Mineraline is inspired by the crystalline, faceted forms of minerals. This unique display typeface is made of a complex linear structure, giving the letterforms a dynamic, intricate and dimensional feel – especially suited to display use in very large sizes. The unique linear structure allows the line-weight of the character framework to be varied, to give the family a varying ‘visual’ weight, rather than altering the traditional stroke width. Used at smaller sizes, the type is incredibly detailed, almost woven looking. At larger display sizes the framework and bevelled joints become more obvious and striking. From the delicate Light through to the solid and angular Ultra, Mineraline is perfect to give your work a distinctive, modern and creative edge. Its multiple weights are ideally suited to work across Branding, Logo & Identity, Retail, Point of Sale, Packaging, Advertising, Fashion, Digital and Film, or any other experimental graphic and typography tasks.

Thought, with its versatile five styles, is ideal for contemporary display work. It has style, flair, legibility, and interesting, flowing letter shapes. The Family: -- REGULAR - of medium weight - clear and legible; -- BLACK - for bolder statements and best readabilty; -- LINEAR 25 - light weight, mono width line -- LINEAR 45 - medium weight, mono width line -- ZEST - variable line, casual, exaggerated appearance Use a combination of styles for product branding, book covers, invitations, greeting cards. Thought has not been designed to be used in "ALL CAPS". The best effects for headings and subheads are obtained with an initial upper case letter followed by lower case characters. If you are using upper and lower case then it is not necessary to use kerning. Thought contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in most European languages.

Futura is THE prototype of a geometric or constructed linear sans serif and the font most commonly font of its kind used to date. Futura, very much influenced by the Bauhaus movement in Germany, was designed in 1927 by Paul Renner. Although being around for almost 90 years, Futura seems eternally young and fresh which also explains its continuous popularity with designers and typographers. Futura simply means efficiency and functionality documented by both its many usages as corporate type (e.g. Volkswagen, formerly IKEA, Vuitton, Shell, formerly HP, SMA and many more) as well as in various famous film projects (e.g. Kubrick, Anderson etc.). Futura’s iconic status was probably established when it walked on the moon with the Apollo 11 crew in 1969. It was used for the lettering of the plaque that was left up there.

Densit is a display mega black typeface, containing 6 styles. It aims for a ultimate density with a maximum weight on a minimum place. Glyphs therefore balances on a slim border of touch. The typeface is designed for expressive and short texts at big sizes and is suitable for photography or other visual materials underlaying. The 3 basic styles parodies ordinary type styles. They only differents from each other lays in the lenght of straight thin lines. The stencil style without these lines is intended especially for spray stencils, the sans style is imitating linear sans types and the serif style having stronger contrast and indicated serifs. The typeface contains a large set of special ligatures for playing with aesthetic qualities of text and obtain maximum space saving. Densit contains 34 special forms for members and frequently used short words in various languages. Very short terminals offer compact setting of multi-lines captions. Densit can be used for music posters, eye-catching headlines of art articles and everything in which is possible graphic impression from legibility prefered. • 6 styles (2 alternatives, 3 kinds) • 12 OT features • 1313 glyphs • sophisticated system of ligatures • support of latin languages

OPICULAR is a Starter Series of modern sans serif with a geometric typical characters, Inspired by minimalism typography and functionalities, digital or print. Opicular comes in 3 weights and 6 styles from Book to Bold.

Virtual is an experimental fantasy font based on a pseudo optical enclosure where a linear system that is not connected there. Virtual comes in three weights: regular. light, and thin also an virtual mix by mixing different thicknesses in a single font, with alternative variations through features of open type. Virtual is an experience based on play with the laws of the Gestalt of closing.

Koysan is made for vivid headings, but it can also be used to type small paragraphs and texts. In a text set, it gives sharp, barbed textures, but compensates with half-ovals. The font combines the linear counteraction of thin vertical and horizontal lines with sharp and rigid strokes and smooth geometric ovals. Koysan supports Basic Latin, Extended latin and Cyrillic. Font designed by Victor Pesotsky.

Mesclo is our personal take on the geometric typefaces genre. With mono-linear appearance, humanistic elements and subtle hints of Art Deco, Mesclo is a timeless typeface with dramatic oblique terminals and a welcoming, friendly roundness. The outstanding dynamic rhythm and legibility of the text contrasts with the inflexible geometry of the unusual complementary caps-only typefaces, specially developed to fulfil and enrich this type family.

Tme, new lineal — Tme is an update of Sl (T = S + 1, m = l + 1 and e for natural logarithm), drawn in 2006 for the University of Arts Saint-Luc de Tournai. Its geometrical drawing is based on the directions of the hexagon, a scrupulously followed constraint which confers on some glyphs a very particular drawing. in light, regular and bold language: all latin glyphs

The Aviano series returns with a flared semi-serif. Aviano Flare's subtly curved forms lend refinement and luxurious elegance to your designs. Aviano's foundational extended classical forms give the face strength and power. Aviano Flare is a versatile new addition to the Aviano titling series. Aviano Flare comes in six different weights and is packed with OpenType features. Want to get rid of the serifs for that logotype or headline? Need swash forms? Art Deco alternates? Aviano Flare includes 74 alternate characters. Two style sets are available, two sets of art deco inspired alternates, small forms, swash, titling and stylistic alternates. Aviano Flare also includes 40 discretionary ligatures for artistic typographic compositions. Please see the informative .pdf brochure to see these features in action. Be sure to check out the rest of the Aviano series which can be used as complementary faces, including Aviano, Aviano Serif, Aviano Sans, Aviano Didone and Aviano Slab.

