Breda is a Geometric Sans-serif; it is constructed from simple geometric shapes such as the circle and rectangle. This family of fonts starts from a very thin single-line face to a strong heavyweight, called Black Face. The Breda font is austere style, functional and clear, emerged from straight lines, primary shapes, which is now jumping into the typographic and graphic design scene. They are presented in six wights with their corresponding italics.

The New Elegance is a new editorial serif with all clean and soft lines, tight curves, and a trendy elegant look! The New Elegance has two versions of the font, namely serif & Sans Serif which are equipped with an italic version style, very suitable for your design needs such as very suitable for creating nostalgic designs but still clean and elegant such as headlines, magazines, logos, packaging, editorial, and much more. Thank you, Great Studio

Nexus (2004) consists of 3 matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. There is also a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface with extensive OpenType features. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. Nexus was awarded the First Prize at the Creative Review Type Design Awards 2006.

อธิษฐาน เป็นอักษรแบบคอนทราสต์แซนส์เซอริฟ มาพร้อมกับอักษรแบบมีหัวสำหรับภาษาไทย ดูทางการ เรียบหรู มีเสน่ห์ เหมาะสำหรับการใช้ผาดหัว หรือรองผาดหัว มีทั้งหมด 9 น้ำหนักและตัวเอียงของแต่ละน้ำหนักรวมทั้งหมดมี 18 สไตล์ และมีฟีเจอร์อื่น ๆ อาทิเช่น Small Caps และฟีเจอร์อื่น ๆ พร้อมให้คุณได้เลือกใช้งาน รองรับหลากหลายภาษา Athisthan is a contrast sans serif typeface with loop head style for Thai character. Formal, elegant, charming look. Suitable for headline and sub-headline. Comes with 9 weights and italics of each weight total 18 styles, and there are features such as Small Caps and many features available for you. Support multi-languages.

Regnante was created with all of my heart. It has a luxury style, is stylish and lovely, and has a strong personality, so it will catch your attention. This font is ideal for a wide range of tasks including branding, logos, packaging, and more. Regnante includes 12 fonts, including 4 weight variations and Italic style. Regular and Alternate are come separately. You can make your selection based on your personal preferences and requirements.

Primate is a typeface family that works both as a display font for reading, casual and informal as it approaches the forms of nature, hence the name Primate. Primate's family comes in a full range of weights, from the thin Ultra Light to Heavy Black, all weights are also presented in italics and all have ornaments. Primate is a natural and fun to compose texts, giving the design work of a contemporary look.

Introducing Eyesome - Modern Font Duo Eyesome is elegant and organic typeface with multilingual support. It's a very versatile font that works great in large and small sizes. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Regular Italic Script Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Clio, Clio XS and Clio Condensed is a big family of 72 fonts. They were designed by Gabriel de Souza in 2012. They are simple and stylish and they have the ideal appearance to your work. Furthermore, features such as italics, obliques, great language support and flexibility. They can be applied in many different forms but their primary use is indicated to display use and luxurious trade mark creation and also available for Clio Icons.

Zapf International font is the work of German designer Hermann Zapf, formal enough for widespread use yet tempered with calligraphic warmth. Vigor in the italics is achieved more from design than from slant. One of the distinguishing characteristics of Zapf International is its graduation of weights. Light and medium are relatively close and equally eloquent for text. Demi is a full two steps heavier than medium and heavy several steps beyond demi.

ITC Bookman font was designed by Edward Benguiat, whose goal was to design a typeface that had a clear resemblance to previous Bookman faces but was different and more versatile. This typeface retains all the traits of the original and adds a large x-height and moderate stroke contrast for optimal legibility. ITC Bookman font also has italics which are true cursive forms, as opposed to oblique roman characters. Featured in: Best Fonts for Tattoos

Headlines font family was designed for optimised headline settings. The condensed letters are designed for clear and straight headlines and also allow longer words and headlines to find the space they need for a well-composed headline. Typeface Features 265 Characters 8 Styles, including Italics Western European Language Support Numbers Symbols Punctuation www.typethis.studio Thank you for checking out Headlines Font Family. If you have any questions, please send an email to hello@typethis.studio

Amecane is a mecane. (Mecanes are slab Fonts) inspired by old style typography introduced in the early nineteenth century. Amecane is a slab serif font - designed by Loïc Choquet. The Amecane font family consists of 16 fonts, 2 widths and 8 weights, with italics. Well-suited for editorial projects, logotypes, posters, packaging, etc. The font contains 348 glyphs with a wide range of flexibility for Latin language support for every typographical needs.

