Gilam is a sans serif font with semi-condensed proportions. The typeface was based on the famous DIN but combines its popular neo-grotesque look with characteristics, such as the pointed edges in the “W” and “M” as well as the outward cut terminals, which gives a distinctive look to the modern geometric typeface. The complete set of 9 weights plus italics gives to designers the absolute freedom to create anything. Perfect layouts with blocks of text, headlines, motion graphics, logos, apps, and websites are just part of the intended usage of this versatile typeface. Features: • 765 glyphs in 18 styles; • Extended Latin, Cyrillic and Greek; • Geometric forms and low contrast; • Prominent x-height which makes it legible in a text; • Perfect for headlines and logos; • Suitable for web, print, motion graphics etc. • Semi-condensed proportion; • Advanced typographical support and OpenType features including case-sensitive forms, fractions, superscript and subscript characters, and stylistic alternates; • Complete set of figures - old style and lining figures, which come with proportional and tabular variation; Gilam means “joy of people” so that you can enjoy it!

Corsica is an all-purpose geometric sans-serif typeface of visually uniform stroke thickness. The design seeks to be reminiscent of classic 20th Century grotesques with a crisp modern appearance and opentype features that are now expected. Coverage includes most Roman languages, Greek and basic Cyrillic. Each font contains a standard set of features including fractions, small capitals etc. The family contains six weights, two widths and three lowercase size options, together with an italic variant for each. The are three standard 4-font families for each size variant and a further three corresponding families for Condensed versions. The versatility provided by this extensive family has many useful applications. In particular, the choice of small, medium and large lowercase letter sizes (SX, MX, LX) allows designers to select an appropriate style for suitable impact and legibility in different situations such as headlines, captions, signage, web menus etc. Although each of the three size options will work equally well in most situations, the middle size (Corsica MX) would generally be the preferred choice for lengthy texts.

Sequel Geo is a geometric/neo-grotesque hybrid superfamily, influenced by formalized sans-serif typefaces from Germany and Swiss modernist type design—particularly Max Bill’s greek-styled lettering. 8 subfamilies and 120 individual fonts allow for a wide range of typographic expressions. Sequel Geo’s hallmark features, such as the circular “G” and punctuation, simple “t”, and two-story “a” turning one-story in bolder weights, persist throughout all styles. But it’s the formal and functional differences between subfamilies that let you really fine-tune your layouts. The three optical sizes of the core collection, “Body Text”, “Headline”, and “Display”, boast optimized spacing for the intended use. “Extended” packs some extra punch with 18 display-oriented styles. Finally, 48 “Graphic” styles in 4 subfamilies push to the Geometric side, replacing horizontal and vertical stroke endings with angular ones, simplifying letterforms. Sequel Geo is a journey through time and space. From 1920s Germany to 1950s Switzerland. All the while, its archetypal shapes are neutral yet confident, its appearance is classic.

Kardinal is a sans serif humanistic type family. The family has 16 weights, ranging from Thin to Black with extra drawn italics and small caps versions. The Kardinal type family is ideally suites for small text, books and magazines, branding, posters, as well as web and screen design, headlines and more. Kardinal comes in 16 styles with extended language support. All weights contain standard ligatures, proportional figures, tabular figures, old style figure, numerals and arrows, matching currency symbols and fraction. The construction of characters combines clean grotesque style and calligraphic features with humanist fragrance. Out standing for the designs are the small serifs. They are giving the letters movement and freshness, as well as contribute to a better readability in different volume texts and including lots of details that give it a unique personality. The Regular and Medium weights are perfect for body text while the italic give an interesting texture to the text. The range of styles give a good flexibility to this family. The fonts are carefully hinted and perfect for digital use.

A typeface of grace, power and exceptional versatility, the Slate collection is a truly beautiful design that achieves stellar levels of readability, both in print and on screen. Created by the award winning type designer Rod McDonald, this six-weight sans serif family is a rare example of sublime aesthetics meeting world-class functionality. The typeface’s legible letterforms embody an amalgam of the best traits of both humanistic and grotesque letterforms. “I didn’t want a face with an ‘engineered’ look, or with any noticeable design gimmicks or devices,” admits designer McDonald. “I wanted a pure design. I confess that I was ruthless with any character that wanted to stand out from the rest.” The Slate collection is available in six weights with complementary italics, with slight changes in structure from the light to the black weights. Its light weight is reminiscent of early American sans. Whether for use in display work or in longer-form settings, few typefaces possess the beauty and power of this design, leaving the Slate family an excellent addition to any designer’s typographic quiver.

