Simpliciter Sans is a typeface based on the lettering used in the 20th century on technical drawings, either written by free hand or using templates. The lettering was made with a round pen, therefore all lines got rounded ends. All lines had the same thickness in uppercase, lowercase and small caps. The upright style was used on construction drawings and the italic style on machine drawings. The backslant style was used on maps for names of water bodies — seas, lakes, rivers etc. — and for water depth. Simpliciter Sans is primarily intended for texts on drawings, diagrams, charts and maps, but it can also be used for signs and labels. It also works surprisingly well as a body type in smaller sizes.

Naïve is a serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. The three weights of this subtle Parisian hand-drawn font can be enhanced with two alternates fancy glyphs for each letter, the “Fantaisies”, to improve your designs and bring a more poetic and unusual feeling. We hope you will enjoy our work :) You could follow us on our Instagram: instagram.com/sc.type Merci beaucoup! Note: This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all!

Los Lana Pro is a handmade display typeface. Unlike other font families, this type has not a modular structure, that is, each character has been individually designed. The coherence of structure elements across different characters is given by irregular strokes. This curveless typeface is perceived as being curved because of its straight lines, which form different-size angles. Los Lana Pro is a rustic typeface that captures the stereotypical “Andean hippie” handmade aesthetics. Irregular shapes and broken lines give it a distinct personality. Los Lana Pro looks better in larger sizes. Includes many ligatures, two groups of alternate characters, and titling caps characters. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin. Photos by Sergio Recabarren.

The Data Error Horiz AOE Pro family is a spinoff of my Data Error AOE Pro family. Quite simply, it takes on a slightly different feel than the original pin matrix grid by stroking across all horizontal glyph lines. The horizontal lines add more readability to the original grid and lend a more sci-fi vibe to the family. Check out the range of posters created to see the various Capitals, Lowercase, smallcaps and varying styles that the family has to offer and how it both differs from and compliments the original Data Error AOE Pro family. Be sure to note that the "family" price is the same as the "individual" price, so buy the family for the price of a single font!

Blured Stroke is a beautiful script font. Every letter in this font looks like it was created with a skillfully swung brush. The subtle and soft brush strokes are clearly visible at every angle and bend, giving the entire font an artistic and expressive feel. The ends of each letter tend to be rounded, giving it a soft and elegant touch. This font is designed with detail and a perfect balance between thick and thin strokes. The thicker lines bring out strength and firmness, while thinner lines add softness and elegance to this font. The perfect combination of these differences creates an eye-catching visual harmony and expresses a unique writing style. The colors used in this font can vary, but to maintain a soft impression, bright colors would be the right choice. The letters remain legible and understandable because they have clear outlines. Enjoy the various features available in this font. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Blured Stroke fits best for any design projects that want to convey tenderness, friendliness and creativity. This font can be used in the invitations, greeting cards, brand logos, promotional materials, and many other design projects that require a warm artistic touch and are full of personality. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Timeless imperfection FS Meridian is a rhythmic geometric grotesque which takes inspiration from the precise yet imperfect nature of time. There are 24 hours in a day. 60 minutes in an hour. 60 seconds in a minute. Well, almost. The Earth’s orbit isn’t a perfect circle – and nor is the Earth itself. Each day varies a few dozen seconds and up to 16 minutes each year. Look closer and time is more flexible than we think. Geometry with a twist From a geometric base, FS Meridian’s rounded forms veer and extend, creating unexpected humanistic shapes – while the straight terminals remain reliably rigid. This combination of forms gives this grotesque sans serif a pleasingly dynamic rhythm, every time it’s read. Added quirks The unconventional character of rigid terminals and ink traps are balanced with emphasized extended forms to develop visual differentiation. Designed by Kristina Jandová, the complete family has been carefully crafted with distinguishing marks. Take a look at the cap ‘Q’ which comes with three alternative options. Deliciously loopy FS Meridian has a wide geometric, mono-liner appearance with humanistic elements. Quirky individual touches like the loopy expressive pound sign help the typeface to stand out. Available in five weights, FS Meridian is both timeless and timely, a distinctive font for all screens and surfaces.

