Rex Stephane, designed by Mans Greback, is a striking blackletter font that artfully blends medieval influences with modern geometric shapes. Inspired by the tall stature of Gothic architecture, merged with sharpened edges, this font captures the essence of strict ruling while having an elegance of the Middle Ages. First imagined while exploring an abandoned castle, the typeface is based on ancient manuscripts adorned with calligraphic lettering. These texts became the foundation for Rex Stephane, as Mans Greback aimed to recreate the rich history and grandeur of the medieval era while adding his own contemporary twist. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Mans Greback is a Swedish typeface designer with a passion for creating unique and versatile fonts. With an extensive background in design and typography, Mans has built a reputation for his meticulous attention to detail and prolific craftsmanship. His many fonts are widely used by designers around the world, making his work synonymous with creativity and innovation.

This font pair was crafted by hand under inspiration of old-fashioned typography on different vintage labels, packages, sighs and others. It’s will be a godsend for those who want to add vintage mood to design project. Collection includes Script, Serif and it’s variations like Regular, Rough and Aged. This pair perfectly cooperating with each other. Brokson can be used in different purposes: lettering and logotype, labels, t-shirts, product packaging, advertising and many others. In addition to the basic set, Brokson Script has beautiful alternatives of Uppercase characters, variations of the end for Lowercase and some ligatures. Also, there are two types of end-swashes and eight lengths of each style. Brokson Serif was designed as a secondary and additional font after Script, but in the process of their use I realized it also look great as a priority. Quick combinations for Opentype features: Uppercase Alternates - just add for example «2, 3, or 4» after Uppercase; End-letter - just add «2» at the end of the word; End-swashes (tails) - just add _1, _2, _3… or /1, /2, /3…up to 8, where number is length of tail. This combinations works only with activated Standard Ligatures option in Opentype panel (Adobe Illustrator / Photoshop). Multilingual Support Danish, Dutch, English, Estonian, Faroese, Finnish, French, German, Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Slovene, Spanish, Swedish, Turkish.

First Reign is a decorative medieval typeface. With borders and ornaments, this swirly uppercase typeface of extreme variability brings us to glorious worlds in the golden times of epic knight sagas. First Reign is the typeface of a Royal House, of vikings, kings and queens. Use it for a Middle Ages game, a fantasy headline, or as a logotype for anything of historical theme. With usage in any modern software, the letters will automatically overlap and embrace in an elegant way. To make heraldic symbols, copy these icons: 🐉 🐎 👑 🗡 🦁 🦅 🦌 + ♖ × ✝ ⚓ ＊ ⚔ † ‡ Alternatively write %A %B %C ... etc to create the heraldry. (Download required.) Dragon, Horse, Crown, Sword, Eagle, Deer, Cross, Anchor are some of the logos. Use [ ] for side borders. Example: [Magic⚔Thrones] The First Reign family consists of four beautiful styles: Decorated capital font provided in Thin, Medium and Bold, plus a Border style. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering Greek and Cyrillic, as well as all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

In 1968, Adrian Frutiger was commissioned to develop a sign and directional system for the new Charles de Gaulle Airport in Paris. Though everyone thought he would want to use his successful Univers font family, Frutiger decided instead to make a new sans serif typeface that would be suitable for the specific legibility requirements of airport signage: easy recognition from the distances and angles of driving and walking. The resulting font was in accord with the modern architecture of the airport. In 1976, he expanded and completed the family for D. Stempel AG in conjunction with Linotype, and it was named Frutiger. The Frutiger™ family is neither strictly geometric nor humanistic in construction; its forms are designed so that each individual character is quickly and easily recognized. Such distinctness makes it good for signage and display work. Although it was originally intended for the large scale of an airport, the full family has a warmth and subtlety that have, in recent years, made it popular for the smaller scale of body text in magazines and booklets. The family has 14 weights and 14 companion fonts with Central European characters and accents. Another 14 Cyrillic companion fonts are available as well. See also the new revised version Frutiger Next from the Linotype Platinum Collection. Featured in: Best Fonts for Logos

