Parker, named after Dorothy Parker, is also available as part of the Algonquin Collection at a special price. Six font families inspired by the great wits of the Algonquin Round Table. Buy all six and get two free!

Shipping Carton JNL was modeled from vintage bands of rubber type used on a special rotary marking stamp (similar to an office date stamp); generally used for identifying cartons and boxes of merchandise for shipment or product identification.

Appetite Pro Rounded is an extension of the world wide popular display fonts Appetite Pro (2016) and Appetite Rounded (2011). Appetite Pro Rounded consists of 10 weights — 5 regular and 5 italic — from Light to Heavy. It’s a multilingual and international rounded font, with a full western latin, cyrilyc (russian, belarusian, ukrainian) and basic Greek support. Appetite Pro Rounded font family special designed made in addition for Appetite Pro. Due to the 10 weights rounded font and 10 weights normal weights palette you can solve a wide variety of professional problems without spending money on extra fonts for titles, sub-titles and main text.

"It's all about Soul!" – Strong, decided and edgy. The Americane super family is inspired by the old wood type specimen books. Delivering some glorious vibes of the handcrafted values from the pioneers AND keeping one eye on todays demands and technology, Americane is made for high professional use. Americane & Americane Condensed is a super family of 24 fonts in total – a normal and a condensed width in six weights with matching italics. Made for complex, professional typography, the OpenType fonts feature five variations of numerals, alternate letters, arrows and an extended character set to support Central and Eastern European as well as Western European languages.

Francker is a sans-serif, based on clean and simple design principles that betray its Danish origin. Its curves are based on the “super ellipse”, a mathematical shape about half-way between an ellipse and a rectangle. Francker’s lowercase lettershapes a, b, n, and u, have no spurs, emphasizing the simplicity of their construction. The Francker family is available in two widths, normal and condensed, each in nine weights, from extra light to extra black. Use Francker for signage, posters, magazines, advertisements, or corporate identity projects—wherever an industrial, contemporary look is needed. The Francker type was developed and designed by Anders Francker, an engineer and designer living in Denmark.

“It’s all about Soul!” – Strong, decided and edgy. The Americane super family is inspired by the old wood type specimen books. Delivering some glorious vibes of the handcrafted values from the pioneers AND keeping one eye on todays demands and technology, Americane is made for high professional use. Americane Condensed & Americane is a super family of 24 fonts in total – a normal and a condensed width in six weights with matching italics. Made for complex, professional typography, the OpenType fonts feature five variations of numerals, alternate letters, arrows and an extended character set to support Central and Eastern European as well as Western European languages.

Every day we are faced with designing on small screens and new formats; This is where condensed fonts have great potential, as they make the most of tight spaces in big headlines. Manchester Condensed is a typeface family designed by Vástago to be applied in large headlines in different formats, such as web, editorial or packaging. Just to mention a few. Different Manchester weights enhance performance at large type sizes, providing hierarchy and imposing style with its elongated shapes. Its use in capital letters is remarkable and fits perfectly into very precise diagramming spaces.

Print Shop Stencil JNL was created from the few letters spotted on the packaging of a 1960s-era toy printing press set.

DoodleBat Journal Doodles includes several boxes perfect for writing down a secret journals entry or scribbling down a favorite quote or idea.

A linear modern typeface suited for branding & advertising projects. The variations in weight give great contrast when used across body copy & headlines.

Based on the writing used by the Copts in ancient Egypt, the font includes alphabet and numeral symbols. NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Geometric Patterns JNL offers a large and varied assortment of interesting design variations in a 'tiled' (square) format that can be adapted to spot embellishments, running borders or repetitive patterns.

Four years of development imbue Neue June with its uniquely crafted high x-height, enabling designers to literally and figuratively elevate layout designs. In today’s highly competitive brand marketplace, readability across communication platforms and memorability go hand in hand towards target audience retention. Neue June comes in six weights, from elegant thin to full-bodied emphatic bold, plus italics. You’ll find a robust selection of highly refined multilingual glyphs. In addition to a suite of ligatures, there are a number of extra characters, such as the estimated symbol, the number sign, and directional arrows. When the creative direction calls for sophisticated and memorable tactics—leverage the versatile 385 glyph count for big messages and easily consumable body copy.