Timeless imperfection FS Meridian is a rhythmic geometric grotesque which takes inspiration from the precise yet imperfect nature of time. There are 24 hours in a day. 60 minutes in an hour. 60 seconds in a minute. Well, almost. The Earth’s orbit isn’t a perfect circle – and nor is the Earth itself. Each day varies a few dozen seconds and up to 16 minutes each year. Look closer and time is more flexible than we think. Geometry with a twist From a geometric base, FS Meridian’s rounded forms veer and extend, creating unexpected humanistic shapes – while the straight terminals remain reliably rigid. This combination of forms gives this grotesque sans serif a pleasingly dynamic rhythm, every time it’s read. Added quirks The unconventional character of rigid terminals and ink traps are balanced with emphasized extended forms to develop visual differentiation. Designed by Kristina Jandová, the complete family has been carefully crafted with distinguishing marks. Take a look at the cap ‘Q’ which comes with three alternative options. Deliciously loopy FS Meridian has a wide geometric, mono-liner appearance with humanistic elements. Quirky individual touches like the loopy expressive pound sign help the typeface to stand out. Available in five weights, FS Meridian is both timeless and timely, a distinctive font for all screens and surfaces.

Enchanted is a unique contemporary font that mimics the style of handwriting and brush scripts; yet it is neither. Great for logos, captions and large bodies of text. Paragraphs set in Enchanted are easily read since the letters do not connect; aiding in its legibility. Enchanted contains seven stylistic alternates.

Levato, the first font designed by Felix Bonge, is an Antiqua that is full of character and is refined but by no means sterile. This typeface provides for a wide range of options for creating individual designs. It was not really Felix Bonge's intention to create a whole font family when, as a second year student, he began several exercises in contrast and proportion as part of the typeface design course of Professor Veljovi? at Hamburg University of Applied Sciences. However, these initial studies developed into a project that Bonge persisted with over the following years while working towards his degree. He continually had new insights and ideas that he was able to exploit for his font. Of particular importance, he claims, was a calligraphy seminar, which prompted him to completely rework his concept. It took him several years before his extensive font Levato™ was ready. Although the forms of Levato are ultimately derived from Renaissance Antiqua, Bonge has slightly increased the relative contrast in his version. This gives the font a graceful appearance that is further emphasized by the reduced x-height and the associated prominence of the ascenders. And, in addition, the relatively fine serifs, which are almost linear at their ends, infuse Levato with a hint of classical Antiqua á la Bodoni. At the same time, Bonge cleverly compensates for the sterilising tendency of this font form. Soft and rounded serif attachments and rounded line apexes offset the severe nature of the font and provide it with an aura of vivacity. This effect is promoted by the calligraphic-like foot of the lowercase h, n and m and the not quite horizontal bars of the uppercase E and F. Overall, Bonge has succeeded in creating a refined and yet very dynamic typeface. Levato is available in five weights; Light, Regular, Medium, Bold and Black, in each case with the corresponding italic versions. Bonge treats Levato Italic as a genuine cursive typeface. Its letters are thus slightly narrower than the analogous upright letters and their forms are considerably more curvilinear. All the versions of Levato boast an enormous range of characters to meet all possible requirements. In addition to four sets of minuscule and majuscule numerals for tabular and proportional typesetting, there are also small caps, numerous ligatures, ornamental characters and even swash variants of letters. With their generous, sweeping curves, the swash variants (available as OpenType versions) can be used for striking titling effects or as initials.

