Fizgiger is a chance to kick back and take break from designing some of insigne's more serious typefaces, like the sans serif Aberlyth. It is an extension of the ideas of Blue Goblet, but includes more frills and a more pronounced vertical stress. The name Fizgiger is derived from the English word Fizgig, which is defined as a flirty girl. Fizgiger is a fun and uplifting script that works for whenever you need a playful and exciting script. As always, Fizgiger comes with a wide range of OpenType features, including small caps, a full complement of artistic alternates (it's like getting another font free!) and old style figures to add a touch of class.

Some scribbles on a bar napkin, a note from a cute girl passed in history class, what is there to say but why not a typeface? Actually it's that late night, �let's get this typeface done� madness that causes these flights of fancy. Anything to relieve the boredom of doing all those kerning pairs. Or maybe it's sunspots? Ms Kitty is all uppercase letterforms so there are two versions of each letter, one in the cap position, another in the lowercase position. Besides the regular weight and bold, there�s a bolder and much bolder in the works. And perhaps there will be a "too bold to be believed" version. Depends on the sunspots.

The PARATYPE library is our latest major addition, consisting of more than 370 typefaces. In the spirit of the perestroika changes and following the collapse of the Soviet Union, a group of Russian type designers quit the state-owned Polygraphmash foundry to establish ParaType, the first, and now largest Russian digital type foundry. The ParaType team under the supervision of Vladimir Yefimov creates new typefaces and explores the Russian typographic heritage by making digital versions of existing Russian designs: these include the hits of Soviet typography such as Literaturnaya and Journal Sans. Most ParaType fonts are available in Western/Roman, Central European, Turkish and Cyrillic encodings. The Russian constructivist and avant garde movements of the early 20th century inspired many ParaType typefaces, including Rodchenko, Quadrat Grotesk, Ariergard, Unovis, Tauern, Dublon and Stroganov. The ParaType library also includes many excellent book and newspaper typefaces such as Octava, Lazurski, Bannikova, Neva or Petersburg. On the other hand, if you need a pretty face to knock your clients dead, meet the ParaType girls: Tatiana, Betina, Hortensia, Irina, Liana, Nataliscript, Nina, Olga and Vesna (also check Zhikharev who is not a girl but still very pretty). ParaType excels in adding Cyrillic characters to existing Latin typefaces — if your company is ever going to do business with Eastern Europe, we recommend you make them part of your corporate identity! ParaType created CE and Cyrillic versions of popular typefaces licensed from other foundries, including Bell Gothic, Caslon, English 157, Futura, Original Garamond, Gothic 725, Humanist 531, Kis, Raleigh, or Zapf Elliptical 711.

Marit Otto about C-Nation: The building typeface. Although the 70ties were very liberating and progressive, still girls played mainly with dolls and sweet things and boys with all kinds of challenging stuff. They did all sorts of basic scientific experiments in mini labs and of course built cool things with Meccano building sets. As a girl I was perfectly happy with the toys I had access to. But at the same time I was very curious about all the adventure toys and discoveries my brother did. It also made me wonder why the grown up people thought that our world could be separated so easily by separating our toys in pink and blue sections. At this day of age Meccano is probably hopelessly old fashioned and far to manual. Children of today are fed by fast images and cool animations on screen, they learn, play, communicate and relax in the same space, the digital space. The special feature of Meccano was that even though it was very basic there was the promise you could create anything. It might even contribute to a logical mind. The typeface I designed refers to the Meccano feel. It is a creative typeface. A bit masculine and bold looking perhaps but after the first impression a subtle and refined female touch is revealed. It has links to architecture and associations with metal constructions like ‘The Eiffel Tower’ and (old railway) bridges. I am convinced that we all think of that as very charming man-made objects.