The word Text" in Goudy Text™ is short for Textura, and textura is the style of blackletter or gothic writing developed in Northern Europe in the middle ages. The use of space in blackletter is quite different from what we know about Roman letterforms. Lowercase forms in blackletter writing and typefaces must be evenly textured with black and white elements, like the texture of weaving or fabric. Capital letters can provide either an integration of the even texture (by the use of decoration in their construction) or, if they are wide and open and filled with white, they provide bright spots of visual emphasis. Goudy, despite being an American in the twentieth century, understood well the fundamental texture of medieval blackletter and the importance of both density and light. He designed Goudy Text in 1928 for Lanston Monotype after studying the type in Gutenberg's 42-line bible; still one of the best models for designers of blackletter typefaces. The lowercase of Goudy Text has impact and medieval authenticity. The standard caps have some Victorian eccentricities but are mostly well drawn. The alternate, or "Lombardic" caps are spectacular - they set beautifully with the lowercase letters, providing the proverbial shafts of light through the Gothic cathedral's stained glass windows. Use this potent font in sizes 14 point or larger, for Christmas greetings, certificates, wedding invitations, advertising, or music collateral pieces."

From the standpoint of calligraphy, a font family of capitals and uncials makes perfect sense. The Roman square capitals, the quadrata, are matched by round capitals of older Greek origin; the word "uncus" means hook-shaped like a beak or talon. Interrelated and often interchangeable, these capital letters served as book hands for both the Latin West and the Greek-speaking East before they evolved into minuscule alphabets. The Testament family is based on the few formal capital manuscripts of the Bible, Virgil and Homer that have survived from the ancient world. Throughout the Middle Ages both uncials and square capitals were used, often together, for headings and initial characters. By their nature the Roman capitals are the voice of Caesar and hold the place of authority, while the uncials speak for the Church in a balanced relationship. In ancient times church and state were not as separate as they are now, and the alphabets were not as different as typographic tradition has made them. In this calligraphic rendering it is clear that they are of the same substance and can be written in the same style, conveying even to the modern eye the eternal and classical quality of epic and scripture. Testament comes in all popular font formats, and includes support for a vaster-than-usual range of Latin-based languages.

Sworded is a font family of 8 fonts that was inspired by such diverse things as architecture, tombstones, video games, watching old movies or reading comic books. The art of creating beautiful letters has slowly declined with the rise of the digital age and its solid-colour, 2D fonts. And most of the time, the care given to typography in cultural products just isn't what it used to be anymore. This was the inspiration for Sworded, a family of 4 layerable fonts that can bring a feeling of depth to its letters, and offers endless possible combinations. Sworded Regular is the basic shape of all the characters. Sworded Deep gives an impression of depth to characters or acts on its own as an illusion. Sworded Bright can be used as the bright side of a bevel. Sworded Dark can be used to flesh out the dark side of a bevel. Sworded Shadowed is a contour font with a shadow effect. Sworded Wire is a wire font without depth indication. Sworded Outline is an outline font. Sworded Hatched is a variation of Sworded Shadowed with lines giving a gradient illusion. But of course, any font can be combined with any other font(s) to obtain various results. There are hundreds possible combinations with these eight fonts. Have fun!

IL Palamede is a typeface with just one style, referring by its name to the French chess magazine Le Palamède. Connects with chess here not only the name. Each symbol is built on a 5x5 grid with 3x3 priority. At the same time, the logic here is higher than optical compensation, so you can observe here quite dense, for example "b". Thanks to this solution, the typed text is balanced in width, and it also creates the feeling of a chess cell, where black and white cells alternate. Connects with chess here not only the name. Each symbol is built on a 5x5 grid with 3x3 priority. At the same time, the logic here is higher than optical compensation, so you can observe here quite dense, for example, "s". Thanks to this solution, the typed text is balanced in width, and it also creates the feeling of a chess cell, where black and white cells alternate. Use this font for any purpose that includes winning or enjoying.

Introducing Rondey – Display Font A Bold Serif with a Twist Rondey is a captivating Display Font that combines bold serifs with a unique twist, making it ideal for display purposes. Display Elegance Rondey’s design exudes an elegant charm that’s perfect for grabbing attention in various display contexts. Versatility for Diverse Projects Moving beyond its captivating elegance, Rondey’s versatility shines through, allowing it to seamlessly complement a wide range of creative projects. Captivating and Memorable Rondey ensures that your content is not only captivating but also memorable. It leaves a lasting and distinctive impression that sets it apart. In Conclusion In summary, Rondey – Display Font is a font designed to captivate in the world of display typography. Its unique twist on bold serifs adds an elegant touch to your projects. Whether it’s for branding, posters, or a myriad of creative endeavors, Rondey’s versatile and captivating design caters to a broad readership, ensuring your content leaves a memorable and distinctive mark.