Creatives understand the compulsion to make something of worth. And each creative person has a toolbox they grab from often. Letterboard Lite is the narrow geometric sans that can headline or support whatever project is next on your list — the one unfussy tool you’ll use time and again. ‍ With its geometric shapes, Letterboard is a ground-floor sans that stabilizes the foundation upon which everything else will be built. It cements the context unobtrusively without begging to be acknowledged. Pair Letterboard with any script typeface and it will highlight that script’s qualities, whether capricious or elegant. Pair it with a serif or slab serif for an obvious change of tone: With a modern slab, trends will be respected, but it will act more coy with an old-school chunky slab. Letterboard’s geometry is easily subsumed as a partner to a range of serifs, from classics to the latest releases. These qualities and its narrowness make it easy for Letterboard to be used as a large display font in headlines or branding applications. ‍ Letterboard comes with 270 characters necessary for setting over 150 Latin-based languages: A–Z with diacritics, lining numerals, and the most common punctuation and symbols.

Introducing the CA Superpilot Sans & Script family pairing - the ultimate package designed specifically for creatives and designers. The CA Superpilot Sans font family, with its contemporary take on Futura, is the perfect choice for those seeking a sleek and modern typeface. With five weights and italics, this font is flexible enough to be used in any project. In addition, it includes an extensive Central European character set and alternate characters, ensuring that your designs will stand out in any language. On the other hand, the CA Superpilot Script font family is a monoline script font that takes inspiration from vintage camera equipment logos and type designations from the 1950s. The result is a unique and retro-inspired typeface that adds personality and charm to any project. With regular and italic styles, you have plenty of options to work with. Despite being a script typeface, its bold strokes and clean lines make it ideal for captivating and impactful headlines in uppercase. Using these two fonts together gives you unmatched flexibility for any project, whether it's branding, website design, or print design. Don't miss out on this essential font pairing - get it today!

Direkta JNL take the classic Art Deco influenced lettering of the 30s and 40s and adds a diagonal triangular cut into the letters, creating an air of forward movement.

Bodoni Ferrara™ Fashionable, Luxury Heritage: The Original Bodoni Ferrara Sculpted from hi-res photos and scans of Bodoni's original Ferrara Font—his 1818 Manuale Tipografico and 1768 specimens. It has never before been available. This cut of Bodoni specially selected by Dave Lawrence from rare book specimens. Part of the California Type Foundry Origin Series. 3 Display Fonts in One!! And 6+ style mixes. Bodoni's 1st Draft - Transitional Serif Bodoni was often inspired by French type designs. His first draft of Ferrara was inspired by Pierre Simon Fournier. But Bodoni added his own Italian sensibilities. Bododni’s first, transitional style can pair with humanist sans, and transitional fonts. Bodoni's Rework - Modern Serif Later, Bodoni reworked Ferrara to match the later neo-classic style or modern serif of Firmin Didot¹. Bodoni’s modern style can pair with geometric sans, grotesque sans, neo-grotesque sans, gothic sans, copperplate script, . Informal On™ - Informal Mode by CAL Type Foundry This can pair with “infant” fonts. Geometric sans, and other sans or serifs with one-storied a’s. + Bodoni’s Tivoli a for another option! Works great with Fournier¹ fonts and grotesques, since the terminals will match. Font Pairing Guide This font includes a 78 page Ferrara Pairing Guide. This book shows you 131 pairings with text fonts. 47 pairings with subheader fonts! We want to help you get more out of your font collection. Design Features • Subtle forward angle (0.5-1.5°) makes Ferrara more lively and engaging than most Bodoni or Didot fonts. • Round curves make this font feel letter-pressed. • Bodoni's original tall x-height and slightly condensed proportions: great for headlines, where space is at a premium. • Better uppercase. Uppercase punctuation for design apps. • Proportional oldstyle and lining figures, both modern style and transitional numbers. Every pair of numbers is kerned for display sizes: no unsightly gaps! • Multiple special symbols for whenever you need a design to pop, including 3 of Bodoni’s amazing ampersands. Language Features Latin standard for western European and other languages. +Advanced support for: German, French, Spanish, Portuguese, Italian, and French. Special, uppercase umlauts for titles! Compare to metal Bauer¹ Bodoni! Special context kerning for French, Spanish, Portuguese, Italian, and French, to allow better better words like L'Angelique & “¿Nosotros?”. This kerning gets rid of unsightly gaps between “¿ and other combinations. Can’t Find the Pairing Guide? Can't find the pairing guide? Google “California Type Foundry” and grab the pairing guide. Get another free pro font while you’re there! Ferrara: many sizes, styles, moods and situations. It's a classic, fashionable font for display, headlines, and titles. Grab Ferrara today! ----------- ¹Trademarks of their respective owners. Ferrara™ is a trademark of the California Type Foundry.

