This family was inspired from the set of font faces used in Amsterdam by Daniel Elzevir to print the famous “Tractatus de corde...” the study on earth anatomy by Richard Lower, in 1669. The punch cutter was the famous Dutch Kristoffel Van Dijk. In our two styles (Normal & Italic), font faces, kernings and spaces are scrupulously the same as in the original. This Pro font covers Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, with standard and “long s” ligatures in each of the two styles. The Roman (Normal) style contains a U stylistic alternate, and the Italique style A.

The term Sanseki (Japanese for Three [Brush] Traces) is used to describe three famous Heian period calligraphers: Yaseki, Gonseki and Saseki. Not that I would ever dream of comparing my messy brush-work with theirs, but the name stuck and I kind of liked it. I used Chinese ink and a high quality brush (which I got in a sale actually) to create this font. All glyphs were hand painted in one go! Sanseki is a very detailed brush font. Upper and lower case letters mingle and there’s even an alternate for every lower case glyph. Comes with an abundance of diacritics.

A nixie tube is a technology from the 50’s used to display numerals that are composed by metal filaments that light up much like a lamp bulb. Due to their beauty these little numerals (0-9) are a love case for any designer, and formally it’s where the inspiration for the Nixin typeface came from. All the other typeface characters and weights are an interpretation from the original 10 numerals, always keeping the same minimalistic spirit and formal elegance. Nixin is a geometric and regular typeface, with a vintage touch and a bit of modernism.

Since I am still in a Japanese mood, I decided to name this font after my favourite pastime in Japan: hunting for the smallest, nicest sushi bar in town. After all, there’s just nothing like eating freshly made sushi and washing it all down with a cup of green tea or a warm sake. Sushi Bar is a very detailed brush font - all caps, but upper and lower case differ and can be mixed. It is an ideal font for posters, albums, headlines and book covers. Comes with a bento box full of diacritics as well!

Run your hand under the tap and then thrust your fingers in the electrical outlet nearest to you* and you'll get the same effect that our latest release, ZZZAP will have on comic book readers everywhere when Electro, The Shocker, Black Lightning, Storm and Darth Sidious turn the dark side of the force on them. *The management accepts no responsibility for any adverse effects experienced by comic book font users who stick moistened digits into the power supply after installing this font for the purposes of comparison (it's probably best to just take our word for it). Batteries not included, void where prohibited.

Contane Condensed is the slim complement to the Contane Family. Its economic proportions permit space saving applications, in particularly, eye catching headlines and subheads. Contane Condensed is high-contrasted, and the spiky wedge shaped serifs, still result in an elegant text flow. Contane supports up to 80 languages and it’s OpenType format allows a wide range of typographic applications. 20 styles offer fine graduation of the weights. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

ITC Kulukundis is the work of designer Daniel Pelavin, a square, connecting script which looks as though it could have been cast in shiny chrome for the side of a 1950s American roadster. Pelavin based his design very loosely on a vertical French script but the overall look is all his own. Unlike calligraphic scripts, the lower case letters all connect in exactly the same way and the straight diagonal junctures give the typeface its broad, spacious character and keep it locked into a continuous line. ITC Kulukundis could also be used to create a decorative border for special occasions.

The Qewek Font Face Family created according to the 20th Century's famous fonts structure adopted and recreated to use for today's platforms. The Font Family Supporting European Languages such as Spanish, French, German, Swedish, and Turkish. The Qewek family could be using postmodern, modern, surreal, and many design styles. Also, Qewek has a so unique and sweet look with a functional shape that is completely awesome for use in print base media and also digital base magazines and newspapers. Just imagine you reading a magazine with a font that is at the same time completely new and also has a classic shape.

