Full of life Hispanic Didot in 2 optical sizes Retiro is a daring interpretation of Spanish typography. Severe, austere and yet, full of life, Retiro is a vernacular version of Castilian and Andalusian in a typical Didot. Named after a lovely park in Madrid, Retiro started life as a a bespoke typeface designed to give a unique voice to the magazine Madriz. In 2006, the founder of Madriz was looking for a Didot for his new magazine. The Didot is the archetypal typeface used in high-end magazines. Retiro is a synthesis of these high contrast styles mixed with an Hispanic mind. Result is then, after 2-3 years of work, a typeface with countless variations to establish typographic shades adapted to different sections and pages of the Madriz. In 2014, it was necessary to further revise the typeface before its launch at Typofonderie. In order to keep its originality, the unique weight was retained, but complemented with optical size variants to set highly contrasted headlines into various sizes, visually balanced. How to use Retiro optical sizes? Each font provided in Retiro family is named according to the scale of body size: 24 pt and 64 pt. Of course, these names are referring to the body sizes used in typographic design. In the “glorious old days,” the letterpress period, it was customary to cut punches directly to the size at which typefaces would be used. The punchcutter had to visually adapt his design to the engraving size. The aim was to optimize the best contrast and general weight, but also to respect both design’s and reader’s needs. In Retiro’s case, intended for large titling sizes, it’s an adaptation of this ancient practice for our contemporary uses. Although each font is named by a typographic point size, do not feel obliged to use this font at this precise size, but why not, in larger or smaller. It’s rather the concept of gradients that must be preserved in layouts, rather than strictly size numbers. It’s up to the designer to select the right font size for his own designs. Granshan Awards 2012 Creative Review Type Annual 2011 Designpreis 2011 Club des directeurs artistiques, 41e palmarès Type Directors Club 2010 Certificate of Type design Excellence

Squid Junkie is a bold and vibrant tribute to the funky, hippie-inspired designs of the past. With its playful, cartoonish aesthetic and playful use of line and color, this sans-serif font is the perfect choice for designers looking to inject a touch of retro fun and humor into their projects. With its versatile range of styles, including regular, light, and bold weights, each with its own italic counterpart, this font is designed to meet the needs of designers of all levels. But that's not all - Squid Junkie is also available as an outlined font, giving you even more options for making your designs stand out. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

girl love Script is a sweet calligraphy writing while maintaining its elegance. This will increase your design stand out! girl love is the perfect typeface for all your types of projects, such as advertising, branding, graphic design, quotes, wedding designs, logos for online or offline businesses, photography, and more. Make your business more beautiful! girl in love has 2 VERSIONS of the regular script with slanted tails. Feature: - Uppercase and lowercase letters (including PUA coded extra glyphs) - Numbers and Punctuation - Most Multilingual Accent - Can be used in any software, such as Adobe Photoshop, Illustrator, Silhouette Studio, even Microsoft Word, PowerPoint and others. HOW TO ACCESS SWASH: PC: Using the character map. Easier to use Character Map UWP (Free Download from Microsoft store) Feel free to chat with us if you have any questions. Thank you :)

new modern calligraphy font - Laquittea. This beautiful script is for those who need elegance and style for their designs and is perfect for wedding invitations, logos, save the date cards and branding. The Laquittea script has 2 regular and bold styles covering the full set of Uppercase and Lowercase Characters, Numbers and Punctuation. Also contains ligatures and many alternative styles to perfectly recreate natural calligraphy (check the preview to see them all). All fonts are available for West European, Central European and Southeast European Languages. You can check your language typing characters in the text box below. If you have any questions about my products, feel free to write me a message or contact me by email slexs515@gmail.com. Thank you so much for checking out my shop!

Cherishline Script is a thin lettered and graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! Cherishline Script is PUA encoded which means you can access all glyphs and swashes with ease! What's Include : PUA encode & Opentype ( It is full of Tails and glyphs ) Multilingual support Use the fonts for: logos, branding materials, wedding sign, wedding website card, farmhouse signs, sign bridal, shirts, pantry labels, sign bridal shower, business cards, greeting cards, wall decor, social media, planner prints and websites. • This font works with any application Microsoft Word, Adobe Photoshop, Microsoft Paint, Corel, Adobe Illustrator, Cricut Design Space, and many others! If you have any question please do not hesitate to contact me. Thank You!