Linotype Flamingo, from German designer Michael Leonhard, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. The figures of this font have pieces missing, the curve of an a, the stroke of an n. The eye fills in the gaps, allowing the designer to present a unique font with reductionist forms which can still communicate written ideas to the reader. A small number of forms come together to create the alphabet and the 'missing pieces' make a light and airy overall impression. Linotype Flamingo should be used in point sizes of 18 and larger and because of reduced legibility should be used only for very short texts.

Linda - a typeface not only for girls! Linda, a graphic design trainee, started this font as an experiment. It should become a professional typographic project. Linda is like Linda: youthful, feminine, and easygoing. Dear Linda,we are quite happy now you are finished. We enjoyed an exciting period of time with you, and we learned a lot of new things through you. With every new step, we became more convinced of you. Your aesthetics, your easiness, and your wonderful Teenie-charakter are so beautiful and charming. Copy text or headlines: your flow is absolutely fantastic and versatility is your strength. We really look forward to seeing more of you, maybe on posters or book titles, for example. Just carry on.

Introducing the elegant and modern Gucina Geometric Font Family - a versatile typeface that will add a touch of sophistication to your designs. With its clean lines and geometric shapes, this font type is perfect for creating minimalistic logos, advertisements, web designs, and branding materials. The Gucina Geometric Font Family comes in a variety of weights, making them ideal for a variety of design projects. Whether you need a bold and impactful font for titles, or a light and airy font for body text, Gucina has you covered. Its timeless design ensures that your creations will remain relevant and stylish for years to come. Don't settle for plain fonts - improve the quality of your designs with the Gucina Geometric Font Family.

Like the graceful movement of a ribbon, Quiverleaf® CF glides effortlessly from letter to letter. Five weights – from a delicate, yearning thin to a hearty extra bold – combine with striking italics and wide language support for a well-rounded and expressive typeface. Quiverleaf's versatile design allows for both beautiful text and airy headlines. Quiverleaf® CF pairs well with itself at contrasting sizes and weights; it can also be used effectively alongside both sans typefaces like Greycliff® CF, and simple humanist designs like Artifex Hand CF. Quiverleaf is also available in an Arabic version, Quiverleaf Arabic CF, which pairs perfectly with the original Quiverleaf for multi-script visual design. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Classic retro sans with some modern looks. Contrast vertical and horizontal lines in Bold style and elegant and airy Light style. This font has no lowercase letters, only the small caps which makes it very suitable for Headers, Logotypes, sub-headers, etc. This family has a French mid-century spirit with the alternate underlined O, inherent in that time, ligatures for L-pairs and T-pairs letters and some decorative alternates for A, C, H, J, O, Q, and U letters. The Le Bonjour has three widths: Bold, Regular and Light. Four styles for Bold and Regular: Clear, Offset Decor Line, Pressed and Stroke. And two styles for Light: Clear and Stroke. (the light style is too narrow for Offset decor and Press styles)

The term Old West conjures up memories of vintage movies and TV shows featuring saloons and dancehall girls. Old wanted posters and cowboys. Rowdy prospectors in the Goldrush, mountains and lots of wide open space. Many of the lettering styles of those days are still in use, reflecting the past, present, and probably the future here. Western style fonts appear in the signage of bars, restaurants, casinos and ski areas. It's a style that speaks of the way it once was in a nostalgic way. This family of three fonts pays tribute to the Old West and its colorful history, with a semi-plain style, a decorated style, and a really lively rendition of our gaudy and raucous history from a century or more ago.

Esca is a display typeface designed by Jim Ford with highly compressed proportions yet with a subtle calligraphic touch. This Lite version of the typeface was designed as part of a font marathon over the course of 3.5 days in Monotype’s NY office. The design started with the aim of fitting 4 letters onto one sheet of paper and the resulting typeface keeps that tight proportion. The Esca design is mixed case and is ideally suited for logos, short headlines, and album covers. It has a great architectural feel to it that makes it suitable in signage applications and large scale settings. Monotype is proud to support Room to Read’s work in literacy and girls’ education through our font marathon initiative.

