Try Cheldro, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Avocado is handwritten font. It's very suitable for the fashion industry and culinary. This font is crazy but readable, so it can be used for large amounts of text.

Introducing Bargo - Sans Serif 3 Styles by Look Minus Today. Behind these 3 styles, we want to combine a typeface that can provide a different perspective. Regular which gives

Molly Lips, a monoline handwritten font. Molly Lips can be used for brand identity, wedding invitations and wedding calligraphy, feminine or organic logos, small business branding, packaging, and more!

GHEA Warm Font is a non-serif style text, tytle and Display typeface. It has two weights- SemiBold and SemiBold Italic. The font is very elegant and easily readable.

PT Baroque Borders A is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressive greeting cards, wedding invitations or decorative certificates.

FG Muriel is an all-caps font with different letters for caps and lowercase which can be combined to make it look like true handwriting. I love this font!

"French Flair" is our latest font pair! With a graceful decorative serif and contrasting light and crisp italic, French Flair duo can be handy in any trending design project.

Riceball is a clean, cute, and adaptable handwritten font that can be used for various designs! Its authentic vibe will add a personal and realistic feel to your designs.

PT Baroque Borders B is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressed greeting cards, wedding-greetings or decorative certificates.

Kidzhood represent the characters as funny and flexible, just like childish characters can be. Kidzhood equipped with cute letter form and some attractive ligatures, giving it a playful feeling.

This quirky font features tons of personality in curls and swirls. Use it for titles & small snippets of text. (Don't try turning a term paper written in this font!)

Ufaira is an original handwritten font that can be used in various needs of the network such as screen printing of clothes, posters, films, magazines, banners, books, and more!

Mono Tamene is a cute and fun display font. You can use it for crafts, digital designs, presentations, or anything else, this font has a unique and friendly feel

Paula is a non-joining rough brush script with traces of the brush's backstroke that give it that typical look. Paula is an open script with very good readability.

Insects is a collection of insects, arachnids and other little creatures. You can find spiders, scorpions, flies, ants, bugs, butterflies, mosquitos and other little beings all designed with accuracy.

Mollandia is a romantic typefaces. bold, elegant & fun vintage script font. Can be used for various purposes.such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges etc.

Interboro JNL is based on the serif lettering found on an old E-Z Letter lettering guide.

