Psychoscout is an initial cap font, originally developed for the Psychoscout record by Flat Earth Society (2006). In 2011 the font was updated for commercial use. It's highly recommended for headlines or posters. It can also be used as a stencil for decorating walls etc.

Ornamental font based on the Gothic Revival ornaments developed by Augustus Pugin (1812-1852). This is a collection of ornamental plants and flowers arranged in a convenient font file that may be always at hand. Decorate your projects with high quality and interesting ornaments!

Montas is an elegant display serif with high contrast. Designed to be fit on a vintage-themed design project or the modern one. Its bolder weights are suitable for a striking headline, while the lighter weights are suitable for a short paragraph as well.

Based loosely on a square, this hair line design works best at 24pt and above. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Delabasto is contemporary brush font, with the look of a stylish face. were painted on paper and carefully made into a font. can be used for stationery, fashion, logo, merchandise, books, clothing, magazines, cover artwork etc. Delabasto includes several ligatures, alternates and international support.

Pixeldrop is a spectacular decorative font with a graffiti style and some pixel looks. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

TF Silence - The awesome bold display font is back for your design projects. There are 2 styles available (Regular & Outline). Suitable to be applied to clothing designs, posters, logos etc. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. For any questions please contact me 🙂 Thanks!

The 1911 sheet music for “A Hot Time In Monkeytown" is an example of Art Nouveau hand lettering that could not be ignored as a typographic design source. The end result is Nouveau Moon JNL, which is available in both regular and oblique versions.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Zodor JNL is modeled from the packaging for injection-molded plastic letters used as a teaching toy for youngsters in the early 1960s. The hand-drawn alphabet on the sides of the package was quirky enough to merit being made into a digital font.

"Tropical Sunday" is a brush font that is perfect for summer moments. This font is very simple because it has been specially designed. Equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. Can be used for holiday moments, vacations, social media, stickers, posters, and more.

The Dreamy Notes Duo is a stunning and comprehensive duo font (script and sans serif), ideal for giving your projects a branded but friendly feel. The two included styles can be combined together perfectly but are also beautiful on their own. Thank You, Subectype

Parenting JNL is a stylized Art Deco sans serif type design originally found on a vintage WPA (Works Progress Administration) poster designed by the Federal Art Project and touting the topic of "The Job of Being a Parent". Available in regular and oblique versions.

Fat Bubble is a cute, cheerful and modern display font. Thick and friendly, this font will be an ideal choice for a wide range of casual, comic, kids book, and any informal designs. Use Fat Bubble for your creations and explore its endless possibilities.

Hermine is a picture of fun, uniqueness, and authenticity. This eye-catching handwritten font will turn your creative ideas into a standout. It will take your various design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and more!

Black Thunder is a Modern and friendly brushed display font. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.

Amarissima is a display font inspired in vintage Italian signs of baker shops. Regardless its crafty inspiration, the construction remains highly mechanical and structured. It has several OT features being the most iconic its contextual alternates that automatically create tails on every single word.

Hello Introducing, Quastro - Elegant & Stylish Display Serif is an unique font that uses ligatures to smoothly link letters. Perfect for adding a unique twist to word-mark logos, monograms or pull quotes.Quastro has 12 ligatures can be turned off if required standard writing needs.

Square Lemon feels equally charming and elegant. This stunning handwritten font is a stylish homage to classic calligraphy. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!

Based on the extrabold extended version of Venus, a typeface originally issued by Bauersche Giesserei from 1907 to 1927. Use it when you want to be heard loud and clear. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Rollink is a simple brush font that is very comfortable to read. It will elevate various design projects to the highest level, be it branding, headings, hands, logos, labels, wedding designs, invitations, signs and more! included - uppercase and lowercase - multi language - alternate - ligature - swash

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Search Party is a handwritten font, made with a Sharpie pen. It is a little wild, a little uneven, but legible and perfectly suited to be used in your designs. Comes with extensive language support and a set of alternates for the lower case letters.

This is a modern, wonderful, and beautiful font. This font is super readable and can be used from Posters to a Hebrew Bible. The readability of this font is amazing. This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

Verstyle is a rich & elegant sans serif, that can be both an eye-catching display typeface and a clean & legible font for smaller text. It has 6 weights to choose from, plenty of ligatures, superscript letters, small caps and alternates to create a tailored look.

