Chubby Melisa is a Cute and Thick Handwritten Font with a relaxed theme, featuring a lovely style. No matter the topic, but this font is awesome for every kids or child project, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation.

Easter Sweet is a fun, quirky, and sweet serif font. No matter the topic, this font will be an incredible asset to your fonts’ library, as it has the potential to elevate any creation. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Breaking news! Hallandale JNL has been italicized and run through a line filter (courtesy of Ray Larabie of Typodermic Fonts)! The result: Newsbreak JNL... a bold, techno-style font with all of the headlines and the first on the scene when the latest news matters... Get the whole story first... with Newsbreak JNL!

Cutie Olivia is a Cute and charm script font with a relaxed theme, featuring a lovely style. No matter the topic, but this font is awesome for every kids or child project, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation.

Inspired by the mechanical typewriter, Monoela interprets its characteristics in a contemporary way — whether in body text or emphasis. Despite being a non-proportional typeface, Monoela guarantees good legibility, both for man and machine. Matter-of-factly and rational at first sight, Monoela's character becomes visible in striking shapes and unexpected proportions.

Aphrodite Slim Pro is not just a lighter version of its sister Aphrodite Pro. Aphrodite Slim Pro has duplicated the quantity of characters of its partner, and that means more than 500 new glyphs, reaching a total of more than 1000. More delicate and meticulous, Aphrodite Slim Pro is once more a new typography with deep calligraphic ideals: We immersed ourselves into the world of each calligraphy ductus and each calligraphy masters by studying from decoration to lettering books. This was the key for the logic of Aphrodite Slim’s behavior. The new concept of Aphrodite Slim Pro was to join diverse styles of calligraphy in one in order to achieve an autonomous expressiveness, in fact, this is what calligraphy aims to, and we agreed to bring those ideals to the world of typography: It is justifiable to be inspired in hundred-year-old calligraphies, but it is even better if the results you obtain have a plus. A personal plus. During the creation process we were wondering whether it was possible to mix certain strokes of such rigid styles as uncial, (Li·n’s favourite style), with strokes of the copperplate, (Sav’s favourite style), and also to take and mix cualities of cancelleresca cursiva, formata and moderna; finally giving our creation a roman-transition italic look. So Aphrodite Slim takes ideals and aspects from those formal styles, following its own logic though, and emphasizing the fact of being a decorative typography. Calligraphy masters of our past are who we are in debt with. They are the cause we have lovely letters now. They have been spontaneous at the moment of creation, what differs from the type-designers of nowadays, whose spontaneity is more limited. Digital faces that we are used to see these days are a result of long hours of optical adjustments, grids, macros and inspirations of other existing typography, but without personal contributions. Aphrodite Slim wants to refute this. Its mission is to rescue de spontaneity of the artesanal lettering in order to obtain unique words; those which only calligraphy masters of our past or lettering artists of our present could give us. We have worked hard to achieve this, making Aphrodite the most universal font we could: It was necessary to study the most common words, focalizing more in the ones referring to “sensitivity”, of four of the most spoken languages in the world. Aphrodite Slim has an enormous quantity of decorative characters and special ligatures for phrases and words in English, French, Spanish and German. (See English, Français, Español, Deutsch PDF in the gallery section). We promise there is no existing type that decorates/ligates glyphs and words like Aphrodite Slim does: It is the first time a font like this really considers its purpose. -The way glyphs are ligated is insane- : Aphrodite Slim rescues some ideals of persons like Jan van den Velde (Italian cancilleresca writing of XVI Century) who understands ascenders and descenders as possibilities to beautify the lines of writing with curved strokes that seem to be dancing above and below of the words. This master also creates ascenders and descenders even where they are not necessary, on letters that do not actually need them: Aphrodite Slim takes this ideal. The font counts with a wide range of glyphs that seem not to be satisfied with its more primitive form and prefer to extreme their parts to be