Nexgen SLD font family is a modern sans serif font. The family includes 6 fonts, 3 weights each with 2 styles; regular and italic. The fonts are designed to be clean and easy to look for readability. The straight lines and diagonal cut at the corners of each character give the fonts their solid modern tech look. The family works great in all kinds of themes especially in tech, science and sports themes.

Faster Racing Modern Logo Font is a Modern Logo Racing Font that Modern, Racing and unique characters are ready for Race event, that you can combine to get any variations and unique shapes easily just in seconds with great characters. What's Included: FASTER (Regular & Italic) Character set A-Z All Uppercase Numerals & Punctuation Accented Characters (West Europe) Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font. :)

Rail grandeur precision & leverage Rail type family is a tough conveyance mechanism for large and lengthy information packages. It offers great reading comfort and avoids unnecessary friction. The precise construction of this slab serif signals greater legibility and capacity. Rail is designed to provide reading enjoyment. It’s suitable for complex typography projects like magazines and annual reports. The typeface’s x-height is approximately 68% of its capitals. The italics are constructed at a 11° angle.

สมัย ออกแนว ไซ-ไฟ ในโลกเทคโนโลยี เหมาะสำหรับการใช้พาดหัว รองพาดหัว มีทั้งหมด 9 น้ำหนักและตัวเอียงของแต่ละน้ำหนักรวมทั้งหมดมี 18 สไตล์ และมีฟีเจอร์อื่น ๆ อาทิเช่น Small Caps และฟีเจอร์อื่น ๆ พร้อมให้คุณได้เลือกใช้งาน รองรับหลากหลายภาษา Phatthana is a sans serif display typeface with square shape style Look strong, modern, sci-fi and technology movie. Suitable for headline, sub-headline Comes with 9 weights and italics of each weight total 18 styles, and there are features such as Small Caps and many features available for you. Support multi-languages.

Brisko Sans is a simple sans serif font family that comes in 5 weights with matching italics. It is suitable for longer texts, while all weights are good for any other typographic use. The whole font family contains characterful elements to distinguish it from the old standards. Brisko Sans is a fully applicable, legible and discrete font family with unique attributes. It is a good recommendation for different kinds of web and print projects.

DIAMONDS AND RUST FONT DUO - a new fresh handmade calligraphy font. DAR Regular - Italic - Outline Script Historical SANS and SCRIPT MULTILANGUAGE OK Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more!This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more :) Features: Ligatures Script UpperCase & Lowercase Numerals & Punctuations All style font Multilingualcharacters(AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸŸ ÆŒßÞàáâãäåæçèéêëìíîïðñòóôõöøùúûüýÿ)

Typeface Wesna was created as a reflection of the current state of design whose starting point is rooted in the letterings from the Slovenian posters from the interwar period. Bold strokes, condensed letterforms, sharp stroke joints and unique features are combined in the typeface. Wesna preserves the Slovenian typography heritage and establishes the connection between the past and the present through new digital formation. Available in 3 weights, italics in Latin & Cyrillic.

It’s the end, but the moment has been prepared for... the Time War is over and things are wearing a bit thin, time for a new face, a new body, a new companion for our Timelord font... a REGENERATION! Features: 138 automatic connecting ligatures Language support for Western & Central Europe and Vietnamese Solid Variable Font for complete control of weight and italic Levels Variable font can access any point between Inline, Midline & Outline

The letterforms of this face represent a "subtraction" of two different faces by weight, style, and shape -- one from another. The shapes of TM Miniature Italic are subtracted from FreeSet Bold with subsequent deconstruction. Though the spots may look amorphous they create images of both external and internal. At the same time none of them is explicit. The alphabet is lower case only. Designed by Boris Popov and licensed by ParaType in 2002 .

Conamore is a new Humanist Sans family. It consists of 16 styles (8 weights and 8 italics). The structure of the typeface is in a position that is neither too modern nor too classic. It was based on humanist frame and style, but we controlled the shape and removed potential eyesores so it can be easily recognized. These characteristics are suitable for the design requirements, such as editorial design, packaging, branding and display.

Quida Rough is a textured display family with three styles; Regular, Italic and Script. The personality of the design comes the rough, worn outlines and concave vertical shapes, which are consistent through all styles. This makes them work together seamlessly. Quida Rough Script is packed with opentype goodness such as swash caps, stylistic alternates, ligatures and ending forms for lowercase letters. All styles have an extended language support for most European languages.

