The Tabac type system is a static typeface with modern shapes and distinct, wedge-shaped serifs. It is primarily designed for the setting of newspapers, magazines and books. Tabac boasts great variability in terms of letter weight in all of its styles. Each style works as a font of its own, featuring the full set of glyphs. The styles may be combined depending on the user; the choice of text and title face thus depends fully on the designer’s own taste, on the needs of the readers and the technologies of printing in use.

The Alternasci family consists of five consists of five individual fonts in the spirit of renaissance. Alternasci Regular is a handmade typeface resembling markings in old manuscripts. It supports most European languages. Alternasci Alchemia comes with the uppercase Alternasci letters and (in Latin) explained alchemy symbols. Alternasci Magia comes with lowercase Alternasci letters. The upper case is the so called Theban or Witch's Alphabet. It has also got some magical idols. Alternasci Picturae gives you by its four hundred pictures an imagery of good old science, mostly related with alchemy and occultism.

The inspiration for this typeface family came from my childhood experiences at West Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters.

Danton is a serif dominated face with a crisp and distinct graphical flavor. Designed especially for use in magazines and newspapers, It is superb in headlines and, because of its solid structure, it is also an excellent choice for text applications. The Danton family consists of 14 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain small caps, ordinals, ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, and arrows.

a 3D version of the classic egiptian style, but in a sans serif mode

New formula for an alphabet: unicase + monowidth. Realized in an exceptional diversity of styles.

A rugged angular display typeface, with variations in the upper and lower case characters.

A strange design very mysterious and bizarre but sets extremely well even in text.

Sku typeface is a elegant display font and comes in 2 styles: Regular & Italic.

In both chunky and tilted/3D versions, this font gives a dose of fun!

This is The Classic font of XX century. Based in a typeface created by

Beautiful and elegant typeface, excelent using in wedding invitations, arts, posters and small texts.

Beautiful and elegant typeface, excelent using in wedding invitations, arts, posters and small texts.

Beautiful and elegant typeface, excelent using in wedding invitations, arts, posters and small texts.

Contains characters A-z, 0-9, and ampersand in two variations totaling 74 characters.

Straker is named after the beige Nehru-collared commander in Gerry Anderson's masterpiece, UFO.

A very readable script, simple yet elegant. Works great in a multitude of applications.

The archetype of the Brush Script, designed for ATF by R.E. Smith in 1942.

One of the classic Clarendon fonts, always useful, originally created in the 19th century.

The beauty is in the subtle curves of this font. So clear so elegant.

Phanitalian in an exercise whith many styles from a classic victorian wood type font.

Far east font flavor in Hebrew letters. So fresh so unique, yet so legible.

Gert Wunderlich’s Maxima font family in a new, most extended redesign by RMU Typedesign.

A unique font that falls in that extreme catagory, Zany has that happy look.

Font family based in the russian constructivist with three variants, solid, inline and shadow.

Cadels are a family of fonts inspired in the medieval "cadel" style fo blackletters

This design is based on custom design work by DTP Types Limited in 1990.

The most familiar of brush scripts designed by Pete Dombrezian for ATF in 1951.

A neat handwritten font in 2 styles- one with hearts and one without hearts.

FF Angie Regular won the Brattinga prize at the 1990 Morisawa awards in Japan.

Dingbats based on authentical and historical pirate's flags and other devices in your universe.

A variation on the 'futuristic' type genre - available in pre- and post-apocalyptic versions!

In For The Birds, the letters are made by bird feet or bird tracks.

Orcin Sans is a functional well crafted sans serif typeface available in 6 styles.

Digitally engineered by Steve Jackaman. Originally in five weights, Steve produced three additional weights.

Bieta is a sans-serif font family designed by Naghi Naghashian in four weights. Bieta Light, Bieta Regular, Bieta Bold and Bieta Heavy. Width of this font family is almost condensed therefore specially space saving. Bold and heavy versions are suitable particularly for big titles. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Bieta design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bieta’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Bieta was developed for multiple languages and writing conventions. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

ARTA is an ArtDeco style font, inspired by classic font like Newport Classic with elongated typeface with high waisted uppercase letters which curve in an geometric and elegant way. It consisted of really condensed lettering which had little space available. It's a well complet font with 315 Glyphs for most latin languages as "English, French, Spanish, German, Icelandic, Afrikaans, Catalan, Czech, Esperanto, Hungarian, Latin, Latvian, Lithuanian, Maltese, Northern Sami, Polish, Serbo-Croatian, Slovak, Slovene, Sorbian, Turkish and Welsh". ARTA will give to your design an chic presentation, you will be able to generate beautiful writings,thanks to 3 differents type "Light, Regular & Bold". It can be used for Shop, Restaurant, Jewelry, Cosmetic, Press identity & more. I started to work on this typeface at the creation of a logo in 2017 for the butcher shop of my uncle in Luchon in France named "Le Louchébem". I always had in mind to complete & share it. So after some years, I decided that it was time to finish it. This was my first Typography creation and I wanted to make it as an Art Deco typeface. I really love this elegant, high & classy lettering style. I want to bring this 1910's vibes back to be more use in our days.

John Baskerville (1706-1775) was an accomplished writing master and printer from Birmingham, England. He was the designer of several types, punchcut by John Handy, which are the basis for the fonts that bear the name Baskerville today. The excellent quality of his printing influenced such famous printers as Didot in France and Bodoni in Italy. Though he was known internationally as an innovator of technique and style, his high standards for paper and ink quality made it difficult for him to compete with local commercial printers. However, his fellow Englishmen imitated his types, and in 1768, Isaac Moore punchcut a version of Baskerville's letterforms for the Fry Foundry. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth century rationalism and neoclassicism. Legible and eminently dignified, Baskerville makes an excellent text typeface; and its sharp, high-contrast forms make it suitable for elegant advertising pieces as well. The Linotype portfolio offers many versions of this design: ITC New Baskerville® was designed by John Quaranda in 1978. Baskerville Cyrillic was designed by the Linotype Design Studio. Baskerville Greek was designed by Matthew Carter in 1978. Baskerville™ Classico was designed by Franko Luin in 1995."