Kontora is elegant, universal and laconic geometric sans. Kontora has minimal amount of decor, mostly modern proportions and letterforms, but at the same time shows a touch of retro constructivist aesthetics. This version of Kontora sans comes in 9 weights, it has 590 glyphs, therefore it supports Latin Extended A (Western and Central European) and Cyrillic (Russian, Ukrainian, Bulgarian) languages. It has basic ligatures and two sets of stylistic alternates. Kontora is perfect for clean and minimalistic design, as well as it can be a breath of fresh air to a fully loaded complex layout. Use it for bold typography, headlines, posters, branding, packaging, it looks great in all caps and vivifies design as a text font.

Lucky Lady was inspired by the old, classic art and craft of brush script lettering usually applied in ads of the WWII era and 1940s. The name of the font family refers to one of the most emblematic combat units of the US air force in WWII that were decisive in the victory of the allied forces. Lucky Lady can be mainly used in titles and display texts. It supports East Europe languages. It's highly recommend to use the combined shadow styles under the main regular basic style layer. Lucky Lady includes standard and discretionary ligatures, alternative style for uppercase, fractions, numerators and denominators, end and/or terminal forms and other OpenType features.

Slope Sans is an original design that combines a technological shape model borrowed from the early Macintosh system fonts with organic, open elements looking futuristic in a retrospective manner. Designed as part of a font family without different weights, Slope Sans Pro provides OpenType features for alternate letter forms in two stylistic sets. The basic version works similar to a stencil font, an alternative set has consistently closed shapes and a more rigid appearance, while the second stylistic set offers some alternative letter forms. Headlines and shorter texts set in Slope Sans provide a variable, modern appearance. Slope Slab Pro goes very well with Slope Sans Pro and can be used as style variant or display.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

More information about this Font Handyplast is a classy serif font with a handful of curvy ligatures. Think Handyplast ! This font is both bold and elegant.. modern yet vintage.. either way, it is sure to bring attention to your brand and designs! Handyplast includes alternate letters (letters with the curvy swashes). These letters are embedded into the font file and easily accessible in programs such as photoshop and illustrator. You can access these in more basic design programs but you will need to use your character map or font book. Use this font to create your logo, branding, advertisements, craft projects, shirts, decor, wedding invitations, packaging, stickers, social media, quotes, magazines and more! Thank you!

A Colporteur is a peddler of books, newspapers, and similar literature. When I was young, we often got visits from colporteurs - mostly they wanted to sell us a very expensive encyclopedia. I haven’t seen them for a while - the internet probably killed their trade, as there are numerous free encyclopedias out there. Colporteur font won’t try to sell you stuff - it basically sells itself. It is a jolly serif family of 6 styles plus a very useful doodle style full of arrows. Use it to sell your encyclopedia online, write a book and use if for the cover or create a ‘hunt the colporteur’ game. Comes with an encyclopedic knowledge of diacritics too!

Marit Otto about C-Nation: The building typeface. Although the 70ties were very liberating and progressive, still girls played mainly with dolls and sweet things and boys with all kinds of challenging stuff. They did all sorts of basic scientific experiments in mini labs and of course built cool things with Meccano building sets. As a girl I was perfectly happy with the toys I had access to. But at the same time I was very curious about all the adventure toys and discoveries my brother did. It also made me wonder why the grown up people thought that our world could be separated so easily by separating our toys in pink and blue sections. At this day of age Meccano is probably hopelessly old fashioned and far to manual. Children of today are fed by fast images and cool animations on screen, they learn, play, communicate and relax in the same space, the digital space. The special feature of Meccano was that even though it was very basic there was the promise you could create anything. It might even contribute to a logical mind. The typeface I designed refers to the Meccano feel. It is a creative typeface. A bit masculine and bold looking perhaps but after the first impression a subtle and refined female touch is revealed. It has links to architecture and associations with metal constructions like ‘The Eiffel Tower’ and (old railway) bridges. I am convinced that we all think of that as very charming man-made objects.