Facit is a contemporary sans serif text face. It is designed to be a highly legible and flexible font that does not draw the attention to itself. Instead of being original by itself it is the result of a careful examination of ancient as well as modern formal concepts. “It is by definition impossible to design an un-conventional typeface. Type is pure convention, this is why we can read each other’s written words”, says its designer Tim Ahrens. However, rather than generating an average, existing principles were consciously combined into a unique design solution: The word ‘Facit’, in its German version, means ‘conclusion’. The fonts are provided in OpenType format. Each font contains 720 glyphs. Technically, they follow the Adobe Pro fonts and provide the same glyph set and OpenType functionality. OpenType features include ligatures, true small capitals, superiors, inferiors, numerators and denominators. Every font contains old style and lining figures, both in a proportional and a tabular design. For some letters there alternate characters.

Introducing Madrea – Friendly Sans Serif Unconventional Charm Madrea – Friendly Sans Serif is anything but conventional; it introduces a unique and friendly twist to your designs. Irregular Shapes What sets Madrea apart is its irregular shapes, which establish a welcoming and friendly atmosphere. This makes it the perfect choice for designs seeking to break free from formality and monotony. A Breath of Fresh Air In the realm of sans serif fonts, Madrea is indeed a breath of fresh air. Its non-uniformity and organic feel breathe personality and approachability into your projects. Breaking Formality Madrea excels at breaking the chains of formality. It’s an ideal choice for design projects that demand a friendly and informal touch, effortlessly transforming the mundane into something captivating. In Conclusion In summary, Madrea – Friendly Sans Serif is your gateway to a non-uniform, friendly design experience. Its irregular shapes infuse character, warmth, and a refreshing departure from conventional design, ensuring that your creations are brimming with life and far from monotonous.

Luciferum - Serif font family - 6 Styles - Multilingual supports. Luciferum is a stylish serif font family with different alternative character designs. It has a structure that you may encounter especially in horror novels, movies, posters and similar content. This font provides flexibility in all your projects with the alternatives it offers you with its multiple language options, 6 styles and rich glyph options. You will have the opportunity to enrich the content of your projects with alternative characters. Depending on the purpose of use in typographic compositions that you will create with the aesthetic structure of alternative characters; You can enrich your titles in books or magazines, and your logos in branding. Especially for movie titles, posters, album covers, editorials, magazines, books, branding, packaging, logo design, web design, headlines, etc. If you're looking for a font with stylistic alternatives, Luciferum serif font might meet your needs. With this font you can create your unique designs. Have a good time.

Greek Signature Font Talonica The Greek Signature Font Talonica is a signature decorative font with which you can achieve a hand-lettering style. Talonica is a multilingual lettering font with Greek (of course), Latin characters, and diacritics. Supports all European languages. This signature style is perfect if you want to achieve a modern-looking graphic design project. In addition, this font has a really nice flow so you can also use it in a larger body of text. It can also be used on social media content, for branding or packaging applications. Also, this is the ideal typeface for organic product wine branding and packaging. You can use it to create logotypes with character and natural flow. Additionally, you can use its romantic vibes for wedding invitation designs. Especially if you are looking for a handwritten font for Instagram quote posts or any other social media content, this signature typeface is for you!

Rolphie can be your go-to sans-serif, with 16 easy-to-read weights and 10 versions for each weight, and the subtlety of choice that represents. The versions contained in each weight are: Regular; Condensed; Half-Condensed; Expanded; Small Capitals: and their italic counterparts. (At heavier weights particularly it seemed to be justified to have two Condensed versions). Plus there's 20 funky versions with the letters all shook up (that would make a good title for a song), or jumbled around, plus some Shadow, Doubled-Up, College, and other FX versions. In total there's 180 variations, giving a comprehensive selection of both standard and funky fonts, and that subtle degree of choice of weight. To make things easier, the weights are put in ascending numerical order from 01 to 16, and the FX versions have been stuck in the 80s and 90s, (like two musicians I know). There are grouped packages available for certain weights (which have 10 fonts in them) and the complete family package (180 fonts) which represent better value than the individual fonts, and there's a basic package containing the Normal and Italic versions of all 16 weights (32 fonts). A limit of 5 sub-family packages has been imposed, unfortunately, which precludes a more comprehensive selection. To let you know what's in the font that you might otherwise never know about . . . With Discretionary Ligatures on, you get special characters if you type Mc St. Rd. Bd. Ave. c/o No. (p) (P) - include the full-stop/period. With Stylistic Alternates switched on, you get plenty of extra characters - including a WiFi symbol (type Wifi or WiFi) / bullet numbers instead of ordinary numbers / that different U-dieresis / special characters for c/o No. Mc / an upside down ~ / a huge bullet, and different forms for cent, dollar, percent, per-thousand. As you'd expect, there's all the accented characters for all Western European scripts using Latin letters, and standard ligatures, plus other Open Type features including Class Kerning, Slashed-Zero, Historical Forms, Sub- and Superscript numbers, fractions for halves, thirds and quarters, Ornamental forms giving bullet numbers, etc. There's also the main mathematical operators, symbols like card-suits and male/female signs and so on, and some more obscure stuff like schwa and O-horn, U-horn - and there's lots more if you can Access All Alternates. Much will depend on what your software recognises. The Small Caps versions have (intentionally) lost the ligatures for lower case ff, fi, fj, fl, fr, fu, ffi, ffj, ffl, ffr, ffu. The names for the weights are not absolute - we had to make up some names to make them stretch out to sixteen - so rather - see them as relative to each other, being in ascending numerical order by weight.

