The Aviano series returns, refined and sophisticated with an extended, high-contrast sans-serif family. Aviano Contrast is a contemporary typeface radiating with luxury. It's classic elegance makes it perfect for high-end applications such as cosmetic, jewelry or fashion brands. Aviano Contrast's extended forms give the face a smart look, and the curves are carefully honed to be sinuous and seductive. This high-contrast face is in a class of its own, composed in the style of a classic Didone but lacking the typical serifs. Aviano Contrast comes in six different weights and is packed with OpenType features. Need swash forms? Ball terminals? Art Deco alternates inspired by the inscriptions and signage of the '20s and '30s? Aviano Contrast includes 230 alternate characters. Twelve style sets are available, including four complete sets of art deco-inspired alternates, small forms, swash, titling and a wide array of other alternates to make your designs unique. As a complement to these characters, Aviano Contrast also includes 40 discretionary ligatures for artistic typographic compositions. Please see the informative .pdf brochure to see these features in action. OpenType capable applications such as Quark or the Adobe Creative suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. The rest of the Aviano series pairs very well with this face. These include Aviano, Aviano Serif, Aviano Sans, Aviano Didone, Aviano Flare, Aviano Future and Aviano Slab.

ROARRR! THE STYLES -Pantera Pro is the most complete style, and although its default look is mono-rhythmic it gets really playful and crazy like the examples of the posters by just activating the Decorative Ligatures button in the Open-type Panel of Adobe Illustrator. However, I recommend using also the Glyphs Panel because there you'll find much more variants per letter. Pantera Pro is in fact, coded in a way the combination of thicknesses will always look fantastic. -Pantera Black Left, and Pantera Black Right are actually “lite” versions of Pantera Pro: They have very little Open-Type code, so what you see here is what you get. Pantera Black Left has its left strokes thick, while Pantera Black Right has its right strokes thick. -Pantera White is a lovely member in this family that looks lighter and airy, hence its name. With the feature Standard Ligatures activated (liga) the font gets very playful. -Pantera Caps is based on sign painters lettering and since it follows the same pointed brush rules as the other styles, it matches perfectly. -Pantera Claws like its name suggests, is a set of icons that were done by our dear panther. THE STORY It is said that typography can never be as expressive as calligraphy, but sometimes it can get close enough. I tend to think that calligraphic trials, in order to work well as potential fonts, need first to go through very strict filters before going digital: While calligraphy is synonym of freedom (once its rules are mastered), type-design, in the other hand, has its battlefield a little tighter and tougher. When I practice pointed brush lettering, there are so many things happening on the paper. And most of them are delicious. The ones who know my work may see that although many of my fonts are very expressive, my handmade brush trials are much more lively than them. With that in mind, this time I tried to go further and rescue more of those things that are lost in the process of thinking type when first sketches are calligraphic. I wondered if I could create something wild, hence its name Panther, by understanding the randomness that sometimes calligraphy conveys and turning it to something systemic: With Pantera, I created an ordered disorder. Like it happens a lot in many kinds of lettering styles, in order to enrich the written word the scribe mixes the thickness of the strokes and the width of the letters. Like one of my favorite mentors say (1), they make thoughtful gestures Some lively strokes go down with a thick, while some do that with a thin. Some letters are very narrow, meaning some of them will need to be very wide to compensate. Why not?. The calligrapher is always thinking on the following letters, and he/she designs in his head the combination of thicks and thins before he/she executes them. He/she knows the playful rhythm the words will have before writing them. It takes time and skill to master this and achieve graceful results. Going back to the font, in Pantera, this combination of varying thicknesses and widths of letters were Open-Type coded so the user will see satisfactory results by just enabling or disabling some buttons on the glyphs panel. I'm very pleased with the result since it’s not very easy to find fonts which play with the words' rhythm like Pantera does, following of course, a strong calligraphic base. I believe that if you were on the prowl for innovative fonts, this is your chance to go wild and get Pantera! NOTES (1) Phrase by Yves Leterme. In fact, it’s the title of a book by him. EPILOGUE Esta fuente está dedicada a mi panterita

Lead Paint is a font designed by Ethan Dunham that is very rough and grungy looking. It was created using ink and a piece of shredded wood.

Saguenay ia very versatile font which apply to many applications including headlines,web, logos, ads, captions, packaging, bulletins, posters, and greeting cards as well as short texts.

A very graphic font with emphasis on legibility, dynamics and modern. Recommended for posters, titles, book covers, books, greeting cards, signage, packaging, invitations, magazine articles and advertising.

The best way to describe it is a drunken Roman font. Very imperfect, narrow and full of little curls and quirks, Lush is distinct and easily adaptable.

The elegant and cute Brownie Girly font was inspired by children's handwriting and is very suitable for book covers, magazine covers, packaging products, birthday gifts, and more.

Official is a very clear and legible font family of 14 fonts. Its simplicity makes Official an ideal style to use in any project you could imagine.

»Breezy« is a brush script with very expressive strokes and surprising connections. »Breezy« is a great script if you really want to have that crude, rough feeling.

This font was inspired by lettering found on old stock certificate on the 19th century and comes with two guilloche borders, which makes national currency very useful.

Applaud is a very versatile font which apply to many applications including headlines, logos, ads, captions, packaging, bulletins, posters, and greeting cards as well as short texts.

Brewmaster Modern is a very contemporary script that will work well for sign lettering and t-shirt designs, it also resembles the lettering used for Budweiser Racing.