Holgada font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a geometric sans serif typeface with refined rounded endings that provide a soft and friendly appearance. Its generic shapes make it suitable for any kind of project, text length and size. Thanks to its clear legibility, it can be used in long body texts in very small sizes, in big size headlines and everything in between. The rounded endings not only provide a particular softness when used in body text, but also a distinctive touch when used in display situations such as logos and headlines. Holgada consists of 12 styles, each containing small caps and glyph coverage for several languages.

Isle Headline is a high-quality serif typeface family, drawn by Måns Grebäck during 2018 and 2019. It is a sharp font with a clear and attentive look, adapted for headlines, titles and large type settings. It comes in four weights, each one as italic, totaling in eight styles: Light and Light Italic, Medium and Medium Italic, Bold and Bold Italic, Black and Black Italic. The font family can be used in a combination with a font of a different style, or together with its sister font Isle Body, also a serif font, which has the same basic structure but with a softer look and adapted for body text and smaller type. Each style contains ligatures and support for a wide range of languages.

The first release of XLaserTrain, a toy train font, was constructed by taking bits from the four LetterTrain fonts. Version 2, released in late 2010, added a great many cars with holiday and party themes. The bold version has smoke over the cars and you may have to adjust line spacing (leading) to have it display properly.

Caravela is a decorative formal typeface. It was designed, drawn and realized by Mans Greback in 2020. Inspired by 17th century typographic works, this work lifts some of the absolute best elements from the golden age of calligraphic lettering, bringing it to life in a new, modern setting. The fusion results in a typeface that works perfectly for a present day headline, logotype or invitation, while keeping the traditions and formality inherited from history. It contains several alternate alphabets, a great set of ligatures and hundreds of contextual functions, which combined make the writing appear as a true handpainted piece of art. Swashes can be accessed by writing swash1, swash2, swash3 etc. Also included is the Caravela Swash style, a font that contains more than 50 decorative elements to be used with the lettering for an even greater visual effect. It has a very extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

ITC Johann Sparkling is the work of Austrian designer Viktor Solt, a perfect imitation of the handwriting of an educated person of the 18th century. ITC Johann Sparkling is intended to close the gap between highly formal copperplate scripts and the scribbled look of 'true' handwriting," says Solt. "I am not very interested in highly formal and perfect calligraphy, but rather in quick, personal-looking scripts. Usually I start with some historical samples in mind, but I do not try to copy these sources. Instead, I incorporate them into my own handwriting. It takes up to two weeks, and many sheet of paper, before the respective script becomes my own. Of course, this would not be an economic approach for individual lettering jobs, but I can conserve the custom script for future use by digitizing it." ITC Johann Sparkling should be used in fairly large point sizes and its capitals only as initials.

My first font for the summer of 2009, Abrect is a new sans serif font where I try to maximize the x-height and keep the design fresh and personal. It fits in with my continuing objective of designing book fonts that I can really use. Abrect is a tangent for me just taking an idea out to its end. In particular, it is a radical modification of my first font in 1993, Nuevo Litho. The hand-drawn shapes vary a lot, many pushing the boundaries of the normal character. With many of the new releases I see, the digital perfection is getting pretty extreme. It’s looking like a Rococo stage of development for many with decoration taking over from function. I'm consciously trying to head a different direction. This is not a normal font for me in that it has caps, lowercase, with the appropriate figures for each case, no small caps. This is the first time I have skipped small caps in over a decade. This font has all the OpenType features in the display set for 2009 except for the small caps. There are several ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more and many of them are experimental in form. Enjoy!

Rabo is a modernist duality linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures, fractions and alternatives(supported by Illustrator, Photoshop & InDesign) provided in opentype .otf and .woff format.

Black Vosten is a textured brush font with a contemporary design style. Made with a brush on paper, then scanned and carefully drawn into vector format. It has a charming, authentic and relaxed feeling and is perfect for adding a natural touch to your design. Fall in love with unique and authentic letters!

Introducing Triorange, a retro display font with rounded and smooth corner. Comes with 3 weight : Regular, Medium, and Bold. Simple letter form make this font looks nice either in body text or headline. Perfect for logo, branding, surface design, editorial design, and so many design needs.

Funboo is a horror-themed font, the shape of the letter resembles a ghost image but still funny. This font is suitable for Halloween decoration and design with a horror theme and can be applied to various media according to your wishes. stay cute and boo!!! ..... Thanks ....