Spektra is a multi-script type family that combines 5 scripts: Latin, Cyrillic, Arabic, Greek and Hebrew. It is a variable font - ranging from backslant to italic axis. Its condensed and black shapes are combining the same style concept throughout every script. Progressive shapes contribute to expressing statements on bigger mediums. Spektra combines different locations, cultures and ideas as statements around the world and celebrates the differences among them. Awards • Modern Cyrillic 2021

The latest addition to the Astoria Range, Astoria Classic has the same basic characteristics as Astoria but with vertical stress. The characteristic subtle top left serif which makes it not quite a Roman and not quite a sans has been retained. Unlike Astoria, the Italics in form are old style yet have a modern look. This is designed specifically as a text face, however it still works very well as a headline font.

🏆 Selected for Tipos Latinos 7 with a Certificate of Excellence. With semi-rounded terminals, Graviola is soft and friendly. The family consists of 16 fonts, from Thin to Black and matching italics. While the intermediate ones are suited for body text, the extreme weights look specially beautiful at display sizes. Each font contains 530+ glyphs, supporting more than 90 languages. Stylistic sets provide alternates in two groupings (a, v, w, y and G, g, &).

Levino is an italic font family which comes in 9 weights (and/or Variable). The light weights have an elegant look, the middle weights are perfect for texts like menus, copywriting & product descriptions, where the bolder weights create an inviting, prominent statement. Regardless of its classic characteristics, we believe Levino can be a great addition to modern design as well! Try out the several OpenType features and don't forget to download your free demo copy!

Nosta is a modern text typeface. It was designed to be easily legible and therefore expressly suitable for setting sizeable lengths of continuous text such as magazine articles, books and essays. It achieves this through, amongst other things, finely balanced proportions, optimal character spacing and an adherence to predictable letter forms. Despite this, however, Nosta manages to retain a contemporary look and feel by using a variety of modern type design devices such as the efficacious wedge serif. The italic avoids using too many of the cursive elements that are often found in traditional italics and has only a modest slant, giving it a modern look that does not overly disrupt the text while still providing emphasis. While designed for continuous text, Nosta can also be used as a display face, making it a good all round typeface, suitable for many applications.

A touch of modernism for all kinds of projects Like the rest of the family (Rival Sans and Rival Serif), Rival slab has round shapes with bevelled endings on certain letters such as G, Q or Z. These are the characteristics that make Rival Slab a contemporary cast iron for all kinds of projects. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled, pro kerning…It comes also with a complete range of figure set options It comes in 16 weights with corresponding italics and it’s suited for multiple purposes including editorial use, web font, apps, digital ads, ebook, and also for advertising, long text, packaging and branding. As a modern sans serif font family, Rival Sans has true italics to give more style in long texts.

Column Sans, talking about space efficiency. The character set that condensed can maximize the use of limited space without losing good legibility aspects. The typeface is very appropriate to be used as a text in a small column widths, display text, caption, title, author credit on the film, etc. Column Sans is available in OpenType format in the three weights Light, Regular, and Bold, whereby there are corresponding italics for all variants. In the same narrow italic versions, the "a" has a closed form while the "f" has a descender. Besides of standard ligature, this typeface is also equipped with some additional ligature and deligature like "fr", "tt", "cb", "ch", "ck" and so on as well as three "stylistic ligature": "the", "Mr" and "Mrs". Please find more information about the OpenType Manual of this typeface on the gallery page (pdf) if possible.

Trailmade is a rugged and stylish brush font with regular, italic, and extras styles. Explore an adventurous path with this typeface that ventures a little outside the typical brush script genre but still carries echoes of it. The upright design of the regular style has a confident appearance, while the italic style gives a little more of a signature look. Hand-lettered with a brush pen on paper, Trailmade includes swash characters, automatic double-letter ligatures, and a complete second set of lowercase stylistic alternates to switch in and out for a more authentic feel. There is also a matching Extras font featuring a variety of lines and dingbats that will complement your typography. All alternates, swashes, and ligatures are PUA-encoded for more accessibility in a variety of programs. This font has extensive Latin language support for Western, Central, and Eastern European.

From the abyss and the quarantine hell, drawn in absolute lonelyness, and finished during the darkest hours of confinement… "Guau" is born, the type that barks directly at your face! "Guau" is a high-contrast display font with as many weights and versions as there are types of puppies in this fantastic world. It is thought to bring up glances in middle and heavy boxing weights, although you can also take its compressed and italic styles just for a walk. "Guau" is a font with three axes (italic, weight and width) and 20 instances, and it also contains thousands of glyphs and Opentype features that means a "guaorld of posibilities". This name comes from the time when you could only go to the street to take a walk to your pooch. Definitely, "Guau!, your new best friend!".