Jerky Tash is supposed to look somewhat handwritten, that’s why it has got jumpy letters, different sized serifs and a loose kerning. The font is spaced to look okay when used without kerning, but the font definitely deserves to be viewed using the kerning pairs!

Simply Conception is a unique and modern family of serif fonts. Simply Conception has 18 families Regular and italic font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.*

Similar to Erasurehead. Redrawn as in line, outline font for embroidery application. Works well with layers, colors, gradients and filters. Max was designed for all media and can be used in a wide range of point sizes. Max requires subjective display kerning and compensation.

Mousony is a bold, vintage styled and thick lettered slab serif font. It will elevate a wide range of crafting ideas, from cards, to branding, labels and much more. Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.

Scout is a sharp, clean, and bold athletic font. It is a very versatile display typeface perfect for sports branding, emblems, jerseys, posters, apparel design, magazine headlines, labels and so much more. Scout is fully-kerned and ready to be used right out the box.

Thishub Graffiti is a display font with a monoline graffiti style, there is some swash for your awesome design. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!

This is a modern-day interpretation of the 1930s font. With a wide range of alternates, you can create Art Deco and Bauhaus style typography in one piece. People who see it will be fascinated by the stylish and feminine look of the font.

This came from an early-1900s lettering book. Never was an actual font, but it has a quaint look that should be useful. We hate to see alphabets just fade away, which is why we make fonts like this. We added a few touches.

Inspired by a unique food, Cocomber font is made with a unique and distinctive shape. Combining authenticity and unique form, this font looks casual and gives off a fun feel. This font will be suitable for use in graphic designs with a casual theme.

Pavement is a display typeface, based on the roughness and hardness of a street tile. I wanted to make a font with some real streetvibes, so it can easily be used for all kind of street cultures like music, (stencil) graffiti, street-art and fashion.

Oktah Round Overview: 1600+ characters per font 16 static fonts 1 variable fonts Extensive OpenType features Support for 220+ Languages (Latin & Cyrillic) Special Symbols, Alternate Sets, and Features Free Trial Fonts Available Oktah Round is a rounded version of Oktah Neue. Oktah Round is soft and friendly, modern and warm. It's a typeface that combines human touch with high functionality. Oktah Round comes equipped with 1600+ characters per font and is available in 16 styles (from Thin to Black), and as a variable font that allows you to change weight and slant angle. Oktah Round supports more than 200 Latin languages and has amazing support for Cyrillic languages like Bulgarian, Serbian, Ukrainian, Macedonian, Russian, and others. Relying heavily on the geometric forms and proportions first introduced in Oktah, this rounded version does more than just smooth out a few corners. To make curves sharper and more uniform, some terminals were modified. Other visual features (like curving tails in 'l' and 't') were dropped to create more clear cut look. Oktah Round is perfectly balanced and finely tuned to be the font you'd want to use again and again. The variety or styles and availability of a variable font give Oktah Round a potential to be used across multiple mediums. Oktah Round supports most Latin based languages, it also has support for Extended Cyrillic. The remainder of the extensive 1600+ glyph character set is reserved for punctuation, numbers, special symbols, and all sorts of additional symbols like squared numbers, geometric shapes, etc. All characters are evenly spaced and carefully kerned, so that there are no overlaps or glaring gaps in any language. OpenType features include Legible Alternates, Case Sensitive Punctuation, Fractions, Sub- and Superscript, Black and White Circled Figures, Ligatures, Oldstyle Figures, Tabular Figures and many others. The variable font incorporates both axes (Weight and Slant) and can be used for web and graphic design alike. 16 static font styles can be purchased separately or as part of Oktah Round family. Two fonts can be downloaded free of charge.