BARKLEY is a messy pencil drawn display font. It has over 200 glyphs and several variations on the standard alphabet and those extra pesky foreign features. I wanted it to look messy and rough but also with a little heart. Buy it, I know I might.

A full character set derived from an enamel hand painted sign on the Whitehouse lawn that contained the magic set of 9 characters or enough rudimentray styles elements to derive a complete character set. It's very round and boxy and is great for display and signage.

Kab has a big impact, is very legible and at the same time has plenty of details that makes it really unique. Perfect for headers and display, it also can be used at smaller sizes and even as a body text with great results. Complete character set.

Sagitha Serif attracts such a subtle, clean, feminine, sensual, glamorous, simple and very readable typeface. The classic style is perfect to apply in various formal forms such as invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels Sagitha Serif also features a strong neoclassical serif typeface with high contrast, cool, stylish and unique look with alternative fonts, Ligatures, and multilingual support

Univerza Sans was developed to mark the hundredth anniversery of University of Ljubljana. The style is influenced by the combination of Slovenian avantgarde with some recognizable forms that are known for Slovenian typography. Multifunctional use for identity system, formal communication, wayfinding, academic and scientific articles in order to share the institution’s spirit of knowledge, creativity, diversity and belonging. It speaks Central European languages, feels official but looks attractive and recognizable.

Makeads, a typeface exuding subtle authority, brings a touch of seriousness to the creative palette. Rooted in the foundations of Bauhaus aesthetics, this font effortlessly balances boldness and sophistication. The supertight kerning and unique texture contrast strike an air of balance between formal and casual, making it an ideal choice for projects that demand a touch of gravitas. Makeads is the silent powerhouse that commands attention without raising its voice.

Bo Berndal, the master Swedish typographer, is the eponymous designer of Berndal, a contemporary text family with five different styles. This family represents a new achievement for Bo Berndal, who has spent many years working to optimize text legibility in the printed media. Several small tricks make the Berndal family an interesting milestone in legibility. Berndal's letterforms contain large x-heights. Large x-heights open up the counterforms of letters, making text appear lighter on a page, but their correspondingly shorter ascenders and descenders can hinder legibility. This does not occur in Berndal at all! Coupled with this experiment, Berndal's various font weights display a certain softness and roundness. The letterforms themselves are relatively wide, with an overall consistency in width. The calligraphic nature of the strokes has been minimized, yet a contrast stroke-thickness is still to be noticed within the alphabet. Berndal's five styles offer almost everything that one could want from a good text family. The Regular weight may be paired with Small Caps, Italic, Bold, and Bold Italic. All styles ship in the OpenType format, and include tabular and old style figures. The two italic weights are made up of true italics, not obliques. The Berndal family is a part of the Take Type 5 collection from Linotype GmbH."

Salinas imitates a friendly and warm handwritten typeface. Its particular feeling is achieved thanks to several character variations, which can automatically alternate between three different (and complete) sets of characters, giving the font the proper character of hand writing, mixing: height, weight and inclination. Through its opentype programming, Salinas generates multiple character changes in the text, without losing its surprising legibility in various sizes. The added gestural strokes for titles enriches the spectrum of variants and versatility. Itís ideal for countless pieces of design that require warmth and spontaneity.

Get ready for a font revolution with the Bllum SVG script color font family. This is a unique calligraphic color font. Writing immediately with 3D realistic letters is now real. Create a stunning visual effect. Features: - Real Plastic effect - Extras & ligatures - Alternates characters - Kerning IMPORTANT: - Check the glyphs in the font before buying! - SVG fonts contain raster letters. - Check it www.colorfonts.wtf - Try a FREE DEMO version before buying. ld.luxfont@gmail.com

The design of Kette evolved from searching new ways to make cool and semi-formal type. Study of aspects of legibility was part of the process when designing Kette. It suits posters, slogans. Condensed, Regular and Extended styles of Kette allow fitting variable long text in headlines retaining the style and feel of the original design. This Pro font is packed with all European and Cyrillic alphabets, small caps, variable figure sets and features.

Fondamento and Fondamento Italic are calligraphic lettering styles based on the traditional Foundational Hand, a basic teaching style created by Edward Johnston in the early 20th century. The letterforms are clear and cleanly legible, basic and formal. Opentype features include: - Stylistic Alternates for a collection of alternate Small Caps - Full set of Inferiors and Superiors for limitless fractions - Lining and Proportional figure sets, several discretionary ligatures/alternates as well as a collection of ligatures.