CYRON Tech Serif is unique serif font combines hi-tech cyberpunk and futuristic atmosphere and classic serif's style. There are Uppercase and Lowercase letters done the way they ideally connect with each other. Multilingual support (Latin extended). It is designed for header and text both. Use it in your projects in such areas as robots & androids, cyberpunk, hi-tech, future, virtual reality, space, army, games and many others.

The Le Havre series is a series of geometric sans serifs inspired by the dignified era of the passenger ship, when getting to your destination was a delight in and of itself. Le Havre Rounded is a fun and new interpretation of geometric sans serifs. Le Havre Rounded features its sister family's compressed capitals, low x-height and geometric construction, and its rounded forms lend it to be used in contemporary and technology settings. Le Havre OpenType features include twenty five alternate characters, ligatures and old style figures. The Le Havre family includes a spectrum of weights for many design options.

Introducing TOMO Atlas, a typeface that redefines modern typography. This linear and geometric sans-serif family is a testament to contemporary minimalist design. Crafted for versatility and readability, Atlas excels in both digital and print media. Its clean, open characters are not only web-optimized but also print-friendly, ensuring legibility across various platforms. The neutral yet professional demeanor of Atlas makes it perfect for branding, heading, and text applications. It embodies the Swiss design ethos with its elegant, subtle, and distinctly modern appeal. Whether bold statements or casual contexts, Atlas remains adaptable and scalable, maintaining clarity at any size. Atlas legible and clean appearance, combined with its accessibility features, makes it an ideal choice for designers looking to create a sophisticated and contemporary visual language. It’s an epitome of modern type design, balancing style with functionality to meet the diverse needs of today’s typography enthusiasts.

Very condensed typography, thick line and fun look for headlines and advertising where you are looking for saving space and originality at the same time. The upper inclination of the letters, the combination of horizontal with inclined forms, the ascending and descending short, and the lower elongation of some antlers will allow you to print varied styles with a lot of movement according to the context of the design. I started drawing this font with the intention of creating a new decorative typeface Blackletter style but modernizing the strokes, after drawing several letters imitating the ductus of this type of fonts trying to simplify them, emerged all the DNA of the current Jack Stanislav, finally a retro typography without Serif of linear strokes that mimic the angle of a thick pen. Use the following keys to write the bitcoin symbol and the Jack icon: b #, a #

Some time ago, I started to think about the idea of combining my passionate hobby cooking with my profession as a graphic designer. While browsing through cooking books, cooking magazines and graphic publications I noticed that there were no symbols and drawings easily recognizable for interested cooks (hobby or professional). So I decided to create symbols for all the classical cooking paraphernalia still found in grand mother’s kitchen cabinet. René Menue Symbol contains 99 kitchen symbols of classical design and quality. To complement the symbols typographically, there is René Menue, a fitting linear Sans Serif typeface with plenty of extra characters such as ligatures, figures etc. René Menue is a modern, slightly condensed and economic design with round shapes, very modern but classical at the same time. These features make it perfectly usable in many different publications, not necessarily restricted to cooking… A successful cooking and enjoy your meal!

Designed by fine artist and calligrapher Alissa Mazzenga, Marguerite is is a calligraphy style font inspired by fine artistry and risk taking. She has a way of surprising her viewer, with a look that is authentic, yet chic, relaxed, but also elegant. Marguerite’s trademarks are strong angles, bold uppercase forms, elegant hairlines and perfectly placed swashes. She comes along with many ligature variations and a contextual alternates features.

Moniak Sans is a linear, humanist sans with a vertical stress axis. Distinctive for its open strokes, Moniak features generally broader typeface proportions to offer excellent readability even at small sizes. This property also supports lowercase stroke endings. The designer emphasised elegant, pure curves in the skeleton of the font, making it optically friendly and inviting in magazine headline and poster applications. Most languages using Latin script are supported.

For a versatile timeless look that's sure to bring any groovy graphic idea to life, we have dubbed this offering: Pure Psychedelia. This condensed font is shot through with twin strands of modernized Art Nouveau and reimagined 1960s psych. This classic stylistic mélange is distilled down to a heady mix of hippy-trippy lava lamp blobs and assertively pointy end tapers, for a unique vibe and a dynamic linear flow.

Croma Sans, created in 2016, is a linear sans with a controlled and distinct graphic flavour. The Croma Sans family consists of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Vivala Unicase is a modern, rounded linear grotesque that is easy to read even in small font sizes. The composition of uppercase and lowercase letters results in a unique typeface. The new version contains five weights, including a boldface, which greatly expands the design possibilities. With an extensive set of characters and symbols, it is ideal for posters, t-shirt design, promotional products, car design, labeling, trademarks and headlines.

Scholar is a new editorial serif with clean and smooth lines, tight curves, and subtle yet sharply contrasting serifs. It is a typeface series that exudes elegance and confidence. Scholar comes in two font versions: Regular and Italic. It is designed perfectly to meet all your needs, whether you're creating nostalgic designs that remain clean and elegant, or working on projects like headlines, magazines, logos, packaging, editorials, and more

The Slab American family of fonts is derived from a scientific letterpress manual published in the midwest in the 1890s. Slab American is an imperfect, chunky family ideally suited for any application where something non-digital is the desired effect. Slab American is part of the Grit History Series A font set. The set encompasses serif and sans-serif fonts in varying weights to meet the needs of designers.

A 1940s British music collection of classical music piano pieces entitled "The Great Masters Series" had its title hand-lettered in a free form, casual sans serif with a cartoon style. This is now available as Just Great JNL.

Smooth brushstrokes inform the construction of Novaletra Sans. As Novaletra Serif's sister typeface, Novaletra Sans shares its easy readability and excellent performance in a humanist design. Subtle flares and low stroke contrast provide warmth uncommon in sans-serif font families. Novaletra Sans CF pairs well with simple sans-serifs like Articulat® CF, or with detailed and airy display type like Quiverleaf® CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.