Basic Sans Narrow is a narrower version of Basic Sans. It is a family of Grotesque features with a functional, neutral and seeming clean style that looks to keep a neutral (or basic) appearance on paper, but including lots of details that give it a unique personality. Basic Sans Narrow is a sans-serif typeface well-suited for publishing projects, medium-sized text, branding, posters, headlines and more! This font family comes in 7 weights—ranging from Thin to Black—plus matching italics and it has a set of 416 characters that support 206 different languages.

Cerebri Sans is a design inspired by early geometric and grotesque typefaces. Subtle humanist details provide an undercurrent of warmth that simmers just beneath the bones of its contemporary simplicity. Cerebri Sans’ concept involved the development of a hybrid appearance. Its soft elegance and finely-tuned legibility make it appropriate for a vast range of applications including headlines, editorials, publishing, advertising, corporate communications, white papers, educational texts, web content, and mobile applications. Cerebri Sans' multilingual support is extensive, covering Basic Latin, Western European, Euro, Baltic, Turkish, Central European, Romanian, Vietnamese, Pan African Latin, Pinyin and Igbo Onwu for global accessibility.

Baradig is a versatile grotesque sans serif font family. Baradig provides a unique collection of glyphs with wide spacing and strong yet subtle geometric outlines. Baradig will give you an extraordinary modern visual experience. These fonts also have alternate and ligature features which are perfect for completing various projects such as logos, brands, products, labels, websites, posters, and many more. Baradig fonts feature Open Type Format, kerning, ligature and alternate packed in 10 styles: Light, Light Italic, Regular, Italic, Medium, Medium Italic, SemiBold, Semibold Italic, Bold and Bold Italic. Baradig fonts include uppercase letters, lowercase letters, numeral, punctuation and multilingual support.

Realgar is a generic and neutral typeface but with enough personality to be different, but not as much to be unfamiliar. The name refers to an ancient natural pigment, known for its vivid orange colour. It is a multipurpose typeface in an eclectic style that combines geometric and grotesque with some humanist touches. Some of its main features are the wide proportions, closed apertures and idiosyncratic numbers that make Realgar stand out. In addition, the rounded dots convey a friendly and contemporary look. A Variable Font version is included with the family or as a separate style.

Palo is a 72 style utility type system built around 4 widths and 9 weights plus matching italics. It's semi grotesque appearance gives it a unique personality while the stylistic alternates give a true sense of flexibility and customisation. Design features within Palo are evident without being excessive. 3 stylistic sets provide a range of functional to fluid design approaches. Case sensitive punctuation & ligatures offer a professional feel. The italics have been optically adjusted to improve their weight balance and on select lower case glyphs they feature unique designs to make the italics a feature unto their own.

Looking for a contemporary and modern grotesque sans serif font? Look no further than Olike! This versatile font comes with 18 styles, so you can create amazing designs that look both modern and stylish. With its sans serif style, Olike is perfect for any type of project or design. You will find your way to use this family certainly. Theatre posters or party flyers, vintage t-shirt or modern web service, movie titles or magazine header and even infographic – Olike will suit you everywhere. You may use the completed styles or may use a Variable Font. To make it as you want to.

Looking for a contemporary and modern grotesque sans serif font? Look no further than Olike! This versatile font comes with 18 styles, so you can create amazing designs that look both modern and stylish. With its sans serif style, Olike is perfect for any type of project or design. You will find your way to use this family certainly. Theatre posters or party flyers, vintage t-shirt or modern web service, movie titles or magazine header and even infographic – Olike will suit you everywhere. You may use the completed styles or may use a Variable Font. To make it as you want to.

DT Serifia Sans is a modern grotesque with a playful character. The font family contains seven widths and one Variable Font. From extra thin to ultra bold, you will surely appreciate this font. Typography will take on its own mood with it. The vertical terminals give it a sense of sophistication even with all its playfulness. A wide range of weights allows using this typeface in a variety of projects, and a plethora of OpenType features will make your project look outstanding. A wonderful addition to your collection, it is perfect for branding, magazines, web, broadcasting, packaging, apparel prints, prints etc.

