which is available in both regular and oblique versions.

Pragma ND is a sans serif typeface with calligraphic features. Its vital rhythm facilitates the reading of long texts. It also has an “authentic” italic imitating the movement of handwriting. Its high legibility makes it an ideal typeface for long texts in analog and digital contexts. Pragma is a Trademark of BauerTypes SL

Chennai Slab is an extension of the original Chennai. Chennai Slab is a simplified slab serif with over sixty OpenType alternates for the ball terminals, unique simplified alternates and more traditional capital forms. Use Chennai Slab when you need a fun and versatile slab serif. The sans-serif Chennai makes a great complement.

The hand lettered name “Chickland” from a 1958 restaurant menu cover was actually a throwback to the Art Deco style with its condensed thick and thin sans serif design. With just a few available letters to work with, it has been turned into Counter Service JNL; available in both regular and oblique versions.

Baumata is a delightful and playful sans serif font that seamlessly merges modern aesthetics with a touch of whimsy. Designed to add a dash of personality to your projects, this typeface exudes friendliness and charm. With a focus on versatility, Baumata is crafted to captivate audiences in both Latin and Cyrillic scripts.

Malina is a sans-serif monoline typeface with some humanist touches creating a clear and legible typeface. The Idea is to make hairline display font that elegant and perfect for use at large sizes, with a set of alternative characters such as K, Q and R for your design in any layout.

Akme is a sans serif with an industrial feel. However, it has many whimsical features like the spiral O, many special dingbats for bullets, and so on. It has oldstyle numbers and small caps plus many other ligatures, and special characters. There are nearly 500 characters in each of the four styles.

Arab Stroke is an exotic typeface with an Arabian touch which makes a variety of applications possible. Whether for products from far away lands travel advertisements or anything needing a dynamic look, Arab Stroke is an excellent choice. The font is particularly eyecatching in headlines and combines well with sans serif fonts.

Geometris Round Semi-Condensed is a modern versatile sans-serif typeface. What differentiates Geometris Round Semi-Condensed from the other fonts is an exceptionally distinctive design. It is brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising.

Dead Mementro typeface (ex Dead Metro) has simple and strong shapes. It is a little bit narrow sans serif typeface with brutal constructions of characters. The first edition of typeface — Dead Metro — was realised in 1998 as the part of Garbage Type Foundry project. Now Dead Mementro has more characters and styles.

Grooker is a modern take on sans serif font styles . Perfect for logotypes, signage & branding for apparel, adventure equipment, photography, travel, food & drink, plus so much more. Its timeless semi bold style makes it great for just about any project. Feature: Latin Standard Latin Extension Punctuation Number Symbol Basic Cyrrilic Advance Cyrrilic

Octagon is a basic sans serif font. This font showing a simplicity in design and readable. One of the feature is the optical kerning precisision, that supporting ellegantly in the writting result Hope this font will be fit on your next design project. If you have any question please feel free to contact.

Seeking to redefine your brand's image or add an extra essence to your projects? We've got you covered. Introducing Bustellina - An Elegant Sans Serif Font. Whether it's logos, digital assets, or print media, Bustellina leaves an enduring impression. Amplify your brand's visual identity with the captivating allure of this font. Have fun!

Escato is a modern sans serif font family with a simple design and a little break-rule, consisting of 5 styles ranging from Regular, Bold, Round, Bold Round, and Outline. Escato is suitable for products with simple but sophisticated and equally creative designs, such as magazine, book look, business card, logo, branding, etc.

With the name Helvetica (Latin for Swiss), this font has the objective and functional style which was associated with Swiss typography in the 1950s and 1960s. It is perfect for international correspondence: no ornament, no emotion, just clear presentation of information. Helvetica is still one of the best selling sans-serif fonts.

Rigo™ is a flexible family of modern sans serif. Rigo is characterized by some humanistic characteristics, its open part of negative space and its overall width make it highly legible and readable at small to large size. The openness helps Rigo to be a good performer on the screen as well.

Calling Cards is simple and clear, slightly condensed sans serif font family in 3 styles: Regular, Italic and Bold. Each font includes ligatures and stylistic alternates. Calling Cards looks great in quotes, logos, print, and social media, and is perfect for both short and long texts, at small and large font sizes.