A revival of one of the popular wooden type fonts of the 19th century, regular, slab serifs, a very useful design for display, upper and lower case.

Novela is a chisel flat pen style written with overtones of Uncial, from century old scribes. Very suitable for greeting cards, headlines, packaging and many other applications.

Scriptofino is a very fine and elegant script with lots of contrast. It is based on traditional American letterforms of Jefferson's day. Your fine typedesigner, Gert Wiescher

Inspired by the Techno sound of the 1990s, Alexander Branczyk designed a series of new, wild and controversial fonts which mark a complete departure from typographic traditions.

Thunderblack is a type of display letter that is made with firm lines and angles. This font is very suitable when combined with various types of typography.

Jazzy serif based on swing jazz record album covers in the first half of the 20th century. This is very good for children’s picture book, package too.

Fineberg is a script font that is very suitable for branding projects, home appliances design, product packaging, design on t-shirts, calendar design, logo design and more!

Xan is a very expressive script, that was written with a brush on rough Japanese paper and then digitized taking care not to destroy that Japanese touch.

Inspired by the Techno sound of the 1990s, Alexander Branczyk designed a series of new, wild and controversial fonts which mark a complete departure from typographic traditions.

This attractive handwriting typeface from Typadelic exudes casualness and informality. Very readable at small and large text sizes...perfect for scrapbooking, greeting cards and casual letter-writing.

Canadian Brusher, hipster Hand-brush display font with stunning characters and texture. It’s all caps with numeral & punctuation and standard multilingual support. Very cool for multipurpose project.

Insider is a warm & legible grotesque. It’s custom made for Insider Consulting in Düsseldorf, Germany. It’s highly legible in small sizes because of the basic proportions and the balanced inner forms. It’s optimized for setting longer texts, but also works very well in headlines and leads. The fonts contain loads of OpenType features to spice up your design. The matching Stencil font is very suited for creative designs. The Stencil Regular has the same dimensions as the Insider Regular, so you can mix them without hassle. The font family has real italics and not just mathematically slanted romans. The dynamic cursive shapes root in handwriting. With 9 styles (5 weights + 4 italics), the family is very versatile and can be used for designs with a complex typographical hierarchy.

Paper Works is a font created to enhance each design with a touch of bold, unique and decisive style. Paper Works is made in a handwriting style so it is suitable for use in product design and display titles. Paper Works also includes 2 different styles, including Regular and Outline, which are made to give different styles but still have the same character. Paper Works are included in the display font category so Paper Works can be used for any designs that have a cheerful, elegant and strong impression. It will also be very suitable when used on titles, logos, product posters, websites, menu books, books, and many designs that can be explored using document fonts. it will look very beautiful and easy to remember and very easy to use.

Bedgan is a very cute, elegant and unique handwritten font. Expertly designed to be a true favourite, this font has the potential to take your creative ideas to the highest level! Bedgan is attractive because it is sleek, clean, feminine, sensual, glamorous, simple and very easy to read, thanks to its many fancy letter connections. I also offer a decent number of style alternatives for all letters. The classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertisements . for your purposes. . . . . . . Contains full set: -4 Type Font -Uppercase -Lowercase -Alternative -Ligatures -Punctuation -Number -Multilingual support. need help or have questions let me know. I'm happy to help.

Marcopolo is an Elegant Caligraphy Font whose work is long enough, The design of the letters is quite beautiful, suitable for those of you who like the Classic & Elegant style, matching classic copper scripts with a modern touch, designed with high detail to open stylish elegance. Marcopolo is interesting as a type of font that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also provide a reasonable alternative value for many letters. The classic style is very suitable to be applied in formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or various types of advertising purposes. Marcopolo has 650+ Glyphs that are very charming and diverse in style

Eyeful is a funky, but very legible, comic font. Use it where you need playful attitude! You will need to use OpenType supporting applications to use the autoligatures.

Persimmon is elegant and semi-formal with some very unusual letter shapes. Calligraphic in nature, Persimmon can be used where you want a distinctive and unique lettering style.

A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display, upper and lower case.

Schlub is just plain weird. It looks like it was drawn with the left hand of a right-handed person using a gloppy pen yet remains very legible.

Xova Rounded is a geometric rounded typeface. The use of perfect round shapes and quite a low ascender height makes it a very stable, yet playful looking typeface.

Rotunde is a very bold contemporary sans serif font. It is ideal for headlines, titles, branding, small blocks of text or wherever a fresh new look is desired.

BD Westwork is a very condensed, bold and distinctive display typeface – great in combination and in contrast with delicate illustrations, photos and body text with and without serifes.

This style was actually inspired by some old stock certificates Tom had collected. It’s a very versatile font and allows for some horizontal stretching. Fits almost any space.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display. It has curved sides, very short descenders, and curved, blocky serifs.

Paradise is a script font thought to be used in a wide range of pieces of design. From packaging to invitations, Paradise looks elegant and sometimes very playful.

Subikto One is the first of a series of pictograms from Subtitude foundry. We've create a multitude of hand positions and combinations. Each hand express a unique gesture.

Duffle Bag JNL continues Jeff Levine's series of stencil fonts. Most are from authentic, vintage sources; this one is an original... and with a sports theme to boot!

A font devoted to female elegance such as products used by women, beauty salons, fancy clothes, shoes, bags, magazines, and something very elegant for women's luxury. thank you