Salty Malthy is a beautiful display font it made with perfect combining of each characters and looks original and can be used for all your project needs.

Highriser is a highly legible, uppercase-only bold condensed sans. Designed to be used for headlines, or visual identities, both digital and print. One weight, fits all.

Aldous Vertical is a headline typeface designed by Walter Huxley in 1935. The Aldous Vertical font is a monoline all-capitals design, good for logos and titling.

Amanila simplifies elegance into one truly outstanding handwritten font. This font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Pia is a new typeface named in honor of one of the most fun people we know, Sophia Williams aka Pia. Extended Character set for multilanguage support.

Streeter JNL is an all caps titling font based on the classic Beton Bold Condensed typeface. The Beton family of fonts was a printer's favorite for decades.

Create your own design by choosing this wonderful handwritten font. Albiol has an effortless yet refined quality, making it an excellent fit for projects of all types.

Mustang is a vintage handmade all caps font. It is perfect for: logos, posters, labels, headlines, apparel & more. It comes with characters, numbers, marks and punctuation. Enjoy!

Canadian Brusher, hipster Hand-brush display font with stunning characters and texture. It’s all caps with numeral & punctuation and standard multilingual support. Very cool for multipurpose project.

A practical font family with 3 weights for all your needs: headlines, body text, signage etc. Great revival of legendary calligraphic script. High legibility at small sizes

Sunbursts JNL is a simple little collection of sun dingbats for all types of creative embellishment. Make sure to use them with the recommended SPF-rated sunblock!

Following the success of the Ashemore family, it became clear that a rounded version of Ashemore would be a great addition to the product line that would allow designers even more design choices. Ashemore Softened’s rounder forms compliment the face well as the original font eschewed straight lines. The rounded terminators give the face a sense of friendliness that is unsurpassed. The distinct and flamboyant style of Art Nouveau and the Arts and Crafts style remain, but the blunted terminators give the face a more technological and contemporary look and feel. The Ashemore Softened family has a full range of six weights from thin to black and includes condensed and extended options for a total of 36 fonts. The typeface also includes some unique OpenType alternates that make the superfamily even more versatile. Ashemore Softened is equipped for complex professional typography, including alternates, small caps and many alternate characters. The face also has a number of numeral sets, including tabular figures, fractions, old-style, lining figures and superiors and inferiors. OpenType-capable applications such as Quark or the Adobe Suite can take full advantage of automatic ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Ashemore Softened also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Ashemore Softened supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. The original Ashemore was designed by Jeremy Dooley with production assistance from Lucas Azevedo and Marcelo Magalhaes. Kerning assistance from iKern.

Conceived specifically for intensive editorial use, whether it is in newspapers, magazines or digital media, Abril is a font family of two worlds. The titling weights, based on a contemporary revamp of classic Didone styles, display both neutrality and strong presence on the page, attracting the reader’s attention with measured tension in its curves, good color and high contrast. It also features typographic niceties such as ornaments, borders, special dingbats and alternate letters and numbers that propose a broad palette of tools to the designer. The text weights are more closely inspired by both, 19th century slab serifs and scotch roman types. They maintain consistency with the headline styles, and at first glance may appear to have the same shapes only with lower contrast. However, in reality the letter forms of Abril Text were engineered from scratch to achieve a color, texture and overall width that allow using the font comfortably in the most challenging environments for continuous reading, such as newspapers. This also makes it a great font family for pocketbooks and magazines. Abril competes, in terms of economy of space, head to head with some newspaper classics such as Utopia or Nimrod, but featuring a more contemporary look and feel; and unlike them, includes a full set of small caps with numbers and punctuation. The four main text weights of Abril Text were also manually hinted which grants the possibility of a smooth transition from printed media to web platform. Abril consists of 8 text styles and 12 display styles, all of them containing the standard TypeTogether character set that supports over 50 languages including those from Central and Northern Europe.

Paladise font is great for logo, poster, clothing, branding, party invitation, and many many other cool design projects. Paladise Font Inside: Add more style to each font with OpenType Features - stylistic alternates, lowercase initial form and final form, ligatures, stylistic sets.