Eloquia is a neo-grotesque sans serif type family with geometric roots. Though it's a neutral typeface the unmistakable influence of geometric shapes gives it warmth and a unique flavor. With 34 fonts in total, Eloquia comes in two distinct optical sizes Text and Display. The Display styles are spaced tightly keeping headlines in mind while the Text styles feature a larger x-height and wider apertures with loose spacing making them highly legibility at small sizes. The elegant balance of neutrality and modernism makes Eloquia extremely versatile in its functionality. Whether it's being in the spotlight or in the background blending in, Eloquia can do it all. Eloquia is equipped with powerful OpenType features like Small Caps, Capitals to Small Caps, Stylistic Alternates, Ligatures, Case Sensitive Forms, Superscripts, Subscripts, Numerators, Denominators, Fractions, Ordinals, Proportional Lining, Tabular Lining, Oldstyle Figures, Scientific Inferiors, Localised Forms, Historical Forms, Capital Spacing and more. Eloquia supports more than 88+ languages including all major Latin languages. The Eloquia Display ExtraBold & Eloquia Text ExtraLight are completely free of charge.

Rodley is a geometric sans-serif typeface and a ground-up redrawing of Bairne – the first ever typeface from Fettle Foundry – with a completely new character set that closer resembles the original vision for the typeface. The changes are so substantial that Rodley has taken on a life of its own, becoming a brand new typeface. Inspired by low-contrast Swiss and Modernist grotesque typefaces, with the addition of characterful geometric shapes, Rodley aims to be a more disruptive choice for brands, while retaining the appeal of those popular styles. Based upon a Latin S character set with additional glyphs, Rodley supports many latin-based languages, with a focus on pan-European and South American languages. Thorough kerning has been applied to uppercase/lowercase, uppercase/uppercase, lowercase/lowercase and CamelCase character combinations, with thorough attention paid to an incredibly large number of diacritical combinations. Available in 5 weights, from thin to bold, with matching italics, Rodley has been designed with a wide range of uses and sizes in mind.

Meman is a practical sans serif that was enthusiastic about adding details to have more personality compared to a neo-grotesque typeface. The typeface was crafted between the concepts of mechanical oval forms and serpentine curves, with the help from open terminals, contrast joints. These 2 concepts are very different, but they balanced each other to help remain the neutral feeling as a whole. Many details are optimized so that on small scales, Meman has nothing special. But when use on bigger scales, letters are revealed to have been dived in visual flourishes, such as the "e". Also, to avoid broken fragments and remain neutral, some details were converted to alternatives. Meman has 9 upright weights (from Thin to Black), and some OpenType features like fractions, ligatures, custom decorative icons, and alternatives for "A", "E", "V", "Z", ... or "a". There are more than 660 glyphs, which support a wide range of Latin languages, including Vietnamese. For usability, the typeface was balanced and versatile, it can be pinned up as a headline or logo, and can still blend in a small paragraph.

In Northern Sumatra, the crystal clear waters of Lake Toba lap gently against the surrounding mountains. In the middle of the lake sits the island of Samosir, for centuries the secluded home of the Batak people. Visitors arrive by ferry into the tiny town of Tuk Tuk, escaping the heat and humidity of the Sumatran jungle. Throughout the village, restaurants and guest houses are adorned with hand-painted signs in bright colors. Perhaps due to Sumatra's long history of European colonization, the letterforms are reminiscent of those used for posters and handbills in America and Europe at the end of the 19th century, but with a distinctly Southeast Asian flavor. Charles Nix, intrigued by the combination of Victorian fancy and Batak arabesque, photographed, sketched and translated the letterforms into a design that is now ITC Batak. Named for the proud ancestors of Samosir's inhabitants, it is a bold condensed letter with hexagonal serifs - a sort of properly dressed grotesque. Batak is available in either Condensed or Condensed Bold.