Glass Light was designed in 1912 by Franz Paul Glass for the Genzsch & Heyse foundry. The font is stylewise related to the "Lo types" of the same period. Glass designed a lot of decorative elements to go along with the font. I added Swashes, endletters and smallcaps to the set to make it complete. Since this type of font will probably not be used by many professionals, I did not put all the letters into one big OTF-version since most people don't have OTF-savy software. These fonts can and should be mixed for optimal results. Your decorative designer Gert Wiescher

HiTone emulates a natural hand-lettered typeface that provides exceptional legibility with a quirky style. It comes in three widths, the narrowest of which enables text to be placed compactly within a limited space. The widest, on the other hand, increases readability while maintaining the same stroke weight. In addition, each width comes in two weights, regular and black, enabling the user to provide emphasis or headline display without changing the essential style of writing. The font is most useful as a stylish text font. The font has all the features of a fully professional typeface. Language support includes all European character sets.

Franklin Stone is a organic hand drawn typeface inspired by vintage type with hand drawn feel. Comes with regular, condensed and stamp. This typefaces is perfect for people looking for vintage aesthetic. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, t-shirt, quotes .etc You may not use the fonts in templates or for sale/free or on template websites. ( web/print/app ) We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

Amongst a batch of antique sheet musical instruction booklets offered for sale online was a piece with Art Nouveau hand lettering on the cover entitled “Seven Musical Travelogues for Piano”. This design served as the inspiration and model for Ragtime Gal JNL, which is available in both regular and oblique versions. The font’s name comes from the line ‘Hello my baby, hello my honey, hello my ragtime gal…’ from the 1899 song “Hello Ma Baby”; a tune that found a new burst of popularity in an odd way within a 1955 Warner Brother’s cartoon [“One Froggy Evening”].

Signage is not made up of grid-based dots. They are optical corrected and there is always the same distance between the dots, with the aim to create more harmonic letterforms. The dots also vary gradually in size to reflect the thickening and thinning of strokes, giving the letterforms a sophisticated overall look. Signage comes up with 3 weights and 3 italics and is perfectly suited for logos, brands, magazines and special for signage systems and mobile devices. The language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Neue Frutiger Arabic was created by Nadine Chahine and a team of designers and font engineers from the Monotype Studio, under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black. Neue Frutiger Arabic embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version , ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Linotype Nowe Ateny is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Designed by Dariusz Nowak-Nova, Nowe Ateny is a frantic handwriting font whose capital letters include technical-looking grid lines and end points. These seem to anchor the letters without reducing their volatility. The font consciously lacks elements which increase legibility, sacrificing them for the sake of more design oriented ideals. Nowe Ateny is thus good for headlines in larger point sizes, especially when the look of the text is as important as its content.

Slenderz is a handwritten font designed by Tom Nikosey, an American Graphic Designer specializing in Typographic Design and Illustration. Slenderz is available in Light, Medium & Bold weights. CozyFonts Foundry is Tom's intro into the world of font design. Slenderz is a casual, handwritten font that gives a reserved yet firm and legible personality to any headline or copy. Each of the 3 weights has it’s own personality yet like 3 brothers they represent the and belong to the same family. Intermixing Light & Bold or Medium & Bold won’t ruin the flow but will enhance it. Slenderz is the 9th font family from CozyFonts Foundry.

Sprightful Font is a casual dry brush font with a bunch of letter variations to make that perfect and unique design. Ideal for the header, logos, handwritten quotes, product packaging, poster, merchandise, social media & greeting cards. Sprightful Font comes with upper and lowercase characters, a large set of punctuation glyphs, numerals, and the second version of Sprightful, with a completely new set of both lower and uppercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option.

Belighta is an elegant handwritten script font with a clean and modern touch. This font was inspired by a handwriting with a feminine style in ballpoint ink but with clean line and the same wights. This font come with many alternate tails in lowercase that gives a unique look for your logos, business card, wedding invitations, quotes, advertisements, and more. Highly recommended to use it in OpenType capable software such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, Afinity and more. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

3 robbers is not a typeface family, only a collective name for three typefaces with the looks of handtexted characters: Kasper, Jesper and Jonatan. There are some common traits between them, but they are three individuals. As the three terrible" robbers in the Swedish writer Lennart Hellsing's Kamomillastad - the ones who borrowed their names to the typefaces - are three individuals. They always appear in the same order: first Kasper, then Jesper and last Jonatan. Swedish children love to sing about them and are not at all scared of them. All three robbers were released in 1995.