Introducing Loven Latte - Handwriting Type created by ikiiko. Loven Latte is a handwriting font style with unique line and a natural feel. This typeface is perfect for an wedding invitiation, magazine layout, love letter, beauty product, packaging product, food & beverages, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Stylistic Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Fragille – Modern serif typeface This font is great for designing elegant logos, quotes, magazine covers, wedding cards, invitations, and brands. Its highly contrasting lines are best used in headlines and projects of a large type. Fragille adds timeless beauty, heavenly curves, and a classic look to any project. It is recommended to use Adobe Illustrator or Adobe Photoshop. Hope you enjoy our fonts and if you have any questions feel free to send a message & I’m happy to help

Westey is a script signature, beautiful for wedding card designs, logotype, website header, fashion design and any more. Westey come with 73 Glyph alternates and 63 Swash Characters. It contains a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. - PUA encode - Bonus Swash - Multilingual support : (Danish,Finnish,English,,Spanish,Dutch,German,Icelandic,Italian,Norwegian,Portuguese,Indonesian, Swedish) If you have any question please do not hesitate to contact me.Thank You!

Quta is a sans serif typeface produced by FoDa foundry, that meets all the needs of professionals who search a family of clean geometric font, very well suited for headlines, newspaper and many purposes. With a basic character set in Five weights with their italics. Quta covers many features like: -Five main weights (Light, Regular, Medium, Bold and Extra Bold) -Matching italics for all weights. -language support for many Latin-based scripts -Ligatures and many other OpenType features.

Hot Grinches Font exudes playful charm and whimsy, making it an ideal choice for vibrant and lively designs. With its lively characters and distinctive style, this font adds a touch of fun and character to any project. Perfect for conveying a sense of joy, Grinched Font is particularly well-suited for children’s themes and pairs seamlessly with lively color palettes. Elevate your designs with this cheerful and spirited font that brings a dash of personality to any creative endeavor.

Scandilover Family was inspired by monochrome Scandinavian style kid rooms full of handwritten graphics, black and white accessories and prints. Scandilover is a playful display font with its personal charisma. Each letter in the font perfectly combines with another and all in all creates a text that is an entire illustration itself. Scandilover Script is a thin delicate font which isn’t devoid of playfulness too. Together with contrasting Scandilover they make funny lively combinations. Just try!

Ready for Anything BB is a classic comic book lettering font designed with a Speedball C-6 pen nib, giving it supremely versatile letter-forms to complement any comic book art. As if that weren't enough, it also features contextual alternates that swap through six versions of every letter, three versions of every number, exclamation point, and questions marks. It also automatically corrects errant serif-I, and creates a bouncy baseline for any more than three consecutive letter!

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. When you type in this font, the typography looks like that small guards are marching in the street. This retro font is pretty, but it also has a punctual impression. PAG Demokratie is a perfect font for posters, magazines, product packages and all of your creations.

Polate font is an extra large super family of 60 fonts! Polate has such a big abundance of contrast, styles, weights, X-Hight. Typesketchbook consists of a very usable, clean and modern sans typeface . The complete Polate type family includes 6 weights with italic and 5 X-Hights versions for each of them all in all 60 fonts for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

Frizzy is a classic look vintage style font with a big set of additional characters. Lowercase letters have 4 stylistic sets with different shapes. Uppercase letter has two additional glyphs with upper and lower swashes. All those features can be found in the OpenType panel. Five extra swashes are available in the glyphs panel. When combining all of this features, you can create an interesting and unique lettering compositions. Thank you and have a nice day!

Cruz Quaste is a calligraphic medieval type, drawn by Måns Grebäck between 2018-2020. While traditional in character it is yet original, and could be described as a reinvented Gothic style. Its blackletter style it works great in historical contexts, or to give projects a tough feeling. Cruz Quaste contains OpenType features such as alternates and ligatures. The font is multilingual and supports all Latin-based European languages. It contains numbers, punctuation and all symbols you'll ever need.

There's a war starting; you just didn't notice because you were too busy fighting to realize what was happening. Take your sides. Pick your battles. Choose a face that stands ready to defend, enforce and police. All who are ready to serve, please step forward. Deathe Maach is a six-font family of descending weights with the strength and stamina to face all comers in the approaching conflict. Armor on. Pistols out. Barrels forward. Enforce and serve.

Take a trip to a remote tropical island with the Desert Island typeface. This display typeface is great for headlines and is sure to add a touch of island mystique to your work. The uppercase set is concave and the lowercase set is convex. Alternate each letter to create type that fits perfectly together or use all uppers or all lowers for unique lettering. It is 4 fonts in 1! Stamp illustration created by Adam Grason of studiograson.com/.

