AZ Storm was inspired from old '70's skateboard logo. This font was designed for use as a fun bold headline.

This would be a Clarendon if it weren't for the cute serifs, which set it apart. Reads well in copy blocks.

Stan Davis drew this face for VGC in 1967, following the structure of the MICR figures to suggest a ‘computerized’ effect.

Geometric forms with subtle curves make this elegant font family a great companion for titles, invitations and signs, indoor and outdoor.

Flowing Waltz is a stylish signature font with a natural flowing style. This font is a good choice for branding design.

This adorable, blocky font features monster elements and fur on each letter. Great for Halloween or just fun projects for kids.

Introducing Pumpkin Hunter by Forberas, yet playful but still serious. You can use this as decorative material for your upcoming project.

Here's another gem from Blandford Press' Pen & Brush Lettering and Practical Alphabets. Pleasant, playful and packed with personality, this typeface rocks.

This art nouveau style typeface is the one that had been used for the signage of the historic Paris metro stations.

AZ Kiss font is inspired from sketches. This font is designed for use as a worn and antiqued headline or subheadline.

This font is closely based on classical proportions, with flared terminals. Small Capitals are 7/8 the size of the capitals

Wine Stoney font is inspiration from simple cloud. This font can use for comic style , cartoon, and serious like horror themes.

This is a new font that I describe as a casual faux antique letterform. Great for many decorative and fun projects.

Lagniappe is a thin decorative font. Kerning is not the best on this one. You may want to adjust as needed.

Neat handwriting perfect for teachers. This font includes extra math symbols for teachers. Just enough personality while still being perfectly neat.

Introducing a calligraphic script font named Squidink. This smooth font is perfect for lettering, has lots of ligatures and multilingual support.

Knoo is a bold typeface with some pretty futuristic characters. This version has new additional characters compared to the previous version.

A quirky handwritten headline font with doodley artwork by Cultivated Mind. This font collection includes three weights (Regular, SemiBold, and Bold).

Nathan Classic is a sweet and unique design. This font is very suitable for products, logos, invitation letters and many others.

Originally compiled by George Nesbitt (1838) this font has newer lowercase designs. Probably comes from an earlier French font, never acknowledged.

This font, similar in style to Phollick, is a light playful font that has a capacity for use in many applications.

This font is characterised by a sleek shape.There are two versions, regular and black. Included: -Uppercase and Lowercase -Number and Punctuation

Down River is a sweet hand-lettered font. This smooth buttery font is a perfect companion for your next design project!

This downloadable font has fun written all over it. Its versatile style makes it useful for all sorts of whimsical themes.

This font has nothing to do with the delicious coffee-flavoured Italian dessert treat. Instead, it's a future-inspired display face.

Zombite is a fun and whimsical display font. Quirky and mysterious, this font is perfect for all your Halloween-related projects.

BooRush is a display font with a childish touch. The bold shape makes this font very suitable for any playful heading!

To be used on its own or combined with Shalimar Swash, this lovely upright calligraphic style has a variety of uses.

Stan Davis drew this face for VGC in 1967, following the structure of the MICR figures to suggest a ‘computerized’ effect.

Although this font has the feel of quick all-caps draftsman's or carpenter's lettering, it also has a vintage signage look.

Magical alphabet used by secret societies in times past. NOTE: this font comes with a comprehensive interpretation guide in pdf format.

This two-font set is a fun, bouncy style with a latin flair. Great for scrapbooking, tubes, and other fun stuff.

Boink Dropshadow is a variation on my ITC Boink font. This is a great font for headlines & fun to design with.

Designed for a role-playing scenario, this alphabet was fun to create and fun to ‘translate’ when incorporated into replica stelae.

This font thicker than my Fatman. It so thick and round, that looks as a doughnut. Yes, it is a doughnut!

A twice-painted sign in Tobago's back country was the seed for this weird grab-bag of chunky, slightly sleazy letterforms.

This is a woodblock, printed, distressed, 'stamped' kinda font. It jumps all over the place, with no respect for the baseline.

ITC Don't Panic's distressed shapes and craggy outlines evoke the feeling you get when you're just barely in control of a situation. This is type design on the edge. ITC Panic is further down the emotional track, when you've actually lost control and there is no hope in sight. Thompson says the inspiration for these faces arrived one day in the mail. I received an envelope that looked like it had a rough trip; the type that was stamped on it had a tired, ragged appearance. Ironically, the haggard envelope woke me up. I got excited and wanted to replicate the look as a font of type." Thompson designed ITC Don't Panic, then stood back and looked at it and decided it cried out for a more agitated companion. ITC Don't Panic gave birth to the positively psychotic offspring, ITC Panic. Both are all-cap designs with alternate characters in the unshift position. Creating an authentically disturbed appearance proved to be a challenge for Thompson. "I tried to design agitated characters, but they looked staged. So I tried multiple photocopies, but that didn't work. Eventually, I laser-printed the basic characters, wadded up the lasers, then flattened them out and stomped on them with heavy boots. The end result was scanned and used as the basis for the rest of the design." Thompson's work on web sites and multimedia has influenced his interest in type and typography that transcends the cool, unemotional nature of the computer."

ITC Don't Panic 's distressed shapes and craggy outlines evoke the feeling you get when you're just barely in control of a situation. This is type design on the edge. ITC Panic is further down the emotional track, when you've actually lost control and there is no hope in sight. Thompson says the inspiration for these faces arrived one day in the mail. I received an envelope that looked like it had a rough trip; the type that was stamped on it had a tired, ragged appearance. Ironically, the haggard envelope woke me up. I got excited and wanted to replicate the look as a font of type." Thompson designed ITC Don't Panic, then stood back and looked at it and decided it cried out for a more agitated companion. ITC Don't Panic gave birth to the positively psychotic offspring, ITC Panic. Both are all-cap designs with alternate characters in the unshift position. Creating an authentically disturbed appearance proved to be a challenge for Thompson. "I tried to design agitated characters, but they looked staged. So I tried multiple photocopies, but that didn't work. Eventually, I laser-printed the basic characters, wadded up the lasers, then flattened them out and stomped on them with heavy boots. The end result was scanned and used as the basis for the rest of the design." Thompson's work on web sites and multimedia has influenced his interest in type and typography that transcends the cool, unemotional nature of the computer."

Soho is the latest addition to the growing range of typefaces from Sebastian Lester. This grand opus of a project resulted in a typeface that comprises nine weights and five widths of precision engineered OpenType. 40 fonts, 32,668 characters and 24 OpenType features. Hot on the heels of the popular Neo Sans and Neo Tech range, and his first typeface release Scene, Soho represents three years of work by Lester. As a type designer I'm preoccupied with finding ways in which I can address modern problems like good legibility in modern media, and create fonts that work precisely and efficiently in the most technically demanding of corporate and publishing environments." Slab serif typefaces are enjoying something of a renaissance, offering versatility whether for corporate identity, product branding, text or display use. With 40 weights to choose from Soho gives designers endless possibilities from the ultra chic lines conveyed by the lighter weights to the rock solid statement made by the heavier weights. Soho is cross-platform compatible. The Pro version provides extended language support for Central European languages. Used in conjunction with software applications that support OpenType many useful features like "stylistic sets" can be leveraged -- in which a wide variety of alternative characters can be introduced at the click of a mouse button giving one font several "tones of voice" from conservative to cutting edge. The wide range of glyphs includes ligatures and small caps."