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  1. Versina by Latinotype, $39.00
    Versina is a display typeface with a unique and expressive yet moderate personality resulted from its organic elegant shapes which are inspired by Spanish transitional typefaces from the 18th century. This font is perfectly suitable for both titles and short text. Versina features a flowing organic stroke and asymmetric bracketed serifs, and its shapes convey rhythm and dynamism. The font has a large x-height and its ascenders are shorter than the cap height, making it look more slender and modern. Calligraphic and crescent-like terminals give the design great formal richness. Versina comes in 5 weights with matching italics plus a set of ornaments, in Regular and Black styles, and also includes old style/lining/tabular figures, fractions, superscripts and subscripts as well as a set of small caps, standard ligatures, historical ligatures, symbols and frames. Versina contains a set of 694 characters that support over 200 Latin-based languages.
  2. Aviator SG by Spiece Graphics, $39.00
    Aviator, also known as Ventura Slim, is based on an old 1930s lettering style popularized by Carl Holmes in his wonderful book on the subject. Angular and at the same time aerodynamic, this low-waisted typeface is great for tight-fitting headlines and other condensed titling situations. You may find it equally useful in developing company logos with a truly retro look. This resurrected digital version of Aviator comes with a convenient and stylish set of alternate characters and small figures. Now enjoy your flight! Aviator is now available in the OpenType Std format. Some new characters have been added to this OpenType version including stylistic alternates and historical forms. These advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.
  3. Ritts Cursive by Eurotypo, $59.00
    The most notable characteristic of this typeface is that it has a compact and regular shape that is slightly condensed but fluidly connected. Its glyphs emulate the look of handwritten, inked characters. Their exuberant graphic strokes and sharp edges maintain the influences of printed types produced by mechanical processes. Unlike most of the italic type of today, the capital letters are as high as the ascending lower-case letters. The brush script style (Originally designed in 1942 by Robert E. Smith for the ATF) inspired many contemporary and beautiful typefaces, such as Wisdom Script, Mission Script, Marketing Script, Motion Picture, Thirsty Script, Lauren Script, Deftone Stylus and many others. This font has more than 700 glyphs, Central European languages support, including Open Type features, swashes, and contextual stylistic alternates. It also includes old-style figures, discretional and standard ligatures, is case-sensitive and has a set of tails and ornaments.
  4. Bilokos Pro by AukimVisuel, $14.00
    Bilokos Pro is a cool and modern display font. Designed by experts to make your design look out of this world, this font has the potential to take your creative ideas far. This is a condensed sans serif display font. On the one hand, it has rounded curves with very open terminals that make this font family elegant, user-friendly and contemporary and on the other hand very useful for writing titles in any medium. It also comes with stylistic variations of 0-9, A-Z and a-z to satisfy the most demanding professionals. It has OpenType features like full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences. With its large character set, it meets the needs of professionals because it will support several languages ​​of Western Europe, Eastern Europe, Central Europe, Greek and Cyrillic for international communication.
  5. Palatino Sans by Linotype, $29.99
    Palatino Sans was designed as part of a group of three font families: Palatino nova, Palatino Sans, and Palatino Sans Informal. Together these three families act as the fulfilment of Herman Zapf’s original Palatino idea. Palatino, which was born as a metal typeface in 1950, proved to be one of the 20th Century’s most popular designs. Not only is Palatino Sans a completely new typeface, it is also a completely new interpretation of the entire sans serif genre. Its letterforms are curved, rounded, and soft, not hard and industrial. The fonts in the Palatino Sans family include several OpenType features, such as an extended character set covering all Latin-based European languages, old style figures, small caps, fractions, ordinals, ligatures, alternates, and ornaments. Palatino Sans can be mixed well with Palatino and Palatino Sans Informal. Palatino® Sans font field guide including best practices, font pairings and alternatives.