Constant is a meticulously constructed slab serif display typeface of a sturdy lineage. The strong horizontal and vertical rhythm and calculated angles dominate its appearance, yet sweeping broad shapes infuse the design with an overall warm undertone. Constant is best suited for setting short headlines, word marks, posters and other visual communication ephemera. Particular when set in all uppercase the typeface’s squarish and resolute nature commands attention and projects authority. Despite the prominent slab serifs and their angular corner details, these fonts work well also for shorter text passages, especially in the lighter to medium weights. When typesetting Constant in paragraphs spanning several lines the face requires a fair amount of leading to not appear vertically compressed. As customary for Underscore’s catalog the fonts have very extensive support for languages in the Latin script, reaching from Afrikaans to Vietnamese and Zulu. The fonts are carefully spaced, kerned and hinted, and include a variety of typographic glyphs and OpenType features like various ligatures, number features and case alternatives. Constant has been developed and released in 2018 as the proud forth release from the Underscore label. This design by Johannes Neumeier is available from the Underscore webshop as well as selected retailers.

Quirky Sands lives up to its name. This fun, hand-drawn, handmade ampersand font is a sure fit for save the dates, wedding invitations, and other fun design projects requiring a quirky & sign. The uses for these little “sands” are virtually endless! Included are 57 different ampersands with a unique, imperfectly handmade feel. These pair well with Fonted House’s Canoe font and other hand-drawn typefaces. Perfect to add that hand lettered touch to your next design project.

Slovakian type designer Peter Bil'ak created this script FontFont in 1996. The family contains 2 weights and is ideally suited for festive occasions. FF Masterpiece provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining and proportional oldstyle figures.

The Sans Serif is crafted for complex display typography with friendly extravagance and high readability. Each font has an extended character set and provides latin based languages. The typefaces include ligatures, alternate- & swash letters, various ampersands, smallcaps, fractions, lining-, tabular numbers, superior/inferior figures and other extras. Go with the flow!

Finition is a calligraphic brush script. Created by Måns Grebäck, this typeface is perfect to create a youthful logo. With its hundreds of glyphs it supports a wide range of languages. Use underscore to make an underline. Example: Fin_ition With ligatures activated, write multiple underscores for a longer line. Example: Aut___omatic

Who took the last cupcake? It's a mystery! This lovely cookie Is made out of crunchy handmade lines, and comes with 7 different versions of each letter - these automatically cycles as you type. Pretty lovely, if you ask me! On top of all this, Cupcake Mystery has multilingual support! Enjoy!

Hasan Aya is an Arabic display typeface. It is useful for titles and graphic projects The font is based on the simple lines of Kufi calligraphy. This font was created based on the Latin font "Bedrock" which was designed by Corel Corporation in 1992. It supports Arabic, Persian and Urdu.

Oksana is a Ukrainian female name. As a true native Ukrainian, this semi-serif type family has a strong structure, but soft and friendly nature. In six weights from thin to heavy it is perfect for titles and short texts lines. Look how people use it: http://use.type.org.ua/tagged/oksana

Introducing MBF Avturo, a square, condensed, modern, minimalist typeface that redefines versatility. Clean lines and a sleek design make it an eye-catcher, while its three weights – light, regular, and bold – offer a spectrum of possibilities for your creative endeavors. Elevate your projects with MBF Avturo’s contemporary charm and minimalist sophistication.

