1,604 search results (0.016 seconds)
  1. LaPointe's Road¼, crafted by the talented Albertine Nerevan, emerges as a genuinely expressive font, embodying a perfect blend of vintage charm and contemporary flair. This font is a tribute to the a...
  2. Teddyber V1.1 - Unknown license
  3. SansThirteenBlack - 100% free
  4. Zyphyte - Personal use only
  5. Kashmir - Unknown license
  6. Fantasy One - Unknown license
  7. Sherman - Unknown license
  8. Psychedelic - Unknown license
  9. FatSansRound - 100% free
  10. MuskelBengt - Unknown license
  11. Teaster by PizzaDude.dk, $20.00
    52 eastereggs and 10 easter dingbats. All you need for your easter decorations!
  12. Jeanne Moderno by steve mehallo, $32.00
    Jeanne Moderno is a revisionary type family. A synthesis of Bodoni Italic and 19th Century Ultra-Bold "Fat Faces"—distilled with personality taken from early 20th Century Modernists; the Futurists, Dadaists, Suprematists, Constructivists. Historically, Jeanne Moderno could have appeared on the scene around 1918—after the First World War—when new cultural movements, manifestos, theories and countertheories shaped art, industry and society. Spatter in a few later influences—from De Stijl, the Bauhaus, the types of Herbert Bayer, Josef Albers, Paul Renner—plus a twist of Art Deco and High Fashion—Jeanne Moderno is a remanifestation of 19th + 20th Century Modernist thinking; traditional + revisionist, raw and elegant! Jeanne Moderno can best be used for magazines, advertising, posters, flyers, fashion reports, letterpress experiments, silkscreen endeavors, exhibitions, DMV signage, paper money, revolutionary political statements as well as formal declarations of peace or war. Jeanne Moderno is about the future, the past. The Avant-Garde. Humanist geometry + vintage footwear. Form, function, style, art and life.
  13. Gridiot by Peter Bain, $10.00
    Gridiot is a constructed, semi-serif, two-weight stencil family that expands an approach taken by Josef Albers. Intended for display or headline setting, it features chamfered or bevel-cut corners, used instead of curves. The individual letter components sometimes vary in depth, avoiding a strictly modular approach, while the widths are kept consistent. The lining figures provide a standard set of numbers, and the oldstyle figures align with the lowercase, encouraging lowercase-only setting. Currency and other useful numerical symbols are provided in both versions. The zero is intentionally lighter, following early Renaissance types; there are filled versions as stylistic alternates. While horizontal scaling distorts the relationship between verticals and horizontals in a typeface, since every chamfer in Gridiot is at 45°, changing the horizontal scaling of the type will affect all diagonals equally. When used at a large size, or for a just few words, Gridiot can be very tightly spaced. Remember, any idiot can design a typeface on a grid: Gridiot.
  14. N-Gage - 100% free
  15. SchilderGrotesk - 100% free
  16. RomanSerif - 100% free
  17. Schonan-Black - Unknown license
  18. ARG219am - 100% free
  19. Anyway - Unknown license
  20. Stilla - Unknown license
  21. Jugendstil-Medium - 100% free
  22. Privacy - Unknown license
  23. Derniere - Unknown license
  24. Vampiress - Personal use only
  25. Handi - Unknown license
  26. Desperado 1 - Unknown license
  27. Garfield By ISIS - Unknown license
  28. Wesley - Unknown license
  29. Mestral - Unknown license
  30. mississipi blues - Unknown license
  31. Flame - Unknown license
  32. Aliens - Unknown license
  33. Pompeji - Unknown license
  34. Ihminen - Unknown license
  35. Dark11 - Unknown license
  36. KAHorrible - Unknown license
  37. Loverboy - Unknown license
  38. FantaisieArtistique - Personal use only
  39. GoblinMoon - Unknown license
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