Pizza is a font fusion of our Saloon Girl and Mi Casa font families. Our new Pizza font will look great for headlines in your new restaurant menu as well as the sign out front. Pizza offers different levels of ornamentation to choose from to best suit your design needs. Pizza Margherita is a solid black version for plain text. Fill fonts are also available, however, you'll need an application that works in layers to take advantage of the Pizza fill fonts. Fill fonts in the Pizza font family are not meant to be used as a stand alone font, please use the Pizza Margherita font if you need a solid black weight. Pizza is a trademark of FontMesa LLC, initial release December 6-2021

The hand cut wood type which was the inspiration for Wood Nouveau JNL conjures up images of the artistic period between the Victorian Era and 1920s Moderne, as well as the hippie counterculture active in the later part of the 20th Century. During the late 1960s and early 1970s, rock posters, fliers, store signs and other printed ephemera of "the love generation" borrowed heavily from the Art Noveau style in both art and typography. An Alphonse Mucha-inspired flower girl could adorn a concert poster that also combined both vintage wood type and hand-lettered elements. Although this particular type design might well have preceded the actual start of the Nouveau period, the softer, rounder lines of each character lent themselves well to this emerging style.

When the air becomes crisply chilly and we start thinking of festive projects in time for Christmas, it's time to celebrate. Christmas Cove, A classic Christmas typeface for sleigh rides and carol singing. Included are all of the necessary elements, such as numbers, punctuation, and multilingual letters. These ligatures will come in useful no matter what your imagination conjures up. 10 Styles Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Look the allure of Daisy & Violette, a mesmerizing serif font that blends modernity with classic refinement. With its thin serifs and captivating alternates adorned with graceful flourishes, this font is a true testament to elegance. Whether used for high-end packaging, editorial layouts, or upscale event invitations, Daisy & Violette brings an air of sophistication that will leave a lasting impression. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Informal does not have to mean aggressively modern or casual. Helenium is inspired by some hand drawn capitals that I found added to a 19th century map. It's a great font for informal titles and headings that still keep an air or regularity and ever so slightly period elegance. It manages to be formal and casual all at once, as well as classical and modern. Helenium's range of different weights and drop shadow effects make it useful for hierarchical titles and headings. Helenium miniscule adds greater flexibility by extending the family with a fun range of rounded lower case forms.

The Confetti is a typeface created about 1930 by the defunct José Iranzo foundry in Barcelona, and imitates the forms and gestures of handwriting created with a round nib as “Speedball”Series B. The original typefaces were a pair, called “Escritura Energica ” and “Escritura maravilla”. The typography has a dynamic air, caused partially by irregular alignment of the characters respect to the baseline and aesthetics takes us to the proposed commercial lettering or advertising of years 20-30. Confetti was one of the fonts selected by the website Typographica.org in its prestigious list of “Our Favorite Typefaces” in 2006.

Victorian Ornamentals is a digital revival of a lovely Victorian letterset containing initials adorned with flourishes from a vintage embroidery typeface. It is a highly ornate and delicate typestyle with an air of elegance, romance, and flair. This font contains uppercase letters, smallcap letters. and numerals in the Victorian Ornamentals typeface and, for convenience, includes punctuation in a standardized font style. Accented characters are also included. This digital format allows colorizing of type and is a perfect font for publications that want to capture the feel of the Victorian era and the delicate nature of embroidered lettering.

Metronic Slab Pro is a slab serif typeface with a technological and minimalist look for text and headlines. It has six versatile weights from Air to Black with an alternative glyph set to improve its use in different graphic contexts. Metronic Pro has a wide range of OpenType features such as: old style and proportional figures, ligatures, case sensitive forms, fractions, stylistic alternates, arrows and an icons/ornaments set. This set of 60 icons, directly inspired from the typeface improves the OpenType features and can be quickly and easily use in your web design, GUI design, graphic design or any other graphic work.