Juxta Sans Mono is an experimental monospace sans, an extension of the Juxta superfamily. During the creation of the Juxta script, I felt that the aesthetics and the main idea of the font had promising potential and I started thinking about a pair for it. So the idea of Juxta Sans Mono was formulated. Juxta has several style-forming elements: 45° beveled or cross out bowls, squared m and w arcs and other unobvious letter structures. Despite its unusual and sometimes odd (f, g, m) letterforms, Juxta Sans is fairly easy to read due to its monospace font nature and wide spacing. Juxta Sans Mono offers great customization potential. It has two sets of stylistic alternates — [salt] makes a letter underscored, but keep it in line, [ss01] replaces some of the glyphs with different letterforms. The [case] function automatically adjusts the height of the punctuation marks to the neighbor letter and [onum] is a set of old style numbers. Juxta Sans Mono also has subscript and superscript features, but they are utilized a bit unconventionally — if you want to customize your logo or headline, you can make a glyph superscript and the one next to it subscript and they automatically kern into one letter width. You can see examples of using these features in the presentation. Juxta Sans Mono is available in 8 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold and Black. It extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin, Afrikaans, and Basic Cyrillic.

Burford Rustic is the weathered and textured alternative to the Burford Family. It works the same way as Burford as a layer-based font family, but with some style variations and new layering options. It includes 20 font files, starting with four texture variations from Black, Bold, Light to Ultralight. It also includes and Outline and two Inline Weights. Additionally it offers three line weights (light, medium and bold) for top layering options. There are two extruded fonts and two drop shadow fonts, all either in a solo version and set with Burford Rustic Black for users not using Opentype programs. For users that have Opentype programs, such as Adobe Illustrator, Photoshop, InDesign, Microsoft Publisher and Quark, each font also comes with a set of Stylistic Alternatives for letters A C E F G H P Q R. There are two versions of each letter, and by using contextual alternatives, no two letters next to each other will be the same. Burford Rustic Basic package is created for users who don’t have access to programs with Opentype capabilities and are unable to use the layering effect. Burford Rustic can still be a powerful tool as each font can also be used on it’s own. It includes every font file not needed for the layering effect. The Burford Rustic Ornaments uses all basic keyboard characters - around 100 total elements per set. They are designed to go specifically with Burford Rustic and use the same textured edge. The set includes: banners, borders, corners, arrows, line breaks, catchwords, anchors and many more!

Blackfriars, a Victorian-era release from the Stephenson Blake Type Foundry, provided the basis for this rough-hewn gem. Slightly clumsy yet eager to please, this typeface adds a cheerful warmth to any project it graces. The PC PostScript, TrueType and OpenType versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Online auctions offer a myriad of unique, vintage and novel lettering devices – all which are fertile ground for typographic inspiration. In this instance, a set of stamped metal letters for outdoor signage was the basis for Stamped Metal JNL. Some of the non-traditional letter weights makes these simple block letters a wonderful change of pace for bold, attention-getting headlines.

Icing is a font based on a naive, illustrated handwriting that can be used on a daily basis. It is a delicate, handwritten front with a somewhat masculine feel which mimics the natural stroke of pointed pen calligraphy. Icing embodies a folksy feel that brings true character to any design. Purchase it together with its extended family Frosted in our Winter Mix Package!

Rudolf typeface was designed on the basis of medals made by author's grandfather, the sculptor Rudolf Rogatty. He used lettering that was very typical of monuments, medals and commemorative plaques during communist times in Poland, which can still be seen today in any Polish city. These letters are beautiful for their imperfection and they have very strictly defined rules governing their structure.

An old brass stencil of the word 'large' was spotted for sale in an online auction. What set it apart from many other vintage stencil items was the beautiful, hand-punched Western letters with a diamond-shape center. Those five letters served as the basis for Old Chisholm JNL, which retains the look and hand-made charm of the original metal stencil.

A 1940s-era book from the U.S. Army Corps of Engineers entitled "Topographic Drafting" features a page for "lettering construction and spacing" in the process of map making. The letters and numbers were formed on grids using that mechanical drafting process for uniformity in stroke width. This was the basis for Topographic Sans JNL, which is available in both regular and oblique versions.

Arthaus is a typeface family inspired by Herbert Bayer letter study for an universal alphabet, this version is built on a rigorous geometrical basis as originally planned by this master of the Bauhaus in 1927. Arthaus comes in 4 weights and one outline version. Ideal for creating posters and brands is a treat for anyone who deals with graphic design.

The title card for the 1938 screwball comedy "Four's a Crowd" (starring Errol Flynn, Olivia de Havilland and Rosalind Russell) offered a classic, thin Art Deco type design with stylized letter forms. This is the basis for Society Column JNL; which derives its name from the newspaper columns popularized in that era detailing the whereabouts of the "upper crust" of society.