Escuela typeface is born in an attempt to reflect so many current influences of modern grotesque fonts that are trying to better reflect the values of today's world. Its compact proportions and high x-height, but at the same time with sort kind of modulation and open inktraps, propose a visual game that is worth enough to use it many places; Escuela can be striking and ideal for headlines in large text and heavy weights, but at the same time serious and readable in smaller bodies or regular and fine weights. Its wide range of characters, which includes a set of emoticons ideal for signage, work and evaluation documents, as well as inclusive, is ideal for educational centers, whether they are more playful (schools) or more pragmatic (universities). In fact, "Escuela" means “School” in English. For this reason, Escuela is your best ally when it comes to preparing texts that transcend students through a contemporary and different, but functional, character. Designed by Carlos Campos www.cuchiquetipo.com Dummy text from wikisource.org (1911 Encyclopædia Britannica/Universities).

ACEISIDA is a font that supports over 100 languages from around the world. Basic and some Extended Cyrillic, Basic, Additional and Extended Latin, Basic Greek, and some newly added characters recently entered into use in everyday life. ACEISIDA is a font that elegantly combines the timelessness of antique design with the modernity of the grotesque. The absence of serifs results in a universally readable and sophisticated format. It was designed to focus on the main text, complementing other design fonts without disrupting them. This font is perfect for those who appreciate minimalism and refinement, and its smooth lines make it suitable for various design projects. It adds understated elegance to any design, making it the ideal choice for those who value simplicity, modernity, and sophistication. The font includes many glyphs for the Kazakh language, catering to the ongoing transition to the Latin script and accommodating various spellings. It also features a basic set of characters and glyphs with accents for the Greek language and an uppercase version of the letter “eszett” for German.

Bolgica is a Neo-grotesque slab serif inspired by the slab serifs of the 1800’s century. By combining modern elements in several letter characters, the Bolgica family is very suitable for various design needs such as advertising, packaging, logos, editorial and publishing, branding and other creative industries. The family has 9 weights, as well as the matching true italics forms, provides typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super and subscript characters. It comes with a complete range of figure set options – old style and lining figures, each in tabular and proportional widths. With over 752 glyphs per style, Elioth supports around 150+ languages in Latin and Cyrillic script. Family overview: 9 weights (from Thin to Heavy) + italics Extended Latin Cyrillic 726 glyphs Variable Font 150+ languages OpenType Features: Localized Forms Subscript and scientific inferiors Superscript (Superiors) Numerators and Denominators Fractions Lining Figures Tabular Figures Oldstyle Figures Circled Number Case-Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates Contextual Alternates

Sydonia Atramentiqua is a strange creation. The inspiration was the first releases of "Malleus Maleficarum" (actually the typography used there). I decided I wanted something strange, so Sydonia came into being. Like a blood of all witches who were being hunted down by Malleus Maleficarum's "fans" for their skills and beliefs. Why Sydonia? Sydonia von Borck was a witch from my area. It was probably the last woman executed for witchcraft. The genesis of the name. Sydonia was THE WITCH, and by the name I added "Atramentiqua". It is a combination of the words "Ink" (polish "ATRAMENT") + "Antiqua". The idea of ​​spilling a font is historical. The former Zecer composition was not perfectly sharp. As it was a "wet job", there were always light exits behind the lines. Who supported me? The GENEALOGIA project has been carried out for several years in cooperation with the Academy of Art in Szczecin and the National Museum in Szczecin. The project's supervisors are prof. Waldemar Wojciechowski and MA Patrycja Makarewicz, who runs the Visual Communication Studio. Some information: Sydonia was like that! This is not an everyday font. It is a stylized font, used to imitate old prints made by Zecer. The first version of Sydonia Atramentiqua was created in 2018 for the purposes of the exhibition at the National Museum in Szczecin. Base inspiration: Malleus Maleficarum & Caslon.

Senada is a lovely bouncy script font with a natural & stylish flow. Perfect for making elegant stylish statements - or adding a touch of class to your designs. This script has a multitude of lovely alternates character in its OpenType features - making the font look a beautiful Senada is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. What you get: Senada includes capital and lowercase letters, alternates, and Ligatures Numbers + punctuation Foreign language support I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. Senada is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/application. I hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me.

Earhtroline is a Handwritten Monoline Script Font Earhtroline is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Earhtroline also multilingual support. Enjoy the font. Thank you!

Alexandra Gistela is a stunning handwritten signature script font that exudes beauty and elegance. Alexandra Gistela is perfect for creating luxurious branding materials, wedding invitations, greeting cards, and other projects that demand a touch of refined beauty.