Hannes von Döhren created Love Potion. Three fonts (Regular/Bold/Ornaments) that include extravagant Ligatures, Swash Letters, Catchwords, Arrows, Borders and other little specials. The hand drawn serif type family is intended to be used in applications like: Food, Clothes, Living, Wedding stationery or basically everywhere where love is in the air… Love Potion is equipped for professional typography. As an exclusively OpenType release, these fonts have an extended character set to support Central and Eastern European as well as Western European languages. In addition to that the fonts contain Standard ligatures, Swash Letters, Catchwords, Arrows, Borders and much more.

The Nuga typeface embodies a commanding presence with its slab serif design, offering a versatile range across 9 distinct weights from thin to black. This extensive variety is further enriched by both regular and italic styles, totaling 18 distinct fonts. Its robust nature makes it an ideal choice for titles, headers, and subheaders, lending an authoritative air to any text. However, it doesn't stop there; Nuga's versatility extends to paragraphs, making it suitable for both display and body text. This font stands out effortlessly in branding, print materials, and logos, its powerful characteristics leaving a lasting impression on any design it graces.

Anavio is named in honor of the ancient Roman name of an English Derbyshire town. Anavio is a classically inspired family of Roman faces, emphasizing simplicity of form and elegance. Regular and Bold weights are offered, along with condensed forms. Anavio is offered in both upper and lower case and small capitals faces. Its simple lines are immediately legible, lending it to both text and display uses. A range of ligatures, both standard and discretionary, are included as are stylistic alternates and two styles of numerals. Use Anavio to lend that indefinable air of elegance to your next project.

ITC Grimshaw Hand is based on the handwriting of its British designer, Phill Grimshaw. Warm and lively, this typeface has the look of spontaneous handwriting with a little extra panache. Note the jaunty k, the swooping f, the simply stylish s, and the absolutely zingy cap Q and R. Grimshaw designed this face in 1995, at a time when he was also playing the guitar and mandolin. Handwriting fonts give an air of intimacy to the graphic design of advertising pieces, packaging, invitations, greeting cards - and ITC Grimshaw Hand has the touch of sweet music in its enthusiastic strokes.

The name Norden means “the Nordic”, as in the geographical area or its countries. Inspired by the simplicity of Nordic and Scandinavian design, the Norden fonts give you clarity of expression, beyond the usual geometric look and feel of traditional sans-serifs. Open and spacious, the shapes of the glyphs play both with and against each other. Round and soft versus square and solid, a basic curve versus a straight line, creating a detached yet distinct style of expression, from light-as-air Hairline to dark and Bold. Norden comes in three variants: Standard, Round and Display.

Say hello to La Patio Script, a monoline script font with fun vibes to spread happiness. A perfect choice to give a holiday vibe to any products, merchandise, restaurant or cafe. La Patio comes with several alternates and swashes for you to play with. Also the underline & border features help you to give a special character to your design. It's especially created for restaurant signs with outdoor/open air concept. That's why it's called La Patio. Beside that, it's also perfect for poster, business cards, magazines, blog, book, neon signage, badges, and many more happy things!

It's time to celebrate when the air turns crisply chilly and we start planning festive projects for Christmas. Holly, a modern and fun Christmas typeface perfect for sleigh rides and carol singing. All of the necessary elements, such as numbers, punctuation, and multilingual letters, are included. Whatever your imagination conjures up, these ligatures will come in handy. 5 Styles (Dancer, Comet, Cupid, Donner, Rudolph) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

The idea was to find common intersections between the humanistic and the neo-grotesque model of sans. This variable font offers everything from the world of sans serif in one place – a broad range of weights, adjustable contrast, and a lot of alternative glyphs. As a bonus, you can choose the “cold” or “warm” impact of the text. The Cosan Cold variant has closed apertures and minimal tension in the manner of Helvetica, and the Cosan Warm is open, more dynamic, and airy. Cosan is very suitable for a parallel bilingual setting, as both types are equivalent in their proportions and text color. Like Yin and Yang, each has a piece of the other in him. The Warm version is not totally dynamic, nor is the Cold version totally rigid.