At the apex of the 1960s-70s Hippie movement, San Franscisco's Haight-Ashbury district was the epicenter of the Love Generation, and the Fillmore (East and West) were the city's musical venues. Inspired by a 1970 concert poster, the Art Nouveau influence was strongly felt in the hand lettering from that poster, which is the basis for Flower Children JNL.

An early 20th-Century French lettering book displayed at an online image sharing site stood out with a hand-lettered version of a classic Victorian font. The lettering - a spur serif top and a split serif (or "Western-style") bottom is the basis for Jeff Levine's Les Folies JNL. All of the nuances and idiosyncracies of hand-lettering are left intact.

«Fluse» is an accidental sans-serif font. It has an angular design but smooth and sleek shapes. The font is suitable for both active titles and medium-sized texts. It can also be an accent in a poster or the basis of a corporate identity. Fluse supportsBasic Latin, Cyrillic and more than 100 languages all together. The font was designed by Viktor Pesotsky.

Lenga is a kind of beech originally from South America. The explorers who discovered this beech in Tierra del Fuego, thought it looked like a tree from their home country and named it 'Lenga'. Like many of southern hemisphere beeches, the Lenga beech is fast growing and hardy, making it an ideal timber tree. It regenerates easily after fires. The wood has good quality, moderate durable, and easy to work. The Lenga fonts were inspired in the nobility, robustness and flexibility of those trees. They have a distinctive personality within contemporary atmosphere. These fonts are quite appropriate for headlines, subheadings and with its text flow works very well for long texts. Their legibility is suitable for editorial purposes mainly in newspapers and magazines. Lenga comes in 16 styles carefully done in OpenType format. All styles contain standard and discretional ligatures, proportional lining figures, lining old style figures, scientific superior/inferior figures. The complete set supports Western European, Central and Eastern European languages.

IMPORTANT: This is the VARIABLE VERSION of PG GROTESQUE This is my interpretation of Edel Grotesk – a “lost typeface” from circa 1914 produced by Johannes Wagner GmbH of Ingolstadt, Germany. PG Grotesque is definitely not a revival, or even a faithful reproduction of that typeface as I was unable to source enough accurate references. What I have done is take the essence and unique characteristics of that typeface and brought this forgotten gem right into the 21st century. This variable version includes 99 instances spread across 9 weights and 6 widths with the ability fine tune the width, weight, and italic angle to your exact preference. Distinctive features include high-waisted capitals, a straight-legged capital ‘R’, and flattened arches in the ‘a’ and ‘g’ glyphs. Using PG Grotesque will give your typography a distinctly retro feel with its vintage heritage inherent in every character. You will find this is an incredibly versatile typeface with added value from its extensive language coverage along with small caps availability at the click of a button. PG Grotesque will prove to be a valuable asset in your type arsenal. See full details and hi-res images at https://paulogoode.com/pg-grotesque

Circe Rounded is an extension for a popular Circe typeface, with rounded terminals. Bold and ExtraBold faces have two variants with different radius of the roundings. Circe Rounded is even more friendly than the original Circe. The typeface is designed by Alexandra Korolkova and Alexander Lubovenko and released by ParaType in 2015. It is known that the Circe typeface is distinguished by mild and humanist nature being formally a geometric sans-serif. However, as an experiment we decided to make it even softer: Circe now has a version with rounded terminals — Circe Rounded. Rounding is generally regarded as a mechanical operation, but in this case a lot of manual adjustment was needed because of the humanist nature and peculiarities of type design. Moreover, the two bold styles now have two options: a basic one is slightly rounded and an alternate one is fully rounded. In Circe Rounded we decided to dismiss characters with swashes that are rather inappropriate in such a rounded font, but the stylistic sets and alternate characters are remaining. Rounded terminals make an open and friendly typeface even more childish. For example, in quite large point sizes (because the x-height is still not big) it can be used as a body type in infant books. Circe Rounded, similar to Circe, has alternative forms of lowercase characters, which are called “infant” and are used in publications for children’s reading. However, a humanist basis is preserved alongside with its softness and it does not allow it to be as “plasticine” as many other rounded fonts. Two of the most obvious areas of possible application of Circe Rounded are everything for children and everything edible, especially all that is sweet and puff. However, we believe that there are other options.

Aegypti 7 is a digital revival of Font No.7 or Egyptian Narrow - a Soviet display face cast for hand composition. I settled on the 12pt version as a basis for my digital version, as larger sizes added too much contrast to an otherwise quite orderly slab serif. The Soviet Font No.7 itself was based on an older Semi-Egyptian narrow cut before the revolution.