Noeri is Western typeface. inspiration come from cowboy era and I want to Presenting the letterform style of that era. The Typeface comes with Stylistic Set Exellent typeface to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Stylistic Set inumocca type Studio

introducing SWEET GELATOS - a catchy cuteness font - SWEET GELATOS is natural handwritten font. It is great for branding, packaging, quotes, cards, banners, books, cutting, silhouettes, social media content, and anything about your project. This font is unique. The lowercase and uppercase match each other, so you can combine them as you want. Features: Uppercase Lowercase Number & punctuations Ligatures Multilingual PUA encoded I hope you love it. regards, Abo Daniel Studio

Buntisland (we wonder where we came up with that name from... another subconscious whim), is Greater Albion Typefounders blackletter release for Christmas 2016. The family consists of four typefaces- regular, weathered, shaded and shadowed, and has it's origin in a design challenge which came up in conversation, as all the best ones do. In this case it was 'design a legible all capitals black letter...' Challenge accepted and completed!

Brody Rawk is modern gothic font. inspired by a traditional carved wooden Powerfull and has a very distinct and unique Character The Typeface comes with Stylistic Set Features Exellent Font to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Stylistic Set (ss01) inumoccatype

Peyton font family. Peyton is a minimalist font family with a unique and modern look. Created wonderfully for display, branding and logo projects. Peyton is also suitable for headlines, posters, signages, just anything that requires a creative Look. And it’s ready to make an enduring impression on your design projects. Package Contents Uppercase and Lowercase letters Numerals & Punctuation 09 Font Weights 09 Italic Variants Total 18 Font Variants

Soursop a cute handwritten font, Girly, fun and joyful character but strong and dynamic. Come with Swash for Complete your Typography. Exellent typeface to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - PUA encoded - Soursop Reguler - Soursop Swash inumocca type

Night Halloween is a lovely halloween themed. Wide variety of halloween line art for Stylistic Alternates. Masterfully designed to become a true favourite, this font has the potential to bring each of your creative ideas to the highest level! Perfectly fit for the visual project such as logo, branding, poster, food and beverages, social media content, website, UI/UX design, youtube thumbnail, CV, mood board, wedding, you name it.

TCF Noli is a no nonsense straight-sided typeface with a soft technical appearance. Designed with seven weights and true matching italics, TCF Noli was specially developed with corporate and editorial projects in mind. The clarity of the letter forms and the openness of TCF Noli make it very readable in small sizes and suitable for every design purpose. TCF Noli is available with extended Latin language support.

Temper Wide is an extended neogrotesque slab with unbracketed serifs and square dots. Its hard-working letterforms and industrial heritage make for a no-nonsense look, well suited to editorial design and advertising. It provides an energetic backdrop for fashion and accessories, whether on-product, in campaigns, or branding. Horizon’s the limit! This sturdy font family will be by your side. A neutral, unembellished typeface, ready to make an impact.

"Drunk and Proud" is a bold and rebellious typeface that embodies the essence of the punk movement. Its chaotic and distinctive letters are designed to challenge convention, adding a wild touch to your designs. With carefully incorporated accents and punctuation marks, this typeface maintains its versatility. Perfect for projects seeking a disruptive and daring image, "Drunk and Proud" is the ideal choice for posters, album covers, and edgy designs.