The 1960s was the most tumultuous decade of the 20th century. Sixties Symbols JNL collects twenty-six icons and phrases from that time of change and unrest including the peace symbol, a dove, a daisy—even the militant 'power fist' that signified rebellion against mainstream society. There's also a blank lapel button on the Y/y keys and a blank protest poster on the Z/z keys for your own special message. For the more daring, the left and right brace Keys {and } have the 'one finger salute' the radical hippie factions displayed generously. Use that one with discretion!

Since 2005, I have repeatedly attempted to create a neutral-looking grotesque with a humanistic character. I wanted a pleasant, soft typeface. The typeface should appear similar to Helvetica or Univers, but with more open shapes and therefore better readability. The features are deliberately reserved with 4 gradations plus italics. The onum feature for Old Style Figures contains additional alternative letters such as a looped g. The italics have a swash feature with some decorative shapes. As a sans serif, HGB Bacco does not appear to be technically constructed, but has a friendly, open character and is also suitable for longer texts.

Ida is a simple and utilitarian typeface reminiscent of late 19th/early 20th Century grotesques, yet having a warm and friendly nature. Closed apertures and low contrast combined with elegant skeleton of individual characters create an impression of both rationality and comfort. Technically the font is modern and functional but still calls forth the emotion of a valve radio. Ida comes in 18 styles – 6 roman weights with companion italics and 6 narrow widths. One can also benefit from the use of small caps, alternate characters and indices. The typeface was designed by Maria Kharlamova (Selezeneva) and released by ParaType in 2017.

»Typewalk 1915« is a vintage and slightly quirky Grotesque branded by history. It is a homage to European sign painter and lettering traditions of the early 20th century. »Typewalk 1915« also speaks in the proto-rational and graphical language of the »Werkbund Objectivity« which was used around 1915. »Typewalk 1915« works great for cultural, editorial and branding purposes. Speaking with its unique voice, it is well-prepared and versatile for all sorts of web and print projects. »Typewalk 1915« has 11 distinct weights from thin to heavy in upright and italic. »Typewalk Mono 1915« is its fitting Monospaced Version.

Acherus Feral is sharpened version of Acherus Grotesque. In this new version all sharp edges are flattened and rounded corners are sharpened. Alternative character "G" and optional "t" character have been added. Some of the characters like "A,K,M,N,Q,R,V,W,Z,v,w,z" have been changed completely for the stability of the typeface, in this way it looks more confident and serious. As you can see on the banners, Feral is excellent choice for many platform needs. For further information please check the pdf specimens. Behance Pdf Specimen (White) Pdf Specimen (Black)

Britti Sans is a modern grotesque typeface that has geometric details and deep roots in industrial design principles. Its opentype features (alternate characters, localised characters, multilingual characters) give it greater versatility allowing it to adapt to a wide range of contexts. Among its features are contextual alternates, uppercase and lowercase localized Sharp S, numerators and denominators, a wide range of currency symbols including the Bitcoin symbol, emojis and icons, proportional and tabular numbers, fractions and circled numbers. The family has 7 styles + italics and a two-axis variable cut. Any suggestion to continue improving Britti Sans will be welcome.

Linked Now is so named because this Typeface has Multiple Discreationary Ligatures that unite two different letters to make a striking shape. Is a powerful grotesque typeface designed to be versatile in a wide range of contexts. Having more than 50 stylish Dsicreationary Ligatures on Uppercase letters and unique Alternate on certain letters makes it seem like they have various shapes, so they are great to use as display fonts. To complete it, Linked Now typeface is equipped with 8 weights from Extralight to black and each includes italic. More than 485 glyphs on each and support most European languages .

Contemporary Sans is a unique grotesque with a distinct contrast between its horizontal and vertical strokes that gives it a lively and elegant appearance. Friendly, subtly formed strokes and individual letter forms make it both legible and pleasant to read at small sizes, and striking at display sizes. Its narrow proportions make it a very easily useable typeface, particularly for narrow columns or tight headlines. It is suited to a wide range of applications, from corporate to editorial design, where a clear and distinctive impression is required. Visit this minisite to see the Contemporary Sans webfonts in action.

Mello is a bold, easy going Grotesque. It was designed for display, branding, advertising, packaging or anywhere a strong but friendly voice is needed. Mello features soft curves and rounded corners; set in 4 widths and 8 weights. The character set is robust, covering extended Latin. The default forms are contemporary with alternates including: single-story a, two-story g, rounded top A, traditional G, rounded leg R, rounded K, and rounded form y in both uppercase and lowercase, all separated into individual style sets for control and customization. A set of icons rounds out the character set, with hand signs and shapes.