ATTENTION! See the newest version of Reina here. Reina Neue is now a family of 45 styles and it's also a Variable Font! Have a look. For the traditional version of Reina, you may stay here ;) --- Reina is Sproviero’s didone of the year. We recommend seeing its user’s guide . Inspired in the sweet letters of calligraphy and typography masters of our past; such as Didot, Bodoni and the incredible Herb Lubalin, its aim was to incorporate the decorative accolades from blackletter and copperplate styles of calligraphy into a Modern Roman typeface. Reina reflects sovereignty due to the enveloping atmosphere and the sensation of greatness that can be felt when using it. It has an unique way of standing over paper and screen, being its swashes responsible of an extreme elegance. Similar to what Lian did in his last font Breathe , Reina was designed to be playful yet formal: While none of its alternates are activated it can be useful for short to medium length texts; and when the user chooses to make use of its open-type decorative glyphs, it can be useful for headlines with dazzling results. TECHNICAL Reina is a family with many members. In order to achieve better results when printing, Lian took his time to design the necessary styles: Reina 72 Pro, prepared for display sizes; Reina 36 Pro, for medium sizes; and Reina 12 Pro, the best for text or decorative words in small size. Each of these members have variants inside, which are open-type programmed: The user decides which glyph to alternate, equalizing the amount of decoration wanted. Reina Engraved Pro has the same features than the variants mentioned above. The family also contains variants which were made exclusively for decoration. These are: Reina Words, a set of the most common words used in english, german, italian, french and spanish; Reina Capitals, which consists in a big set of ornamented capitals; and Reina Fleurons, those little friends which always help to embellish our work.

Pirouette is based on a logo that Japanese designer Ryuichi Tateno created for a packaging design project in 1999 (a shampoo container!). Tateno's logo experimented with complex, overlapped swash letterforms. He continued to develop these outside of the initial packaging project, until they took on a life of their own. Eventually, Tateno designed a full typeface out of the logo, Pirouette, which was the first place display face in Linotype's 2003 International Type Design Contest. The Pirouette typeface contains six different fonts. The basic font is Pirouette Regular. This is an engraver's italic lowercase paired with elaborate swash capitals. The swash capitals have two visual elements in their forms: thick strokes and thin strokes. Pirouette Text includes the same lowercase as Pirouette Regular, but the uppercase letters are much shorter and simpler. This "text" font can be used to set longer amounts of copy. Pirouette Alternate contains different lowercase glyphs and additional ligatures, which can be used as substitutes for the lowercase forms in the Pirouette Regular and Pirouette Text fonts. Pirouette Ornaments contains swashes and other knick-knacks that can either be added onto the end of a letter, or used as separate decorative elements or swooshes (accolades) on a page. Pirouette Separate 1 and Pirouette Separate 2 are two fonts that can be layered over top of one another in software applications that support layering (e.g., most Adobe and Macromedia applications, as well as QuarkXPress). Pirouette Separate 1 contains the thick stroke elements from Pirouette Regular's uppercase letters, as well as the same lowercase glyphs that can be found in Pirouette Regular and Pirouette Text. Pirouette Separate 2 contains only the thin stroke elements from Pirouette Regular's uppercase letters. By layering Pirouette Separate 1 and Pirouette Separate 2 over one another, you can give the uppercase letter's thick and thin stroke elements different colors and create unique, more calligraphic designs. The Pirouette family, Tanteno's first commercial typeface, was greatly influenced by the calligraphic and typographic work of the master German designer, Prof. Hermann Zapf, especially his Zapfino typeface.

Lindemann Sans is an immediately-inviting typeface with a pleasing distinct visual voice grounded by geometry and golden proportions. This modern geometric san serif typeface serves the interpretive needs of modern design through its legibility. This legibility is achieved through proportional balance of each letter based on the golden ratio, open counters, high x-height and wider individual shapes. In addition, a high level of legibility is arrived through distinctive glyphs like a, e, @, and f, which are engaging and add to Lindemann Sans visual voice. Being a modern, spirited, tech-savvy typeface, Lindemann Sans has many of the features demanded by today's designers. These features include 800 characters within each font, many ligatures, full numbers sets, small caps, alternative characters and other niceties found in opentype fonts. Due to Lindemann Sans high legibility, geometric sans tradition, and a large feature set list, it is a very versatile typeface and can be used in replacement of the more commonly used sans. Specifically, Lindemann Sans can be used by technology corporations, architectural firms in their supporting materials, in magazines as headers and key-points, as the typeface for professional keynotes, for the package design industry as a whole, in automotive concept projects, and for cosmetic branding for high class hair products. With its inviting nature it may also be used for liberal arts promotional materials. In addition, this typeface can be used by green industries because of its nature derived proportions. Each style and weight of Lindemann Sans adheres to the same geometric and golden proportions, however, each weight is innately noteworthy. For example, there is a charm that is found in the ultralight weight's elegant geometry and lights impressive use as oversized headlines. It shines with true clarity of vision with the book weight and the versatility of the medium. One cannot overlook the power and pacing of the bold and extra bold weights with its clear counters and restrained letter forms. Within Lindemann Sans family each weight has a distinctive role to play but stays true to its purpose.