Luba Luft is a semi-connected script font that has an airy and casual look to it. Smooth letters with upright curves flow effortlessly over the page, the letterforms vary slightly to emphasize the light, flowing characteristics of the typeface. One of the unique features of Luba Luft are these subtle variations, letterforms flowing and curling around each other as if written by hand - contextual alternates. Dress your designs up with over 200 swashes, ligatures and alternates in just a few clicks in the OpenType menu. When used in longer texts you?ll get a very readable script typeface that’s very natural looking due to the inbuilt OT functionality. Luba Luft comes in two variants (Regular and Bold) and is the ideal typeface for packaging, menus, labels, cards and invitations.

Cowhand is a display typeface designed by Toshi Omagari to keep words at one specific width. Words of one letter will have one very wide character, words of two letters will have characters of half that width and so forth. At the maximum of 20-letter words, characters become very tightly compressed. The design of the Cowhand typeface is inspired by western style block printing with reverse stress that is characterised by chunky slab serifs. This Lite version of the typeface was designed as part of a font marathon over the course of 3.5 days in Monotype’s NY office. Please Note: these "Lite" fonts are offered with a limited character set. Monotype is proud to support Room to Read’s work in literacy and girls’ education through our font marathon initiative.

Anyone old enough to remember either the radio or television version of “The Adventures of Ozzie and Harriet” pictures Ozzie Nelson as the easygoing father figure who never seemed to have a real job – he was always hanging around the house. In truth, the handsome young Ozzie was a bandleader in the 1930s and 1940s and ended up marrying his ‘girl singer’, Harriet Hilliard. A piece of sheet music from 1933 for “You Have Taken My Heart” was one of the songs Nelson featured with his Columbia Broadcasting System Orchestra. The title was hand lettered in what can only be described as a slightly eccentric Art Deco Sans serif. Redrawn and cleaned up to reflect more uniform stroke weights, Bandshell JNL is now available in both regular and oblique versions.

Suffix Mono is a monospaced sans-serif family that offers an extensive range of weights and styles. Additionally, it provides numerous OpenType features, including 16 distinct stylistic sets for users to experiment with. The core concept behind Suffix Mono is to explore the distinctive textures often associated with monospace fonts, which are primarily characterized by their "fixed width" nature. Suffix Mono enhances these textures by introducing various stylistic features that enable users to replace closed glyph contours, such as those found in characters like 'f,' 'r,' 'i,' and 'j,' with more open and airy alternatives. Enabling these alternates results in an overall transformation of the textural appearance of Suffix Mono. Furthermore, Suffix Mono boasts one of the hallmark features of modern typefaces: extensive language support, encompassing nearly the entire Latin script.

Get your goggles on. You're on your way to the Metaverse, where no subject is off limits, everyone has an avatar, and reality is subjective. The world can be turned off or on at your very whim. Never mind the markets, resource counters, national inflations, caviar-loaded barons, environmental surprise, or who will nuke whom first. In 2D it's all peace and understanding. This is the great escape, shell, shield, your real fury against furious reality. One fist in the air is the start of a revolution. Two fists are the end of a victory. You are in between. Be smooth. Stay sharp. Walk the line.

Created by Olivier Gourvat in early 2013, Metronic Pro is a sans-serif typeface with a technological and minimalist look for text and headlines. It has six versatile weights from Air to Black with an alternative glyph set to improve its use in different graphic contexts. Metronic Pro has a wide range of OpenType features such as: old style and proportional figures, ligatures, case sensitive forms, fractions, stylistic alternates, arrows and an icons/ornaments set. This set of 60 icons, directly inspired from the typeface improves the OpenType features and can be quickly and easily use in your web design, GUI design, graphic design or any other graphic work.