❧ Useful links: Luther’s Manuscripts at the UNESCO Memory of the World at Google Arts and Culture Martin Luther font on Kickstarter (with Film about the creation) Each letter of the Martin Luther font is strictly based on original samples found in Martin Luther’s 500 year old handwritten manuscripts. Letters that occur more often for example vowels have two or more different versions stored in the font. (➶ Figure 4) These alternative forms are exchanged automatically by the font as you type, and create a vivid look that comes close to actual handwriting. The font avoids that two identical letters are placed next to each other like, for example the two “o” in the word “look”. ➸ What Historic Sources is the Font based on? Two historic documents were used to base the font on. The notes Luther took before giving his speech in Worms in 1521 and a 6 page letter he wrote immediately after to Emperor Charles V., summarising his speech (➶ Figure 2). Both documents have been added to the UNESCO “Memory of the World” and can be seen at the Google Arts and Culture website. ➸ The Creation of a Handwriting Font The creation of a handwriting font is very different from the creation of a regular font. Harald Geisler has specialised in recreating handwriting in preceding projects with Albert Einstein’s, Sigmund Freud’s and his own handwriting. His experience working with Archives and Museums has gone into this project. First Geisler analyses the movement in the writing to understand how each letter is drawn. This involves partially learning how to write like a person. In this process not the outlines of the sample are reproduced but the original movement path of the handwriting (➶ Figure 3). In a second step width and contrast is added to reproduce Martin Luther’s characteristic impetus and the writing tools used at the time. (Link: Youtube Playlist showcasing the creation of individual letters) How about signs that can’t be found in archives? Some Glyphs can not be found in 500 year old manuscripts, for example the @-sign. Towards the end of the creation one collects a profund amount of details about how a writer moves on paper and addresses certain tasks moving the pen. Keeping this knowledge in mind an improvisation can be based on similar letter forms. For example the @ sign is based on of the movement of a lowercase a and parenthesis. ➸ Features of the Martin Luther font ❶ Extensive Documentation of the creation of the font, including high quality reproduction of the used manuscripts. ❷ Additional texts from Historian Dr. Henning Jürgens and Palaeographer (and Luther handwriting expert) Prof. Ulrich Bubenheimer ❸ Alternating Letters - in handwriting every word looks a bit different. To avoid that two identical letterforms are placed next to each other (for example in the word look) the font actively changes between different versions of letters as you type. ❹ Ligatures - characteristic writing forms when two letters are combined (for example “ct”) (➶ Figure 5) ❺ Terminal Letterforms - renders a special letterform when letter is at the end of a word. (➶ Figure 8) ❻ ‘’’Initial and Medial Letterforms''' - some letterforms are different when placed in the beginning or middle of a word, for example the lowercase s. ❼ Luther Rose - is a seal Luther used to authorise his correspondence. Today it is a widely recognized symbol for Luther. When you enter the numbers of Luthers year of birth and death 14831546 using the Martin Luther PRO font, it will render a stylised version of the Luther Rose. (➶ Figure 7) ❽ Historic letter-forms - letter-forms that are specific to medieval writing around 1500. For example the long-s or h with a loop at the bottom. (➶ Figure 6) ⚑ Multi language support - see the technical information tab for a full list of supported languages. (➶ Figure 11) ➸ The different Styles explained ❋ Martin Luther PRO - this includes all features listed above and is geared towards writing texts that are more readable today. It features alternating letters to create a natural handwriting look as well as two stylistic sets accessible through the OpenType menu. Historic forms are available through the glyph picker. ❋ Martin Luther Historic - this font creates a historically correct reproduction (i.e. with long-s) of Luther’s medieval latin handwriting. It features alternating letters to create a natural handwriting look as well as two stylistic sets accessible through the OpenType menu. ❋ Martin Luther Expert-1 - Dedicated access to the first set of letters only. ❋ Martin Luther Expert-2 - Dedicated access to the second set of letters only. ❈❈❈ Family Pack - recieve all fonts at a discounted price. ❈❈❈ ➸ Kickstarter The creation and development of the Martin Luther font was financed by 500 supporters on ➸Kickstarter.

Welcome to the world of Zolasixx, an angular techno typeface inspired by the diagonal strokes and sharp angles of the iconic Zaxxon logo, bringing a retro, arcade-style aesthetic to your designs. With Zolasixx, you can unlock a whole new level of customization thanks to our interlocking letter combinations, which can be switched up using OpenType-savvy programs. This feature allows you to personalize the font and make it truly your own, creating a look that is both unique and professional. Zolasixx’s high-tech, harsh angularity will lend your message an aggressive technological voice that is sure to stand out from the crowd. But there’s also a whimsical sense of creativity to our font, giving you the perfect balance between playfulness and professionalism. Whether you’re designing a video game, a website, or a marketing campaign, Zolasixx is the perfect choice for anyone looking to make a bold statement. So why settle for boring, cliché fonts when you can take your designs to the next level with Zolasixx? Download it today and start creating! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