Drawlers is a organic sans with stencil versionthat effortlessly infuses your designs with a touch casual and a dash of classic. Its unique type- maekt it perfect choice for any projects especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Regular & Stencil Version Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Really excited to introduce Blackiron is a classic vintage blackletter font, made with a stylish impression and supported by alternative with references to various letters that I combine. There's come with 2 style font and suitable to create any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

Introducing Goxac is a boldly shaped font that gives any project a cutting-edge, futuristic feel. Goxac’s slick lines and distinctive letterforms give your text a contemporary appearance, making it ideal for designs with a science fiction or technological theme. Goxac is the perfect tool for designing eye-catching headlines, posters, and social media graphics because of its bold aesthetic and futuristic theme. They are ideal for branding projects, packaging designs, book covers, and more due to their distinctive letter shapes. With a complete set of punctuation and numbers, Goxac is available in both upper- and lowercase letters. This multipurpose font is ideal for designers, marketers, and anyone looking to add a touch of futurism to their work because it has four different variants. With the Goxac font, rest assured that your designs will look unique, stylish, and futuristic. This font is perfect for those who want to stand out in the modern era, and for those who want to give their designs a touch of innovation. Goxac is a must-have for anyone looking to create a plan that really stands out. So don’t wait, make Goxac your font of choice today, and take your design to the next level! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Introducing Mistress Benedict Font Duo - a pair of hand brushed fonts attentively designed to work together, helping to produce beautiful typography! This pack of two fonts works so well together and can be used for so many projects, from food packaging to a simple quote that you upload to Instagram. Use them on your t-shirts, mugs, cushions, handmade card designs, anything you like! What do you get? Benedict Font has a neat, handwritten style to it and it's tall ascenders gives that added elegance. With it also being hand brushed Benedict is perfect for all hand lettering typographic designs and works well for short advertising headlines and sub-headers. Benedict has a full set of uppercase and lowercase alternates giving you a different style - it's like two fonts in one! Mistress Benedict Brush includes ligatures, discretionary ligatures and a full set of alternate characters. It also has international character support. Mistress Benedict Caps was hand brushed with the same brush pen and is the perfect companion for Benedict. It's an all caps font where the alternates are actually the lowercase letters. It looks gorgeous on it's own too! Like the brush version, Mistress Benedict also supports international languages. Well, there it is! I really hope that you enjoy using this font duo and please ask if you have any questions. Jo

Kadupul Flowers is an incredibly unique handwritten,The shape is modern and style is very natural.modern calligraphy font. Masterfully designed to become a true favorite, the name of this font is also inspired by the name of a flower that is popular in the world this font has the potential to bring each of your creative ideas to the highest level! Kadupul Flowers features a varied baseline, gorgeous glyphs, and stunning alternatives. Hand-drawn design elements allow you to create many beautiful typographic designs in an instant like branding, web design and editorial, prints, crafts, quotes, It's great for logotypes, wedding invitations, romantic cards, labels, packaging, spelling of names and others. Kadupul Flowers includes OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Kadupul Flowers is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

It shouldn't be a surprise to anyone that these letter shapes are familiar. They have the unmistakable color and weight of Cooper Black, Oswald Cooper's most famous typeface from 1921. What should be a surprise is that these letters are actually from George Auriol's Robur Noir (or Robur Black), published in France circa 1909 by the Peignot foundry as a bolder, solid counterpart to its popular Auriol typeface (1901). This face precedes Cooper Black by a dozen of years and a whole Great War. Cooper Black has always been a bit of a strange typographical apparition to anyone who tried to explain its original purpose, instant popularity in the 1920s, and major revival in the late 1960s. BB&S and Oswald Cooper PR aside, it is quite evident that the majority of Cooper Black's forms did not evolve from Cooper Old Style, as its originators claimed. And the claim that it collected various Art Nouveau elements is of course too ambiguous to be questioned. But when compared with Robur Noir, the "elements" in question can hardly be debated. The chronology of this "machine age" ad face in metal is amusing and stands as somewhat of a general index of post-Great War global industrial competition: - 1901: Peignot releases Auriol, based on the handwriting of George Auriol (the "quintessential Art Nouveau designer," according to Steven Heller and Louise Fili), and it becomes very popular. - 1909-1912: Peignot releases the Robur family of faces. The eight styles released are Robur Noir and its italic, a condensed version called Robur Noir Allongée (Elongated) and its italic, an outline version called Clair De Lune and its condensed/elongated, a lined/striped version called Robur Tigre, and its condensed/elongated counterpart. - 1914 to 1918: World War One uses up economies on both sides of the Atlantic, claims Georges Peignot with a bullet to the forehead, and non-war industry stalls for 4 years. - 1921: BB&S releases Cooper Black with a lot of hype to hungry publishing, manufacturing and advertising industries. - 1924: Robert Middleton releases Ludlow Black. - 1924: The Stevens Shanks foundry, the British successor to the Figgins legacy, releases its own exact copies of Robur Noir and Robur Noir Allongée, alongside a lined version called Royal Lining. - 1925: Oswald Cooper releases his Cooper Black Condensed, with similar math to Robur Noir Allongée (20% reduction in width and vectical stroke). - 1925: Monotype releases Frederick Goudy's Goudy Heavy, an "answer to Cooper Black". Type historians gravely note it as the "teacher steals from his student" scandal. Goudy Heavy Condensed follows a few years later. - 1928: Linotype releases Chauncey Griffith's Pabst Extra Bold. The condensed counterpart is released in 1931. When type production technologies changed and it was time to retool the old faces for the Typositor age, Cooper Black was a frontrunning candidate, while Robur Noir was all but erased from history. This was mostly due to its commercial revival by flourishing and media-driven music and advertising industries. By the late 1960s variations and spinoffs of Cooper Black were in every typesetting catalog. In the early- to mid-1970s, VGC, wanting to capitalize on the Art Nouveau onslaught, published an uncredited exact copy of Robur Black under the name Skylark. But that also went with the dust of history and PR when digital tech came around, and Cooper Black was once again a prime retooling candidate. The "old fellows stole all of our best ideas" indeed. So almost a hundred years after its initial fizz, Robur is here in digital form, to reclaim its rightful position as the inspiration for, and the best alternative to, Cooper Black. Given that its forms date back to the turn of the century, a time when foundry output had a closer relationship to calligraphic and humanist craft, its shapes are truer to brush strokes and much more idiosyncratic than Cooper Black in their totality's construct. Robur and Robur Italic come in all popular font formats. Language support includes Western, Central and Eastern European character sets, as well as Baltic, Esperanto, Maltese, Turkish, and Celtic/Welsh languages. A range of complementary f-ligatures and a few alternates letters are included within the fonts.