Since 2017, I have been improving my font creating skills. In the same year, I went through my father's notes and decided to make a font with his handwriting style. I completed the initial version with a lower number of glyphs in 2018. It supported only basic Latin, Turkish, and Azerbaijani alphabets. On the 15th of January 2021, my dad will turn 60. I am planning to finalize the updated version of the Father font by then. 584 glyph, 100+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Central Europe, Turkish, Romanian, Euro, West European diacritics

The rounded Serif with edges. Olivia Serif got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility. Olivia has personality without being obtrusive. Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without.

Hallie Thompson is a pair of font that brings the modern and elegant feel in the same time. The serif combined with the natural hand writing script with signature style are the perfect match for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc. Features : 2 fonts (serif and script font) uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing an elegant bouncy font that every strike the shape brings the vibes of beauty, pretty, elegant, and aesthetic. Aesthetica font comes with several of alternates, so you can switch on for the swashes, stylistic alternate, alternate, initial and terminal form (SS01-SS02). This font is perfect for logo font, branding, greeting card, cut files for quote, silhouette font design, monogram font, and etc. The packages and features Aesthetica font PUA encoded Multilingual support for 17 languages If you have any questions about technical support and others, don't hesitate to drop me a message. Have a nice day, stay safe and healthy.

The overthinkers is a semi script hand lettering font for all of your hand lettering designs! With two sets of uppercase glyphs, three sets of lowercase and over 230 ligatures no two words will be same! So your designs will truly look hand lettered. With so much choice be careful not to overthink your designs ;). This font is perfect on it’s own or you may like to use it with your existing hand lettering fonts. Go ahead and try it out - it’ll compliment any design! It’s perfect for merchandise and food packaging, book designs, logos and much more.

Introducing ZALOGA Display Serif Font. ZALOGA is a serif font that gives modern touch on your design. It looks so good for fashion brand logo. With different style of shape, ZALOGA will make it easier for you to use various design functions, be it for logos, typography, magazine, fashion, branding, advertising, and more. Need to test words in this font? Just type the box below, and see what it looks like For more information on accessing alternative flying machines, you can see this link (http://adobe.ly/1m1fn4Y) Thanks, stay safe and healthy, and have a nice day.

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Rachele is a mono line based script thin font. Inspired on the cute “Italian Bella Scrittura” handwriting but influenced by Spencerian. Ornaments and ligatures make this hand more expressive offering round stroke endings and a flowing shape. Rachele is a big family, its stroke expand into extra light till medium and passing through a calligraphic/ribbon effect. At the same time the width varies, that’s make this script even more flexible, from Ultra Condensed to Super Extended. Enjoy it. Check out also Check out also ‘Mentha’ based on Rachele’s skeleton. We recommend to combine Rachele with: Turquoise

This funny font was created inspired from a contract of sale for a field prepared by a French notary in the end of the year 1682 (December seventh). We have worked to transform the almost illegible original form into a contemporary usable typeface, but keeping the special "writhed" appearance. It is a "pro" font containing Western (including Celtic) Eastern and Central European, Icelandic, Baltic, and Turquish diacritics. The numerous OTF alternates and ligatures(about 5 different glyphs or ligatures for almost each basic lower case letter) made the font looking like a real various hand as closely as we can do it.

Introducing Noricks, the handy bold serif typeface. Designed with satisfying large serif, and inspired by the newspaper headline and classy fashion logos. In this font, you can find strong and mild looks at the same time that makes Noricks can be used for many purposes. Work perfectly for logo, headline, title, or any design which needs emphasis from typography. Noricks is more complete with ligatures and a lot of special characters that you can apply and get the classy looks. What you’ll get : Uppercase Lowercase Numbers & symbols Punctuation Stylistic alternates Stylistic set Ligatures Accented characters Enjoy!

Andes Rounded, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed versions, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Our latest fonts that save beauty in every word order you write with this font. made by paying attention to detailed geometric and paying attention to the perspective of the eye when reading the text using this font, so we made this font design to appear harmonious and comfortable to read. use this font to create a perfect design. This font is very suitable as text with displays for various kinds of branding, advertisements, posters, banners, packaging, news headlines, magazines, websites, logo design, banners, social media design and of course you can use a lot more.