Typewalk Mono 1915, the vintage typewriter grotesque that is branded by history. It is a tribute to the European sign painter and lettering tradition of the early 20th century. Typewalk Mono 1915 also speaks in the proto-rational and graphical language of the Werkbund Objectivity which was used around 1915. It works great for cultural, editorial and branding purposes. It is versatile in small printing sizes and works great on the web. Speaking with its unique voice. Typewalk Mono 1915 is the debut release by Sven Fuchs and was designed between 2012 and 2016. It has 8 distinctive weights from thin to bold.

NEWSFLASH! Revla Sans is now available specially tailored for smaller settings. Take a look at Revla Sans Text ! Meet Revla Serif 's dorky younger brother, or should that be brothers? Revla Sans is a grotesque companion to Revla Serif, in four weights. The weights can be used pretty easily as grades, so that text set at different sizes has similar thickness. The contextual alternates engine from its serifed sibling is used to pseudo randomise the text and avoid the monotony of repeating glyphs. Other features include case sensitive forms, standard and discretionary ligatures, stylistic sets and automagic fractions.

The type “Vandalismo 26” is a tribute to the calligraphy style that 'screams' over the front of the buildings in the center of São Paulo/Brazil. This underground calligraphy, known as "pichação" or "pixo”, is a movement that expresses disagreement and rejection against the system. For some critics, this “vandalism” is considered to be the most disruptive and conceptual contemporary art today. It is a type to be used in headlines. Vandalismo 26 is a mix of the chaotic pixo style representing the nonconformity of a generation. It is a protest to the system in a typographic format.

Triplepass is a narrow grotesque with 3 styles: normal, with cut corners and a stencil shape. The font has a retro character, contains both humanistic rounded designs and modern smooth alternatives. The font is suitable for logos, large headlines, posters, signs, prints, font compositions, as well as for sports-related layouts where clear numbers and space savings are needed. Triplepass contains extended Latin, Cyrillic, fractions, ligatures and two icons of a basketball. It contains OpenType features: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs including the rouble sign.

Ballasticus is a controversial bold grotesque for logos, big headlines, posters, signage, gyms, and bodybuilders. The outer contour of the beech is rounded, while the inner space is square. The font contains two barbell icons that can be immediately inserted into your company logo. The character of Ballasticus is honest, stable, open, grounded like a weight. Ballasticus contains extended Latin, Cyrillic, ligatures, barbell and peace sign, as well as alternatives for some letters, the total number of glyphs is more than 700. It contains OpenType functions: liga, numr, dnom, calt, ss01. The font is also case sensitive, has fractions, currency signs, and arrows.

OTC Eugen is a geometric grotesque with industrial socialist aspect. It is a somewhat brute interpretation of the graphic environment and old era typography found around cities or in the country side in Romania. It works best as a display typeface used in big titles, in branding projects for clear wordmarks, or around the house where you can just go wild and make your own mark with the stencil version. Two styles: Display & Stencil. Various stylistic and contextual alternates, and a considerable amount of ligatures, arrows and more. Language support for: Basic Latin, Western, Central & Eastern European languages.

Ariom is a fresh, geometric, sans-serif font family inspired by iconic typefaces. Ariom has a big x-height value, ​geometrical letterforms, sharp edges, and strong stroke contrast as the neo-grotesque fonts from the 20th Century. The typeface is versatile and can be successfully used in magazines, posters, branding, websites, headlines, large-format prints, brand identities, social media, advertising, editorial design, posters. The family contains over 40 alternative glyphs and over 50 ligatures in each style. The family comes in 3 weights with their corespondent italics. The family Latin supports Western, Central, South Eastern, South American, Oceanian, Pan African, Vietnamese, and Sámi.

Iki Mono is a multifaceted monospaced typeface designed for publishing and coding. Its sans serif structure displays some letterforms (as well as a degree of contrast) that are reminiscent of 19th-century grotesques, while in the non-oblique versions the letters have been very slightly slanted leftwards. Like typewriter typefaces Iki Mono has to cope with the limitations of a width system that forces shapes into a specific space. This extensive type family of forty weights and styles – from Compressed Thin to ExtraExpanded Bold, including their slanted versions – takes its name ‘Iki’ from the Japanese word for breath.