Sheet music featuring a song from the 1933 film "Torch Singer" starring Claudette Colbert was the basis for Dine and Dance JNL. A multi-line Art Deco design, it epitomizes both the typographic style and the night life of the time, when supper clubs featuring big bands were at their peak. Torch Singers were female vocalists who typically sang melancholy love songs of lost love and heartbreak.

A number of pieces of antique sheet music utilizing the same Roman typeface were the inspirational basis for Musical Score JNL. This antique design closely resembles pen lettering and its hand-made charm due to the rounded stroke ends and varying character widths. Informal, yet attractive - the character design evokes the feeling of the turn of the previous century and simplicity of life at that time.

When creating the font, I was inspired by the various names of musical groups and sci-fi movies. I took the hourglass shape as a basis and added various serifs to it, hence the name of my font appeared - Klepsydra, as in the Greek hourglass. This style has an abbreviation - "Z". I will develop this font family and will add new styles, as well as characters.

All three fonts - Dropout, Rough Diamond and Thorny, evolved from experimenting with a cubic template devised as the basis for a retro display type series titled ‘Flashback’. I experimented with numerous shapes initially to see which forms lent themselves best to the negative spaces forming the characters. Although many interesting variants are possible within this context, these three were resolved best out of the several options tried.

A little ditty from France circa the 1940s called "J'ai Rêvé Dans Tes Bras" (which loosely translated means "I've Dreamed in Your Arms") offered up its title hand lettered in an interesting Art Deco sans. This formed the basis for French Pastry JNL, a tasty typographical tidbit further preserving the wide choice of lettering styles hand-crafted for popular sheet music of past decades.

Liturgisch was created by Otto Hupp for Klingspor foundry in 1906. The basis of this font is a publication in the magazine "Das Plakat" of October 1921. The font contains contextual alternates, ligatures, discretional ligatures for use in German, ornamental bullets and other OpenType features. It supports all the European languages using Latin alphabets (including slashed S and slashed longs used in Latvian old orthography till 1930s).

A title card with cast credits for the 1935 movie “The Whole Town’s Talking” (starring Edward G. Robinson and Jean Arthur) formed the basis for People Talk JNL. The hand lettered names were done in a slightly condensed slab serif – mostly rectangular in shape with rounded corners. A few characters take on their own unique appearance. People Talk JNL is available in both regular and oblique versions.

A group of unique metal plates with stencil initials cut into them was spotted while browsing through online auctions for source material. What made these items even more interesting was how some of the stencil letters had been sectionally divided - not vertically or horizontally as in most stencils, but lines cut at angles. This is the basis for Steel Stencil JNL and Steel Stencil Oblique JNL.

Grow your imagination, this font is for you. Skillwize is a bold and fun typeface. This playful, thick font is perfect for your next design project. It will give you the personality you've been looking for. Skillwize is fresh, creative and has a little bit of everything: it's casual, yet serious; soft yet hard; and made for everyone. Use Skillwize for product packaging, posters, newsletters, invitations, blog posts, headlines - any design where you want to stand out with your creativity. Try it out today! So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations, works on PC & Mac Thank You. We hope you enjoy our fonts.

Introducing Lucky Change Font - A Brand New Serif Font with Classy and Premium Shape, More Opentype Feature, more neat curves Lucky Change Font Inspired by Simply and Luxury Typography. Lucky Change Font is a very versatile font. you can use this font to various design. Basics can improve more than 200 alternates character where can collaborate with premade logos and vector pack WHAT'S YOU GET ? Unique Letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! Fully accessible without additional design software. I really hope you'll get pleasure using Kagnue font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you! Happy Creating.

Rapidly is a stylish signature script typeface - A new, fashionable and super cool handwritten script font that makes your product look even more attractive, of course. Rapidly is made as closely as possible with a handwritten script to make it look more natural and suitable for application in any media. Rapidly is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste. Files Include : Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multi-language Support Thanks and have a wonderful day, If you have any questions, please get in touch with us Don't forget to check out our other products.

Introducing NEWGATE, a trendy font that is both retro and contemporary, is now available. Its thick curves give it a 70s groovy vibe, while the serifs return it to tradition. NEWGATE fits right in with those vintage moodboards and logos. It has separate lower and uppercase letters, as well as numbers, punctuation, and multilingual letters. The Ligature fonts will come in handy for anything your imagination can dream up! 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it. Check out Leonardo Sans which is a great pair for Newgate.