TT Bluescreens useful links: Specimen PDF | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org Meet the upgraded TT Bluescreens! TT Bluescreens is a geometric sans serif with narrow proportions. The font has a memorable character, while remaining neutral, so it can be used in various design projects. The range of possibilities of the updated TT Bluescreens has become much wider! Condensed styles with narrowed proportions have been added. The classic styles of TT Bluescreens are universal and suitable for setting both in headings and in text arrays. Condensed styles are intended for non-standard design solutions. In small sizes, they are perceived as if having a texture, thanks to which they can become part of packaging or poster design. In large size they look extraordinary, but they are highly readable and convey information well. Variable font now changes along 3 axes: weight, width and slant. Even more options for those who love variety. The character set of TT Bluescreens was expanded, and additional extended Cyrillic and Latin characters were added. Expanded character set. Each style has 874 characters. This is 253 characters more than it there were in the previous version. New currency signs, arrows, punctuation and fractions were added. Number of OpenType features increased from 18 to 31! The font has become even more functional and convenient thanks to a large number of ligatures, stylistic alternatives and localizations. The quality of the contours has become even higher, diacritics were improved. The updated TT Bluescreens is suitable for the design of covers and posters, it will look aesthetically pleasing in packaging design. It can be used in the design of titles and disclaimers. Condensed styles are preferably used in large size. The TT Bluescreens font has 37 styles: 9 upright and 9 italics of standard width, 9 upright and 9 italics in Condensed, 1 variable style. Each style contains 874 characters. The font has 31 OpenType features, including ligatures, stylistic sets, and localizations.

An unusual take on Art Deco "streamlined" alphabets is found in Farragut JNL from Jeff Levine. Over-extended serifs on some letters and elongated horizontal strokes on others make for a new approach to a traditional lettering style.

Twigglee was inspired by the hand lettering on the plates in a 19th century book on ornaments by Owen Jones. It has no lower-case letters; the upper-case letters are simply repeated on the lower-case keys.

Based on chalk board handwriting at one of my favourite drinking establishments, Charley Style is funky, and clean.

This is an industrial-style font with a strong and powerful presence, suitable for use in headings and slogans. It can be applied to industries such as factories and construction.

Start with the basic shapes that almost every design program has. That is, the square is like a finished material. Can be arranged, rotated to get the desired typeface easily.

Stencil in nature, Western in feel, this font has both form and function. Can be used as a retro design or in a setting where a stencil font is needed.

Amallthea is natural dry brush font. It can be used for various purposes such as logos, quotes, posters, playful lettering, clothing, and every other design which needs a unique touch.

Gabriel Auste is a beautiful and refined script font. It has a classy, elegant and modern look that can be used for logos, branding, cards who need a signature touch.

Moonlander, a modern bold and wide sans serif font.This clean and sharp typeface is inspired from the lively urban lifestyle and can be perfect as a headline, title, logo, branding.

Withered Leaves is Handwritten font. It has a elegant, and modern look which can be used for logos, branding, invitations, stationary, wedding designs, social media posts, and every other design.

Listingloves - new, fresh, funny, interesting, cute calligraphy font with two cute hearts that can be connected. It is suitable for greeting cards, branding materials, business cards, quotes, posters and more!

Ridvena is a handwritten font. It has an elegant and playful look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and so much more.

My son Konstantin needs a bold face for his bold recipes. So I made Konstantin Forte for him — and the rest of the world. Your bold family designer, Gert Wiescher.

Butter Paste is a handwritten font that blends perfectly and is perfect for your project. You can use it for logos, branding, greeting cards, t-shirts, cases, posters, and more.

Trafalgar Stencil JNL gets its inspiration from a set of lettering stencils manufactured by Reese and Sons in Great Britain during the 1950s as does its counterpart, British Stencil JNL.

Karl is a hand drawn font that comes in four different variations + four oblique versions. You can combine the different styles of the family to make variations to your design.

Qundart – simple handwritten font. Can be used in postcards, greetings, promotional banners. The font is cute and lightweight. Composition: Latin and Cyrillic (full set of symbols of the Ukrainian alphabet).

The channel letters in the neon sign for the iconic Clevelander Hotel located in the Art Deco district of Miami Beach was the inspiration and basis for Cleveland Neon JNL.

Geometric Patterns JNL offers a large and varied assortment of interesting design variations in a 'tiled' (square) format that can be adapted to spot embellishments, running borders or repetitive patterns.