Here is a faithful revival of Gothic Number Ten, released by the Cincinnati Type Foundry in the late 1800s. Not your garden-variety sans-serif, its quirky caps will warm up your headlines. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

KD Dekorat - Artdeco font for display use. Initially submitted for a font design competition, it's now redrawn and polished with extra glyphs incl. Cyrillic script. All letters stay true to the uniformity of the modular design. Create catchy headlines, logos, large billboard messages that will drag client's attention. Pairs nicely with sans families.

Introducing Welanger Kesley is a Display Sans, use this font for any branding, product packaging, invitation, quotes, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Alternative Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Hope you enjoy it.

MGN Humble is a sans-serif type that provides room for users to express their experimental and playful side. The pixelated strokes engage venturously with the need to communicate excitement; a perfect set for clothing, gaming, technology, and experimental poster use. Currently available in a beta version and to be developed further.

Atenta is a neutral sans-serif family based on techno-geometric forms in 8 styles. It supports Western, CE, Baltic, Turkish and Cyrillic encoding languages. All styles of Atenta contain small capital forms, case sensitive punctuations, lining, Oldstyle and smallcaps figures (including currency and math operators), superscripts and subscripts, numerators and denominators.

The headline across the October 7, 1918 edition of the UK’s Daily Mail stated: "Germany Asks the Allies for Peace". Set in extrabold sans serif lettering, it’s now available digitally as Tabloid Edition JNL in both regular and oblique versions. This is another “redrawn from the headlines” typeface from Jeff Levine Fonts.

Introducing TT Norms® Pro Serif, version 1.100! The updated font now has new OpenType features and localization for the Serbian and Bulgarian languages. TT Norms® Pro Serif is a functional serif based on our studio's main bestseller—the versatile sans serif TT Norms® Pro. Together, they form an ideal font pair. Although these typefaces are made for each other, they can easily be used independently and paired with other fonts. So, TT Norms® Pro Serif is a self-sufficient and elegant serif, neutral at the same time. It is easy to recognize due to its gentle proportion dynamics, open aperture, slanted oval axis, and low stroke contrast. Another distinctive feature of this font is brutal serifs that adjust in length according to the weight of the font. As well as TT Norms Pro, there are Italic font styles in TT Norms® Pro Serif. However, for this serif, we have designed true italics instead of simple slanted font styles. Their key feature is the ability of the lowercase letterforms to change in reference to the roman font styles. They become more rounded, moving towards handwritten shapes. The nature of the italics turned out sharper than that of the roman font styles. It can be used to place accents that would attract attention without interfering with the process of reading. TT Norms® Pro Serif is capable of solving multiple design tasks. It is highly readable, which makes it convenient for small point sizes. This serif's application range is broad and diverse: it can be used for websites, printed materials, and packaging design. The font is well-suited for projects in the domains of culture, art, history, or literature and can be implemented into the designs of signs, posters, or premium products and services. TT Norms® Pro Serif, version 1.100, consists of: 24 font styles: 11 roman, 11 italic, and 2 variable fonts (one for the roman font styles and another—for italics); 1380 glyphs in each font style; 31 OpenType features, including options for localization.

Kirshaw is not your grandfather's sans serif from the 1950s and 1960s. All those old classics like Helvetica, Futura, Franklin Gothic, and Univers are showing their age like an old Elvis Presley song. Kirshaw is a clean, rounded design with sharp contrasting edges. Like those classics, Kirshaw is easy to read in small body copy and captions, plus it's delightfully modern and stylish for headlines and logos. I designed Kirshaw and Kirkly while undergoing cancer treatment at Stanford Medical Center. Font design was always in the back of my mind and now I had extra time. Kirshaw is a distinctive, modern, easy-to-read sans serif family consists of 14 weights (including italics). It’s an Adobe Latin 3 Character Set containing 350 glyphs per style (including special characters).

Kautiva is a comprehensive modern sans serif family that includes true italics, small caps, and unicase variations. Kautiva was developed to be efficient in both text and display environments. Kautiva serves as a refreshing middle ground between serious geometric and overly humanistic design. This gives it a balance, allowing significantly more flexibility than is normally expected from a sans serif typeface. Versatile in its functionality, Kautiva is also extensive in its features. The OpenType format Kautiva Pro family is available for layout architects who want to take advantage of the numerous features of the format: from true small caps to a variety of ligatures and stylistic alternates, through proportional and tabular figures and complete support for a multitude of Latin-based languages, as well as Cyrillic and Greek scripts.