  6. Schuss News Pro by typic schuss, $42.56
    I was working about 10 years exclusively for a type company. Based on my experiences, I built this superfamily. Schuss™ Sans PCG is a humanistic sans-serif with a little contrast. Small Caps, greek and cyrillic are included. Also tab, prop, lining, old style and small cap figures. It's a typeface with clear and open characters. All complicated shapes are cleaned and simplified with a bit elegance. Schuss™ Slab Pro is a slab serif, based on the Schuss™ Sans. Schuss™ News Pro is the modeled style between Schuss™ Slab Pro and Schuss™ Serif Pro. Schuss™ Serif Pro is the antiqua shape. Additionally all serifs are cleaned up. There is just one-side-serif in the "n" for example. Tab figures (except small caps), mathematical signs and currency symbols have a width system accross all styles and weights.
  7. Schuss Sans PCG by typic schuss, $-
    I was working about 10 years exclusively for a type company. Based on my experiences, I built this superfamily. Schuss™ Sans PCG is a humanistic sans-serif with a little contrast. Small Caps, greek and cyrillic are included. Also tab, prop, lining, old style and small cap figures. It's a typeface with clear and open characters. All complicated shapes are cleaned and simplified with a bit elegance. Schuss™ Slab Pro is a slab serif, based on the Schuss™ Sans. Schuss™ News Pro is the modeled style between Schuss™ Slab Pro and Schuss™ Serif Pro. Schuss™ Serif Pro is the antiqua shape. Additionally all serifs are cleaned up. There is just one-side-serif in the "n" for example. Tab figures (except small caps), mathematical signs and currency symbols have a width system accross all styles and weights.
  8. Night Blazer by Epiclinez, $18.00
    Night Blazer is a cute and lovable handwritten font. It is suitable for your crafting projects, but also for apparels, quotes and so much more.
  9. Ruina Inline by RodrigoTypo, $25.00
    Ruina inline is an alternate version of Ruina, containing inline and also oblique, a very expressive font that can be seen in any casual design
  10. American Advertise Square Series by Intellecta Design, $17.90
    See also other font families related: American Advertise 013, American Advertise 014, American Advertise 015, American Advertise 016, American Advertise 017, and American Advertise 019.
  11. Jr High by BA Graphics, $45.00
    A heavy contoured all cap font, great for poster, school and sports, will also work in many other applications where a strong statement is needed.
  12. Megot by Brainware Graphic, $12.00
    Megot is a modern fancy display font with playful feel. Comes with opentype features, Megot also supports multilingual covering Latin based language (Latin Extended Additional)
  13. Aldogizio by TeGeType, $29.00
    The ALDOGIZIO family is a new slab-serifs typefaces family inspired by Aldo Novarese' Egizio. It can be use for text as for titling applications.
  14. Macaron by Akufadhl, $15.00
    Macaron is a lovely, playful handcrafted typeface with inconsistency. It's designed to suit your homemade products and crafts and is also best for display purposes.
  15. Allnoob by Skiiller Studio, $20.00
    Allnoob Typeface is one of the elegant decorative fonts neatly arranged and cool, you can also use it for business, clothing, movie titles, and more
  16. That by Suomi, $30.00
    This is That: a family of four weights with roman and true italics, and also with chiselled medium weight, and Irregular variant for, well, variety.
  17. Caslon Manuscript by BA Graphics, $45.00
    An antiqued looking Caslon type letter, very retro but works well for many of today's applications. This font also works very well for text settings.
  18. Happy Wednesday by Epiclinez, $18.00
    Happy Wednesday is a cute and lovable handwritten font. It is suitable for your crafting projects, but also for logos, quotes and so much more.
  19. South Louisville by Sarid Ezra, $15.00
    South Louisville is an applicable handwritten font that contains uppercase, lowercase, number and symbol, also comes with ligatures and underline. This font support multi language!
  20. Cantika by RahagitaType, $14.00
    Cantika is a beautiful font suitable for wedding invitations or souvenirs. Cantika is also suitable to use for other purposes that require an attractive appearance.