Uncial Antiqua Pro is a hybrid type combining the styles of Uncial & Half Uncial letterforms in a formal text form. Signature letterforms to the styles are not sacrificed, yet readability is surprisingly maintained. The SmallCaps and extensive figure sets expand the range of usability & appeal. Opentype features include: - SmallCaps. - Full set of Inferiors/Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figures. - Stylistic Alts for Caps to SmallCaps conversion.

Zafrada features classic wedge serifs that can be sharp like a machete or round like molasses. Inspired in the sugar cane, this typeface brings great display legibility with versatile expressions. While the edgy version reminds us of classical rustic grotesk typefaces, the round version brightness the tone considerably. Be it display, branding, campaigns or content creation, this font has a sure space in many projects for it's reliable and versatile nature.

Neuville is a geometric and low-contrast sans serif for everyday use related to typography. The shapes of the characters are clear, simple and balanced to allow for legibility and help the typeface deliver the contents with a neutral and objective voice. The Neuville family includes three weights and has a wide range of OpenType features such as tabular figures, numerators and denominators, superscript and subscript numbers, and case-sensitive forms.

I have always wanted to create the world's biggest and heaviest font. I admit that I was visually inspired by contenders like Akimoto, Champ Ultra, Blackoak and Bloque. However, I not only wanted a real heavyweight, but a really good looking and readable font as well. Look out—Big Boy is here. This powerhouse can get the job done. Try it out and get the attention you deserve.

A September 29, 1920 edition of The San Diego Union ran the headline “Cicotte Confesses Baseball Fraud; Eight White Sox Players Indicted”. The White Sox baseball scandal was the first to reveal illegal gambling on the game. However, the headline itself was set in a bold slab serif type style [likely ATF Foster] which served as the model for Good Reporting JNL; which is available in both regular and oblique versions.

It's a mix of two simple fonts that can make your design projects amazing. You could say that it is beautiful and eye-catching for this one font. You can apply it to branding designs, social media posts, logos, posters, quotes, food menus, wedding invitations, book covers, video content etc. See some of the previews above for reference. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -PUA Encoded -Opentype Features Thanks.

New Future is a cutting-edge font designed to elevate your digital projects. With its sleek and futuristic design, this font is perfect for tech-related content, software interfaces, and website headers. comes in tre variations, regular, Outline, and outline Dc. and also equipped with italic oblique. New Future is a Modern Sport Technologies Sans Serif font that special created for Sport and Technology design needs with Modern style.

Verger Junior is a serif font designed for editorial design, books, and magazines. But not constrained by anything but your fantastic imagination! Verger Junior is a part of the Verger Font Family. Junior is a moderate redesign with a ... specifik Ten-version for small text (footnotes, picture texts etc.) slightly narrower width a more conventional italic style new swash family Don't let its classic look fool you. It’s a working horse!

The grotesque workhorse: Substance fulfills the primary role of emphasizing content. Containing 8 weights + italics (800+ glyphs each) Substance is a workhorse with loads of subtle OpenType features (small caps, a choice of lining, tabular and old style figures, numerators, denominators, tabular figures and signs, fractions, ligatures), 21 currency signs and a diversity of symbols and arrows. Substance provides everything you need for demanding briefs like signage or corporate design.

Fonseca is a modern sans serif inspired by art deco and typography poster in early 20th century. The key of this all-caps family is simple straight geometric forms and modernized letterforms. This display family is perfect for headlines, posters, logos, branding projects, magazines, and packaging. The modernized retro-look makes this family great to presents any contents related to travel, history & culture in the present/modern way.

LALOU Greek Chubby Font is a fun decorative font. The font supports Greek character set and a Latin character set. This only uppercase font is ideal for bold graphic design statements. The cute, chubby feeling of the font makes it ideal for food packaging. Also, it can be used on social media content, for branding, poster design, for “hand-written” quotes and any other kind of product packaging

“Nobier” typeface has has a modern look in tech flavor. Extended shapes with half circles gives these letters more unique feel but they are still legible on any screens. They can be great fit for mobile apps, social ads and contents, poster designs, film and TV credits, and many other media outputs. If purchased with the ‘variable’ option, you can control weights of letters more precisely as you like. Enjoy!

Paget is a modern exploration of Tuscan design. Here you'll find simple geometric outlines with an 'Arts and Craft' charm about them. Paget is beautifully clear and easy to read, but offers a distinctive charm that conventional sans serif and serif faces don't. Paget is offered in regular and oblique forms and is an ideal way to merge tradition and all that is new and fresh in your designs.