Secca Soft is the rounded sister of Secca font family. With its workhorse qualities, Secca Soft is perfectly suited for a wide range of applications - especially where legibility and economy are important factors. It comes with a wide language support and many typographic features and extras. The family comes in nine weights from Thin to Ultra Black - each with italics, small caps and italic small caps. While the weights from Light to Bold perform well in text sizes, the more extreme styles give extra freedom for Headlines & Signage. For setting tables and charts, Secca Soft offers tabular figures, fractions, currency signs and mathematic operators which share the same fixed width throughout the entire range of weights. This special feature is called "weight duplexing" and is a time saver for designers of annual reports and other figure-heavy texts.

Please welcome the new grotesque family; slightly more geometric than Block Berthold but much softer than the industrial Din Next, Rockeby includes a lot of stylistic alternates and ligatures to help add character to any type of design. The slightly curved diagonal strokes give the sans serif fonts its unique personality and soft look. Even more - the family has two scripts (4 weights each) which will enhance the design even more. Combining italic with the script has never been easier - they both have the same italic angle. These scripts also benefit from contextual alternates, swashes and ligatures. And last but not least, the family also includes Extras fonts (which also have 4 weights) which can further enhance any design you are creating. There is an new addition to the family - Rockeby SemiSerif and Rockeby Brush families!

At first glance, Burgstaedt Antiqua looks like an old typewriter face, or rather like a typeface from a typewriter that has gone hopelessly wrong! Only after your second glance will you see this font for what it really is - a thoroughly new text face. Several features of Burgstaedt Antiqua, and its companion italic face, are worth special attention: First, the terminal styles of the letters vary throughout the alphabet. This gives text set in Burgstaedt Antiqua a slightly jittery feeling. A second interesting feature is the lowercase q", which takes the form of a shrunken-down uppercase "Q". Burgstaedt Antiqua Regular and Burgstaedt Antiqua Italic may be used in both text and headlines. For use in text, we recommend employing a slightly larger point size (12 pt or 14 pt and above). British designer Richard Yeend designed this family in 2002.

»Supra Demiserif« is the demi serif addition to the Supra family. I am no fan of slab serif fonts, so I designed this one with half serifs, that makes the serifs less important. Then I found, that the italic does not look nice with slab serifs, so I did only one italic cut for the normal weight. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family for professional typography with an extended character set of over 700 glyphs. It supports more than 40 Central- and Eastern-European as well as many Western languages. Ligatures, different figures, fractions, currency symbols and smallcaps can be found in all cuts. with each other.

Ignorance is a script typeface that mimics traditional handwriting found in America in the 19th century. Full of vitality and personality, this typeface includes a wide range of Opentype ligatures, alternates and swash characters that allow multiple choices for each setting. This design is principally aimed for use in display and titling setting that will reveal it's finer details.

The Arabetic Sans Serif type family follows the guidelines of the Mutamathil type style but also illustrates the effects of adding and removing Latin-like serifs on Arabetic scripts legibility. It has only one glyph for every basic Arabic Unicode character or letter as defined in Unicode Standards version 5.1. Arabetic Sans Serif employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph’s isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Arabetic Sans Serif family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular, italic, bold, and bold italic styles.

Magpie is a font family consisting of three sub-families with both regular and italic styles. Originally designed on squared paper, over time it has moved further and further away from this rigid grid, although its appearance is still based on it, so it can easily be used for logotypes or headlines with strict grid-based layouts. While Magpie Text is suitable for headlines and short texts, Magpie Display is ideal for logotypes or more playful headlines. Finally, Magpie Mix is a combination of both families. Magpie Text Regular represents stability, Magpie Display Italic is ideal for dynamic logos or headlines. To cover more languages, cyrillic and greek letters were added and Magpie can be used for nearly a hundred languages. In addition to the four common numeral variants, special numerals, punctuations and symbols for all-caps (c2sc) are included. Furthermore case-sensitive punctuations and symbols are available. To expand the typographic possibilities, four stylistic sets, different symbols, forms and standard- and discretionary ligatures have been added. Each Magpie-font contains more than 880 glyphs.

This design is one of the true gems to come out of the 1930s typeface era. Even though the face was originally designed to counter the invasion of European sans-serifs, it remains faithful to the principles found in its creator's poster work. Lucian Bernhard's lettering creation for American Type Founders is to this day a favorite among font connoisseurs worldwide. It has a unique personality. This deluxe version is packed with extras including the original oldstyle figures, alternates, and ligatures. A number of styles and alternate characters have been added to the family such as heavy italics, extra heavy italics, and capital figures. And an easier-to-identify "flagged" figure one and the new euro symbol are now located in each individual style. Bernhard Gothic is also available in the OpenType Std format. Lining and oldstyle figures, stylistic alternates, and additional discretionary ligatures are now combined in each style. These advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.