decorative. It also existed masters of calligraphy like José de Casanova of XVII Century, who, with a magnificant skill and a really personal mark, had the particularity of ligating words that were actually separated with spaces. This is another innovative feature in Aphrodite Slim. An investigation of the most common beginnings and endings words of the English language was done. Having that feature activated (discretionary ligatures), common words will start to ligate or to be decorated even when they are separated by spaces. Impossible to forget Francesco Periccioli of XVII Century and our experience us designers to face with works of him: His letters, that today are included in the group of cancellerescas modernas, have been a direct inspiration to the oldstyle figures and historical forms variables in Aphrodite Slim. Giovanni Antonio Tagliente (XVI Century) and his particular way of making tails and diagonals longer than usual, qualities that our creation reflects too. Finally, our adventures in Biblioteca Nacional and Barrio San Telmo, Buenos Aires, were essential for us to make Aphrodite Slim more complete and interesting: Sav did an excellent work when studying how the decorative miscellanea and swirls of early XX century were. She also investigated what particularities made those roman titling characters look antique so she could rescue some ideals for the oldstyle figures and historical forms variables. This also leaded her to create the ornaments variable in Aphrodite Slim. We are really proud of presenting Aphrodite Slim Pro, a typography that was the result of days and nights of working hard, because we do love what we do; and we are glad we are living in a present that gives us the possibility to spread this kind of art, because that is the way we consider our job: Aphrodite Slim Pro is Art. Hope you can appreciate the enormous work this type has. Features. Aphrodite Slim Pro is the most complete variable. It includes more than 1000 glyphs. Thanks to the Open-Type programming, it counts with a easy way to change/alternate glyphs if the application in which the font is used supports this. The variables contained in Aphrodite Slim Pro are also offered separately. Aphrodite Slim Text: It is the variable for lines and paragraphs. Thus it is the least ornamental and the most accurate to achieve a satisfying legibility. It has the Standard Ligatures feature in order to improve the possible conflicts some glyphs could have by others. Aphrodite Slim Contextual: It is the one that makes emphasis in decorating. It has the particularity of ligating/decorating words of common use in English, French, Spanish and German. It also has the quality of ligating common beginnings and endings of the common words in English. Aphrodite Slim Stylistic: With similar features of Slim Contextual. It includes a set of decorative numbers for a display use. Aphrodite Slim Swash: This one has special beginnings and endings to decorate words. Aphrodite Slim Endings: It makes words look as a signature. Aphrodite Slim Historical: It adds an antique look to the written word. It also has the special historical ligature function. Aphrodite Slim Titling: This one is the most decorative. Its copperplate inspired ornaments give words a special color, in order to handle the quantity of decoration, it comes with the standard ligature feature, which has the most common ligatures plus others that make decorative swirls not to be conflictive. Aphrodite Slim Ornaments: A set of 52 ornaments. Aphrodite Slim Pro includes all this features plus the Stylistic Set 1; Stylistic Set 2 and the possibility of Slashed Zero. We recommend you to check out the gallery in order to see all these features in action.

Narrow Stencil JNL is based on a set of 12 inch tall letter and number stencils, generally used for marking and identification.

This Contemporary style reflects a modern hand-lettered feel. Modeled from a camel hair brush, it is a very legible flowing script.

This typeface is inspired by the lettering of Archibald Knox (1864 – 1933), a designer for Liberty & Co. from the Isle of Man.

Inspired by the hand lettering design for a friend’s yacht, this contemporary script style, TheNautiGal is sexy yet formal with beautiful connectors.

Blurt is a bold, versatile, spunky easy to read letter form that will let your product and your text message be noticed.

Socialite JNL takes its cue from the Art Deco style of the 1930s with its clean, angular lines and stylized letter shapes.

A gritty and powerful all-caps face. Four styles are included so you can mix and match letters to create unique designs.

Here's another stencil font designed from and inspired by the lettering guides used for years by teachers, school children, merchants and others.

