Poster Cut Neue is a hand-drawn, rough display family. With some retro grotesque sans serif inspiration, the characters give an informal and active look and feel. The imperfections keep it casual but it is still legible. Ideal for organic and natural settings where a more human touch is required with branding, packaging, headlines, posters, advertising, illustrations, titles, etc. Switch between upper and lowercase letters for a uniquely drawn glyph, adding variety and helping avoid repetition.

About 7 years ago, I released a beautiful (imho) Art Deco inspired font called Weltschmerz. Weltschmerz was an all-caps font and I always wanted to do a lower case version as well. But as things so often go in life, I never found the time and forgot about it. Some time ago, I ‘rediscovered’ my good old Weltschmerz font and remembered that I wanted to create a lower case version. Without further ado: here is Neuer Weltschmerz (‘New Weltschmerz’). I redid the whole font, better kerning, better spacing, better looks… and with a proper lower case! I did keep the original handwritten look intact - because, well, it IS hand made!

Proudly Presenting, Neug Asia. A font duo that will give you an a classy impression! Neug Asia can be display for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Neug Asia come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Anahita ExtraBold is designed by Naghi Naghashian. This Headline Font is developed on the basis of specific research and analysis on Arabic characters and definition of their structure. This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. This step was necessary after more than two hundred years of relative stagnation in Arabic font design. Anahita supports Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Anahita Font is available in ExtraBold. This font is designed to be used as advertising and newspaper headlines. Anahita design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. Anahita is not based on any pre-digital typefaces. It is not a revival. Rather, its forms were created with today's technology in mind. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Anahita's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Anahita was developed for multiple languages and writing conventions. E The highest degree of geometric clarity and the necessary amount of calligraphic references. This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.

Extra Bold Serif