  21. Chorettan by OCSstudio, $12.00
    Chorettan is a hand-written script. This is perfect for branding, wedding invitations, cards, social media, or maybe for your logo products, and also websites.
  22. Runsten by Fontron, $35.00
    Adapted from Ronsten to make an acceptable chunky, more normal serif font retaining the serif alignment with the letter curves. An Italic is also available.
  23. Net Hunt by Putracetol, $28.00
    NetHunt - Spider Display Sans Font Introducing NetHunt, a spider display sans font that is perfect for any design that requires a horror or scary look. The font is inspired by an old embossed nameplate with cobwebs in it, and the designer made it into a display font. NetHunt features both uppercase and lowercase versions, with the lowercase version not having the cobweb design. The font also includes a sans ligature feature that makes the cobwebs of each word even cooler. If you are looking for a font that will give your designs a spooky and eerie vibe, NetHunt is the perfect choice. Use it for logos, titles, logotypes, covers, headlines, apparel, comics, cover books, cards, posters, or anything else that requires a horror or scary look. NetHunt comes with a variety of features that make it a versatile font. The font includes uppercase and lowercase letters, opentype alternates and ligatures, and multilingual support for a wide range of languages. The font also includes number, punctuation, and symbol glyphs. The font can be used on both Windows and Mac operating systems and is compatible with most design software, including Adobe Photoshop, Illustrator, InDesign, and more. If you want to add a spooky and horror touch to your designs, NetHunt is the font for you. It is perfect for Halloween designs, horror movie posters, or any design project that requires a unique and scary font. Use it for your next project and see the difference it makes! In summary, NetHunt is a spider display sans font that is perfect for horror and scary designs. It is inspired by an old embossed nameplate with cobwebs and features both uppercase and lowercase versions. The font includes opentype alternates and ligatures, multilingual support, and number, punctuation, and symbol glyphs. Use NetHunt for your next design project and add a spooky and eerie vibe to your designs. Tags: spider, display, sans, horror, scary, Halloween, movie poster, logo, title, logotype, cover, headline, apparel, comic, books, cards, posters, opentype, ligatures, multilingual, glyphs.
  24. Mantika Book by Linotype, $50.99
    Mantika Book was originally conceived and drawn parallel to the first Agilita drawings. *[images: pencil drawings] It took several years before having a chance looking at these designs again. But then, my first impulse was to turn this alphabet into a new sanserif, which was to become Mantika Sans. This was the starting point to conceive a super family consisting of different design styles and corresponding weights. The initial drawings of Mantika Book were refined and an Italic was developed to go with it. The aim was to create a modern serif typeface which is reminiscent of humanistic Renaissance typefaces, yet without following a particular historic model. Its large x-height for one is far away from original Renaissance models. Mantika Book was designed as a companion serif typeface to Mantika Sans that can be set for lengthy texts as in books, hence its name. It shares the same x-height with Mantika Sans but has longer ascenders and descenders, making for better word shapes in long, continuous reading. The approach of an ›old-style‹ looking typeface with large minuscules makes Mantika Book also a choice for magazine text settings where one often needs smaller point sizes to fit in a multiple columns layout. The unique details of Mantika Book are the asymetric bracketed serifs in the upright font and its higher stroke contrast than usual in a Renaissance style. The stems are slightly curved inwards. Also, the Italics have a low degree of inclination, which makes longer passages of text set in Italic rather pleasing to read. Another feature Mantika Book shares with Mantika Sans is that all four weights take up the same line length. It covers all European languages plus Cyrillic and Greek, is equipped with lots of useful scientific symbols [double square brackets, angle brackets, empty set, arrows] and the regular weight has small caps. There is a kind of an old-style feeling to Mantika Book, yet these citations were turned into a contemporary serif typeface with a soft but sturdy character.