Investigator JNL gives a serif treatment to Cold Case JNL, which was modeled from some old lettering stencils manufactured in the 1950s.

Hand lettered with a pointed brush, this font strives to be evocative yet remain readable, even for medium length passages of text.

ZarBrush Gothic is a "speedball" font inspired by showcard lettering done with a loaded red sable brush. Perfect for text and headlines.

Hogfish comes with contextual alternates that cycles as you type! 6 different versions of each letter for you to play around with!

Tea Time JNL was inspired by the hand lettering on the 1931 sheet music for "When I Take My Sugar to Tea".

Estilo is a very elegant headline typeface in a 30s style with plenty of ligatures for better design possibilities and includes Greek.

La Mesa is a bold font suitable for logos, letterheads & headlines. It also resembles the lettering used by the Miller Brewing Co.

Here's a cozy and cool little snowflake font for you. No letters in this font, just a whole bunch of snowflake icons.

Print Shop Stencil JNL was created from the few letters spotted on the packaging of a 1960s-era toy printing press set.

Based on the blobby lettering printed on the sheets of plasterboard (drywall) used in a garage conversion during the summer of 2004.

Draft Beer is a bold script suitable for logos, letterheads & headlines and was inspired by the lettering used by Miller Brewing Co.

The Closed Door is a high-contrast and condensed font which can be used for letterings, posters, logotypes. Font supports cyrillic characters.

Bowler Hand has been created from hand drawn letter forms using a Rotring ink pen which gives the font a great look.

Diamondwood JNL is based on examples of vintage wood type with condensed, elongated diamond shapes containing the various letters of the alphabet.

Endless Journey JNL is Jeff Levine's interpretation of the ever-popular lettering found on highway signage; giving it a slightly handmade look.

The Ivan Zemtsov font is based on the lettering of Russian mailartist Ivan Zemtsov, and features both the Latin and Cyrillic alphabets.

A hefty, powerful geometric sans with weight and presence. The unusual counters are defined by lines which cut into the letter shapes.

Inspired by many hand-lettered European package designs. This script face is suitable for logos, casual headlines and designs calling for attention.

Here's a cozy and cool little snowflake font for you. No letters in this font, just a whole bunch of snowflake icons.

A hand lettered font with inline effect Specifics: Modern Calligraphy with inline effect Numerical, Punctuation, Multi language included Hope You enjoy it.

Another in the series of stencil fonts from Jeff Levine, Class Project JNL was inspired by a lettering guide from the 1940s.

Teterboro JNL is a bold, slab serif font built (in part) on the letter shapes from Jeff Levine's stencil font Interboro JNL.

Don't forget the Cheese! CHEESE AND CRACKERS is a delightfully light and creamy font created for lettering Wallace & Gromit in Nickelodeon Magazine.

Cowling Sans AOE is a charming Art Deco architectural style typeface. It is the cleaned-up, refined revival and elaboration of a lettering design from “Lettering for Commercial Purposes” by Wm. Hugh Gordon published in 1918. What began as a basic character set of Capitals, lowercase, and two styles of ampersand has been expanded to a full character set including unlimited fractionals, superiors & inferiors, ordinals, tabular, proportional, and oldstyle figures, and an expanded language glyph set, all with a smallcaps and Caps to Smallcap set to match. This lettering style exudes the charm of its era with every word set in it by way of the small details that set it apart from other sans typestyles.

Bread Light is a serif display font featuring classic glyphs developed in a modern and classy style. This font idea has various references, from classic to modern, making it the perfect typeface with a distinct and contemporary look. This font offers a broad set of options for creating headlines, logos and headlines. It's perfect for books, magazines, advertising, editorial, packaging, quotes, branding and more. Bread Light completes your access to OpenType features to access a large selection of alternative letters and ligatures, a choice of letters you like from various upper and lowercase letters for a luxurious and distinctive look. If you still have questions, just send me a message and I'm happy to help ;) Thanks, Great Studio