Looking for an elegant font to class up the place? Maybe you have some wedding invitations that you've been putting off for a month. Belmont is an elegant, modern script font that is perfect for contemporary occasions.

Introducing the Coral Pen script, a font that is very fresh and unique, handmade style. Coral Pen script is perfectly suited for logos, signatures, stationery, posters, apparel, branding, wedding invitations, cards, taglines, layout designs, and much more.

This is based on a mid-Victorian Connor's foundry font originally known as Manhattan. One of several old faces known in America as "French Clarendons", in Europe as "Italians", and, wait for it, in France as "American".

"Christmas Philosophy" is a professional and elegant blackletter font. This font is very suitable for Christmas, birthdays, weddings, engagements, logos, banners, branding, posters, stickers, and others. Equipped with uppercase letters, lowercase letters, numerals, punctuation, and multilingual support

Lovelys is a superb display font with a romantic theme. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

Introducing the Blue Pen script, a font that is very fresh and unique style handmade. Blue Pen script is perfectly suited to logos, signature, stationery, posters, apparel, branding, wedding invitations, cards, tagline, layout design, and much more.

"Alestha Butterfly" is a beautiful handwriting font. This font is equipped with capital letters, lowercase, numerals, punctuation, numerals, multilingual support, alternates, swashes, titling, and ligatures. It is suitable for weddings, engagements, Christmas, Valentine's Day, invitations, and others.

Proudly presents our latest product Cutterlakes & Camp Press fonts. these combine font with differente style between script & sans. insipired from nature, adventure and vintage typeface, its very great for logo, clothing brand, vintage looks, wedding, and more.

Salute Riches is a handwritten script font with a hand lettering pen style, so many opentype features are included in the font. Suitable for element design, wedding, events, t-shirt, logo, badges, sticker, and other awesome work.

Giselle is a beautiful script font. It has a classy, elegant, and modern look which can be used for logos, branding, invitations, stationary, wedding designs, social media posts, and every other design that needs a handwritten touch.

Watten is a script with Handwritten Style. It is made with digital brush pen strokes that making this font look authentic. This font is perfect for fashion brands, wedding invitations, business cards, logos, signatures, calligraphy and more.

Wotham is a beautiful signature font featuring a modern and attractive typeface created for branding any professional project. This is best applied to logos, branding, cards, packaging, book covers, wedding invitations, printed quotes, merchandise, and so on.

Auntekhno Script is Vintage Script Brush Font with Hand-lettering Brush Style, and so many OpenType feature include in the font. Suitable for design, element design, weddings, events, t-shirts, logos, badges, stickers, and awesome work, etc...

Alexandra Gistela is a stunning handwritten signature script font that exudes beauty and elegance. Alexandra Gistela is perfect for creating luxurious branding materials, wedding invitations, greeting cards, and other projects that demand a touch of refined beauty.

Resalaty is a cute and fashionable handwritten font, created to help you designing makes gorgeous logos, posters, wedding invitations, blog posts, social media, apparel and more! In the near future, the Arabic version will be released soon!

Bostroom is a beautiful brush font. Bostroom Font is perfect for many different project such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything.

"Christmas Shadow" is a beautiful handwritten font with a love shape. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. It is suitable for weddings, engagements, invitations, back to school, autumn, Christmas, and others.

Introducing the White Pen script, a font that is very fresh and unique style handmade. White Pen script is perfectly suited to logo, signature, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!.

Introducing the Toscal Pen script, a font that is very fresh and unique, handmade style. Tosca Pen script is perfectly suited for logos, signatures, stationery, posters, apparel, branding, wedding invitations, cards, taglines, layout designs, and much more.

Des Montilles is a casual handwritten font. Perfect for greeting cards, wedding stationery, photographer watermarks logos, modern websites, apparel design and more. Des Montilles features handwritten ligatures, beginning and end swashes for lowercase letters and heart connections

Amelaryas is beautiful serif font with elegant and premium shape that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more. Complete with ligatures alternates regular italic icon kerning multilingual support

Leitmotiv is a handwritten calligraphy font which can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

A robust rectangular sans with round corners and subtle rounded stroke terminals, Kallisto weds a rational, machine-made aesthetic with a certain warmth that derives from more familiar letter shapes found on diestamped or embossed boilerplate signs.