The Cannon family is the result of combining the clean aesthetics from a classic sans neo-grotesque with a touch of a geometric design. The result is a simple but dynamic typeface with retro and technological airs. Cannon is ideal for robust advertising, bold brand identities and packaging, also suitable for high impact headlines and short texts. This type family consists of 36 variants and 9 weights (thin, extra light, light, regular, book, medium, bold, extra bold, black), matching italics for all weights and widths, matching small caps for all weights and widths, alternate characters and extended language support. We are proud to introduce: Cannon.

Old Labels JNL was inspired by the red and white gummed labels that were used for shipping parcels long before self-adhesive materials and desktop publishing rendered the older labels obsolete. The fifty-two glyphs include a generous supply of phrases such as ‘Air Mail’, ‘Do Not Bend’, ‘Rush’, etc. along with a number of blank label backgrounds and decorative frames. NOTE: Commercial replication of the images within this font for any resale purposes (including, but not limited to labels, t-shirts, stock designs, et al) requires a separate license which may be obtained by contacting the designer via the email address found within the End User License Agreement.

Wetricia is a captivating monoline script font that effortlessly blends elegance with modern style. Its sleek, single-weight line design exudes a sense of sophistication, making it a perfect choice for projects that demand a refined aesthetic. The fluidity of its curves and the uniformity of its strokes create a harmonious balance, resulting in a graceful and timeless script. Wetricia’s individual characters flow seamlessly into one another, producing a cohesive and smooth appearance. Whether used for invitations, branding, or any design endeavor seeking a touch of class, Wetricia stands out as a chic monoline script font that adds an air of sophistication to any typographic composition.

Pitriya is a captivating display serif typeface that effortlessly blends classic elegance with a modern twist. Its unique character lies in the harmonious balance between thick and thin strokes, creating a distinct sense of refinement and sophistication. Each letter is meticulously crafted with precision and ornate details, making Pitriya a perfect choice for high-end branding, editorial design, and formal invitations. The serifs are gracefully extended, adding a touch of grandeur to the text, while the ample x-height ensures readability even at smaller sizes. Pitriya is a timeless typeface that commands attention and imparts an air of timeless beauty to any project it graces.

What a nice tranquil feeling you get from the wide forms of this font. The air of spontaneity was the most important thing about developing Rifleman. The forms were carefully and slowly constructed and then loosely traced with a paintbrush. Maybe the original drawings will become a font someday but i like to think that they won't for some reason. Surprisingly Rifleman is left to only the bare essential elements, anything that wasn't necessary was left out or removed. The goal was to make it as lightweight as possible to make up for the intricate detail. Rifleman is a surprisingly lightweight font offering lends itself to speedy typesetting!

In the opening scenes of the 1938 Three Stooges comedy “Tassels in the Air” the Stooges are working as maintenance men inside an office building. Their immediate job requirement is to paint the tenants’ business names on the corresponding office doors with pre-cut stencils. Of course, they get it all wrong. Nonetheless, the stencils appear to be a hand cut sans serif design in a squared or ‘block’ style with rounded corners, and some of the applied lettering made for an interesting challenge to recreate as a typeface. The end result is Maintenance Stencil JNL, which is available in both regular and oblique versions.

Bodoni Campanile Pro is a font that bridges the gap between a “fat” and a compressed traditional serif typeface. It was originally designed in 1936 by Robert H. Middleton for Ludlow. International TypeFounders exclusively licensed the family from the Ludlow Collection, and Steve Jackaman (ITF) produced a digital version in 1998. Jackaman completely redrew the font for its 2017 release. Bodoni Campanile Pro, much like its transitional status as a font, is successful in both formal and casual roles. The free-flowing aspects of the family, seen especially in the lowercase ‘g’ and the leg of the uppercase ‘R,’ give the family an air of elegance.