  25. Hamlet by Canada Type, $24.95
    Based on a specimen of an obscure and uncredited old face called Kitterland, Hamlet is one of those curiosities hardly ever noticed in the world of modern fonts, the kind that infuses a variety of historic Blackletter and calligraphy traits in an otherwise Roman alphabet. Such typefaces, what few of them exist, are almost always classified by typophiles as traditional decorative Roman alphabets. We beg to differ. We think such hybrids are fascinating enough to deserve a classification of their own. And we think today's aspiring letterers and type designers would benefit from paying special attention to this kind of hybrid alphabet, not only because it has much more hand than machine in it, but also because it is a prime example of how to succeed in mixing different lettering techniques into one self-contained and distinctly functional alphabet. As in any efficient mixture of lettering methods, Hamlet ended up with characters that are uniquely its own, such as the cupped A, M, V, W and Y, the very luscious and inviting curves on the arms of E, F, L and T, both single- and double-story forms of the a, and the humblest, friendliest g and y ever. A dozen alternate characters are sprinkled throughout the character set, so check out the map for a few pleasant surprises. We also made the Handtooled and Headstone styles because we thought these friendly forms were just crying out for such treatments. The Handtooled version turned out quite lovely, if we may say so ourselves, perhaps even better than the main font. The Headstone version is available as a free bonus to those who purchase the complete Hamlet package. All Hamlet styles come with lining figures as well as old style ones. Hamlet comes in all popular font formats. The OpenType fonts contain push-button swapping alternates and figures, which come in handy in software programs that support this kind of thing.
  26. Marusya - Unknown license
  27. Sales Book JNL by Jeff Levine, $29.00
    Sales Book JNL was recreated from sample letters found in the wood type section of an old printer's supply catalog.
  28. KG Shake It Off by Kimberly Geswein, $5.00
    Hand-drawn by my 10-year-old daughter, this font comes in 4 whimsical styles- chunky, 3D, regular, and outline.
  29. Timbro by Font&Co., $19.00
    Timbro – Italian for ’rubber stamp’ – is an all-caps, decorative display typeface based on lettering from old Land Registry records.
  30. American West by FontMesa, $20.00
    Inspired by an old document from the New York and Western Railroad, American West brings the olden days to mind.
  31. KD Pempo by Kassymkulov Design, $19.00
    A retro multiline display font for your old-school, nostalgic projects. Supports a large set of characters incl. Cyrillic script.
  32. Horsfords by Coffee Bin Fonts, $20.00
    This font was inspired by lettering found on the cover of an old Almanac style cookbook from the 19th century.
  33. Matchbook JNL by Jeff Levine, $29.00
    The hand lettering which inspired Matchbook JNL was used on an old matchbook from the Carrousel Restaurant in Miami Beach.
  34. Luft by Sebastian Cabaj, $20.00
    Luft is blackletter typeface with a modern feel. Inspired by old writing letters and preparation for using in modern design.
  35. Vetrena MF by Masterfont, $59.00
    A square san serif font family for short texts and headlines. Inspired by old hand-painted signs in Tel Aviv.
  36. Abiding by Suomi, $35.00
    A Slab Serif font family of five weights for headline and text use, with old style numerals and small caps.
  37. Academy by Scriptorium, $12.00
    A classic example of a narrow 19th century 'egyptian' style font. Excellent for old-fashioned posters where space is limited.
  38. HelenaScript ES - 100% free
  39. Celsius by Wilton Foundry, $29.00
    Celsius was handwritten with a scratchy nylon marker creating a rougher than normal effect - almost like trying to write in the cold with a pen that doesn't cooperate very well. Dedicated to all snowboarders everywhere!
  40. FF Holmen by FontFont, $41.99
    Danish type designer Per Jørgensen created this serif FontFont in 2007. The family has 5 weights, ranging from Regular to Bold (including italics) and is ideally suited for book text, festive occasions as well as editorial and publishing. FF Holmen provides advanced typographical support with features such as ligatures, small capitals, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.
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