A pure neo-grotesque typefamily inspired by the first typographies' old wooden characters, and by the marks soft and sometimes imprecise these left on the paper. All typographic elements are also influenced by the Cyrillic alphabet letter-form. -- HT Pavla Prospekt is inspired by ancient wooden typefaces and eastern-style letterform. This reference gives the letters unusual but characteristic proportions. The visual effect of the diffusion of the ink imprinted on the paper, which gives softness to the forms, is also very influential. The proportions of the bold and thin faces are visually balanced to ensure a more modern feeling. --

SK Phlegmatica™ is a heavy geometrical grotesque with an industrial spirit. The typeface is built on a contrast between thin and wide lines. Such contrast creates certain frames, which in turn give room for experiments with the rhythm of symbols. The monumental shape of the typeface with the rhythmic contrast of the characters creates a unique pattern in the text line. In addition to the visual advantages, the typeface has technological advantages. SK Phlegmatica is a monospaced multilingual typeface that supports more than 100 Latin and Cyrillic languages. The typeface is great for highlighting titles, working with posters, and web design.

A rounded version of Albiona, a contemporary slab-serif which revisits aspects of Robert Besley’s classic Clarendon. Originally named after the Clarendon Press in Oxford, the type family was subsequently extended by Stephenson Blake in the 1950s. Albiona adds the inwardly-curved stroke terminals of the same foundry’s Grotesque series, and includes italics and old-style and tabular numerals. The original Clarendon’s ball serifs and calligraphic eccentricities have been rationalised for functional contemporary uses. The family consists of five weights plus italics and a stencil, and its clean readable style is perfect for both extended text as well as headline setting.

I have no great love for walls, especially when they are built to keep people out. When I started working on this font, I realized it looked a bit like protest graffiti, found on… yes, walls. Down The Wall is a great little font: it is handwritten, messy and in your face. It has no real baseline and glyphs jump all over the place. Use it for book covers, posters, album covers - anything really. It certainly would look good on a wall too! Comes with a whole bunch of diacritics, so whatever you have to say, the world will understand.

Designed by Ryul Davidson, this typeface is a special style for designers who prefer a sense of space and differentiation in the layout system. It applies a design concept that continues the modern and contemporary grotesque lineage. And, It adopts a somewhat low x-height system and has a classic and sophisticated balance. As the height of lowercase letters is lowered, more differentiated and rhythmic typography can be realized, and it showcases a wide range of coverage from offline publishing to display areas. The elaborately optimized kerning system is a good choice for designers who prefer more professional logos and editorial designs.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Theater is narrow and monoline font, it definitely retrospective font, but it is also modern and contemporary. Perfect font for display, poster and logo.

Cresci is a carefully digitized reproduction of an alphabet of Giovan Francesco Cresci, the pre-eminent Renaissance writing master whose lettering virtuosity presaged the exuberance of the Baroque. His published writing book, "Il Perfetto Scrittore" (1570) was the inspiration for the typeface, designed by Garrett Boge in 1996. Cresci is part of the LetterPerfect Baroque Set.

Plastic Display JNL was sketched from photo examples in an old sales promotion sheet for the Movitex Do-It-Yourself Plastic Sign Kit. The set was manufactured by Pryor Marking Products of Chicago, and featured a board with pre-spaced holes in a grid to which the letters and numbers would be inserted to form the sign.

LIETZ Germion draws inspiration from viennese jugendstil scripts. It features strong geometric figures but with a scruffy handwritten poster-look and a distressed feel. Use the stylistic alternate sets and ligatures or combine it with it's font-bro Lietz Berlham for vivid vintage fun! Kolo Moser is dancing an absinthe infused poster-polka! You should too!

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. This retro looking font is applicable for any type of graphic design – web, print, etc and perfect for package and other items like posters, logos.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Syndicate is rectangle and rather narrow font. This font has squarish face designed only by straight line, it spices up even the short words.

Daysha is a beautiful modern calligraphy wedding font. This font is feminime, elegant, messy and modern. Daysha perfect for wedding event, anniversary, birthday,greeting cards, logotype, branding, wedding invite and card, elegant logo, poster, packaging, stationery, website, and any other projects requiring a handwritten and luxurious touch.