American type designer Paul H. Neville created this display FontFont in 1992. The family contains 4 weights and is ideally suited for advertising and packaging, editorial and publishing as well as poster and billboards. FF Kath provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

The 1938 movie musical "Carefree" starring Fred Astaire and Ginger Rogers featured the song "Change Partners" by Irving Berlin. A copy of the sheet music for this song had the title hand lettered in a wonderful tri-line design that has been recreated in the digital typeface Fancy Dancing JNL.

Netron is a futuristic typeface, designed with minimal lines to keep it simple and artistic. It gives your texts modern smart effects. This font is equipped with ligature and alternative letters will work very well for posters, logotypes, magazines, covers, banners, t-shirts and headers, or even large-scale artwork.

Dickybird Doodles? A dickybird is an ordinary bird, not a raptor or game bird. This illustration font has 32 of them. Birds in a cage, on a wire, in a nest. A flamingo, toucan, sandpiper, cardinal, penguin, heron, chicken & rooster, hummingbird, swan. Some line, some reverse and one with polka dots.

Vaselina – The chic & modern serif font. Vaselina is a modern and chic typeface, best used as a display for headings, logos, branding, magazines, product packaging and invitations. Vaselina comes with clean lines and smooth curves to give any project an extra touch of class. That's it! Have fun using Vaselina Typeface!

Dutch type designer Donald Beekman created this display FontFont in 2010. The family has 8 weights, and is ideally suited for music and nightlife and poster and billboards. FF Massive provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining figures.

Dreamy JNL was modeled from the hand-lettered title on the sheet music cover for "If I'm Dreaming" and features an Art Deco type design with engraved lines in both regular and oblique versions. The Jerome Kern song was from the 1929 First National/Vitaphone picture "Sally" starring Marilyn Miller.

LinkeHand Pro was based on the handwriting of Oliver Linke. Due to its rather compact appearance with short ascenders and descenders LinkeHand can be used with rather tight line spacing. Both Regular and Bold come with Small Caps and a multitude of special ligatures to make LinkeHand look really manually written.

Somtam is a new decorative geometric display typeface, based on the continuation of a single line. It complements the style and personality of the ascetics of the continuum. Somtam is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, and more.

Dutch type designer Max Kisman created this display FontFont in 1990. The font is ideally suited for advertising and packaging, editorial and publishing as well as poster and billboards. FF Cutout provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

Zona Black is a geometric sans–serif display black typeface. It was inspired by typography from 1920's posters featuring clean lines and some quite distinct glyphs such as the uppercase B and the H. Despite being black it's tall x–height makes Zona quite legible even in smaller sizes.

Catchy Bellonia is a relaxed and cursive script font. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects. Included Mono-line version. This font is PUA encoded which means you can access all of the glyphs with ease!

BRAND NEW FONT!! Neosopa is here. Neosopa is an incredible font that has a unique style which is inspired by comic sound-fx characters, combining a few soft lines, creating eye-catching characters. Neosopa will make your designs more attractive and stand out. It's perfect for display use, print and posters…

New Fresh! Asticus was born by adapting the Blackletter style. This font is very distinctive, with lines that still maintain the blackletter style. This font has 372 glyphs and is multilingual. and some ligatures in it. This font is very suitable for various product designs, t-shirts, branding and others.

Gatter Sans is a modern family with lots of alternate glyphs with geometric lines. Thanks to the crowd family, it will give you a great advantage in your poster works. You can also benefit from this creative and original family for your digital designs, ui/ux applications, and corporate identities.

Hand lettering used on the packaging of a space-themed rubber stamp toy set is the basis for Space Deco JNL. Blending the classic thick-and-thin line weights of the Art Deco style with sharply angled cross strokes evoked a sense of movement and "future" in this unique lettering design.

This quintessential nineteenth-century offering is based on a typeface from the 1912 American Type Founders catalog called Lining Central Antique. Quaint, yet crisp and clean, it is equally suitable for headlines or body copy. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).