Multicolored Fonts Many years ago, when Xerox Corporation still had its own font department, I came to Los Angeles in 1985 to train the IKARUS program. One day Bill Kienzel, head of the Xerox font department at the time, said we should go to the Hollywood Hills together; he knew people there who were experimenting with multicolored fonts. After a little wandering through the winding streets of the many hills, we reached a somewhat overgrown, simple family house standing under trees. A group of very inspired designers were waiting for us there. They immediately showed us the works they created using photomechanical tricks. They were fascinating. The American colors and the whole look seemed noble and enchanting. The problem was that this process was very difficult to implement and required a lot of effort on individual letters. They dreamed of a colored font that could be used for normal typesetting. We thought back and forth about how to save the individually colored letters in a common font, but soon gave up because we didn't see a technical option. So this idea and the memory of the time in Hollywood lay dormant in the back of my mind for many years, until at the beginning of this year 2023 I received an order to produce an outline typeface and the story came back to me. Suddenly I knew how to solve the problem from back then: if only the areas that should have the same color in all letters were saved in their own separate fonts, they could be colored independently of each other and later placed on top of each other. I implemented this in the 5 fonts that are now available with the 3 variants “Outside”, “Middle” and “Inside”. Together with the background, 4 colors can be combined with each other. This method works in text programs such as Word or InDesign. In Photoshop or Illustrator, the individual surfaces can also be colored by converting them into paths if the additional “Complete” variants (which contain all 3 contours) are used. There is also a “Basic” variant that can be used to achieve special effects such as overlay, bleed, etc. The first 5 fonts in this series are all based on the principle of contouring. Anyone who claims that you don't need any special fonts because they can be created automatically from any font using common programs is wrong or is only telling only half the truth. Anyone who has ever dealt with this knows that many individual adjustments to the design are necessary after contouring. This has happened in the 5 fonts that are now available and have very different styles. The dream from back then has come true. The user can set any text, long or short, in multiple colors, freely design the color scheme and apply all the usual typographic settings. Volker Schnebel, November 2023

Print Embellishments JNL gathers together a number of vintage typographic enhancements that can be used as simple spot decorations, rule lines or borders, adding a bit of design elegance to any project.

Pretty Salmon is a display font that can be used for all chalkboard quotes or teaching material! Its authentic look and feel will add a personal and realistic feel to your designs.

Endellia is a bold and thick lettered display font, created with the help of a brush pen. Add it to your most creative ideas and notice how it makes them come alive!

Okaycat JAPAN proudly presents "Azsitra"! Newly released, Azsitra is a beautiful handwritten script. Unique texturing & style make this font unforgettable. Azsitra sits well in any design environment adding a gentle illustrated look!

Dianora is a Script Font with Lovely Handwritten Calligraphy Style. Dianora is an equally elegant and authentic script, full of love. Use it to add a romantic spark to any design project!.

GORILAS Handbrush Font is a font with an available brushstroke style with a set of uppercase all with number and punctuation support, and Ligatures making this font perfect for your awesome project.

Aloya is a cute display font. Whether you use it for cartoon related designs, children games or just any creation that requires a lovely touch, this font will be an amazing choice.