The Fast Hand set was inspired by casual, neat hand lettering. They are casual and informal and ideal for use in conveying these qualities. They are excellent for casual text and at large sizes an effective casual display font. Both fonts have the same uppercase alphabet, numbers, punctuation, accented characters, symbols, and miscellaneous characters. As their names imply Fast Hand Lower Case has a lowercase alphabet while Fast Hand Small Caps has small caps in place of the lowercase alphabet. Fast Hand Lower Case and Fast Hand Small Caps are sold as a set priced at $20.

Greater Albion Has been toying with thoughts of a “unicase” typeface for a while. On the other hand we’ve always wondered just what practical use they are. It is also a while since we’ve introduced a ‘handwritten’ design. Therefore, It struck us that one answer was something ‘hand-lettered’. These days many people do write in a sort of informal unicase don’t they? But, at the same time, we wanted it to have a little character. So here it is, a bit calligraphic, with a touch of black-letter and a cunning mix of upper- and lower-case forms Uncia Black!

Tsanger Yunhei was designed and published by Tsanger. Tsanger Yunhei contains 8 styles and family package options. The designer has made unique treatment on the shape and structure of the pen, based on the Chinese calligraphy style and writing, which makes it easier to identify under the same size of the font and group reading effect better. Tsanger Yunhei is more in line with the aesthetic habits of Chinese characters getting the reading an easy task. This font adopts GB 2312—1980 standard, with a total of 6763 Chinese characters, matching Latin letters, Greek letters, Hiragana, Katakana, Russian Cyrillic letters, etc.

ITC Kumquat is the work of American designer Eric Stevens. He started with the logo for his company, Tower of Babel Design, and expanded upon the Mesopotamian look to create a typeface to match. Stevens imagined drawing figures in the sand with a stick and how this method would change the way one usually draws characters, usually with lines replacing curves. Most characters are slim but a few, like the uppercase A and L, were made to contrast with the rest. ITC Kumquat is a great display typeface for anything which should have an antiquated feel.""

Carle is a display font family with regular and colored styles. 3D style letters are based on impossible isometric shapes. Perfect for childish labels, illusion company, birthday posters etc. What you will get: Colored, regular and shadow styles Uppercase only (lowercase glyphs are same) Numbers and symbols Please feel free to request to add characters you need: kaer.pro@gmail.com You can use color fonts in PS since CC 2017, AI since CC 2018, ID since CC 2019, QuarkXPress since 2018, Pixelmator, Sketch, Affinity Designer Since macOS 10.14 Mojave, Paint.NET Windows only. Please note that the Canva do not support color fonts!

Bonning is a Roman face full of the spirit of the 1920s. It was inspired by a (real)estate agent's For Sale board seen in an old sepia photograph from that era and combines visual flair and period with good clear legibility. A range of Opentype features including alternate forms, old style numbers and fractions, as well as discretionary and standard ligatures are included. Three weights are offered, including a shadowed black form are offered, all in a choice of three widths. It's the ideal face for signage with a period feel, as well as posters, headings and feature paragraphs.

Neue Frutiger Vietnamese''' was developed by a team of designers and font engineers from the Monotype Studio under the direction of Monotype type director Akira Kobayashi. The family is available in 10 weights from Ultra Light to Extra Black, with matching italics. Neue Frutiger Vietnamese embodies the same warmth and clarity as Adrian Frutiger's original design, but allows brands to maintain their visual identity, and communicate with a consistent tone of voice, regardless of the language. It is part of the Neue Frutiger World collection, offering linguistic versatility across environments – suited to branding and corporate identity, advertising, signage, wayfinding, print, and digital environments.

MVB Gryphius is a digitization of uncommon type from an era normally associated with the work of Nicolas Jenson. Produced by Otto Trace, the fonts come from types used by Sebastian Gryphius in Lyon in the early 16th century. The italic appears in a book from 1524 and the roman and small caps appear with the same italic in another book printed by Gryphius in 1541. Retaining the rough contours and uneven texture of its source, MVB Gryphius is best used at text sizes from 12- to 15-point, but its old world character can work in display settings too.